Adapting the beat poets :: Burroughs, Ginsberg, and Kerouac on screen /
William S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-incl...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lanham :
Rowman & Littlefield,
[2016]
|
| Schriftenreihe: | Film and history (Lanham, Md.)
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | William S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-including Naked Lunch, Howl, and On the Road-and examines how these interpretations are linked to each other and how beat literature, which historically and artistically stakes itself on authenticity, can be significantly altered by such adaptations. |
| Beschreibung: | "The subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about Writing -- Mrs. & Mr. Cassady: Heart beat (1980) and The last time I committed suicide (1997) -- The many registers of Allen Ginsberg's Howl (2010) -- Jack Kerouac in the contemporary cultural stream: Walter Salles and Diego Rivera's On the road (2012) and Michael Polish's Big Sur (2013) -- Conclusion." |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781442273252 1442273259 |
Internformat
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| 100 | 1 | |a Prince, Michael J., |d 1958- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjC9dPJykHRTgmF8WMBCDC |0 http://id.loc.gov/authorities/names/no2016044087 | |
| 245 | 1 | 0 | |a Adapting the beat poets : |b Burroughs, Ginsberg, and Kerouac on screen / |c Michael J. Prince. |
| 264 | 1 | |a Lanham : |b Rowman & Littlefield, |c [2016] | |
| 300 | |a 1 online resource | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film and history | |
| 500 | |a "The subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about Writing -- Mrs. & Mr. Cassady: Heart beat (1980) and The last time I committed suicide (1997) -- The many registers of Allen Ginsberg's Howl (2010) -- Jack Kerouac in the contemporary cultural stream: Walter Salles and Diego Rivera's On the road (2012) and Michael Polish's Big Sur (2013) -- Conclusion." | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher. | |
| 505 | 0 | |a Introduction: the authenticity project(ion)--the beats, authenticity, and adaptation -- the subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about writing -- Mrs. & Mr. Cassady: Heart beat and The last time I committed suicide -- The many registers of Allen Ginsberg's Howl -- Jack Kerouac in the contemporary cultural stream: Walter Salles and José Rivera's On the road and Michael Polish's Big Sur -- Conclusion: beat authenticities and the iconic. | |
| 520 | |a William S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-including Naked Lunch, Howl, and On the Road-and examines how these interpretations are linked to each other and how beat literature, which historically and artistically stakes itself on authenticity, can be significantly altered by such adaptations. | ||
| 600 | 1 | 0 | |a Burroughs, William S., |d 1914-1997 |v Film adaptations. |
| 600 | 1 | 0 | |a Ginsberg, Allen, |d 1926-1997 |v Film adaptations. |
| 600 | 1 | 0 | |a Kerouac, Jack, |d 1922-1969 |v Film and video adaptations. |
| 600 | 1 | 7 | |a Burroughs, William S., |d 1914-1997 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJpjb6d6twh4vpWFxK6qcP |
| 600 | 1 | 7 | |a Ginsberg, Allen, |d 1926-1997 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJfrRTX4fMgXKRtMVGyyBP |
| 600 | 1 | 7 | |a Kerouac, Jack, |d 1922-1969 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md |
| 650 | 0 | |a American literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Beats (Persons) |0 http://id.loc.gov/authorities/subjects/sh88007452 | |
| 650 | 0 | |a American literature |v Film and video adaptations. | |
| 650 | 6 | |a Littérature américaine |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Beatniks. | |
| 650 | 7 | |a Beat generation. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a American literature |2 fast | |
| 650 | 7 | |a Beats (Persons) |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Film adaptations |2 fast | |
| 758 | |i has work: |a Adapting the beat poets (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGqv4KMWJfkMfvFm9hjCjP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Prince, Michael J., 1958- |t Adapting the beat poets. |d Lanham : Rowman & Littlefield, [2016] |z 9781442273245 |w (DLC) 2016020424 |
| 830 | 0 | |a Film and history (Lanham, Md.) |0 http://id.loc.gov/authorities/names/no2014013774 | |
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| 938 | |a cloudLibrary |b CLDL |n 9781442273252 | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn953525509 |
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| _version_ | 1829095074309341184 |
| adam_text | |
| any_adam_object | |
| author | Prince, Michael J., 1958- |
| author_GND | http://id.loc.gov/authorities/names/no2016044087 |
| author_facet | Prince, Michael J., 1958- |
| author_role | aut |
| author_sort | Prince, Michael J., 1958- |
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| callnumber-search | PS228.B6 |
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| callnumber-subject | PS - American Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: the authenticity project(ion)--the beats, authenticity, and adaptation -- the subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about writing -- Mrs. & Mr. Cassady: Heart beat and The last time I committed suicide -- The many registers of Allen Ginsberg's Howl -- Jack Kerouac in the contemporary cultural stream: Walter Salles and José Rivera's On the road and Michael Polish's Big Sur -- Conclusion: beat authenticities and the iconic. |
| ctrlnum | (OCoLC)953525509 |
| dewey-full | 791.43/75 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/75 |
| dewey-search | 791.43/75 |
| dewey-sort | 3791.43 275 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast Film adaptations fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. Film adaptations |
| id | ZDB-4-EBA-ocn953525509 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:43:14Z |
| institution | BVB |
| isbn | 9781442273252 1442273259 |
| language | English |
| lccn | 2016032002 |
| oclc_num | 953525509 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Rowman & Littlefield, |
| record_format | marc |
| series | Film and history (Lanham, Md.) |
| series2 | Film and history |
| spelling | Prince, Michael J., 1958- author. https://id.oclc.org/worldcat/entity/E39PCjC9dPJykHRTgmF8WMBCDC http://id.loc.gov/authorities/names/no2016044087 Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / Michael J. Prince. Lanham : Rowman & Littlefield, [2016] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and history "The subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about Writing -- Mrs. & Mr. Cassady: Heart beat (1980) and The last time I committed suicide (1997) -- The many registers of Allen Ginsberg's Howl (2010) -- Jack Kerouac in the contemporary cultural stream: Walter Salles and Diego Rivera's On the road (2012) and Michael Polish's Big Sur (2013) -- Conclusion." Includes bibliographical references and index. Print version record and CIP data provided by publisher. Introduction: the authenticity project(ion)--the beats, authenticity, and adaptation -- the subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about writing -- Mrs. & Mr. Cassady: Heart beat and The last time I committed suicide -- The many registers of Allen Ginsberg's Howl -- Jack Kerouac in the contemporary cultural stream: Walter Salles and José Rivera's On the road and Michael Polish's Big Sur -- Conclusion: beat authenticities and the iconic. William S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-including Naked Lunch, Howl, and On the Road-and examines how these interpretations are linked to each other and how beat literature, which historically and artistically stakes itself on authenticity, can be significantly altered by such adaptations. Burroughs, William S., 1914-1997 Film adaptations. Ginsberg, Allen, 1926-1997 Film adaptations. Kerouac, Jack, 1922-1969 Film and video adaptations. Burroughs, William S., 1914-1997 fast https://id.oclc.org/worldcat/entity/E39PBJpjb6d6twh4vpWFxK6qcP Ginsberg, Allen, 1926-1997 fast https://id.oclc.org/worldcat/entity/E39PBJfrRTX4fMgXKRtMVGyyBP Kerouac, Jack, 1922-1969 fast https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md American literature 20th century History and criticism. Beats (Persons) http://id.loc.gov/authorities/subjects/sh88007452 American literature Film and video adaptations. Littérature américaine 20e siècle Histoire et critique. Beatniks. Beat generation. aat PERFORMING ARTS Reference. bisacsh American literature fast Beats (Persons) fast 1900-1999 fast Electronic books. Criticism, interpretation, etc. fast Film adaptations fast has work: Adapting the beat poets (Text) https://id.oclc.org/worldcat/entity/E39PCGqv4KMWJfkMfvFm9hjCjP https://id.oclc.org/worldcat/ontology/hasWork Print version: Prince, Michael J., 1958- Adapting the beat poets. Lanham : Rowman & Littlefield, [2016] 9781442273245 (DLC) 2016020424 Film and history (Lanham, Md.) http://id.loc.gov/authorities/names/no2014013774 |
| spellingShingle | Prince, Michael J., 1958- Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / Film and history (Lanham, Md.) Introduction: the authenticity project(ion)--the beats, authenticity, and adaptation -- the subterraneans, or Arthur Freed's Beatnik musical -- Textural and lexical fidelities in the short film adaptations of William S. Burroughs: Towers open fire, The discipline of D.E., and The junky's Christmas -- David Cronenberg's Naked lunch: filming about writing -- Mrs. & Mr. Cassady: Heart beat and The last time I committed suicide -- The many registers of Allen Ginsberg's Howl -- Jack Kerouac in the contemporary cultural stream: Walter Salles and José Rivera's On the road and Michael Polish's Big Sur -- Conclusion: beat authenticities and the iconic. Burroughs, William S., 1914-1997 Film adaptations. Ginsberg, Allen, 1926-1997 Film adaptations. Kerouac, Jack, 1922-1969 Film and video adaptations. Burroughs, William S., 1914-1997 fast https://id.oclc.org/worldcat/entity/E39PBJpjb6d6twh4vpWFxK6qcP Ginsberg, Allen, 1926-1997 fast https://id.oclc.org/worldcat/entity/E39PBJfrRTX4fMgXKRtMVGyyBP Kerouac, Jack, 1922-1969 fast https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md American literature 20th century History and criticism. Beats (Persons) http://id.loc.gov/authorities/subjects/sh88007452 American literature Film and video adaptations. Littérature américaine 20e siècle Histoire et critique. Beatniks. Beat generation. aat PERFORMING ARTS Reference. bisacsh American literature fast Beats (Persons) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh88007452 |
| title | Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / |
| title_auth | Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / |
| title_exact_search | Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / |
| title_full | Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / Michael J. Prince. |
| title_fullStr | Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / Michael J. Prince. |
| title_full_unstemmed | Adapting the beat poets : Burroughs, Ginsberg, and Kerouac on screen / Michael J. Prince. |
| title_short | Adapting the beat poets : |
| title_sort | adapting the beat poets burroughs ginsberg and kerouac on screen |
| title_sub | Burroughs, Ginsberg, and Kerouac on screen / |
| topic | Burroughs, William S., 1914-1997 Film adaptations. Ginsberg, Allen, 1926-1997 Film adaptations. Kerouac, Jack, 1922-1969 Film and video adaptations. Burroughs, William S., 1914-1997 fast https://id.oclc.org/worldcat/entity/E39PBJpjb6d6twh4vpWFxK6qcP Ginsberg, Allen, 1926-1997 fast https://id.oclc.org/worldcat/entity/E39PBJfrRTX4fMgXKRtMVGyyBP Kerouac, Jack, 1922-1969 fast https://id.oclc.org/worldcat/entity/E39PBJgXbqRvMrX36TJ6XcT8md American literature 20th century History and criticism. Beats (Persons) http://id.loc.gov/authorities/subjects/sh88007452 American literature Film and video adaptations. Littérature américaine 20e siècle Histoire et critique. Beatniks. Beat generation. aat PERFORMING ARTS Reference. bisacsh American literature fast Beats (Persons) fast |
| topic_facet | Burroughs, William S., 1914-1997 Film adaptations. Ginsberg, Allen, 1926-1997 Film adaptations. Kerouac, Jack, 1922-1969 Film and video adaptations. Burroughs, William S., 1914-1997 Ginsberg, Allen, 1926-1997 Kerouac, Jack, 1922-1969 American literature 20th century History and criticism. Beats (Persons) American literature Film and video adaptations. Littérature américaine 20e siècle Histoire et critique. Beatniks. Beat generation. PERFORMING ARTS Reference. American literature Electronic books. Criticism, interpretation, etc. Film adaptations |
| work_keys_str_mv | AT princemichaelj adaptingthebeatpoetsburroughsginsbergandkerouaconscreen |