Reparative aesthetics :: witnessing in contemporary art photography /
"By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of critical...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.,
2016.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | "By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection."-- |
| Physical Description: | 1 online resource |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781472525758 1472525752 9781472534583 1472534581 |
Staff View
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn953197592 | ||
| 003 | OCoLC | ||
| 005 | 20250103110447.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 160707s2016 enk ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDXCP |d N$T |d EBLCP |d OCLCF |d CCO |d IDB |d Z5A |d CEF |d NLE |d UKMGB |d OCLCQ |d WYU |d YDX |d UKAHL |d OCLCQ |d QGK |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 016 | 7 | |a 017923323 |2 Uk | |
| 019 | |a 953658425 |a 965344333 | ||
| 020 | |a 9781472525758 |q (electronic bk.) | ||
| 020 | |a 1472525752 |q (electronic bk.) | ||
| 020 | |a 9781472534583 | ||
| 020 | |a 1472534581 | ||
| 020 | |z 9781472529787 | ||
| 035 | |a (OCoLC)953197592 |z (OCoLC)953658425 |z (OCoLC)965344333 | ||
| 037 | |a 9781472525758 |b CodeMantra | ||
| 050 | 4 | |a TR655 | |
| 072 | 7 | |a PHO |x 004000 |2 bisacsh | |
| 072 | 7 | |a PHO |x 011010 |2 bisacsh | |
| 072 | 7 | |a PHO |x 014000 |2 bisacsh | |
| 072 | 7 | |a PHO |x 023000 |2 bisacsh | |
| 082 | 7 | |a 779.092 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Best, Susan, |e author. |0 http://id.loc.gov/authorities/names/no2011187531 | |
| 245 | 1 | 0 | |a Reparative aesthetics : |b witnessing in contemporary art photography / |c Susan Best. |
| 264 | 1 | |a London : |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc., |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 21, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Illustrations; Acknowledgements; Introduction; 1 Guilt and Shame Current Debates in Affect Studies; The current debate: shame and anti-intentionalism; Leys and Sedgwick: points of convergence, psychoanalysis and affect theory; Guilt and shame about the past; 2 Witnessing Fever; Witnessing: from oral testimony to watching the news; Identification and non-identification; 3 Shame and the Convict Stain Anne Ferran's Lost to Worlds; What remains: the heritage of convict women. | |
| 505 | 8 | |a Lost to Worlds : shame, guilt and reparationAftermath images and witnessing; 4 Fiona Pardington Colonialism and Repair in the Southern Seas; Colonialism, postcolonialism and voyages to the Southern Seas; Presence, occluded vision and witnessing; Life aesthetics, mortuary aesthetics: reparation and the redemption of damaged life; 5 Rosângela Rennó' Little Stories of the Downtrodden and the Vanquished'; Immemorial : Brasília, capital of hope, cruel utopia; Corpo da Alma: pictures of people holding pictures; 6 Our Dark Side Milagros de la Torre's The Lost Steps. | |
| 505 | 8 | |a The testimony of objects: war and crime in a time of fearDark enlightenment: perversion, shame, shock; Conclusion; Notes; Bibliography; Index. | |
| 520 | |a "By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection."-- |c Provided by publisher | ||
| 650 | 0 | |a Photography, Artistic. |0 http://id.loc.gov/authorities/subjects/sh85101269 | |
| 650 | 6 | |a Photographie artistique. | |
| 650 | 7 | |a art photography. |2 aat | |
| 650 | 7 | |a Theory of art. |2 bicssc | |
| 650 | 7 | |a Philosophy. |2 bicssc | |
| 650 | 7 | |a Philosophy: aesthetics. |2 bicssc | |
| 650 | 7 | |a PHOTOGRAPHY |x Collections, Catalogs, Exhibitions |x General. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Individual Photographers |x Artists' Books. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Photoessays & Documentaries. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Subjects & Themes |x General. |2 bisacsh | |
| 650 | 7 | |a Photography, Artistic |2 fast | |
| 758 | |i has work: |a Reparative aesthetics (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFPJgc8b6HKyFPXWftyKMK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Best, Susan. |t Reparative Aesthetics : Witnessing in Contemporary Art Photography. |d London : Bloomsbury Publishing, ©2016 |z 9781472529787 |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1280075 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1280075 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH31286027 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH31287290 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4585036 | ||
| 938 | |a EBSCOhost |b EBSC |n 1280075 | ||
| 938 | |a YBP Library Services |b YANK |n 301694526 | ||
| 938 | |a YBP Library Services |b YANK |n 13068938 | ||
| 938 | |a YBP Library Services |b YANK |n 13064147 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Record in the Search Index
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn953197592 |
|---|---|
| _version_ | 1829095073603649536 |
| adam_text | |
| any_adam_object | |
| author | Best, Susan |
| author_GND | http://id.loc.gov/authorities/names/no2011187531 |
| author_facet | Best, Susan |
| author_role | aut |
| author_sort | Best, Susan |
| author_variant | s b sb |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | T - Technology |
| callnumber-label | TR655 |
| callnumber-raw | TR655 |
| callnumber-search | TR655 |
| callnumber-sort | TR 3655 |
| callnumber-subject | TR - Photography |
| collection | ZDB-4-EBA |
| contents | Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Illustrations; Acknowledgements; Introduction; 1 Guilt and Shame Current Debates in Affect Studies; The current debate: shame and anti-intentionalism; Leys and Sedgwick: points of convergence, psychoanalysis and affect theory; Guilt and shame about the past; 2 Witnessing Fever; Witnessing: from oral testimony to watching the news; Identification and non-identification; 3 Shame and the Convict Stain Anne Ferran's Lost to Worlds; What remains: the heritage of convict women. Lost to Worlds : shame, guilt and reparationAftermath images and witnessing; 4 Fiona Pardington Colonialism and Repair in the Southern Seas; Colonialism, postcolonialism and voyages to the Southern Seas; Presence, occluded vision and witnessing; Life aesthetics, mortuary aesthetics: reparation and the redemption of damaged life; 5 Rosângela Rennó' Little Stories of the Downtrodden and the Vanquished'; Immemorial : Brasília, capital of hope, cruel utopia; Corpo da Alma: pictures of people holding pictures; 6 Our Dark Side Milagros de la Torre's The Lost Steps. The testimony of objects: war and crime in a time of fearDark enlightenment: perversion, shame, shock; Conclusion; Notes; Bibliography; Index. |
| ctrlnum | (OCoLC)953197592 |
| dewey-full | 779.092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 779 - Photographic images |
| dewey-raw | 779.092 |
| dewey-search | 779.092 |
| dewey-sort | 3779.092 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05174cam a2200721 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn953197592</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20250103110447.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">160707s2016 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">CCO</subfield><subfield code="d">IDB</subfield><subfield code="d">Z5A</subfield><subfield code="d">CEF</subfield><subfield code="d">NLE</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">YDX</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">017923323</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">953658425</subfield><subfield code="a">965344333</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472525758</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1472525752</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472534583</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1472534581</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781472529787</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)953197592</subfield><subfield code="z">(OCoLC)953658425</subfield><subfield code="z">(OCoLC)965344333</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781472525758</subfield><subfield code="b">CodeMantra</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">TR655</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHO</subfield><subfield code="x">004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHO</subfield><subfield code="x">011010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHO</subfield><subfield code="x">014000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHO</subfield><subfield code="x">023000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">779.092</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Best, Susan,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2011187531</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reparative aesthetics :</subfield><subfield code="b">witnessing in contemporary art photography /</subfield><subfield code="c">Susan Best.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London :</subfield><subfield code="b">Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc.,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (EBSCO, viewed September 21, 2016).</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Illustrations; Acknowledgements; Introduction; 1 Guilt and Shame Current Debates in Affect Studies; The current debate: shame and anti-intentionalism; Leys and Sedgwick: points of convergence, psychoanalysis and affect theory; Guilt and shame about the past; 2 Witnessing Fever; Witnessing: from oral testimony to watching the news; Identification and non-identification; 3 Shame and the Convict Stain Anne Ferran's Lost to Worlds; What remains: the heritage of convict women.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Lost to Worlds : shame, guilt and reparationAftermath images and witnessing; 4 Fiona Pardington Colonialism and Repair in the Southern Seas; Colonialism, postcolonialism and voyages to the Southern Seas; Presence, occluded vision and witnessing; Life aesthetics, mortuary aesthetics: reparation and the redemption of damaged life; 5 Rosângela Rennó' Little Stories of the Downtrodden and the Vanquished'; Immemorial : Brasília, capital of hope, cruel utopia; Corpo da Alma: pictures of people holding pictures; 6 Our Dark Side Milagros de la Torre's The Lost Steps.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The testimony of objects: war and crime in a time of fearDark enlightenment: perversion, shame, shock; Conclusion; Notes; Bibliography; Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection."--</subfield><subfield code="c">Provided by publisher</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Photography, Artistic.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85101269</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Photographie artistique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">art photography.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theory of art.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Philosophy.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Philosophy: aesthetics.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHOTOGRAPHY</subfield><subfield code="x">Collections, Catalogs, Exhibitions</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHOTOGRAPHY</subfield><subfield code="x">Individual Photographers</subfield><subfield code="x">Artists' Books.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHOTOGRAPHY</subfield><subfield code="x">Photoessays & Documentaries.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHOTOGRAPHY</subfield><subfield code="x">Subjects & Themes</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Photography, Artistic</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Reparative aesthetics (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFPJgc8b6HKyFPXWftyKMK</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Best, Susan.</subfield><subfield code="t">Reparative Aesthetics : Witnessing in Contemporary Art Photography.</subfield><subfield code="d">London : Bloomsbury Publishing, ©2016</subfield><subfield code="z">9781472529787</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1280075</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1280075</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH31286027</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH31287290</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4585036</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1280075</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301694526</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13068938</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13064147</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocn953197592 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:43:13Z |
| institution | BVB |
| isbn | 9781472525758 1472525752 9781472534583 1472534581 |
| language | English |
| oclc_num | 953197592 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc., |
| record_format | marc |
| spelling | Best, Susan, author. http://id.loc.gov/authorities/names/no2011187531 Reparative aesthetics : witnessing in contemporary art photography / Susan Best. London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc., 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Online resource; title from PDF title page (EBSCO, viewed September 21, 2016). Includes bibliographical references and index. Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Illustrations; Acknowledgements; Introduction; 1 Guilt and Shame Current Debates in Affect Studies; The current debate: shame and anti-intentionalism; Leys and Sedgwick: points of convergence, psychoanalysis and affect theory; Guilt and shame about the past; 2 Witnessing Fever; Witnessing: from oral testimony to watching the news; Identification and non-identification; 3 Shame and the Convict Stain Anne Ferran's Lost to Worlds; What remains: the heritage of convict women. Lost to Worlds : shame, guilt and reparationAftermath images and witnessing; 4 Fiona Pardington Colonialism and Repair in the Southern Seas; Colonialism, postcolonialism and voyages to the Southern Seas; Presence, occluded vision and witnessing; Life aesthetics, mortuary aesthetics: reparation and the redemption of damaged life; 5 Rosângela Rennó' Little Stories of the Downtrodden and the Vanquished'; Immemorial : Brasília, capital of hope, cruel utopia; Corpo da Alma: pictures of people holding pictures; 6 Our Dark Side Milagros de la Torre's The Lost Steps. The testimony of objects: war and crime in a time of fearDark enlightenment: perversion, shame, shock; Conclusion; Notes; Bibliography; Index. "By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection."-- Provided by publisher Photography, Artistic. http://id.loc.gov/authorities/subjects/sh85101269 Photographie artistique. art photography. aat Theory of art. bicssc Philosophy. bicssc Philosophy: aesthetics. bicssc PHOTOGRAPHY Collections, Catalogs, Exhibitions General. bisacsh PHOTOGRAPHY Individual Photographers Artists' Books. bisacsh PHOTOGRAPHY Photoessays & Documentaries. bisacsh PHOTOGRAPHY Subjects & Themes General. bisacsh Photography, Artistic fast has work: Reparative aesthetics (Text) https://id.oclc.org/worldcat/entity/E39PCFPJgc8b6HKyFPXWftyKMK https://id.oclc.org/worldcat/ontology/hasWork Print version: Best, Susan. Reparative Aesthetics : Witnessing in Contemporary Art Photography. London : Bloomsbury Publishing, ©2016 9781472529787 |
| spellingShingle | Best, Susan Reparative aesthetics : witnessing in contemporary art photography / Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Illustrations; Acknowledgements; Introduction; 1 Guilt and Shame Current Debates in Affect Studies; The current debate: shame and anti-intentionalism; Leys and Sedgwick: points of convergence, psychoanalysis and affect theory; Guilt and shame about the past; 2 Witnessing Fever; Witnessing: from oral testimony to watching the news; Identification and non-identification; 3 Shame and the Convict Stain Anne Ferran's Lost to Worlds; What remains: the heritage of convict women. Lost to Worlds : shame, guilt and reparationAftermath images and witnessing; 4 Fiona Pardington Colonialism and Repair in the Southern Seas; Colonialism, postcolonialism and voyages to the Southern Seas; Presence, occluded vision and witnessing; Life aesthetics, mortuary aesthetics: reparation and the redemption of damaged life; 5 Rosângela Rennó' Little Stories of the Downtrodden and the Vanquished'; Immemorial : Brasília, capital of hope, cruel utopia; Corpo da Alma: pictures of people holding pictures; 6 Our Dark Side Milagros de la Torre's The Lost Steps. The testimony of objects: war and crime in a time of fearDark enlightenment: perversion, shame, shock; Conclusion; Notes; Bibliography; Index. Photography, Artistic. http://id.loc.gov/authorities/subjects/sh85101269 Photographie artistique. art photography. aat Theory of art. bicssc Philosophy. bicssc Philosophy: aesthetics. bicssc PHOTOGRAPHY Collections, Catalogs, Exhibitions General. bisacsh PHOTOGRAPHY Individual Photographers Artists' Books. bisacsh PHOTOGRAPHY Photoessays & Documentaries. bisacsh PHOTOGRAPHY Subjects & Themes General. bisacsh Photography, Artistic fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85101269 |
| title | Reparative aesthetics : witnessing in contemporary art photography / |
| title_auth | Reparative aesthetics : witnessing in contemporary art photography / |
| title_exact_search | Reparative aesthetics : witnessing in contemporary art photography / |
| title_full | Reparative aesthetics : witnessing in contemporary art photography / Susan Best. |
| title_fullStr | Reparative aesthetics : witnessing in contemporary art photography / Susan Best. |
| title_full_unstemmed | Reparative aesthetics : witnessing in contemporary art photography / Susan Best. |
| title_short | Reparative aesthetics : |
| title_sort | reparative aesthetics witnessing in contemporary art photography |
| title_sub | witnessing in contemporary art photography / |
| topic | Photography, Artistic. http://id.loc.gov/authorities/subjects/sh85101269 Photographie artistique. art photography. aat Theory of art. bicssc Philosophy. bicssc Philosophy: aesthetics. bicssc PHOTOGRAPHY Collections, Catalogs, Exhibitions General. bisacsh PHOTOGRAPHY Individual Photographers Artists' Books. bisacsh PHOTOGRAPHY Photoessays & Documentaries. bisacsh PHOTOGRAPHY Subjects & Themes General. bisacsh Photography, Artistic fast |
| topic_facet | Photography, Artistic. Photographie artistique. art photography. Theory of art. Philosophy. Philosophy: aesthetics. PHOTOGRAPHY Collections, Catalogs, Exhibitions General. PHOTOGRAPHY Individual Photographers Artists' Books. PHOTOGRAPHY Photoessays & Documentaries. PHOTOGRAPHY Subjects & Themes General. Photography, Artistic |
| work_keys_str_mv | AT bestsusan reparativeaestheticswitnessingincontemporaryartphotography |