Howard Barker's art of theatre :: essays on his plays, poetry and production work /
This collection of essays provides international perspectives on the full range of Barker's achievements, theatrical and otherwise.
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester :
Manchester University Press,
[2013]
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This collection of essays provides international perspectives on the full range of Barker's achievements, theatrical and otherwise. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781526111234 1526111233 |
Internformat
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588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 12, 2016). | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Cover -- Half Title Page -- Title Page -- Copyright -- Contents -- Notes on contributors -- Acknowledgements -- Abbreviations and references -- 1. Introduction: the ultimate matter of style: David Ian Rabey -- 2. Performance within performance: Howard Barker and the acted life -- some thoughts: Melanie Jessop -- 3. Unearthly powers of invention: speech, report and repetition in recent Wrestling School productions: James Reynolds -- 4. Reinventing 'grand narratives': Barker's challenge to postmodernism: Elisabeth Angel-Perez -- 5. Institutions, icons and the body in Barker's plays, 1977-86: Ian Cooper -- 6. Access to the body: the theatre of revelation in Beckett, Foreman and Barker: George Hunka -- 7. 'Not nude but naked': nakedness and nudity in Barker's drama: Eléonore Obis -- 8. Places of punishment: surveillance, reason and desire in the plays of Howard Barker: Michael Mangan -- 9. Barker, criticism and the philosophy of the 'Art of Theatre': Mark Brown -- 10. Staging Barker in France 2009: Christine Kiehl -- 11. 21 for 21: a breakthrough moment in international theatre-making?: Sarah Goldingay -- 12. I Saw Myself: artist and critic meet in the mirror: Mary Karen Dahl -- 13. 'His niece or his sister': genealogical uncertainties and literary filiation in Barker's Gertrude -- The Cry: Vanasay Khamphommala -- 14. History in the age of fracture: catastrophic time in Barker's: The Bite of the Night: Jay Gipson-King -- 15. The Dying of Today' and the meta-stases of language: from history to tale to play to mise-en-scène: Elizabeth Sakellaridou -- 16. 'The substrata of experience': Barker's poetry, 1988-2008: David Ian Rabey -- 17. Reading Howard Barker's pictorial art: Charles Lamb -- 18. Howard Barker's paintings, poems and plays: 'in the deed itself ', or the triple excavation of the unchangeable: Michel Morel. | |
505 | 8 | |a 19. Memories of paintings in Howard Barker's theatre: Heiner Zimmermann -- 20. The sunless garden of the unconsoled: some destinations beyond catastrophe: Howard Barker -- 21. Howard Barker in dialogue with David Ian Rabey, City University, New York, 10 May 2010 -- APPENDIX: Howard Barker: chronology and further reading -- Index. | |
520 | |a This collection of essays provides international perspectives on the full range of Barker's achievements, theatrical and otherwise. | ||
600 | 1 | 0 | |a Barker, Howard, |d 1946- |x Criticism and interpretation. |
600 | 1 | 7 | |a Barker, Howard, |d 1946- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJj4xdGF7tDyp6KYYRxCcP |
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776 | 0 | 8 | |i Print version: |t Howard Barker's art of theatre. |d Manchester : Manchester University Press, [2013] |z 9780719089299 |z 0719089298 |w (OCoLC)858310629 |
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author2 | Rabey, David Ian, 1958- Goldingay, Sarah |
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author_facet | Rabey, David Ian, 1958- Goldingay, Sarah |
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callnumber-subject | PR - English Literature |
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contents | Cover -- Half Title Page -- Title Page -- Copyright -- Contents -- Notes on contributors -- Acknowledgements -- Abbreviations and references -- 1. Introduction: the ultimate matter of style: David Ian Rabey -- 2. Performance within performance: Howard Barker and the acted life -- some thoughts: Melanie Jessop -- 3. Unearthly powers of invention: speech, report and repetition in recent Wrestling School productions: James Reynolds -- 4. Reinventing 'grand narratives': Barker's challenge to postmodernism: Elisabeth Angel-Perez -- 5. Institutions, icons and the body in Barker's plays, 1977-86: Ian Cooper -- 6. Access to the body: the theatre of revelation in Beckett, Foreman and Barker: George Hunka -- 7. 'Not nude but naked': nakedness and nudity in Barker's drama: Eléonore Obis -- 8. Places of punishment: surveillance, reason and desire in the plays of Howard Barker: Michael Mangan -- 9. Barker, criticism and the philosophy of the 'Art of Theatre': Mark Brown -- 10. Staging Barker in France 2009: Christine Kiehl -- 11. 21 for 21: a breakthrough moment in international theatre-making?: Sarah Goldingay -- 12. I Saw Myself: artist and critic meet in the mirror: Mary Karen Dahl -- 13. 'His niece or his sister': genealogical uncertainties and literary filiation in Barker's Gertrude -- The Cry: Vanasay Khamphommala -- 14. History in the age of fracture: catastrophic time in Barker's: The Bite of the Night: Jay Gipson-King -- 15. The Dying of Today' and the meta-stases of language: from history to tale to play to mise-en-scène: Elizabeth Sakellaridou -- 16. 'The substrata of experience': Barker's poetry, 1988-2008: David Ian Rabey -- 17. Reading Howard Barker's pictorial art: Charles Lamb -- 18. Howard Barker's paintings, poems and plays: 'in the deed itself ', or the triple excavation of the unchangeable: Michel Morel. 19. Memories of paintings in Howard Barker's theatre: Heiner Zimmermann -- 20. The sunless garden of the unconsoled: some destinations beyond catastrophe: Howard Barker -- 21. Howard Barker in dialogue with David Ian Rabey, City University, New York, 10 May 2010 -- APPENDIX: Howard Barker: chronology and further reading -- Index. |
ctrlnum | (OCoLC)953030333 |
dewey-full | 822.914 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.914 |
dewey-search | 822.914 |
dewey-sort | 3822.914 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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spelling | Howard Barker's art of theatre : essays on his plays, poetry and production work / edited by David Ian Rabey and Sarah Goldingay. Manchester : Manchester University Press, [2013] ©2013 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Online resource; title from PDF title page (EBSCO, viewed September 12, 2016). Includes bibliographical references and index. Cover -- Half Title Page -- Title Page -- Copyright -- Contents -- Notes on contributors -- Acknowledgements -- Abbreviations and references -- 1. Introduction: the ultimate matter of style: David Ian Rabey -- 2. Performance within performance: Howard Barker and the acted life -- some thoughts: Melanie Jessop -- 3. Unearthly powers of invention: speech, report and repetition in recent Wrestling School productions: James Reynolds -- 4. Reinventing 'grand narratives': Barker's challenge to postmodernism: Elisabeth Angel-Perez -- 5. Institutions, icons and the body in Barker's plays, 1977-86: Ian Cooper -- 6. Access to the body: the theatre of revelation in Beckett, Foreman and Barker: George Hunka -- 7. 'Not nude but naked': nakedness and nudity in Barker's drama: Eléonore Obis -- 8. Places of punishment: surveillance, reason and desire in the plays of Howard Barker: Michael Mangan -- 9. Barker, criticism and the philosophy of the 'Art of Theatre': Mark Brown -- 10. Staging Barker in France 2009: Christine Kiehl -- 11. 21 for 21: a breakthrough moment in international theatre-making?: Sarah Goldingay -- 12. I Saw Myself: artist and critic meet in the mirror: Mary Karen Dahl -- 13. 'His niece or his sister': genealogical uncertainties and literary filiation in Barker's Gertrude -- The Cry: Vanasay Khamphommala -- 14. History in the age of fracture: catastrophic time in Barker's: The Bite of the Night: Jay Gipson-King -- 15. The Dying of Today' and the meta-stases of language: from history to tale to play to mise-en-scène: Elizabeth Sakellaridou -- 16. 'The substrata of experience': Barker's poetry, 1988-2008: David Ian Rabey -- 17. Reading Howard Barker's pictorial art: Charles Lamb -- 18. Howard Barker's paintings, poems and plays: 'in the deed itself ', or the triple excavation of the unchangeable: Michel Morel. 19. Memories of paintings in Howard Barker's theatre: Heiner Zimmermann -- 20. The sunless garden of the unconsoled: some destinations beyond catastrophe: Howard Barker -- 21. Howard Barker in dialogue with David Ian Rabey, City University, New York, 10 May 2010 -- APPENDIX: Howard Barker: chronology and further reading -- Index. This collection of essays provides international perspectives on the full range of Barker's achievements, theatrical and otherwise. Barker, Howard, 1946- Criticism and interpretation. Barker, Howard, 1946- fast https://id.oclc.org/worldcat/entity/E39PBJj4xdGF7tDyp6KYYRxCcP DRAMA English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM / Asian / Indic bisacsh Criticism, interpretation, etc. fast Rabey, David Ian, 1958- editor. https://id.oclc.org/worldcat/entity/E39PCjr3q94jqCrr7xpGDQwvxP http://id.loc.gov/authorities/names/n85187130 Goldingay, Sarah, editor. http://id.loc.gov/authorities/names/no2014079119 has work: Howard Barker's art of theatre (Text) https://id.oclc.org/worldcat/entity/E39PCG3vTTW4qGBYHCtPPqfXh3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Howard Barker's art of theatre. Manchester : Manchester University Press, [2013] 9780719089299 0719089298 (OCoLC)858310629 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1272923 Volltext |
spellingShingle | Howard Barker's art of theatre : essays on his plays, poetry and production work / Cover -- Half Title Page -- Title Page -- Copyright -- Contents -- Notes on contributors -- Acknowledgements -- Abbreviations and references -- 1. Introduction: the ultimate matter of style: David Ian Rabey -- 2. Performance within performance: Howard Barker and the acted life -- some thoughts: Melanie Jessop -- 3. Unearthly powers of invention: speech, report and repetition in recent Wrestling School productions: James Reynolds -- 4. Reinventing 'grand narratives': Barker's challenge to postmodernism: Elisabeth Angel-Perez -- 5. Institutions, icons and the body in Barker's plays, 1977-86: Ian Cooper -- 6. Access to the body: the theatre of revelation in Beckett, Foreman and Barker: George Hunka -- 7. 'Not nude but naked': nakedness and nudity in Barker's drama: Eléonore Obis -- 8. Places of punishment: surveillance, reason and desire in the plays of Howard Barker: Michael Mangan -- 9. Barker, criticism and the philosophy of the 'Art of Theatre': Mark Brown -- 10. Staging Barker in France 2009: Christine Kiehl -- 11. 21 for 21: a breakthrough moment in international theatre-making?: Sarah Goldingay -- 12. I Saw Myself: artist and critic meet in the mirror: Mary Karen Dahl -- 13. 'His niece or his sister': genealogical uncertainties and literary filiation in Barker's Gertrude -- The Cry: Vanasay Khamphommala -- 14. History in the age of fracture: catastrophic time in Barker's: The Bite of the Night: Jay Gipson-King -- 15. The Dying of Today' and the meta-stases of language: from history to tale to play to mise-en-scène: Elizabeth Sakellaridou -- 16. 'The substrata of experience': Barker's poetry, 1988-2008: David Ian Rabey -- 17. Reading Howard Barker's pictorial art: Charles Lamb -- 18. Howard Barker's paintings, poems and plays: 'in the deed itself ', or the triple excavation of the unchangeable: Michel Morel. 19. Memories of paintings in Howard Barker's theatre: Heiner Zimmermann -- 20. The sunless garden of the unconsoled: some destinations beyond catastrophe: Howard Barker -- 21. Howard Barker in dialogue with David Ian Rabey, City University, New York, 10 May 2010 -- APPENDIX: Howard Barker: chronology and further reading -- Index. Barker, Howard, 1946- Criticism and interpretation. Barker, Howard, 1946- fast https://id.oclc.org/worldcat/entity/E39PBJj4xdGF7tDyp6KYYRxCcP DRAMA English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM / Asian / Indic bisacsh |
title | Howard Barker's art of theatre : essays on his plays, poetry and production work / |
title_auth | Howard Barker's art of theatre : essays on his plays, poetry and production work / |
title_exact_search | Howard Barker's art of theatre : essays on his plays, poetry and production work / |
title_full | Howard Barker's art of theatre : essays on his plays, poetry and production work / edited by David Ian Rabey and Sarah Goldingay. |
title_fullStr | Howard Barker's art of theatre : essays on his plays, poetry and production work / edited by David Ian Rabey and Sarah Goldingay. |
title_full_unstemmed | Howard Barker's art of theatre : essays on his plays, poetry and production work / edited by David Ian Rabey and Sarah Goldingay. |
title_short | Howard Barker's art of theatre : |
title_sort | howard barker s art of theatre essays on his plays poetry and production work |
title_sub | essays on his plays, poetry and production work / |
topic | Barker, Howard, 1946- Criticism and interpretation. Barker, Howard, 1946- fast https://id.oclc.org/worldcat/entity/E39PBJj4xdGF7tDyp6KYYRxCcP DRAMA English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM / Asian / Indic bisacsh |
topic_facet | Barker, Howard, 1946- Criticism and interpretation. Barker, Howard, 1946- DRAMA English, Irish, Scottish, Welsh. LITERARY CRITICISM / Asian / Indic Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1272923 |
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