Occasional pieces :: writings and interviews, 1952-2013 /
With Occasional Pieces, composer Christian Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. Included are profiles of Wolff's experimentalist contemporaries,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Oxford University Press,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | With Occasional Pieces, composer Christian Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. Included are profiles of Wolff's experimentalist contemporaries, including John Cage, Morton Feldman, David Tudor, and Merce Cunningham. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780190222901 0190222905 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn952195972 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 160621s2017 nyu ob 001 0 eng | ||
| 010 | |a 2016028835 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCF |d N$T |d EBLCP |d YDX |d YDX |d OCLCO |d CSAIL |d UAB |d CCO |d OCLCQ |d STF |d OCLCQ |d WYU |d UKAHL |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 020 | |a 9780190222901 |q (electronic book) | ||
| 020 | |a 0190222905 |q (electronic book) | ||
| 020 | |z 9780190222918 | ||
| 020 | |z 0190222913 | ||
| 020 | |z 9780190222895 |q (hardcover |q alkaline paper) | ||
| 020 | |z 9780190614706 | ||
| 035 | |a (OCoLC)952195972 | ||
| 042 | |a pcc | ||
| 043 | |a n-us--- | ||
| 050 | 4 | |a ML410.W814 |b A25 2017 | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 082 | 7 | |a 780.973 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Wolff, Christian, |d 1934- |e author. |0 http://id.loc.gov/authorities/names/n83047114 | |
| 240 | 1 | 0 | |a Prose works. |k Selections |
| 245 | 1 | 0 | |a Occasional pieces : |b writings and interviews, 1952-2013 / |c Christian Wolff ; with a foreword by George E. Lewis. |
| 264 | 1 | |a New York, NY : |b Oxford University Press, |c 2017. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b n |2 rdamedia | ||
| 338 | |a online resource |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Occasional Pieces: Writings and Interviews, 1952 -2013; Copyright; Contents; Foreword; Works Cited; Author's Preface; Acknowledgments; Occasional Pieces; Chapter 1: (One of)Four Musicians at Work (1952); I; II; III; Chapter 2: On Webern (1955); Chapter 3: New and Electron:ic Music (1958); Chapter 4: On Form (1960); Chapter 5: Questions (1964); Chapter 6: Electricity and Music (1968); Chapter 7: Interview with Victor Schonfield (1969); Chapter 8: Fragments to Make Up anInterview (1970-71); Chapter 9: For Merce (1975); Chapter 10: Conversation with Walter Zimmermann (1976). | |
| 505 | 8 | |a Chapter 11: Frederic Rzewski, The People United Will Never Be Defeated (1978)Chapter 12: On Political Texts and New Music (1980); Chapter 13: On the Death of Cornelius Cardew (1981); Chapter 14: On Notation (1984); Chapter 15: Open to Whom and to What (1987); In General; Some notes on three pieces; Chapter 16: Morton Feldman Memorial Text (1987); Chaptee 17: On Morton Feldman's Piano Piece 1952 (1988, 1995); Chapter 18: On Morton Feldman's Music (1990); Chapter 19: What Is Our Work? (1990); Chapter 20: On Charles Ives (1990). | |
| 505 | 8 | |a Chapter 21: Keith Rowe, A Dimension of Perfectly Ordinary Reality (1990)Chapter 22: On Dieter Schnebel's Marsyas (1990); Chapter 23: Floating Rhythm and Experimental Percussion (1990); Chapter 24: Quiet Music (1991); Chapter 25: Interview with Cole Gagne (1992); Chapter 26: Interview with Markus Trunk (1992); Chapter 27: Briefly on Cornelius Cardewand John Cage (1992); Chapter 28: John Cage Memorial Text (1992); Chapter 29: Preface to John Cage, Morton Feldman: RadioHappenings I-V (1993); Chapter 30: Sketch of a Statement (1993); Chapter 31: Music-Work-Experiment-Politics (1995). | |
| 505 | 8 | |a Chapter 32: Letter to Suzanne Josek (1996)Chapter 33: Thinking of David Tudor (1997) ; Chapter 34: Most Material: Evan Parker and Eddie Prévost (1997); Chapter 35: Frederic Rzewski and His Piano Music (2001); Chapter: 36 Merce Cunningham and CW Music (2001); Chapter 37: Feldman's String Quartet No. 2 (2002) ; On the duration of the performance ; Chapter 38: Earle Brown-Chamber Music (2004); Chapter 39: Some Notes on Charles Ives and Politics (2004); Chapter 40: On Day-to-Day Composing Work (2004); Chapter 41: Remembering Grete Sultan (2005). | |
| 505 | 8 | |a Chapter 42: On Music with Cunningham Events (2008)Chapter 43: Some Recollections of Arthur Russell (2009) ; Chapter 44: On Verbal Notation (2009); Chapter 45: Experimental Music around 1950 and Some Consequences and Causes (2009); Chapter 46: Interview with James Saunders (2009); Chapter 47: Crossings of Experimental Music and Greek Tragedy (2010); Darius Milhaud ; Erik Satie ; Harry Partch ; Iannis Xenakis ; Conclusion ; Chapter 48: About Merce (2010); Chapter 49: What Can I Still Say about John Cage? (2012); Chapter 50: Thinking Yet Again about JohnCage (2012). | |
| 520 | |a With Occasional Pieces, composer Christian Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. Included are profiles of Wolff's experimentalist contemporaries, including John Cage, Morton Feldman, David Tudor, and Merce Cunningham. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on February 27, 2017). | |
| 650 | 0 | |a Music |z United States |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music |z United States |y 21st century |x History and criticism. | |
| 650 | 0 | |a Composers |z United States |y 20th century |v Interviews. | |
| 650 | 6 | |a Musique |z États-Unis |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Compositeurs |z États-Unis |y 20e siècle |v Entretiens. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Composers |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Interviews |2 fast | |
| 700 | 1 | |a Lewis, George, |d 1952- |e writer of foreword. |0 http://id.loc.gov/authorities/names/n85076534 | |
| 758 | |i has work: |a Selections Prose works (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGpVbfbmgQ7mQwC44gG7f3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Wolff, Christian, 1934- |t Occasional pieces. |d New York, NY : Oxford University Press, 2017 |z 9780190222895 |w (DLC) 2016028230 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1435302 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32984129 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4789592 | ||
| 938 | |a EBSCOhost |b EBSC |n 1435302 | ||
| 938 | |a YBP Library Services |b YANK |n 13297571 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn952195972 |
|---|---|
| _version_ | 1816882352329064448 |
| adam_text | |
| any_adam_object | |
| author | Wolff, Christian, 1934- |
| author_GND | http://id.loc.gov/authorities/names/n83047114 http://id.loc.gov/authorities/names/n85076534 |
| author_facet | Wolff, Christian, 1934- |
| author_role | aut |
| author_sort | Wolff, Christian, 1934- |
| author_variant | c w cw |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.W814 A25 2017 |
| callnumber-search | ML410.W814 A25 2017 |
| callnumber-sort | ML 3410 W814 A25 42017 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Occasional Pieces: Writings and Interviews, 1952 -2013; Copyright; Contents; Foreword; Works Cited; Author's Preface; Acknowledgments; Occasional Pieces; Chapter 1: (One of)Four Musicians at Work (1952); I; II; III; Chapter 2: On Webern (1955); Chapter 3: New and Electron:ic Music (1958); Chapter 4: On Form (1960); Chapter 5: Questions (1964); Chapter 6: Electricity and Music (1968); Chapter 7: Interview with Victor Schonfield (1969); Chapter 8: Fragments to Make Up anInterview (1970-71); Chapter 9: For Merce (1975); Chapter 10: Conversation with Walter Zimmermann (1976). Chapter 11: Frederic Rzewski, The People United Will Never Be Defeated (1978)Chapter 12: On Political Texts and New Music (1980); Chapter 13: On the Death of Cornelius Cardew (1981); Chapter 14: On Notation (1984); Chapter 15: Open to Whom and to What (1987); In General; Some notes on three pieces; Chapter 16: Morton Feldman Memorial Text (1987); Chaptee 17: On Morton Feldman's Piano Piece 1952 (1988, 1995); Chapter 18: On Morton Feldman's Music (1990); Chapter 19: What Is Our Work? (1990); Chapter 20: On Charles Ives (1990). Chapter 21: Keith Rowe, A Dimension of Perfectly Ordinary Reality (1990)Chapter 22: On Dieter Schnebel's Marsyas (1990); Chapter 23: Floating Rhythm and Experimental Percussion (1990); Chapter 24: Quiet Music (1991); Chapter 25: Interview with Cole Gagne (1992); Chapter 26: Interview with Markus Trunk (1992); Chapter 27: Briefly on Cornelius Cardewand John Cage (1992); Chapter 28: John Cage Memorial Text (1992); Chapter 29: Preface to John Cage, Morton Feldman: RadioHappenings I-V (1993); Chapter 30: Sketch of a Statement (1993); Chapter 31: Music-Work-Experiment-Politics (1995). Chapter 32: Letter to Suzanne Josek (1996)Chapter 33: Thinking of David Tudor (1997) ; Chapter 34: Most Material: Evan Parker and Eddie Prévost (1997); Chapter 35: Frederic Rzewski and His Piano Music (2001); Chapter: 36 Merce Cunningham and CW Music (2001); Chapter 37: Feldman's String Quartet No. 2 (2002) ; On the duration of the performance ; Chapter 38: Earle Brown-Chamber Music (2004); Chapter 39: Some Notes on Charles Ives and Politics (2004); Chapter 40: On Day-to-Day Composing Work (2004); Chapter 41: Remembering Grete Sultan (2005). Chapter 42: On Music with Cunningham Events (2008)Chapter 43: Some Recollections of Arthur Russell (2009) ; Chapter 44: On Verbal Notation (2009); Chapter 45: Experimental Music around 1950 and Some Consequences and Causes (2009); Chapter 46: Interview with James Saunders (2009); Chapter 47: Crossings of Experimental Music and Greek Tragedy (2010); Darius Milhaud ; Erik Satie ; Harry Partch ; Iannis Xenakis ; Conclusion ; Chapter 48: About Merce (2010); Chapter 49: What Can I Still Say about John Cage? (2012); Chapter 50: Thinking Yet Again about JohnCage (2012). |
| ctrlnum | (OCoLC)952195972 |
| dewey-full | 780.973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.973 |
| dewey-search | 780.973 |
| dewey-sort | 3780.973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-2099 fast |
| era_facet | 1900-2099 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06271cam a2200745 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn952195972</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">160621s2017 nyu ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2016028835</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDX</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">CSAIL</subfield><subfield code="d">UAB</subfield><subfield code="d">CCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190222901</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0190222905</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780190222918</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0190222913</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780190222895</subfield><subfield code="q">(hardcover</subfield><subfield code="q">alkaline paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780190614706</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)952195972</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML410.W814</subfield><subfield code="b">A25 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">006000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">033000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">780.973</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wolff, Christian,</subfield><subfield code="d">1934-</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n83047114</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Prose works.</subfield><subfield code="k">Selections</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Occasional pieces :</subfield><subfield code="b">writings and interviews, 1952-2013 /</subfield><subfield code="c">Christian Wolff ; with a foreword by George E. Lewis.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY :</subfield><subfield code="b">Oxford University Press,</subfield><subfield code="c">2017.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Occasional Pieces: Writings and Interviews, 1952 -2013; Copyright; Contents; Foreword; Works Cited; Author's Preface; Acknowledgments; Occasional Pieces; Chapter 1: (One of)Four Musicians at Work (1952); I; II; III; Chapter 2: On Webern (1955); Chapter 3: New and Electron:ic Music (1958); Chapter 4: On Form (1960); Chapter 5: Questions (1964); Chapter 6: Electricity and Music (1968); Chapter 7: Interview with Victor Schonfield (1969); Chapter 8: Fragments to Make Up anInterview (1970-71); Chapter 9: For Merce (1975); Chapter 10: Conversation with Walter Zimmermann (1976).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 11: Frederic Rzewski, The People United Will Never Be Defeated (1978)Chapter 12: On Political Texts and New Music (1980); Chapter 13: On the Death of Cornelius Cardew (1981); Chapter 14: On Notation (1984); Chapter 15: Open to Whom and to What (1987); In General; Some notes on three pieces; Chapter 16: Morton Feldman Memorial Text (1987); Chaptee 17: On Morton Feldman's Piano Piece 1952 (1988, 1995); Chapter 18: On Morton Feldman's Music (1990); Chapter 19: What Is Our Work? (1990); Chapter 20: On Charles Ives (1990).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 21: Keith Rowe, A Dimension of Perfectly Ordinary Reality (1990)Chapter 22: On Dieter Schnebel's Marsyas (1990); Chapter 23: Floating Rhythm and Experimental Percussion (1990); Chapter 24: Quiet Music (1991); Chapter 25: Interview with Cole Gagne (1992); Chapter 26: Interview with Markus Trunk (1992); Chapter 27: Briefly on Cornelius Cardewand John Cage (1992); Chapter 28: John Cage Memorial Text (1992); Chapter 29: Preface to John Cage, Morton Feldman: RadioHappenings I-V (1993); Chapter 30: Sketch of a Statement (1993); Chapter 31: Music-Work-Experiment-Politics (1995).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 32: Letter to Suzanne Josek (1996)Chapter 33: Thinking of David Tudor (1997) ; Chapter 34: Most Material: Evan Parker and Eddie Prévost (1997); Chapter 35: Frederic Rzewski and His Piano Music (2001); Chapter: 36 Merce Cunningham and CW Music (2001); Chapter 37: Feldman's String Quartet No. 2 (2002) ; On the duration of the performance ; Chapter 38: Earle Brown-Chamber Music (2004); Chapter 39: Some Notes on Charles Ives and Politics (2004); Chapter 40: On Day-to-Day Composing Work (2004); Chapter 41: Remembering Grete Sultan (2005).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 42: On Music with Cunningham Events (2008)Chapter 43: Some Recollections of Arthur Russell (2009) ; Chapter 44: On Verbal Notation (2009); Chapter 45: Experimental Music around 1950 and Some Consequences and Causes (2009); Chapter 46: Interview with James Saunders (2009); Chapter 47: Crossings of Experimental Music and Greek Tragedy (2010); Darius Milhaud ; Erik Satie ; Harry Partch ; Iannis Xenakis ; Conclusion ; Chapter 48: About Merce (2010); Chapter 49: What Can I Still Say about John Cage? (2012); Chapter 50: Thinking Yet Again about JohnCage (2012).</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">With Occasional Pieces, composer Christian Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. Included are profiles of Wolff's experimentalist contemporaries, including John Cage, Morton Feldman, David Tudor, and Merce Cunningham.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on February 27, 2017).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="z">United States</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="z">United States</subfield><subfield code="y">21st century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Composers</subfield><subfield code="z">United States</subfield><subfield code="y">20th century</subfield><subfield code="v">Interviews.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="z">États-Unis</subfield><subfield code="y">21e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Compositeurs</subfield><subfield code="z">États-Unis</subfield><subfield code="y">20e siècle</subfield><subfield code="v">Entretiens.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Classical.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Composers</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-2099</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Interviews</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lewis, George,</subfield><subfield code="d">1952-</subfield><subfield code="e">writer of foreword.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n85076534</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Selections Prose works (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGpVbfbmgQ7mQwC44gG7f3</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Wolff, Christian, 1934-</subfield><subfield code="t">Occasional pieces.</subfield><subfield code="d">New York, NY : Oxford University Press, 2017</subfield><subfield code="z">9780190222895</subfield><subfield code="w">(DLC) 2016028230</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1435302</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH32984129</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4789592</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1435302</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13297571</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast Interviews fast |
| genre_facet | Criticism, interpretation, etc. Interviews |
| geographic | United States fast |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn952195972 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:15Z |
| institution | BVB |
| isbn | 9780190222901 0190222905 |
| language | English |
| lccn | 2016028835 |
| oclc_num | 952195972 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Wolff, Christian, 1934- author. http://id.loc.gov/authorities/names/n83047114 Prose works. Selections Occasional pieces : writings and interviews, 1952-2013 / Christian Wolff ; with a foreword by George E. Lewis. New York, NY : Oxford University Press, 2017. 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Includes bibliographical references and index. Cover; Occasional Pieces: Writings and Interviews, 1952 -2013; Copyright; Contents; Foreword; Works Cited; Author's Preface; Acknowledgments; Occasional Pieces; Chapter 1: (One of)Four Musicians at Work (1952); I; II; III; Chapter 2: On Webern (1955); Chapter 3: New and Electron:ic Music (1958); Chapter 4: On Form (1960); Chapter 5: Questions (1964); Chapter 6: Electricity and Music (1968); Chapter 7: Interview with Victor Schonfield (1969); Chapter 8: Fragments to Make Up anInterview (1970-71); Chapter 9: For Merce (1975); Chapter 10: Conversation with Walter Zimmermann (1976). Chapter 11: Frederic Rzewski, The People United Will Never Be Defeated (1978)Chapter 12: On Political Texts and New Music (1980); Chapter 13: On the Death of Cornelius Cardew (1981); Chapter 14: On Notation (1984); Chapter 15: Open to Whom and to What (1987); In General; Some notes on three pieces; Chapter 16: Morton Feldman Memorial Text (1987); Chaptee 17: On Morton Feldman's Piano Piece 1952 (1988, 1995); Chapter 18: On Morton Feldman's Music (1990); Chapter 19: What Is Our Work? (1990); Chapter 20: On Charles Ives (1990). Chapter 21: Keith Rowe, A Dimension of Perfectly Ordinary Reality (1990)Chapter 22: On Dieter Schnebel's Marsyas (1990); Chapter 23: Floating Rhythm and Experimental Percussion (1990); Chapter 24: Quiet Music (1991); Chapter 25: Interview with Cole Gagne (1992); Chapter 26: Interview with Markus Trunk (1992); Chapter 27: Briefly on Cornelius Cardewand John Cage (1992); Chapter 28: John Cage Memorial Text (1992); Chapter 29: Preface to John Cage, Morton Feldman: RadioHappenings I-V (1993); Chapter 30: Sketch of a Statement (1993); Chapter 31: Music-Work-Experiment-Politics (1995). Chapter 32: Letter to Suzanne Josek (1996)Chapter 33: Thinking of David Tudor (1997) ; Chapter 34: Most Material: Evan Parker and Eddie Prévost (1997); Chapter 35: Frederic Rzewski and His Piano Music (2001); Chapter: 36 Merce Cunningham and CW Music (2001); Chapter 37: Feldman's String Quartet No. 2 (2002) ; On the duration of the performance ; Chapter 38: Earle Brown-Chamber Music (2004); Chapter 39: Some Notes on Charles Ives and Politics (2004); Chapter 40: On Day-to-Day Composing Work (2004); Chapter 41: Remembering Grete Sultan (2005). Chapter 42: On Music with Cunningham Events (2008)Chapter 43: Some Recollections of Arthur Russell (2009) ; Chapter 44: On Verbal Notation (2009); Chapter 45: Experimental Music around 1950 and Some Consequences and Causes (2009); Chapter 46: Interview with James Saunders (2009); Chapter 47: Crossings of Experimental Music and Greek Tragedy (2010); Darius Milhaud ; Erik Satie ; Harry Partch ; Iannis Xenakis ; Conclusion ; Chapter 48: About Merce (2010); Chapter 49: What Can I Still Say about John Cage? (2012); Chapter 50: Thinking Yet Again about JohnCage (2012). With Occasional Pieces, composer Christian Wolff brings together a collection of his most notable writings and interviews from 1950 to the present, shining a new light on American music of the second half of the twentieth century. Included are profiles of Wolff's experimentalist contemporaries, including John Cage, Morton Feldman, David Tudor, and Merce Cunningham. Online resource; title from digital title page (viewed on February 27, 2017). Music United States 20th century History and criticism. Music United States 21st century History and criticism. Composers United States 20th century Interviews. Musique États-Unis 21e siècle Histoire et critique. Compositeurs États-Unis 20e siècle Entretiens. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Composers fast Music fast United States fast 1900-2099 fast Criticism, interpretation, etc. fast Interviews fast Lewis, George, 1952- writer of foreword. http://id.loc.gov/authorities/names/n85076534 has work: Selections Prose works (Text) https://id.oclc.org/worldcat/entity/E39PCGpVbfbmgQ7mQwC44gG7f3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Wolff, Christian, 1934- Occasional pieces. New York, NY : Oxford University Press, 2017 9780190222895 (DLC) 2016028230 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1435302 Volltext |
| spellingShingle | Wolff, Christian, 1934- Occasional pieces : writings and interviews, 1952-2013 / Cover; Occasional Pieces: Writings and Interviews, 1952 -2013; Copyright; Contents; Foreword; Works Cited; Author's Preface; Acknowledgments; Occasional Pieces; Chapter 1: (One of)Four Musicians at Work (1952); I; II; III; Chapter 2: On Webern (1955); Chapter 3: New and Electron:ic Music (1958); Chapter 4: On Form (1960); Chapter 5: Questions (1964); Chapter 6: Electricity and Music (1968); Chapter 7: Interview with Victor Schonfield (1969); Chapter 8: Fragments to Make Up anInterview (1970-71); Chapter 9: For Merce (1975); Chapter 10: Conversation with Walter Zimmermann (1976). Chapter 11: Frederic Rzewski, The People United Will Never Be Defeated (1978)Chapter 12: On Political Texts and New Music (1980); Chapter 13: On the Death of Cornelius Cardew (1981); Chapter 14: On Notation (1984); Chapter 15: Open to Whom and to What (1987); In General; Some notes on three pieces; Chapter 16: Morton Feldman Memorial Text (1987); Chaptee 17: On Morton Feldman's Piano Piece 1952 (1988, 1995); Chapter 18: On Morton Feldman's Music (1990); Chapter 19: What Is Our Work? (1990); Chapter 20: On Charles Ives (1990). Chapter 21: Keith Rowe, A Dimension of Perfectly Ordinary Reality (1990)Chapter 22: On Dieter Schnebel's Marsyas (1990); Chapter 23: Floating Rhythm and Experimental Percussion (1990); Chapter 24: Quiet Music (1991); Chapter 25: Interview with Cole Gagne (1992); Chapter 26: Interview with Markus Trunk (1992); Chapter 27: Briefly on Cornelius Cardewand John Cage (1992); Chapter 28: John Cage Memorial Text (1992); Chapter 29: Preface to John Cage, Morton Feldman: RadioHappenings I-V (1993); Chapter 30: Sketch of a Statement (1993); Chapter 31: Music-Work-Experiment-Politics (1995). Chapter 32: Letter to Suzanne Josek (1996)Chapter 33: Thinking of David Tudor (1997) ; Chapter 34: Most Material: Evan Parker and Eddie Prévost (1997); Chapter 35: Frederic Rzewski and His Piano Music (2001); Chapter: 36 Merce Cunningham and CW Music (2001); Chapter 37: Feldman's String Quartet No. 2 (2002) ; On the duration of the performance ; Chapter 38: Earle Brown-Chamber Music (2004); Chapter 39: Some Notes on Charles Ives and Politics (2004); Chapter 40: On Day-to-Day Composing Work (2004); Chapter 41: Remembering Grete Sultan (2005). Chapter 42: On Music with Cunningham Events (2008)Chapter 43: Some Recollections of Arthur Russell (2009) ; Chapter 44: On Verbal Notation (2009); Chapter 45: Experimental Music around 1950 and Some Consequences and Causes (2009); Chapter 46: Interview with James Saunders (2009); Chapter 47: Crossings of Experimental Music and Greek Tragedy (2010); Darius Milhaud ; Erik Satie ; Harry Partch ; Iannis Xenakis ; Conclusion ; Chapter 48: About Merce (2010); Chapter 49: What Can I Still Say about John Cage? (2012); Chapter 50: Thinking Yet Again about JohnCage (2012). Music United States 20th century History and criticism. Music United States 21st century History and criticism. Composers United States 20th century Interviews. Musique États-Unis 21e siècle Histoire et critique. Compositeurs États-Unis 20e siècle Entretiens. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Composers fast Music fast |
| title | Occasional pieces : writings and interviews, 1952-2013 / |
| title_alt | Prose works. |
| title_auth | Occasional pieces : writings and interviews, 1952-2013 / |
| title_exact_search | Occasional pieces : writings and interviews, 1952-2013 / |
| title_full | Occasional pieces : writings and interviews, 1952-2013 / Christian Wolff ; with a foreword by George E. Lewis. |
| title_fullStr | Occasional pieces : writings and interviews, 1952-2013 / Christian Wolff ; with a foreword by George E. Lewis. |
| title_full_unstemmed | Occasional pieces : writings and interviews, 1952-2013 / Christian Wolff ; with a foreword by George E. Lewis. |
| title_short | Occasional pieces : |
| title_sort | occasional pieces writings and interviews 1952 2013 |
| title_sub | writings and interviews, 1952-2013 / |
| topic | Music United States 20th century History and criticism. Music United States 21st century History and criticism. Composers United States 20th century Interviews. Musique États-Unis 21e siècle Histoire et critique. Compositeurs États-Unis 20e siècle Entretiens. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Composers fast Music fast |
| topic_facet | Music United States 20th century History and criticism. Music United States 21st century History and criticism. Composers United States 20th century Interviews. Musique États-Unis 21e siècle Histoire et critique. Compositeurs États-Unis 20e siècle Entretiens. MUSIC Genres & Styles Classical. MUSIC Reference. Composers Music United States Criticism, interpretation, etc. Interviews |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1435302 |
| work_keys_str_mv | AT wolffchristian proseworks AT lewisgeorge proseworks AT wolffchristian occasionalpieceswritingsandinterviews19522013 AT lewisgeorge occasionalpieceswritingsandinterviews19522013 |