Invented lives, imagined communities :: the biopic and American national identity /
Biopics--films that chronicle the lives of famous and notorious figures from our national history--have long been one of Hollywood's most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Albany :
State University of New York Press,
[2016]
|
Schriftenreihe: | SUNY series, horizons of cinema.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Biopics--films that chronicle the lives of famous and notorious figures from our national history--have long been one of Hollywood's most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character. |
Beschreibung: | 1 online resource (vii, 344 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781438460819 1438460813 |
Internformat
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245 | 0 | 0 | |a Invented lives, imagined communities : |b the biopic and American national identity / |c edited by William H. Epstein and R. Barton Palmer. |
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490 | 1 | |a SUNY series, Horizons of cinema | |
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record. | |
505 | 0 | |a Introduction: Strategic patriotic memories / William H. Epstein -- Empty words: Houdini and Houdini / Murray Pomerance -- Woody Guthrie, warts and all: the biopic in the new American cinema of the 1970s / Dennis Bingham -- "Weird Andy Hardy": Ed Wood and American national identity / Constantine Verevis -- Topography and typology: Wyatt Earp and the west / Homer B Pettey -- Patton (1970): celebrating the un-American national hero / R. Barton Palmer -- J. Edgar: Eastwood's man of mystery / Douglas McFarland -- Nationalizing abject American artist: Jackson Pollock, Lee Krasner, and Jean-Michel Basquiat / Julie Codell -- Adapting Plathology: Sylvia (2003) / Claire Perkins -- "The dark lady of American photography": Steven Shainberg's Fur: an imaginary portrait of Diane Arbus (2006) / Monika Pietrzak-Franger -- The Great White Hope (1970): a forgotten biopic? / James Burns and Abel A. Bartley -- Kinsey: an inquirty into American sexual identity / Gabriele Linke -- Toward a new LGBT biopic: politics and reflexivity in Gus Van Sant's Milk (2008) / Julia G Erhart -- Speilberg's Lincoln: memorializing emancipation / R. Barton Plamer -- Afterword: The making of Americans / William H. Epstein. | |
520 | |a Biopics--films that chronicle the lives of famous and notorious figures from our national history--have long been one of Hollywood's most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character. | ||
650 | 0 | |a Biographical films |z United States |x History and criticism. | |
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650 | 6 | |a Américains au cinéma. | |
650 | 6 | |a Films biographiques |z États-Unis |x Histoire et critique. | |
650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
650 | 7 | |a Biographical films |2 fast | |
650 | 7 | |a Motion pictures |2 fast | |
650 | 7 | |a National characteristics, American, in motion pictures |2 fast | |
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776 | 0 | 8 | |i Print version: |t Invented lives, imagined communities. |d Albany : State University of New York Press, [2016] |z 9781438460796 |w (DLC) 2015024377 |w (OCoLC)913573108 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn951908244 |
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adam_text | |
any_adam_object | |
author2 | Epstein, William H. Palmer, R. Barton, 1946- |
author2_role | edt edt |
author2_variant | w h e wh whe r b p rb rbp |
author_GND | http://id.loc.gov/authorities/names/n87872545 http://id.loc.gov/authorities/names/n83059978 |
author_facet | Epstein, William H. Palmer, R. Barton, 1946- |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9.B55 I58 2016 |
callnumber-search | PN1995.9.B55 I58 2016 |
callnumber-sort | PN 41995.9 B55 I58 42016 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction: Strategic patriotic memories / William H. Epstein -- Empty words: Houdini and Houdini / Murray Pomerance -- Woody Guthrie, warts and all: the biopic in the new American cinema of the 1970s / Dennis Bingham -- "Weird Andy Hardy": Ed Wood and American national identity / Constantine Verevis -- Topography and typology: Wyatt Earp and the west / Homer B Pettey -- Patton (1970): celebrating the un-American national hero / R. Barton Palmer -- J. Edgar: Eastwood's man of mystery / Douglas McFarland -- Nationalizing abject American artist: Jackson Pollock, Lee Krasner, and Jean-Michel Basquiat / Julie Codell -- Adapting Plathology: Sylvia (2003) / Claire Perkins -- "The dark lady of American photography": Steven Shainberg's Fur: an imaginary portrait of Diane Arbus (2006) / Monika Pietrzak-Franger -- The Great White Hope (1970): a forgotten biopic? / James Burns and Abel A. Bartley -- Kinsey: an inquirty into American sexual identity / Gabriele Linke -- Toward a new LGBT biopic: politics and reflexivity in Gus Van Sant's Milk (2008) / Julia G Erhart -- Speilberg's Lincoln: memorializing emancipation / R. Barton Plamer -- Afterword: The making of Americans / William H. Epstein. |
ctrlnum | (OCoLC)951908244 |
dewey-full | 791.43/651 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/651 |
dewey-search | 791.43/651 |
dewey-sort | 3791.43 3651 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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series2 | SUNY series, Horizons of cinema |
spelling | Invented lives, imagined communities : the biopic and American national identity / edited by William H. Epstein and R. Barton Palmer. Albany : State University of New York Press, [2016] 1 online resource (vii, 344 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series, Horizons of cinema Includes bibliographical references and index. Print version record. Introduction: Strategic patriotic memories / William H. Epstein -- Empty words: Houdini and Houdini / Murray Pomerance -- Woody Guthrie, warts and all: the biopic in the new American cinema of the 1970s / Dennis Bingham -- "Weird Andy Hardy": Ed Wood and American national identity / Constantine Verevis -- Topography and typology: Wyatt Earp and the west / Homer B Pettey -- Patton (1970): celebrating the un-American national hero / R. Barton Palmer -- J. Edgar: Eastwood's man of mystery / Douglas McFarland -- Nationalizing abject American artist: Jackson Pollock, Lee Krasner, and Jean-Michel Basquiat / Julie Codell -- Adapting Plathology: Sylvia (2003) / Claire Perkins -- "The dark lady of American photography": Steven Shainberg's Fur: an imaginary portrait of Diane Arbus (2006) / Monika Pietrzak-Franger -- The Great White Hope (1970): a forgotten biopic? / James Burns and Abel A. Bartley -- Kinsey: an inquirty into American sexual identity / Gabriele Linke -- Toward a new LGBT biopic: politics and reflexivity in Gus Van Sant's Milk (2008) / Julia G Erhart -- Speilberg's Lincoln: memorializing emancipation / R. Barton Plamer -- Afterword: The making of Americans / William H. Epstein. Biopics--films that chronicle the lives of famous and notorious figures from our national history--have long been one of Hollywood's most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character. Biographical films United States History and criticism. National characteristics, American, in motion pictures. http://id.loc.gov/authorities/subjects/sh85089951 United States In motion pictures. http://id.loc.gov/authorities/subjects/sh85141046 Américains au cinéma. Films biographiques États-Unis Histoire et critique. PERFORMING ARTS / Reference bisacsh Biographical films fast Motion pictures fast National characteristics, American, in motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Epstein, William H., editor. http://id.loc.gov/authorities/names/n87872545 Palmer, R. Barton, 1946- editor. https://id.oclc.org/worldcat/entity/E39PBJmTjwFf3hhvftRfD6RVG3 http://id.loc.gov/authorities/names/n83059978 has work: Invented lives, imagined communities (Text) https://id.oclc.org/worldcat/entity/E39PCGpJgx6bmPTQbf9GC3Tyh3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Invented lives, imagined communities. Albany : State University of New York Press, [2016] 9781438460796 (DLC) 2015024377 (OCoLC)913573108 SUNY series, horizons of cinema. http://id.loc.gov/authorities/names/n2004039992 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1251565 Volltext |
spellingShingle | Invented lives, imagined communities : the biopic and American national identity / SUNY series, horizons of cinema. Introduction: Strategic patriotic memories / William H. Epstein -- Empty words: Houdini and Houdini / Murray Pomerance -- Woody Guthrie, warts and all: the biopic in the new American cinema of the 1970s / Dennis Bingham -- "Weird Andy Hardy": Ed Wood and American national identity / Constantine Verevis -- Topography and typology: Wyatt Earp and the west / Homer B Pettey -- Patton (1970): celebrating the un-American national hero / R. Barton Palmer -- J. Edgar: Eastwood's man of mystery / Douglas McFarland -- Nationalizing abject American artist: Jackson Pollock, Lee Krasner, and Jean-Michel Basquiat / Julie Codell -- Adapting Plathology: Sylvia (2003) / Claire Perkins -- "The dark lady of American photography": Steven Shainberg's Fur: an imaginary portrait of Diane Arbus (2006) / Monika Pietrzak-Franger -- The Great White Hope (1970): a forgotten biopic? / James Burns and Abel A. Bartley -- Kinsey: an inquirty into American sexual identity / Gabriele Linke -- Toward a new LGBT biopic: politics and reflexivity in Gus Van Sant's Milk (2008) / Julia G Erhart -- Speilberg's Lincoln: memorializing emancipation / R. Barton Plamer -- Afterword: The making of Americans / William H. Epstein. Biographical films United States History and criticism. National characteristics, American, in motion pictures. http://id.loc.gov/authorities/subjects/sh85089951 Américains au cinéma. Films biographiques États-Unis Histoire et critique. PERFORMING ARTS / Reference bisacsh Biographical films fast Motion pictures fast National characteristics, American, in motion pictures fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85089951 http://id.loc.gov/authorities/subjects/sh85141046 |
title | Invented lives, imagined communities : the biopic and American national identity / |
title_auth | Invented lives, imagined communities : the biopic and American national identity / |
title_exact_search | Invented lives, imagined communities : the biopic and American national identity / |
title_full | Invented lives, imagined communities : the biopic and American national identity / edited by William H. Epstein and R. Barton Palmer. |
title_fullStr | Invented lives, imagined communities : the biopic and American national identity / edited by William H. Epstein and R. Barton Palmer. |
title_full_unstemmed | Invented lives, imagined communities : the biopic and American national identity / edited by William H. Epstein and R. Barton Palmer. |
title_short | Invented lives, imagined communities : |
title_sort | invented lives imagined communities the biopic and american national identity |
title_sub | the biopic and American national identity / |
topic | Biographical films United States History and criticism. National characteristics, American, in motion pictures. http://id.loc.gov/authorities/subjects/sh85089951 Américains au cinéma. Films biographiques États-Unis Histoire et critique. PERFORMING ARTS / Reference bisacsh Biographical films fast Motion pictures fast National characteristics, American, in motion pictures fast |
topic_facet | Biographical films United States History and criticism. National characteristics, American, in motion pictures. United States In motion pictures. Américains au cinéma. Films biographiques États-Unis Histoire et critique. PERFORMING ARTS / Reference Biographical films Motion pictures National characteristics, American, in motion pictures United States Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1251565 |
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