For folk's sake :: art and economy in twentieth-century Nova Scotia /
"Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk's Sake charts how woodcarvings and paintings by well-known and obscure self-tau...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
2016.
|
| Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk's Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers--and their connection to handwork, local history, and place--soothed the public's nostalgia for a simpler past. Addressing modernism as it pertains to the genealogy of folk art and late twentieth-century crises in capitalism, Erin Morton places artists like Maud Lewis and Collins Eisenhauer within histories of cultural and economic development in the province. Engaging the national and transnational developments that moulded public and academic criteria, she examines the ways in which a conceptual category took concrete, material form. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it according to a particular modernist aesthetic language."-- "Illustrated with over seventy images, For Folk's Sake interrogates the emotive pull of folk art to radically reconstruct the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia's most important art institutions."-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773599864 077359986X |
Internformat
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| 100 | 1 | |a Morton, Erin, |d 1981- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjwJPK3cM8vBPDKxtpVqcd |0 http://id.loc.gov/authorities/names/no2014147414 | |
| 245 | 1 | 0 | |a For folk's sake : |b art and economy in twentieth-century Nova Scotia / |c Erin Morton. |
| 263 | |a 1611 | ||
| 264 | 1 | |a Montreal ; |a Kingston ; |a London ; |a Chicago : |b McGill-Queen's University Press, |c 2016. | |
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| 490 | 1 | |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk's Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers--and their connection to handwork, local history, and place--soothed the public's nostalgia for a simpler past. Addressing modernism as it pertains to the genealogy of folk art and late twentieth-century crises in capitalism, Erin Morton places artists like Maud Lewis and Collins Eisenhauer within histories of cultural and economic development in the province. Engaging the national and transnational developments that moulded public and academic criteria, she examines the ways in which a conceptual category took concrete, material form. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it according to a particular modernist aesthetic language."-- |c Provided by publisher | ||
| 520 | |a "Illustrated with over seventy images, For Folk's Sake interrogates the emotive pull of folk art to radically reconstruct the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia's most important art institutions."-- |c Provided by publisher | ||
| 505 | 0 | |a INTRODUCTION 1 The Historical Presentism of Folk Art -- 2 A Genealogy of Folk Art in Canada: Nostalgia and the Ancestry of Modern Art. | |
| 505 | 8 | |a PART ONE Art Institutions and the Institutionalization of Folk Art. 3 "Behind ThoseWeathered Doors": Chris Huntington, the Art Gallery of Nova Scotia, and the Institutionalization of the Folkloric Future -- 4 Teaching the Self-Taught: Collins Eisenhauer, the Nova Scotia College of Art and Design, and the Art-World Economies of Folk Art -- 5 "Tales of These Halcyon Days": The Centralized Decentralization of Regional Culture Making. | |
| 505 | 8 | |a PART TWO Maud Lewis and the Social Aesthetics ofthe Everyday. 6 Ordinary Affects: Public History, Maud Lewis, and the Cultural Object of Optimism in Rural Nova Scotia -- 7 Commemorative Expectations: The Community-CorporateModel of the Maud Lewis Painted House Preservation -- 8 Art Works: TheMaud Lewis Authority, Tourism, and Neoliberal Copyright. | |
| 650 | 0 | |a Folk art |z Nova Scotia |x History |y 20th century. | |
| 650 | 0 | |a Folk art |x Economic aspects |z Nova Scotia |x History |y 20th century. | |
| 650 | 0 | |a Folk artists |x History |y 20th century. | |
| 650 | 0 | |a Folk artists |z Nova Scotia |x Economic conditions |y 20th century. | |
| 651 | 0 | |a Nova Scotia |x Cultural policy |x History |y 20th century. | |
| 651 | 0 | |a Nova Scotia |x Economic conditions |y 20th century. | |
| 650 | 6 | |a Art populaire |z Nouvelle-Écosse |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Art populaire |x Aspect économique |z Nouvelle-Écosse |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Artistes populaires |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Artistes populaires |z Nouvelle-Écosse |x Conditions économiques |y 20e siècle. | |
| 651 | 6 | |a Nouvelle-Écosse |x Conditions économiques |y 20e siècle. | |
| 650 | 7 | |a ART |x Folk & Outsider Art. |2 bisacsh | |
| 650 | 7 | |a CRAFTS & HOBBIES |x Folkcrafts. |2 bisacsh | |
| 650 | 7 | |a Cultural policy |2 fast | |
| 650 | 7 | |a Economic history |2 fast | |
| 650 | 7 | |a Folk art |2 fast | |
| 650 | 7 | |a Folk art |x Economic aspects |2 fast | |
| 650 | 7 | |a Folk artists |2 fast | |
| 651 | 7 | |a Nova Scotia |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrcqWDfvFkcYfHhQkCYT3 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
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| 758 | |i has work: |a For Folk's Sake (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFxMpQ9D9FMFtf4VVgbxcP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 1 | |a Morton, Erin, 1981- |t For folk's sake.: |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2016] ©2016 |k McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |k McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |w (CaOONL)20169038734 |w (OCoLC)951848055 | |
| 830 | 0 | |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |0 http://id.loc.gov/authorities/names/no2009036808 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn951847710 |
|---|---|
| _version_ | 1816882351876079616 |
| adam_text | |
| any_adam_object | |
| author | Morton, Erin, 1981- |
| author_GND | http://id.loc.gov/authorities/names/no2014147414 |
| author_facet | Morton, Erin, 1981- |
| author_role | aut |
| author_sort | Morton, Erin, 1981- |
| author_variant | e m em |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NK842 |
| callnumber-raw | NK842.N69 M67 2016eb |
| callnumber-search | NK842.N69 M67 2016eb |
| callnumber-sort | NK 3842 N69 M67 42016EB |
| callnumber-subject | NK - Decorative Arts |
| collection | ZDB-4-EBA |
| contents | INTRODUCTION 1 The Historical Presentism of Folk Art -- 2 A Genealogy of Folk Art in Canada: Nostalgia and the Ancestry of Modern Art. PART ONE Art Institutions and the Institutionalization of Folk Art. 3 "Behind ThoseWeathered Doors": Chris Huntington, the Art Gallery of Nova Scotia, and the Institutionalization of the Folkloric Future -- 4 Teaching the Self-Taught: Collins Eisenhauer, the Nova Scotia College of Art and Design, and the Art-World Economies of Folk Art -- 5 "Tales of These Halcyon Days": The Centralized Decentralization of Regional Culture Making. PART TWO Maud Lewis and the Social Aesthetics ofthe Everyday. 6 Ordinary Affects: Public History, Maud Lewis, and the Cultural Object of Optimism in Rural Nova Scotia -- 7 Commemorative Expectations: The Community-CorporateModel of the Maud Lewis Painted House Preservation -- 8 Art Works: TheMaud Lewis Authority, Tourism, and Neoliberal Copyright. |
| ctrlnum | (OCoLC)951847710 |
| dewey-full | 745.0971609/045 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 745 - Decorative arts |
| dewey-raw | 745.0971609/045 |
| dewey-search | 745.0971609/045 |
| dewey-sort | 3745.0971609 245 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Nova Scotia Cultural policy History 20th century. Nova Scotia Economic conditions 20th century. Nouvelle-Écosse Conditions économiques 20e siècle. Nova Scotia fast https://id.oclc.org/worldcat/entity/E39PBJrcqWDfvFkcYfHhQkCYT3 |
| geographic_facet | Nova Scotia Cultural policy History 20th century. Nova Scotia Economic conditions 20th century. Nouvelle-Écosse Conditions économiques 20e siècle. Nova Scotia |
| id | ZDB-4-EBA-ocn951847710 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:14Z |
| institution | BVB |
| isbn | 9780773599864 077359986X |
| language | English |
| oclc_num | 951847710 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| series | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |
| series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| spelling | Morton, Erin, 1981- author. https://id.oclc.org/worldcat/entity/E39PCjwJPK3cM8vBPDKxtpVqcd http://id.loc.gov/authorities/names/no2014147414 For folk's sake : art and economy in twentieth-century Nova Scotia / Erin Morton. 1611 Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier McGill-Queen's/Beaverbrook Canadian Foundation studies in art history Includes bibliographical references and index. "Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk's Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers--and their connection to handwork, local history, and place--soothed the public's nostalgia for a simpler past. Addressing modernism as it pertains to the genealogy of folk art and late twentieth-century crises in capitalism, Erin Morton places artists like Maud Lewis and Collins Eisenhauer within histories of cultural and economic development in the province. Engaging the national and transnational developments that moulded public and academic criteria, she examines the ways in which a conceptual category took concrete, material form. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it according to a particular modernist aesthetic language."-- Provided by publisher "Illustrated with over seventy images, For Folk's Sake interrogates the emotive pull of folk art to radically reconstruct the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia's most important art institutions."-- Provided by publisher INTRODUCTION 1 The Historical Presentism of Folk Art -- 2 A Genealogy of Folk Art in Canada: Nostalgia and the Ancestry of Modern Art. PART ONE Art Institutions and the Institutionalization of Folk Art. 3 "Behind ThoseWeathered Doors": Chris Huntington, the Art Gallery of Nova Scotia, and the Institutionalization of the Folkloric Future -- 4 Teaching the Self-Taught: Collins Eisenhauer, the Nova Scotia College of Art and Design, and the Art-World Economies of Folk Art -- 5 "Tales of These Halcyon Days": The Centralized Decentralization of Regional Culture Making. PART TWO Maud Lewis and the Social Aesthetics ofthe Everyday. 6 Ordinary Affects: Public History, Maud Lewis, and the Cultural Object of Optimism in Rural Nova Scotia -- 7 Commemorative Expectations: The Community-CorporateModel of the Maud Lewis Painted House Preservation -- 8 Art Works: TheMaud Lewis Authority, Tourism, and Neoliberal Copyright. Folk art Nova Scotia History 20th century. Folk art Economic aspects Nova Scotia History 20th century. Folk artists History 20th century. Folk artists Nova Scotia Economic conditions 20th century. Nova Scotia Cultural policy History 20th century. Nova Scotia Economic conditions 20th century. Art populaire Nouvelle-Écosse Histoire 20e siècle. Art populaire Aspect économique Nouvelle-Écosse Histoire 20e siècle. Artistes populaires Histoire 20e siècle. Artistes populaires Nouvelle-Écosse Conditions économiques 20e siècle. Nouvelle-Écosse Conditions économiques 20e siècle. ART Folk & Outsider Art. bisacsh CRAFTS & HOBBIES Folkcrafts. bisacsh Cultural policy fast Economic history fast Folk art fast Folk art Economic aspects fast Folk artists fast Nova Scotia fast https://id.oclc.org/worldcat/entity/E39PBJrcqWDfvFkcYfHhQkCYT3 1900-1999 fast History fast has work: For Folk's Sake (Text) https://id.oclc.org/worldcat/entity/E39PCFxMpQ9D9FMFtf4VVgbxcP https://id.oclc.org/worldcat/ontology/hasWork Morton, Erin, 1981- For folk's sake.: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2016] ©2016 McGill-Queen's/Beaverbrook Canadian Foundation studies in art history McGill-Queen's/Beaverbrook Canadian Foundation studies in art history (CaOONL)20169038734 (OCoLC)951848055 McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. http://id.loc.gov/authorities/names/no2009036808 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1359392 Volltext |
| spellingShingle | Morton, Erin, 1981- For folk's sake : art and economy in twentieth-century Nova Scotia / McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. INTRODUCTION 1 The Historical Presentism of Folk Art -- 2 A Genealogy of Folk Art in Canada: Nostalgia and the Ancestry of Modern Art. PART ONE Art Institutions and the Institutionalization of Folk Art. 3 "Behind ThoseWeathered Doors": Chris Huntington, the Art Gallery of Nova Scotia, and the Institutionalization of the Folkloric Future -- 4 Teaching the Self-Taught: Collins Eisenhauer, the Nova Scotia College of Art and Design, and the Art-World Economies of Folk Art -- 5 "Tales of These Halcyon Days": The Centralized Decentralization of Regional Culture Making. PART TWO Maud Lewis and the Social Aesthetics ofthe Everyday. 6 Ordinary Affects: Public History, Maud Lewis, and the Cultural Object of Optimism in Rural Nova Scotia -- 7 Commemorative Expectations: The Community-CorporateModel of the Maud Lewis Painted House Preservation -- 8 Art Works: TheMaud Lewis Authority, Tourism, and Neoliberal Copyright. Folk art Nova Scotia History 20th century. Folk art Economic aspects Nova Scotia History 20th century. Folk artists History 20th century. Folk artists Nova Scotia Economic conditions 20th century. Art populaire Nouvelle-Écosse Histoire 20e siècle. Art populaire Aspect économique Nouvelle-Écosse Histoire 20e siècle. Artistes populaires Histoire 20e siècle. Artistes populaires Nouvelle-Écosse Conditions économiques 20e siècle. ART Folk & Outsider Art. bisacsh CRAFTS & HOBBIES Folkcrafts. bisacsh Cultural policy fast Economic history fast Folk art fast Folk art Economic aspects fast Folk artists fast |
| title | For folk's sake : art and economy in twentieth-century Nova Scotia / |
| title_auth | For folk's sake : art and economy in twentieth-century Nova Scotia / |
| title_exact_search | For folk's sake : art and economy in twentieth-century Nova Scotia / |
| title_full | For folk's sake : art and economy in twentieth-century Nova Scotia / Erin Morton. |
| title_fullStr | For folk's sake : art and economy in twentieth-century Nova Scotia / Erin Morton. |
| title_full_unstemmed | For folk's sake : art and economy in twentieth-century Nova Scotia / Erin Morton. |
| title_short | For folk's sake : |
| title_sort | for folk s sake art and economy in twentieth century nova scotia |
| title_sub | art and economy in twentieth-century Nova Scotia / |
| topic | Folk art Nova Scotia History 20th century. Folk art Economic aspects Nova Scotia History 20th century. Folk artists History 20th century. Folk artists Nova Scotia Economic conditions 20th century. Art populaire Nouvelle-Écosse Histoire 20e siècle. Art populaire Aspect économique Nouvelle-Écosse Histoire 20e siècle. Artistes populaires Histoire 20e siècle. Artistes populaires Nouvelle-Écosse Conditions économiques 20e siècle. ART Folk & Outsider Art. bisacsh CRAFTS & HOBBIES Folkcrafts. bisacsh Cultural policy fast Economic history fast Folk art fast Folk art Economic aspects fast Folk artists fast |
| topic_facet | Folk art Nova Scotia History 20th century. Folk art Economic aspects Nova Scotia History 20th century. Folk artists History 20th century. Folk artists Nova Scotia Economic conditions 20th century. Nova Scotia Cultural policy History 20th century. Nova Scotia Economic conditions 20th century. Art populaire Nouvelle-Écosse Histoire 20e siècle. Art populaire Aspect économique Nouvelle-Écosse Histoire 20e siècle. Artistes populaires Histoire 20e siècle. Artistes populaires Nouvelle-Écosse Conditions économiques 20e siècle. Nouvelle-Écosse Conditions économiques 20e siècle. ART Folk & Outsider Art. CRAFTS & HOBBIES Folkcrafts. Cultural policy Economic history Folk art Folk art Economic aspects Folk artists Nova Scotia History |
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| work_keys_str_mv | AT mortonerin forfolkssakeartandeconomyintwentiethcenturynovascotia |