The sitcom reader :: America re-viewed, still skewed /
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
2016.
|
| Ausgabe: | Second edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438461328 1438461321 |
Internformat
MARC
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| 245 | 0 | 4 | |a The sitcom reader : |b America re-viewed, still skewed / |c edited by Mary M. Dalton and Laura R. Linder. |
| 250 | |a Second edition. | ||
| 264 | 1 | |a Albany : |b State University of New York Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Illustrations; Introduction; 1. Origins of the Genre: In Search of the Radio Sitcom; Dialect Comedies; The Sitcom-variety Show Hybrids; Improving the Horse and Carriage; Notes; The 1950s; Notes; 2. Who Rules the Roost?: Sitcom Family Dynamics from the Cleavers to Modern Family; 3. I Love Lucy: Television and Gender in Postwar Domestic Ideology; Notes; 4. To the Moon! Working-Class Masculinity in The Honeymooners; The 1960s; 5. The Rural Sitcom from The Real McCoys to Relevance; The Real Mccoys and Its Cohorts; "que Sera, Sera"-annually; Conclusion; Notes. | |
| 505 | 8 | |a 6. The 1960s Magicoms: Safety in Numb-ersNotes; 7. Negotiated Boundaries: Production Practices and the Making of Representation in Julia; Genre Conventions; Cinematic Style and Staging Conventions; Casting Conventions; The 1970s; 8. The Norman Lear Sitcoms and the 1970s; All in the Family; Sanford and Son; Maude; Good Times; The Jeffersons; Conclusion; Notes; 9. Liberated Women and New Sensitive Men: Reconstructing Gender in 1970s Workplace Comedies; 10. "Who's in Charge Here?" Views of Media Ownership in Situation Comedies; Alienation of the Worker: The Dick Van Dyke Show. | |
| 505 | 8 | |a The Carnival World: The Mary Tyler Moore ShowThe Grotesque: Seinfeld; Conclusion; Notes; The 1980s; 11. The Cosby Show: Recoding Ethnicity and Masculinity within the Television Text; Mythology and Icons in the Televisual Text; Genre, Convention/invention, And Recoding Blackness; Professionals and Their Nuclear Family: Class and Affluence Codes; Disposable Income; The Value of Education; Multiracialism; Racial Pride; Humor Mediated by Humanity; Achievements and Limitations in the Cosby Recoding of "Black"; In the End; Notes; 12. Roseanne, Roseanne, Reality, and Domestic Comedy; Notes. | |
| 505 | 8 | |a 13. Cheers: Searching for the Ideal Public Sphere in the Ideal Public HouseHabermas and His Critics; Locating a Contemporary Ideal Public Sphere; The 1990s; 14. Seinfeld: The Transcendence of the Quotidian; Notes; 15. Cybill: Privileging Liberal Feminism in Daily Sitcom Life; Liberal Feminism and Cybill; Women and Work; Cultural and Political Lessons; Dating and Romance; A Foundation of Friendship; Motherhood; Conclusion; Notes; 16. Talking Sex: Comparison Shopping through Female Conversation in HBO's Sex and the City; My Momma' Told Me ... You Better Shop Around; Shop Talk; Conclusion. | |
| 505 | 8 | |a Addendum: What Do Women Want?The 2000s; 17. "It's Just a Bunch of Stuff that Happened": The Simpsons and the Possibility of Postmodern Comedy; Traditional Theories of Comedy Worked for More Traditional Times; So We Cannot Rise above the World. This Is Not to Be Lamented. Nothing Rises.; As the Comic Book Store Guy Would Say, This May Be the Worst ... Chapter ... Ever; Notes; 18. Breaking and Entering: Transgressive Comedy on Television; Note; 19. Sealed with a Kiss: Heteronormative Narrative Strategies in; An Introduction to Will & Grace: (Heterosexual) Pairings and the On-screen Kiss. | |
| 650 | 0 | |a Situation comedies (Television programs) |z United States |x History and criticism. | |
| 650 | 6 | |a Comédies de situation |x Histoire et critique |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Situation comedies (Television programs) |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 700 | 1 | |a Linder, Laura R., |e editor. | |
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| adam_text | |
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| author2 | Dalton, Mary M., 1962- Linder, Laura R. |
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| author_GND | http://id.loc.gov/authorities/names/n96123126 |
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| building | Verbundindex |
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| contents | Illustrations; Introduction; 1. Origins of the Genre: In Search of the Radio Sitcom; Dialect Comedies; The Sitcom-variety Show Hybrids; Improving the Horse and Carriage; Notes; The 1950s; Notes; 2. Who Rules the Roost?: Sitcom Family Dynamics from the Cleavers to Modern Family; 3. I Love Lucy: Television and Gender in Postwar Domestic Ideology; Notes; 4. To the Moon! Working-Class Masculinity in The Honeymooners; The 1960s; 5. The Rural Sitcom from The Real McCoys to Relevance; The Real Mccoys and Its Cohorts; "que Sera, Sera"-annually; Conclusion; Notes. 6. The 1960s Magicoms: Safety in Numb-ersNotes; 7. Negotiated Boundaries: Production Practices and the Making of Representation in Julia; Genre Conventions; Cinematic Style and Staging Conventions; Casting Conventions; The 1970s; 8. The Norman Lear Sitcoms and the 1970s; All in the Family; Sanford and Son; Maude; Good Times; The Jeffersons; Conclusion; Notes; 9. Liberated Women and New Sensitive Men: Reconstructing Gender in 1970s Workplace Comedies; 10. "Who's in Charge Here?" Views of Media Ownership in Situation Comedies; Alienation of the Worker: The Dick Van Dyke Show. The Carnival World: The Mary Tyler Moore ShowThe Grotesque: Seinfeld; Conclusion; Notes; The 1980s; 11. The Cosby Show: Recoding Ethnicity and Masculinity within the Television Text; Mythology and Icons in the Televisual Text; Genre, Convention/invention, And Recoding Blackness; Professionals and Their Nuclear Family: Class and Affluence Codes; Disposable Income; The Value of Education; Multiracialism; Racial Pride; Humor Mediated by Humanity; Achievements and Limitations in the Cosby Recoding of "Black"; In the End; Notes; 12. Roseanne, Roseanne, Reality, and Domestic Comedy; Notes. 13. Cheers: Searching for the Ideal Public Sphere in the Ideal Public HouseHabermas and His Critics; Locating a Contemporary Ideal Public Sphere; The 1990s; 14. Seinfeld: The Transcendence of the Quotidian; Notes; 15. Cybill: Privileging Liberal Feminism in Daily Sitcom Life; Liberal Feminism and Cybill; Women and Work; Cultural and Political Lessons; Dating and Romance; A Foundation of Friendship; Motherhood; Conclusion; Notes; 16. Talking Sex: Comparison Shopping through Female Conversation in HBO's Sex and the City; My Momma' Told Me ... You Better Shop Around; Shop Talk; Conclusion. Addendum: What Do Women Want?The 2000s; 17. "It's Just a Bunch of Stuff that Happened": The Simpsons and the Possibility of Postmodern Comedy; Traditional Theories of Comedy Worked for More Traditional Times; So We Cannot Rise above the World. This Is Not to Be Lamented. Nothing Rises.; As the Comic Book Store Guy Would Say, This May Be the Worst ... Chapter ... Ever; Notes; 18. Breaking and Entering: Transgressive Comedy on Television; Note; 19. Sealed with a Kiss: Heteronormative Narrative Strategies in; An Introduction to Will & Grace: (Heterosexual) Pairings and the On-screen Kiss. |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.45/617 |
| dewey-search | 791.45/617 |
| dewey-sort | 3791.45 3617 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Second edition. |
| format | Electronic eBook |
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| publisher | State University of New York Press, |
| record_format | marc |
| spelling | The sitcom reader : America re-viewed, still skewed / edited by Mary M. Dalton and Laura R. Linder. Second edition. Albany : State University of New York Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Illustrations; Introduction; 1. Origins of the Genre: In Search of the Radio Sitcom; Dialect Comedies; The Sitcom-variety Show Hybrids; Improving the Horse and Carriage; Notes; The 1950s; Notes; 2. Who Rules the Roost?: Sitcom Family Dynamics from the Cleavers to Modern Family; 3. I Love Lucy: Television and Gender in Postwar Domestic Ideology; Notes; 4. To the Moon! Working-Class Masculinity in The Honeymooners; The 1960s; 5. The Rural Sitcom from The Real McCoys to Relevance; The Real Mccoys and Its Cohorts; "que Sera, Sera"-annually; Conclusion; Notes. 6. The 1960s Magicoms: Safety in Numb-ersNotes; 7. Negotiated Boundaries: Production Practices and the Making of Representation in Julia; Genre Conventions; Cinematic Style and Staging Conventions; Casting Conventions; The 1970s; 8. The Norman Lear Sitcoms and the 1970s; All in the Family; Sanford and Son; Maude; Good Times; The Jeffersons; Conclusion; Notes; 9. Liberated Women and New Sensitive Men: Reconstructing Gender in 1970s Workplace Comedies; 10. "Who's in Charge Here?" Views of Media Ownership in Situation Comedies; Alienation of the Worker: The Dick Van Dyke Show. The Carnival World: The Mary Tyler Moore ShowThe Grotesque: Seinfeld; Conclusion; Notes; The 1980s; 11. The Cosby Show: Recoding Ethnicity and Masculinity within the Television Text; Mythology and Icons in the Televisual Text; Genre, Convention/invention, And Recoding Blackness; Professionals and Their Nuclear Family: Class and Affluence Codes; Disposable Income; The Value of Education; Multiracialism; Racial Pride; Humor Mediated by Humanity; Achievements and Limitations in the Cosby Recoding of "Black"; In the End; Notes; 12. Roseanne, Roseanne, Reality, and Domestic Comedy; Notes. 13. Cheers: Searching for the Ideal Public Sphere in the Ideal Public HouseHabermas and His Critics; Locating a Contemporary Ideal Public Sphere; The 1990s; 14. Seinfeld: The Transcendence of the Quotidian; Notes; 15. Cybill: Privileging Liberal Feminism in Daily Sitcom Life; Liberal Feminism and Cybill; Women and Work; Cultural and Political Lessons; Dating and Romance; A Foundation of Friendship; Motherhood; Conclusion; Notes; 16. Talking Sex: Comparison Shopping through Female Conversation in HBO's Sex and the City; My Momma' Told Me ... You Better Shop Around; Shop Talk; Conclusion. Addendum: What Do Women Want?The 2000s; 17. "It's Just a Bunch of Stuff that Happened": The Simpsons and the Possibility of Postmodern Comedy; Traditional Theories of Comedy Worked for More Traditional Times; So We Cannot Rise above the World. This Is Not to Be Lamented. Nothing Rises.; As the Comic Book Store Guy Would Say, This May Be the Worst ... Chapter ... Ever; Notes; 18. Breaking and Entering: Transgressive Comedy on Television; Note; 19. Sealed with a Kiss: Heteronormative Narrative Strategies in; An Introduction to Will & Grace: (Heterosexual) Pairings and the On-screen Kiss. Situation comedies (Television programs) United States History and criticism. Comédies de situation Histoire et critique États-Unis. PERFORMING ARTS Reference. bisacsh Situation comedies (Television programs) fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Dalton, Mary M., 1962- editor. https://id.oclc.org/worldcat/entity/E39PCjFkdGCKWWQVBkmmM3YJTb http://id.loc.gov/authorities/names/n96123126 Linder, Laura R., editor. has work: The sitcom reader (Text) https://id.oclc.org/worldcat/entity/E39PCGRWmXW8jHtBThGC387q43 https://id.oclc.org/worldcat/ontology/hasWork Print version: Sitcom reader. Second edition. Albany : State University of New York Press, 2016 9781438461311 (DLC) 2015030787 (OCoLC)918562808 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1239028 Volltext |
| spellingShingle | The sitcom reader : America re-viewed, still skewed / Illustrations; Introduction; 1. Origins of the Genre: In Search of the Radio Sitcom; Dialect Comedies; The Sitcom-variety Show Hybrids; Improving the Horse and Carriage; Notes; The 1950s; Notes; 2. Who Rules the Roost?: Sitcom Family Dynamics from the Cleavers to Modern Family; 3. I Love Lucy: Television and Gender in Postwar Domestic Ideology; Notes; 4. To the Moon! Working-Class Masculinity in The Honeymooners; The 1960s; 5. The Rural Sitcom from The Real McCoys to Relevance; The Real Mccoys and Its Cohorts; "que Sera, Sera"-annually; Conclusion; Notes. 6. The 1960s Magicoms: Safety in Numb-ersNotes; 7. Negotiated Boundaries: Production Practices and the Making of Representation in Julia; Genre Conventions; Cinematic Style and Staging Conventions; Casting Conventions; The 1970s; 8. The Norman Lear Sitcoms and the 1970s; All in the Family; Sanford and Son; Maude; Good Times; The Jeffersons; Conclusion; Notes; 9. Liberated Women and New Sensitive Men: Reconstructing Gender in 1970s Workplace Comedies; 10. "Who's in Charge Here?" Views of Media Ownership in Situation Comedies; Alienation of the Worker: The Dick Van Dyke Show. The Carnival World: The Mary Tyler Moore ShowThe Grotesque: Seinfeld; Conclusion; Notes; The 1980s; 11. The Cosby Show: Recoding Ethnicity and Masculinity within the Television Text; Mythology and Icons in the Televisual Text; Genre, Convention/invention, And Recoding Blackness; Professionals and Their Nuclear Family: Class and Affluence Codes; Disposable Income; The Value of Education; Multiracialism; Racial Pride; Humor Mediated by Humanity; Achievements and Limitations in the Cosby Recoding of "Black"; In the End; Notes; 12. Roseanne, Roseanne, Reality, and Domestic Comedy; Notes. 13. Cheers: Searching for the Ideal Public Sphere in the Ideal Public HouseHabermas and His Critics; Locating a Contemporary Ideal Public Sphere; The 1990s; 14. Seinfeld: The Transcendence of the Quotidian; Notes; 15. Cybill: Privileging Liberal Feminism in Daily Sitcom Life; Liberal Feminism and Cybill; Women and Work; Cultural and Political Lessons; Dating and Romance; A Foundation of Friendship; Motherhood; Conclusion; Notes; 16. Talking Sex: Comparison Shopping through Female Conversation in HBO's Sex and the City; My Momma' Told Me ... You Better Shop Around; Shop Talk; Conclusion. Addendum: What Do Women Want?The 2000s; 17. "It's Just a Bunch of Stuff that Happened": The Simpsons and the Possibility of Postmodern Comedy; Traditional Theories of Comedy Worked for More Traditional Times; So We Cannot Rise above the World. This Is Not to Be Lamented. Nothing Rises.; As the Comic Book Store Guy Would Say, This May Be the Worst ... Chapter ... Ever; Notes; 18. Breaking and Entering: Transgressive Comedy on Television; Note; 19. Sealed with a Kiss: Heteronormative Narrative Strategies in; An Introduction to Will & Grace: (Heterosexual) Pairings and the On-screen Kiss. Situation comedies (Television programs) United States History and criticism. Comédies de situation Histoire et critique États-Unis. PERFORMING ARTS Reference. bisacsh Situation comedies (Television programs) fast |
| title | The sitcom reader : America re-viewed, still skewed / |
| title_auth | The sitcom reader : America re-viewed, still skewed / |
| title_exact_search | The sitcom reader : America re-viewed, still skewed / |
| title_full | The sitcom reader : America re-viewed, still skewed / edited by Mary M. Dalton and Laura R. Linder. |
| title_fullStr | The sitcom reader : America re-viewed, still skewed / edited by Mary M. Dalton and Laura R. Linder. |
| title_full_unstemmed | The sitcom reader : America re-viewed, still skewed / edited by Mary M. Dalton and Laura R. Linder. |
| title_short | The sitcom reader : |
| title_sort | sitcom reader america re viewed still skewed |
| title_sub | America re-viewed, still skewed / |
| topic | Situation comedies (Television programs) United States History and criticism. Comédies de situation Histoire et critique États-Unis. PERFORMING ARTS Reference. bisacsh Situation comedies (Television programs) fast |
| topic_facet | Situation comedies (Television programs) United States History and criticism. Comédies de situation Histoire et critique États-Unis. PERFORMING ARTS Reference. Situation comedies (Television programs) United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1239028 |
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