Italian style :: fashion & film from early cinema to the digital age /
"Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.,
2016.
|
| Schriftenreihe: | Topics and issues in national cinema ;
v. 5. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781623566616 1623566614 1501302477 9781501302473 1441189157 9781441189158 |
Internformat
MARC
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| 100 | 1 | |a Paulicelli, Eugenia, |d 1958- |e author. |0 http://id.loc.gov/authorities/names/nr96037326 | |
| 245 | 1 | 0 | |a Italian style : |b fashion & film from early cinema to the digital age / |c Eugenia Paulicelli. |
| 263 | |a 1609 | ||
| 264 | 1 | |a New York : |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., |c 2016. | |
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| 490 | 1 | |a Topics and issues in national cinema ; |v volume 5 | |
| 520 | |a "Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 505 | 0 | |a FC; Topics and Issues in National Cinema; Title; Copyright; Contents; List of Illustrations; Acknowledgments; 1 Fashion, Film, Modernity; Nostra Dea: the goddess of fashion; Pirandello, cinema, and clothing: elective affinities; "The Tight Frock-Coat": performing dress; Film, costume, fashion, and intermediality; Italian style: fashion and film; 2 Italian Fashion and Film in the 1910s: From the Futurists to Rosa Genoni; The Futurists, fashion, film, and performance; Rosa Genoni: Per una moda italiana: fashioning the diva; 3 From the Body of the Diva to the Body of the Nation. | |
| 505 | 8 | |a The Italian divas and the "gowns of emotions"Lyda Borelli (1887-1959): the ethereal melancholic beauty and Ma l'amore mio non muore! (love everlasting); The veil: modernity in motion in Nino Oxilia's Rapsodia Satanica; Francesca Bertini (1892-1985): the glamorous embodied; Nino Oxilia's Sangue Bleu (1914) and Gustavo Serena's Assunta Spina (1915); Pina Menichelli (1890-1981): "the other woman" and the end of an era; 4 Fashion, Film, Modernity, under Fascism; Fashion in motion: the LUCE newsreels; Rhythms of the modern city: fashion in Corrado D'Errico's Stramilano (1929). | |
| 505 | 8 | |a Contessa di Parma (Alessandro Blasetti, 1937): a manifesto for the promotion of Italian fashion and Turin as a fashion cityGrandi Magazzini (1939, Mario Camerini): fashion consumption, gender roles, and work in Milan; Epilogue: towards a new dawn; 5 Launching Italian Style in Cinema and Fashion: The Films of Michelangelo Antonioni; The fabric of film: Sette canne, un vestito (1949); The 1950s: Cronaca di un amore, La signora senza camelie and Le amiche; The fashion show in Cronaca: a narrative mise en abyme; "Was I a good femme fatale?" (Lucia Bosè (Clara) in La signora senza camelie). | |
| 505 | 8 | |a The fashion show in Le amiche: the end of the gameThe 1960s: from costume to fashion. L'Avventura and beyond; Outsiders, doubles, wanderers; Conclusion: a visual tactility; 6 Rome, Fashion, Film; From "Hollywood on the Tiber" to La Dolce Vita; Rome as a fashion city in the postwar years; La Dolce Vita; La Dolce Vita and its discontents; Roma (Fellini, 1971): space and time; The broken watch of history; The ecclesiastical fashion show; 7 After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino; Fashion, film, and Rome today: national identity revisited; Appendices. | |
| 505 | 8 | |a The Photographic Archive by Giuseppe Palmas (1918-1977)Interview with Fernanda Gattinoni, Rome, June 16, 2000; Dressing the Dreams: Interview with Dino Trappetti-Tirelli Costumi Rome, December 2015; Interview with Teresa Allegri, founder of Annamode, Rome, Fondazione Annamode, June 6, 2013; Adriana Berselli; Some notes on the set of L'avventura (1960) by Michelangelo Antonioni; "Cesare Attolini" and La Grande Bellezza: Interview with Massimiliano Attolini, Son of Cesare and Grandson of Vincenzo, Founder of the Sartoria; Selected Bibliography; Filmography; Index; Plates. | |
| 546 | |a English. | ||
| 650 | 0 | |a Motion pictures |z Italy |x History. | |
| 650 | 0 | |a Fashion in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh90004888 | |
| 650 | 0 | |a Costume |x Symbolic aspects. |0 http://id.loc.gov/authorities/subjects/sh91000465 | |
| 650 | 0 | |a National characteristics in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh00001044 | |
| 650 | 6 | |a Mode au cinéma. | |
| 650 | 6 | |a Cinéma |z Italie |x Histoire. | |
| 650 | 6 | |a Caractéristiques nationales au cinéma. | |
| 650 | 7 | |a European history. |2 bicssc | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Costume |x Symbolic aspects |2 fast | |
| 650 | 7 | |a Fashion in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a National characteristics in motion pictures |2 fast | |
| 651 | 7 | |a Italy |2 fast | |
| 655 | 7 | |a History |2 fast | |
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Datensatz im Suchindex
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| adam_text | |
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| author | Paulicelli, Eugenia, 1958- |
| author_GND | http://id.loc.gov/authorities/names/nr96037326 |
| author_facet | Paulicelli, Eugenia, 1958- |
| author_role | aut |
| author_sort | Paulicelli, Eugenia, 1958- |
| author_variant | e p ep |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.I88 |
| callnumber-search | PN1993.5.I88 |
| callnumber-sort | PN 41993.5 I88 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | FC; Topics and Issues in National Cinema; Title; Copyright; Contents; List of Illustrations; Acknowledgments; 1 Fashion, Film, Modernity; Nostra Dea: the goddess of fashion; Pirandello, cinema, and clothing: elective affinities; "The Tight Frock-Coat": performing dress; Film, costume, fashion, and intermediality; Italian style: fashion and film; 2 Italian Fashion and Film in the 1910s: From the Futurists to Rosa Genoni; The Futurists, fashion, film, and performance; Rosa Genoni: Per una moda italiana: fashioning the diva; 3 From the Body of the Diva to the Body of the Nation. The Italian divas and the "gowns of emotions"Lyda Borelli (1887-1959): the ethereal melancholic beauty and Ma l'amore mio non muore! (love everlasting); The veil: modernity in motion in Nino Oxilia's Rapsodia Satanica; Francesca Bertini (1892-1985): the glamorous embodied; Nino Oxilia's Sangue Bleu (1914) and Gustavo Serena's Assunta Spina (1915); Pina Menichelli (1890-1981): "the other woman" and the end of an era; 4 Fashion, Film, Modernity, under Fascism; Fashion in motion: the LUCE newsreels; Rhythms of the modern city: fashion in Corrado D'Errico's Stramilano (1929). Contessa di Parma (Alessandro Blasetti, 1937): a manifesto for the promotion of Italian fashion and Turin as a fashion cityGrandi Magazzini (1939, Mario Camerini): fashion consumption, gender roles, and work in Milan; Epilogue: towards a new dawn; 5 Launching Italian Style in Cinema and Fashion: The Films of Michelangelo Antonioni; The fabric of film: Sette canne, un vestito (1949); The 1950s: Cronaca di un amore, La signora senza camelie and Le amiche; The fashion show in Cronaca: a narrative mise en abyme; "Was I a good femme fatale?" (Lucia Bosè (Clara) in La signora senza camelie). The fashion show in Le amiche: the end of the gameThe 1960s: from costume to fashion. L'Avventura and beyond; Outsiders, doubles, wanderers; Conclusion: a visual tactility; 6 Rome, Fashion, Film; From "Hollywood on the Tiber" to La Dolce Vita; Rome as a fashion city in the postwar years; La Dolce Vita; La Dolce Vita and its discontents; Roma (Fellini, 1971): space and time; The broken watch of history; The ecclesiastical fashion show; 7 After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino; Fashion, film, and Rome today: national identity revisited; Appendices. The Photographic Archive by Giuseppe Palmas (1918-1977)Interview with Fernanda Gattinoni, Rome, June 16, 2000; Dressing the Dreams: Interview with Dino Trappetti-Tirelli Costumi Rome, December 2015; Interview with Teresa Allegri, founder of Annamode, Rome, Fondazione Annamode, June 6, 2013; Adriana Berselli; Some notes on the set of L'avventura (1960) by Michelangelo Antonioni; "Cesare Attolini" and La Grande Bellezza: Interview with Massimiliano Attolini, Son of Cesare and Grandson of Vincenzo, Founder of the Sartoria; Selected Bibliography; Filmography; Index; Plates. |
| ctrlnum | (OCoLC)948961378 |
| dewey-full | 791.430945 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430945 |
| dewey-search | 791.430945 |
| dewey-sort | 3791.430945 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Italy fast |
| geographic_facet | Italy |
| id | ZDB-4-EBA-ocn948961378 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:11Z |
| institution | BVB |
| isbn | 9781623566616 1623566614 1501302477 9781501302473 1441189157 9781441189158 |
| language | English |
| lccn | 2016021531 |
| oclc_num | 948961378 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., |
| record_format | marc |
| series | Topics and issues in national cinema ; |
| series2 | Topics and issues in national cinema ; |
| spelling | Paulicelli, Eugenia, 1958- author. http://id.loc.gov/authorities/names/nr96037326 Italian style : fashion & film from early cinema to the digital age / Eugenia Paulicelli. 1609 New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., 2016. 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Topics and issues in national cinema ; volume 5 "Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character"-- Provided by publisher Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. FC; Topics and Issues in National Cinema; Title; Copyright; Contents; List of Illustrations; Acknowledgments; 1 Fashion, Film, Modernity; Nostra Dea: the goddess of fashion; Pirandello, cinema, and clothing: elective affinities; "The Tight Frock-Coat": performing dress; Film, costume, fashion, and intermediality; Italian style: fashion and film; 2 Italian Fashion and Film in the 1910s: From the Futurists to Rosa Genoni; The Futurists, fashion, film, and performance; Rosa Genoni: Per una moda italiana: fashioning the diva; 3 From the Body of the Diva to the Body of the Nation. The Italian divas and the "gowns of emotions"Lyda Borelli (1887-1959): the ethereal melancholic beauty and Ma l'amore mio non muore! (love everlasting); The veil: modernity in motion in Nino Oxilia's Rapsodia Satanica; Francesca Bertini (1892-1985): the glamorous embodied; Nino Oxilia's Sangue Bleu (1914) and Gustavo Serena's Assunta Spina (1915); Pina Menichelli (1890-1981): "the other woman" and the end of an era; 4 Fashion, Film, Modernity, under Fascism; Fashion in motion: the LUCE newsreels; Rhythms of the modern city: fashion in Corrado D'Errico's Stramilano (1929). Contessa di Parma (Alessandro Blasetti, 1937): a manifesto for the promotion of Italian fashion and Turin as a fashion cityGrandi Magazzini (1939, Mario Camerini): fashion consumption, gender roles, and work in Milan; Epilogue: towards a new dawn; 5 Launching Italian Style in Cinema and Fashion: The Films of Michelangelo Antonioni; The fabric of film: Sette canne, un vestito (1949); The 1950s: Cronaca di un amore, La signora senza camelie and Le amiche; The fashion show in Cronaca: a narrative mise en abyme; "Was I a good femme fatale?" (Lucia Bosè (Clara) in La signora senza camelie). The fashion show in Le amiche: the end of the gameThe 1960s: from costume to fashion. L'Avventura and beyond; Outsiders, doubles, wanderers; Conclusion: a visual tactility; 6 Rome, Fashion, Film; From "Hollywood on the Tiber" to La Dolce Vita; Rome as a fashion city in the postwar years; La Dolce Vita; La Dolce Vita and its discontents; Roma (Fellini, 1971): space and time; The broken watch of history; The ecclesiastical fashion show; 7 After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino; Fashion, film, and Rome today: national identity revisited; Appendices. The Photographic Archive by Giuseppe Palmas (1918-1977)Interview with Fernanda Gattinoni, Rome, June 16, 2000; Dressing the Dreams: Interview with Dino Trappetti-Tirelli Costumi Rome, December 2015; Interview with Teresa Allegri, founder of Annamode, Rome, Fondazione Annamode, June 6, 2013; Adriana Berselli; Some notes on the set of L'avventura (1960) by Michelangelo Antonioni; "Cesare Attolini" and La Grande Bellezza: Interview with Massimiliano Attolini, Son of Cesare and Grandson of Vincenzo, Founder of the Sartoria; Selected Bibliography; Filmography; Index; Plates. English. Motion pictures Italy History. Fashion in motion pictures. http://id.loc.gov/authorities/subjects/sh90004888 Costume Symbolic aspects. http://id.loc.gov/authorities/subjects/sh91000465 National characteristics in motion pictures. http://id.loc.gov/authorities/subjects/sh00001044 Mode au cinéma. Cinéma Italie Histoire. Caractéristiques nationales au cinéma. European history. bicssc Film theory & criticism. bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Reference. bisacsh Costume Symbolic aspects fast Fashion in motion pictures fast Motion pictures fast National characteristics in motion pictures fast Italy fast History fast Print version: Paulicelli, Eugenia, 1958- Italian style. New York : Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., 2016 9781441189158 (DLC) 2016007698 Topics and issues in national cinema ; v. 5. http://id.loc.gov/authorities/names/no2014020470 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1288148 Volltext |
| spellingShingle | Paulicelli, Eugenia, 1958- Italian style : fashion & film from early cinema to the digital age / Topics and issues in national cinema ; FC; Topics and Issues in National Cinema; Title; Copyright; Contents; List of Illustrations; Acknowledgments; 1 Fashion, Film, Modernity; Nostra Dea: the goddess of fashion; Pirandello, cinema, and clothing: elective affinities; "The Tight Frock-Coat": performing dress; Film, costume, fashion, and intermediality; Italian style: fashion and film; 2 Italian Fashion and Film in the 1910s: From the Futurists to Rosa Genoni; The Futurists, fashion, film, and performance; Rosa Genoni: Per una moda italiana: fashioning the diva; 3 From the Body of the Diva to the Body of the Nation. The Italian divas and the "gowns of emotions"Lyda Borelli (1887-1959): the ethereal melancholic beauty and Ma l'amore mio non muore! (love everlasting); The veil: modernity in motion in Nino Oxilia's Rapsodia Satanica; Francesca Bertini (1892-1985): the glamorous embodied; Nino Oxilia's Sangue Bleu (1914) and Gustavo Serena's Assunta Spina (1915); Pina Menichelli (1890-1981): "the other woman" and the end of an era; 4 Fashion, Film, Modernity, under Fascism; Fashion in motion: the LUCE newsreels; Rhythms of the modern city: fashion in Corrado D'Errico's Stramilano (1929). Contessa di Parma (Alessandro Blasetti, 1937): a manifesto for the promotion of Italian fashion and Turin as a fashion cityGrandi Magazzini (1939, Mario Camerini): fashion consumption, gender roles, and work in Milan; Epilogue: towards a new dawn; 5 Launching Italian Style in Cinema and Fashion: The Films of Michelangelo Antonioni; The fabric of film: Sette canne, un vestito (1949); The 1950s: Cronaca di un amore, La signora senza camelie and Le amiche; The fashion show in Cronaca: a narrative mise en abyme; "Was I a good femme fatale?" (Lucia Bosè (Clara) in La signora senza camelie). The fashion show in Le amiche: the end of the gameThe 1960s: from costume to fashion. L'Avventura and beyond; Outsiders, doubles, wanderers; Conclusion: a visual tactility; 6 Rome, Fashion, Film; From "Hollywood on the Tiber" to La Dolce Vita; Rome as a fashion city in the postwar years; La Dolce Vita; La Dolce Vita and its discontents; Roma (Fellini, 1971): space and time; The broken watch of history; The ecclesiastical fashion show; 7 After La Dolce Vita: La Grande Bellezza (2013) by Paolo Sorrentino; Fashion, film, and Rome today: national identity revisited; Appendices. The Photographic Archive by Giuseppe Palmas (1918-1977)Interview with Fernanda Gattinoni, Rome, June 16, 2000; Dressing the Dreams: Interview with Dino Trappetti-Tirelli Costumi Rome, December 2015; Interview with Teresa Allegri, founder of Annamode, Rome, Fondazione Annamode, June 6, 2013; Adriana Berselli; Some notes on the set of L'avventura (1960) by Michelangelo Antonioni; "Cesare Attolini" and La Grande Bellezza: Interview with Massimiliano Attolini, Son of Cesare and Grandson of Vincenzo, Founder of the Sartoria; Selected Bibliography; Filmography; Index; Plates. Motion pictures Italy History. Fashion in motion pictures. http://id.loc.gov/authorities/subjects/sh90004888 Costume Symbolic aspects. http://id.loc.gov/authorities/subjects/sh91000465 National characteristics in motion pictures. http://id.loc.gov/authorities/subjects/sh00001044 Mode au cinéma. Cinéma Italie Histoire. Caractéristiques nationales au cinéma. European history. bicssc Film theory & criticism. bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Reference. bisacsh Costume Symbolic aspects fast Fashion in motion pictures fast Motion pictures fast National characteristics in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh90004888 http://id.loc.gov/authorities/subjects/sh91000465 http://id.loc.gov/authorities/subjects/sh00001044 |
| title | Italian style : fashion & film from early cinema to the digital age / |
| title_auth | Italian style : fashion & film from early cinema to the digital age / |
| title_exact_search | Italian style : fashion & film from early cinema to the digital age / |
| title_full | Italian style : fashion & film from early cinema to the digital age / Eugenia Paulicelli. |
| title_fullStr | Italian style : fashion & film from early cinema to the digital age / Eugenia Paulicelli. |
| title_full_unstemmed | Italian style : fashion & film from early cinema to the digital age / Eugenia Paulicelli. |
| title_short | Italian style : |
| title_sort | italian style fashion film from early cinema to the digital age |
| title_sub | fashion & film from early cinema to the digital age / |
| topic | Motion pictures Italy History. Fashion in motion pictures. http://id.loc.gov/authorities/subjects/sh90004888 Costume Symbolic aspects. http://id.loc.gov/authorities/subjects/sh91000465 National characteristics in motion pictures. http://id.loc.gov/authorities/subjects/sh00001044 Mode au cinéma. Cinéma Italie Histoire. Caractéristiques nationales au cinéma. European history. bicssc Film theory & criticism. bicssc PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Reference. bisacsh Costume Symbolic aspects fast Fashion in motion pictures fast Motion pictures fast National characteristics in motion pictures fast |
| topic_facet | Motion pictures Italy History. Fashion in motion pictures. Costume Symbolic aspects. National characteristics in motion pictures. Mode au cinéma. Cinéma Italie Histoire. Caractéristiques nationales au cinéma. European history. Film theory & criticism. PERFORMING ARTS Film & Video History & Criticism. PERFORMING ARTS Reference. Costume Symbolic aspects Fashion in motion pictures Motion pictures National characteristics in motion pictures Italy History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1288148 |
| work_keys_str_mv | AT paulicellieugenia italianstylefashionfilmfromearlycinematothedigitalage |