Jazz and postwar French identity :: improvising the nation /
"In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundam...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lanham, Maryland :
Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc.,
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about Franc's postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music's international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781498528771 1498528775 |
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| 100 | 1 | |a McGregor, Elizabeth Vihlen, |e author. | |
| 245 | 1 | 0 | |a Jazz and postwar French identity : |b improvising the nation / |c Elizabeth Vihlen McGregor. |
| 264 | 1 | |a Lanham, Maryland : |b Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc., |c [2016] | |
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| 505 | 0 | |a E Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation. | |
| 520 | |a "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about Franc's postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music's international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover | ||
| 650 | 0 | |a Jazz |x Social aspects |z France |x History |y 20th century. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Jazz |x Social aspects |2 fast | |
| 651 | 7 | |a France |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a McGregor, Elizabeth Vihlen. |t Jazz and postwar French identity. |d Lanham : Lexington Books, [2016] |z 9781498528764 |w (DLC) 2016020999 |
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| adam_text | |
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| author | McGregor, Elizabeth Vihlen |
| author_facet | McGregor, Elizabeth Vihlen |
| author_role | aut |
| author_sort | McGregor, Elizabeth Vihlen |
| author_variant | e v m ev evm |
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| callnumber-first | M - Music |
| callnumber-label | ML3917 |
| callnumber-raw | ML3917.F8 M34 2016 |
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| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | E Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation. |
| ctrlnum | (OCoLC)948805412 |
| dewey-full | 781.650944/09045 |
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| dewey-ones | 781 - General principles and musical forms |
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| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| genre_facet | History |
| geographic | France fast |
| geographic_facet | France |
| id | ZDB-4-EBA-ocn948805412 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:11Z |
| institution | BVB |
| isbn | 9781498528771 1498528775 |
| language | English |
| lccn | 2016021165 |
| oclc_num | 948805412 |
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| spelling | McGregor, Elizabeth Vihlen, author. Jazz and postwar French identity : improvising the nation / Elizabeth Vihlen McGregor. Lanham, Maryland : Lexington Books, an imprint of The Rowman & Littlefield Publishing Group, Inc., [2016] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Online resource; title from digital title page (viewed on August 01, 2016). E Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation. "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about Franc's postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music's international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover Jazz Social aspects France History 20th century. MUSIC Instruction & Study Theory. bisacsh Jazz Social aspects fast France fast 1900-1999 fast History fast Print version: McGregor, Elizabeth Vihlen. Jazz and postwar French identity. Lanham : Lexington Books, [2016] 9781498528764 (DLC) 2016020999 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1270546 Volltext |
| spellingShingle | McGregor, Elizabeth Vihlen Jazz and postwar French identity : improvising the nation / E Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation. Jazz Social aspects France History 20th century. MUSIC Instruction & Study Theory. bisacsh Jazz Social aspects fast |
| title | Jazz and postwar French identity : improvising the nation / |
| title_auth | Jazz and postwar French identity : improvising the nation / |
| title_exact_search | Jazz and postwar French identity : improvising the nation / |
| title_full | Jazz and postwar French identity : improvising the nation / Elizabeth Vihlen McGregor. |
| title_fullStr | Jazz and postwar French identity : improvising the nation / Elizabeth Vihlen McGregor. |
| title_full_unstemmed | Jazz and postwar French identity : improvising the nation / Elizabeth Vihlen McGregor. |
| title_short | Jazz and postwar French identity : |
| title_sort | jazz and postwar french identity improvising the nation |
| title_sub | improvising the nation / |
| topic | Jazz Social aspects France History 20th century. MUSIC Instruction & Study Theory. bisacsh Jazz Social aspects fast |
| topic_facet | Jazz Social aspects France History 20th century. MUSIC Instruction & Study Theory. Jazz Social aspects France History |
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