Eric Rohmer :: filmmaker and philosopher /
Rohmer is one of the most popular French directors of the second half of the 20th century. One of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema, he was fired when as a conservative Catholic he oppose...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Academic,
2016.
|
| Schriftenreihe: | Philosophical filmmakers.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Rohmer is one of the most popular French directors of the second half of the 20th century. One of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema, he was fired when as a conservative Catholic he opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film. Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic. In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474221146 1474221149 9781474221153 1474221157 1474221130 9781474221139 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn948756001 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 160505s2016 enk ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d OCLCO |d EBLCP |d YDXCP |d OCLCF |d OCLCO |d HEBIS |d OCLCO |d IDB |d OTZ |d AU@ |d OCLCO |d WYU |d OCLCQ |d OCLCO |d UKAHL |d UKMGB |d OCLCQ |d YDX |d OCLCQ |d QGK |d WTU |d OCLCO |d INARC |d OCLCQ |d OCLCO |d OCLCL | ||
| 015 | |a GBB694207 |2 bnb | ||
| 016 | 7 | |a 017915147 |2 Uk | |
| 019 | |a 949327207 |a 1255610125 | ||
| 020 | |a 9781474221146 |q (electronic bk.) | ||
| 020 | |a 1474221149 |q (electronic bk.) | ||
| 020 | |a 9781474221153 |q (ePub ebook) | ||
| 020 | |a 1474221157 | ||
| 020 | |a 1474221130 |q (hardcover) | ||
| 020 | |a 9781474221139 | ||
| 020 | |z 9781474221122 | ||
| 020 | |z 1474221122 | ||
| 020 | |z 9781474221139 |q (hbk.) | ||
| 035 | |a (OCoLC)948756001 |z (OCoLC)949327207 |z (OCoLC)1255610125 | ||
| 037 | |a 9781474221153 |b CodeMantra | ||
| 050 | 4 | |a PN1998.3.R64 | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 082 | 7 | |a 791.430233092 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Hösle, Vittorio, |d 1960- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJyxgCCW484G8hxjCmHwG3 |0 http://id.loc.gov/authorities/names/n84126122 | |
| 245 | 1 | 0 | |a Eric Rohmer : |b filmmaker and philosopher / |c Vittorio Hösle. |
| 264 | 1 | |a London : |b Bloomsbury Academic, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Philosophical filmmakers | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed May 11, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a FC ; Half title; Philosophical Filmmakers; Title; Copyright; Dedication; Contents; Epigraph; Preface; 1 The Nature of Contemporary Eroticism: Between Art of Seduction and Nostalgia for the Unconditional; A Very Short History of Eroticism; 2 Six contes moraux; Playing with a Toy and Flirting Aiming at a Third Party: La Boulangère de Monceau and La Carrière de; The Erotic Attractivity of Catholics: Ma nuit chez Maud; Narcissism and Promiscuity: La Collectionneuse; Rousseauism and Telling on Others: Le genou de Claire; Venus and Juno: L'Amour l'après-midi; 3 Comédies et proverbes | |
| 505 | 8 | |a The Erotic Loser: La Femme de l'aviateurMarriage as Purpose? Le Beau mariage; Beach Seductions: Pauline à la plage; One Woman, Three Men, and Three Forms of Love: Les Nuits de la pleine lune; The Search for the Confirming Sign: Le Rayon vert; Elective Affinities in an Erotic Quadrilateral: L'Ami de mon amie; 4 Contes de quatre saisons; Playing the Pander for One's Father? Conte de printemps; One Man, Three Women, and Three Forms of Love: Conte d'été; Playing the Pander for One's Friend: Conte d'automne; Waiting Beyond Rational Hope: Conte d'hiver; 5 The Idea of a Realist Cinema | |
| 505 | 8 | |a What Does Realism Mean for Rohmer?6 Content and Form in Pauline à la plage: Interweaving Words and Images; The Imagery of Fall and Redemption; 7 Rohmer the Non-Moralizing Moralist; 8 Conclusion; Notes; Bibliography; Index | |
| 520 | 8 | |a Rohmer is one of the most popular French directors of the second half of the 20th century. One of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema, he was fired when as a conservative Catholic he opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film. Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic. In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace. | |
| 600 | 1 | 0 | |a Rohmer, Éric, |d 1920-2010 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Rohmer, Éric, |d 1920-2010 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJp66WjF3cWGpgCK9CWCcP |
| 600 | 1 | 7 | |a Rohmer, Eric |d 1920-2010 |2 gnd |0 http://d-nb.info/gnd/11860225X |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a Western philosophy, from c 1900. |2 bicssc | |
| 650 | 7 | |a Individual film directors, film-makers. |2 bicssc | |
| 650 | 7 | |a Philosophy: aesthetics. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Eric Rohmer (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGjtcb8tMyh9WhCfYghHQ3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Hösle, Vittorio, 1960- |t Eric Rohmer. |d London : Bloomsbury Academic, 2016 |z 1474221122 |z 9781474221122 |w (OCoLC)922562095 |
| 830 | 0 | |a Philosophical filmmakers. |0 http://id.loc.gov/authorities/names/no2016164667 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1231053 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH30678487 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH30678486 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4519109 | ||
| 938 | |a EBSCOhost |b EBSC |n 1231053 | ||
| 938 | |a Internet Archive |b INAR |n ericrohmerfilmma0000hosl | ||
| 938 | |a YBP Library Services |b YANK |n 301694448 | ||
| 938 | |a YBP Library Services |b YANK |n 16731801 | ||
| 938 | |a YBP Library Services |b YANK |n 12979720 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn948756001 |
|---|---|
| _version_ | 1816882347910365184 |
| adam_text | |
| any_adam_object | |
| author | Hösle, Vittorio, 1960- |
| author_GND | http://id.loc.gov/authorities/names/n84126122 |
| author_facet | Hösle, Vittorio, 1960- |
| author_role | aut |
| author_sort | Hösle, Vittorio, 1960- |
| author_variant | v h vh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.R64 |
| callnumber-search | PN1998.3.R64 |
| callnumber-sort | PN 41998.3 R64 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | FC ; Half title; Philosophical Filmmakers; Title; Copyright; Dedication; Contents; Epigraph; Preface; 1 The Nature of Contemporary Eroticism: Between Art of Seduction and Nostalgia for the Unconditional; A Very Short History of Eroticism; 2 Six contes moraux; Playing with a Toy and Flirting Aiming at a Third Party: La Boulangère de Monceau and La Carrière de; The Erotic Attractivity of Catholics: Ma nuit chez Maud; Narcissism and Promiscuity: La Collectionneuse; Rousseauism and Telling on Others: Le genou de Claire; Venus and Juno: L'Amour l'après-midi; 3 Comédies et proverbes The Erotic Loser: La Femme de l'aviateurMarriage as Purpose? Le Beau mariage; Beach Seductions: Pauline à la plage; One Woman, Three Men, and Three Forms of Love: Les Nuits de la pleine lune; The Search for the Confirming Sign: Le Rayon vert; Elective Affinities in an Erotic Quadrilateral: L'Ami de mon amie; 4 Contes de quatre saisons; Playing the Pander for One's Father? Conte de printemps; One Man, Three Women, and Three Forms of Love: Conte d'été; Playing the Pander for One's Friend: Conte d'automne; Waiting Beyond Rational Hope: Conte d'hiver; 5 The Idea of a Realist Cinema What Does Realism Mean for Rohmer?6 Content and Form in Pauline à la plage: Interweaving Words and Images; The Imagery of Fall and Redemption; 7 Rohmer the Non-Moralizing Moralist; 8 Conclusion; Notes; Bibliography; Index |
| ctrlnum | (OCoLC)948756001 |
| dewey-full | 791.430233092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430233092 |
| dewey-search | 791.430233092 |
| dewey-sort | 3791.430233092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06088cam a2200793 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn948756001</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">160505s2016 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">HEBIS</subfield><subfield code="d">OCLCO</subfield><subfield code="d">IDB</subfield><subfield code="d">OTZ</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCO</subfield><subfield code="d">WYU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UKAHL</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">QGK</subfield><subfield code="d">WTU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB694207</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">017915147</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">949327207</subfield><subfield code="a">1255610125</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474221146</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474221149</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474221153</subfield><subfield code="q">(ePub ebook)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474221157</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474221130</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474221139</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781474221122</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1474221122</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781474221139</subfield><subfield code="q">(hbk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)948756001</subfield><subfield code="z">(OCoLC)949327207</subfield><subfield code="z">(OCoLC)1255610125</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781474221153</subfield><subfield code="b">CodeMantra</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3.R64</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.430233092</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hösle, Vittorio,</subfield><subfield code="d">1960-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJyxgCCW484G8hxjCmHwG3</subfield><subfield code="0">http://id.loc.gov/authorities/names/n84126122</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Eric Rohmer :</subfield><subfield code="b">filmmaker and philosopher /</subfield><subfield code="c">Vittorio Hösle.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London :</subfield><subfield code="b">Bloomsbury Academic,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Philosophical filmmakers</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from PDF title page (EBSCO, viewed May 11, 2016).</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">FC ; Half title; Philosophical Filmmakers; Title; Copyright; Dedication; Contents; Epigraph; Preface; 1 The Nature of Contemporary Eroticism: Between Art of Seduction and Nostalgia for the Unconditional; A Very Short History of Eroticism; 2 Six contes moraux; Playing with a Toy and Flirting Aiming at a Third Party: La Boulangère de Monceau and La Carrière de; The Erotic Attractivity of Catholics: Ma nuit chez Maud; Narcissism and Promiscuity: La Collectionneuse; Rousseauism and Telling on Others: Le genou de Claire; Venus and Juno: L'Amour l'après-midi; 3 Comédies et proverbes</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Erotic Loser: La Femme de l'aviateurMarriage as Purpose? Le Beau mariage; Beach Seductions: Pauline à la plage; One Woman, Three Men, and Three Forms of Love: Les Nuits de la pleine lune; The Search for the Confirming Sign: Le Rayon vert; Elective Affinities in an Erotic Quadrilateral: L'Ami de mon amie; 4 Contes de quatre saisons; Playing the Pander for One's Father? Conte de printemps; One Man, Three Women, and Three Forms of Love: Conte d'été; Playing the Pander for One's Friend: Conte d'automne; Waiting Beyond Rational Hope: Conte d'hiver; 5 The Idea of a Realist Cinema</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">What Does Realism Mean for Rohmer?6 Content and Form in Pauline à la plage: Interweaving Words and Images; The Imagery of Fall and Redemption; 7 Rohmer the Non-Moralizing Moralist; 8 Conclusion; Notes; Bibliography; Index</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Rohmer is one of the most popular French directors of the second half of the 20th century. One of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema, he was fired when as a conservative Catholic he opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film. Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic. In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Rohmer, Éric,</subfield><subfield code="d">1920-2010</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rohmer, Éric,</subfield><subfield code="d">1920-2010</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJp66WjF3cWGpgCK9CWCcP</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rohmer, Eric</subfield><subfield code="d">1920-2010</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/11860225X</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film theory & criticism.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Western philosophy, from c 1900.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Individual film directors, film-makers.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Philosophy: aesthetics.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Eric Rohmer (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGjtcb8tMyh9WhCfYghHQ3</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Hösle, Vittorio, 1960-</subfield><subfield code="t">Eric Rohmer.</subfield><subfield code="d">London : Bloomsbury Academic, 2016</subfield><subfield code="z">1474221122</subfield><subfield code="z">9781474221122</subfield><subfield code="w">(OCoLC)922562095</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Philosophical filmmakers.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2016164667</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1231053</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH30678487</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH30678486</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4519109</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1231053</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">ericrohmerfilmma0000hosl</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301694448</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">16731801</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12979720</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn948756001 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:11Z |
| institution | BVB |
| isbn | 9781474221146 1474221149 9781474221153 1474221157 1474221130 9781474221139 |
| language | English |
| oclc_num | 948756001 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| series | Philosophical filmmakers. |
| series2 | Philosophical filmmakers |
| spelling | Hösle, Vittorio, 1960- author. https://id.oclc.org/worldcat/entity/E39PBJyxgCCW484G8hxjCmHwG3 http://id.loc.gov/authorities/names/n84126122 Eric Rohmer : filmmaker and philosopher / Vittorio Hösle. London : Bloomsbury Academic, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Philosophical filmmakers Online resource; title from PDF title page (EBSCO, viewed May 11, 2016). Includes bibliographical references and index. FC ; Half title; Philosophical Filmmakers; Title; Copyright; Dedication; Contents; Epigraph; Preface; 1 The Nature of Contemporary Eroticism: Between Art of Seduction and Nostalgia for the Unconditional; A Very Short History of Eroticism; 2 Six contes moraux; Playing with a Toy and Flirting Aiming at a Third Party: La Boulangère de Monceau and La Carrière de; The Erotic Attractivity of Catholics: Ma nuit chez Maud; Narcissism and Promiscuity: La Collectionneuse; Rousseauism and Telling on Others: Le genou de Claire; Venus and Juno: L'Amour l'après-midi; 3 Comédies et proverbes The Erotic Loser: La Femme de l'aviateurMarriage as Purpose? Le Beau mariage; Beach Seductions: Pauline à la plage; One Woman, Three Men, and Three Forms of Love: Les Nuits de la pleine lune; The Search for the Confirming Sign: Le Rayon vert; Elective Affinities in an Erotic Quadrilateral: L'Ami de mon amie; 4 Contes de quatre saisons; Playing the Pander for One's Father? Conte de printemps; One Man, Three Women, and Three Forms of Love: Conte d'été; Playing the Pander for One's Friend: Conte d'automne; Waiting Beyond Rational Hope: Conte d'hiver; 5 The Idea of a Realist Cinema What Does Realism Mean for Rohmer?6 Content and Form in Pauline à la plage: Interweaving Words and Images; The Imagery of Fall and Redemption; 7 Rohmer the Non-Moralizing Moralist; 8 Conclusion; Notes; Bibliography; Index Rohmer is one of the most popular French directors of the second half of the 20th century. One of the members of the famous Nouvelle Vague that reconstituted French cinema based on the theoretical principles articulated in the Cahiers du Cinema, he was fired when as a conservative Catholic he opposed its turn toward politicization. Like some of his colleagues, Rohmer is extremely interested in both the history and the philosophy of film. Brother of the noted French philosopher Rene Scherer, he begins his career as a film critic. In his films, deep moral conflicts as well as the search for one's own identity emerge from the intricacies of seemingly superficial everyday life interactions, particularly between a man and a woman. Hosle's book puts Rohmer in the context of a long French tradition of reflected eroticism, with Marivaux, Musset, Stendhal, and Jean Renoir as crucial figures, and shows how Rohmer both recognizes the inner logic of eroticism and subjects it to moral demands that he inherits from his Catholic background. For Rohmer, the tension between the two can usually only be solved by some unexpected event that can be interpreted as an equivalent of grace. Rohmer, Éric, 1920-2010 Criticism and interpretation. Rohmer, Éric, 1920-2010 fast https://id.oclc.org/worldcat/entity/E39PBJp66WjF3cWGpgCK9CWCcP Rohmer, Eric 1920-2010 gnd http://d-nb.info/gnd/11860225X Motion pictures Philosophy. Cinéma Philosophie. Film theory & criticism. bicssc Western philosophy, from c 1900. bicssc Individual film directors, film-makers. bicssc Philosophy: aesthetics. bicssc PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast Criticism, interpretation, etc. fast has work: Eric Rohmer (Text) https://id.oclc.org/worldcat/entity/E39PCGjtcb8tMyh9WhCfYghHQ3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Hösle, Vittorio, 1960- Eric Rohmer. London : Bloomsbury Academic, 2016 1474221122 9781474221122 (OCoLC)922562095 Philosophical filmmakers. http://id.loc.gov/authorities/names/no2016164667 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1231053 Volltext |
| spellingShingle | Hösle, Vittorio, 1960- Eric Rohmer : filmmaker and philosopher / Philosophical filmmakers. FC ; Half title; Philosophical Filmmakers; Title; Copyright; Dedication; Contents; Epigraph; Preface; 1 The Nature of Contemporary Eroticism: Between Art of Seduction and Nostalgia for the Unconditional; A Very Short History of Eroticism; 2 Six contes moraux; Playing with a Toy and Flirting Aiming at a Third Party: La Boulangère de Monceau and La Carrière de; The Erotic Attractivity of Catholics: Ma nuit chez Maud; Narcissism and Promiscuity: La Collectionneuse; Rousseauism and Telling on Others: Le genou de Claire; Venus and Juno: L'Amour l'après-midi; 3 Comédies et proverbes The Erotic Loser: La Femme de l'aviateurMarriage as Purpose? Le Beau mariage; Beach Seductions: Pauline à la plage; One Woman, Three Men, and Three Forms of Love: Les Nuits de la pleine lune; The Search for the Confirming Sign: Le Rayon vert; Elective Affinities in an Erotic Quadrilateral: L'Ami de mon amie; 4 Contes de quatre saisons; Playing the Pander for One's Father? Conte de printemps; One Man, Three Women, and Three Forms of Love: Conte d'été; Playing the Pander for One's Friend: Conte d'automne; Waiting Beyond Rational Hope: Conte d'hiver; 5 The Idea of a Realist Cinema What Does Realism Mean for Rohmer?6 Content and Form in Pauline à la plage: Interweaving Words and Images; The Imagery of Fall and Redemption; 7 Rohmer the Non-Moralizing Moralist; 8 Conclusion; Notes; Bibliography; Index Rohmer, Éric, 1920-2010 Criticism and interpretation. Rohmer, Éric, 1920-2010 fast https://id.oclc.org/worldcat/entity/E39PBJp66WjF3cWGpgCK9CWCcP Rohmer, Eric 1920-2010 gnd http://d-nb.info/gnd/11860225X Motion pictures Philosophy. Cinéma Philosophie. Film theory & criticism. bicssc Western philosophy, from c 1900. bicssc Individual film directors, film-makers. bicssc Philosophy: aesthetics. bicssc PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast |
| subject_GND | http://d-nb.info/gnd/11860225X |
| title | Eric Rohmer : filmmaker and philosopher / |
| title_auth | Eric Rohmer : filmmaker and philosopher / |
| title_exact_search | Eric Rohmer : filmmaker and philosopher / |
| title_full | Eric Rohmer : filmmaker and philosopher / Vittorio Hösle. |
| title_fullStr | Eric Rohmer : filmmaker and philosopher / Vittorio Hösle. |
| title_full_unstemmed | Eric Rohmer : filmmaker and philosopher / Vittorio Hösle. |
| title_short | Eric Rohmer : |
| title_sort | eric rohmer filmmaker and philosopher |
| title_sub | filmmaker and philosopher / |
| topic | Rohmer, Éric, 1920-2010 Criticism and interpretation. Rohmer, Éric, 1920-2010 fast https://id.oclc.org/worldcat/entity/E39PBJp66WjF3cWGpgCK9CWCcP Rohmer, Eric 1920-2010 gnd http://d-nb.info/gnd/11860225X Motion pictures Philosophy. Cinéma Philosophie. Film theory & criticism. bicssc Western philosophy, from c 1900. bicssc Individual film directors, film-makers. bicssc Philosophy: aesthetics. bicssc PERFORMING ARTS Reference. bisacsh Motion pictures Philosophy fast |
| topic_facet | Rohmer, Éric, 1920-2010 Criticism and interpretation. Rohmer, Éric, 1920-2010 Rohmer, Eric 1920-2010 Motion pictures Philosophy. Cinéma Philosophie. Film theory & criticism. Western philosophy, from c 1900. Individual film directors, film-makers. Philosophy: aesthetics. PERFORMING ARTS Reference. Motion pictures Philosophy Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1231053 |
| work_keys_str_mv | AT hoslevittorio ericrohmerfilmmakerandphilosopher |