Subversive stages :: theater in pre- and post-communist Hungary, Romania, and Bulgaria /
Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Pl...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Budapest ; New York :
Central European University Press, an imprint of the Central European University Limited Liability Company,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthet |
| Beschreibung: | 1 online resource (xx, 217 pages) |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 9789633861189 9633861187 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn948669381 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 160502t20172017hu ob 001 0 eng | ||
| 010 | |a 2016017690 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCQ |d YDX |d JSTOR |d N$T |d IOG |d D6H |d OCLCF |d VTS |d WAU |d CSAIL |d UBY |d L2U |d INT |d OCLCA |d OCLCQ |d OCLCO |d EBLCP |d MERUC |d STF |d OCLCQ |d MERER |d OSU |d OCLCO |d OCL |d OCLCQ |d OCLCO |d MM9 |d OCLCO |d OCLCQ |d LUU |d OCLCQ |d YDX |d OCLCQ |d INARC |d OCLCO |d OCLCL | ||
| 019 | |a 989037623 |a 990415937 |a 1030295508 | ||
| 020 | |a 9789633861189 |q electronic book | ||
| 020 | |a 9633861187 |q electronic book | ||
| 020 | |z 9789633861165 |q hardcover | ||
| 020 | |z 9633861160 |q hardcover | ||
| 035 | |a (OCoLC)948669381 |z (OCoLC)989037623 |z (OCoLC)990415937 |z (OCoLC)1030295508 | ||
| 037 | |a 22573/ctt1ppmd63 |b JSTOR | ||
| 042 | |a pcc | ||
| 043 | |a ee----- | ||
| 050 | 1 | 0 | |a PN849.E9 |b O73 2017 |
| 072 | 7 | |a PER011020 |2 bisacsh | |
| 072 | 7 | |a POL005000 |2 bisacsh | |
| 072 | 7 | |a SOC041000 |2 bisacsh | |
| 082 | 7 | |a 809.2/99498 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Orlich, Ileana Alexandra, |e author. |0 http://id.loc.gov/authorities/names/no2002032906 | |
| 245 | 1 | 0 | |a Subversive stages : |b theater in pre- and post-communist Hungary, Romania, and Bulgaria / |c Ileana Alexandra Orlich. |
| 264 | 1 | |a Budapest ; |a New York : |b Central European University Press, an imprint of the Central European University Limited Liability Company, |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xx, 217 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthet | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc | |
| 588 | |a Description based on online resource; title from digital title page (viewed on August 10, 2022). | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Adaptations |x History and criticism. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 0 | |a East European drama |y 20th century |x History and criticism. | |
| 650 | 0 | |a Russian drama |x Adaptations |x History and criticism. | |
| 650 | 0 | |a French drama |x Adaptations |x History and criticism. | |
| 650 | 0 | |a English drama |x Adaptations |x History and criticism. | |
| 650 | 0 | |a Communism and literature |z Europe, Eastern. | |
| 650 | 6 | |a Théâtre est-européen |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Communisme et littérature |z Europe de l'Est. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Communism and literature |2 fast | |
| 650 | 7 | |a East European drama |2 fast | |
| 650 | 7 | |a English drama |x Adaptations |2 fast | |
| 650 | 7 | |a Literature |x Adaptations |2 fast | |
| 651 | 7 | |a Eastern Europe |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Subversive stages (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGvFxpTpbByFCw9mgDTBvb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Orlich, Ileana Alexandra. |t Subversive stages. |d Budapest ; New York : Central European University Press, 2017 |z 9789633861165 |w (DLC) 2016008438 |w (OCoLC)946610347 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1533573 |3 Volltext |
| 938 | |a Internet Archive |b INAR |n subversivestages0000orli | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4875993 | ||
| 938 | |a EBSCOhost |b EBSC |n 1533573 | ||
| 938 | |a YBP Library Services |b YANK |n 14412609 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn948669381 |
|---|---|
| _version_ | 1816882347422777344 |
| adam_text | |
| any_adam_object | |
| author | Orlich, Ileana Alexandra |
| author_GND | http://id.loc.gov/authorities/names/no2002032906 |
| author_facet | Orlich, Ileana Alexandra |
| author_role | aut |
| author_sort | Orlich, Ileana Alexandra |
| author_variant | i a o ia iao |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN849 |
| callnumber-raw | PN849.E9 O73 2017 |
| callnumber-search | PN849.E9 O73 2017 |
| callnumber-sort | PN 3849 E9 O73 42017 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc |
| ctrlnum | (OCoLC)948669381 |
| dewey-full | 809.2/99498 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.2/99498 |
| dewey-search | 809.2/99498 |
| dewey-sort | 3809.2 599498 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05104cam a2200757 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn948669381</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">160502t20172017hu ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2016017690</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">JSTOR</subfield><subfield code="d">N$T</subfield><subfield code="d">IOG</subfield><subfield code="d">D6H</subfield><subfield code="d">OCLCF</subfield><subfield code="d">VTS</subfield><subfield code="d">WAU</subfield><subfield code="d">CSAIL</subfield><subfield code="d">UBY</subfield><subfield code="d">L2U</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">MERUC</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MERER</subfield><subfield code="d">OSU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">MM9</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">989037623</subfield><subfield code="a">990415937</subfield><subfield code="a">1030295508</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789633861189</subfield><subfield code="q">electronic book</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9633861187</subfield><subfield code="q">electronic book</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789633861165</subfield><subfield code="q">hardcover</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9633861160</subfield><subfield code="q">hardcover</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)948669381</subfield><subfield code="z">(OCoLC)989037623</subfield><subfield code="z">(OCoLC)990415937</subfield><subfield code="z">(OCoLC)1030295508</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1ppmd63</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">ee-----</subfield></datafield><datafield tag="050" ind1="1" ind2="0"><subfield code="a">PN849.E9</subfield><subfield code="b">O73 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER011020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POL005000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SOC041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">809.2/99498</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Orlich, Ileana Alexandra,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2002032906</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Subversive stages :</subfield><subfield code="b">theater in pre- and post-communist Hungary, Romania, and Bulgaria /</subfield><subfield code="c">Ileana Alexandra Orlich.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Budapest ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Central European University Press, an imprint of the Central European University Limited Liability Company,</subfield><subfield code="c">2017.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xx, 217 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthet</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from digital title page (viewed on August 10, 2022).</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="x">Adaptations</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">East European drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Russian drama</subfield><subfield code="x">Adaptations</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">French drama</subfield><subfield code="x">Adaptations</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English drama</subfield><subfield code="x">Adaptations</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Communism and literature</subfield><subfield code="z">Europe, Eastern.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre est-européen</subfield><subfield code="y">20e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Communisme et littérature</subfield><subfield code="z">Europe de l'Est.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Theater</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Communism and literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">East European drama</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">English drama</subfield><subfield code="x">Adaptations</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literature</subfield><subfield code="x">Adaptations</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Eastern Europe</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900-1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="0"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Subversive stages (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGvFxpTpbByFCw9mgDTBvb</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Orlich, Ileana Alexandra.</subfield><subfield code="t">Subversive stages.</subfield><subfield code="d">Budapest ; New York : Central European University Press, 2017</subfield><subfield code="z">9789633861165</subfield><subfield code="w">(DLC) 2016008438</subfield><subfield code="w">(OCoLC)946610347</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1533573</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">subversivestages0000orli</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4875993</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1533573</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">14412609</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic books. Criticism, interpretation, etc. fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. |
| geographic | Eastern Europe fast |
| geographic_facet | Eastern Europe |
| id | ZDB-4-EBA-ocn948669381 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:10Z |
| institution | BVB |
| isbn | 9789633861189 9633861187 |
| language | English |
| lccn | 2016017690 |
| oclc_num | 948669381 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xx, 217 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Central European University Press, an imprint of the Central European University Limited Liability Company, |
| record_format | marc |
| spelling | Orlich, Ileana Alexandra, author. http://id.loc.gov/authorities/names/no2002032906 Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / Ileana Alexandra Orlich. Budapest ; New York : Central European University Press, an imprint of the Central European University Limited Liability Company, 2017. ©2017 1 online resource (xx, 217 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthet Includes bibliographical references and index The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc Description based on online resource; title from digital title page (viewed on August 10, 2022). Shakespeare, William, 1564-1616 Adaptations History and criticism. Shakespeare, William, 1564-1616 fast East European drama 20th century History and criticism. Russian drama Adaptations History and criticism. French drama Adaptations History and criticism. English drama Adaptations History and criticism. Communism and literature Europe, Eastern. Théâtre est-européen 20e siècle Histoire et critique. Communisme et littérature Europe de l'Est. PERFORMING ARTS Theater History & Criticism. bisacsh Communism and literature fast East European drama fast English drama Adaptations fast Literature Adaptations fast Eastern Europe fast 1900-1999 fast Electronic books. Criticism, interpretation, etc. fast has work: Subversive stages (Text) https://id.oclc.org/worldcat/entity/E39PCGvFxpTpbByFCw9mgDTBvb https://id.oclc.org/worldcat/ontology/hasWork Print version: Orlich, Ileana Alexandra. Subversive stages. Budapest ; New York : Central European University Press, 2017 9789633861165 (DLC) 2016008438 (OCoLC)946610347 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1533573 Volltext |
| spellingShingle | Orlich, Ileana Alexandra Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc Shakespeare, William, 1564-1616 Adaptations History and criticism. Shakespeare, William, 1564-1616 fast East European drama 20th century History and criticism. Russian drama Adaptations History and criticism. French drama Adaptations History and criticism. English drama Adaptations History and criticism. Communism and literature Europe, Eastern. Théâtre est-européen 20e siècle Histoire et critique. Communisme et littérature Europe de l'Est. PERFORMING ARTS Theater History & Criticism. bisacsh Communism and literature fast East European drama fast English drama Adaptations fast Literature Adaptations fast |
| title | Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / |
| title_auth | Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / |
| title_exact_search | Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / |
| title_full | Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / Ileana Alexandra Orlich. |
| title_fullStr | Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / Ileana Alexandra Orlich. |
| title_full_unstemmed | Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria / Ileana Alexandra Orlich. |
| title_short | Subversive stages : |
| title_sort | subversive stages theater in pre and post communist hungary romania and bulgaria |
| title_sub | theater in pre- and post-communist Hungary, Romania, and Bulgaria / |
| topic | Shakespeare, William, 1564-1616 Adaptations History and criticism. Shakespeare, William, 1564-1616 fast East European drama 20th century History and criticism. Russian drama Adaptations History and criticism. French drama Adaptations History and criticism. English drama Adaptations History and criticism. Communism and literature Europe, Eastern. Théâtre est-européen 20e siècle Histoire et critique. Communisme et littérature Europe de l'Est. PERFORMING ARTS Theater History & Criticism. bisacsh Communism and literature fast East European drama fast English drama Adaptations fast Literature Adaptations fast |
| topic_facet | Shakespeare, William, 1564-1616 Adaptations History and criticism. Shakespeare, William, 1564-1616 East European drama 20th century History and criticism. Russian drama Adaptations History and criticism. French drama Adaptations History and criticism. English drama Adaptations History and criticism. Communism and literature Europe, Eastern. Théâtre est-européen 20e siècle Histoire et critique. Communisme et littérature Europe de l'Est. PERFORMING ARTS Theater History & Criticism. Communism and literature East European drama English drama Adaptations Literature Adaptations Eastern Europe Electronic books. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1533573 |
| work_keys_str_mv | AT orlichileanaalexandra subversivestagestheaterinpreandpostcommunisthungaryromaniaandbulgaria |