Film & copyright :: making content for big and little screens /
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Strawberry Hills, N.S.W. :
Australian Copyright Council,
2015.
|
Schriftenreihe: | Publication (Australian Copyright Council) ;
E152. |
Schlagworte: | |
Online-Zugang: | Volltext |
Beschreibung: | 1 online resource (111 pages) |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9781875833320 1875833323 |
Internformat
MARC
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246 | 3 | 0 | |a Film and copyright : |b making content for big and little screens |
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264 | 4 | |c ©2015 | |
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505 | 0 | |a Intro; 1. About this publication; 1.1 Who this publication is for; 1.2 How this book is set out; 1.3 Defining "film"; 1.4 Information, not legal advice; 1.5 Glossary; 2. Introduction; 2.1 Overview of the Australian screen industry and audience; 3. Copyright overview; 3.1 What is protected by copyright?; 3.2 Requirements for copyright protection; 3.3 What is not protected by copyright?; 3.4 Identifying underlying works in films; 3.5 How long does copyright last?; 3.6 Who owns copyright?; 3.7 What are the rights of the copyright owner?; 3.8 When do you need permission from the copyright owner? | |
505 | 8 | |a 3.9 Exceptions to copyright3.10 Copyright infringement; 3.11 Frequently asked questions; 4. Making a film -- clearing the underlying rights; 4.1 Introduction; 4.2 Finding the copyright owner; 4.3 Orphan works; 4.4 Dealing with copyright; 4.5 Common terms in film contracts; 4.6 Industry agreements; 4.7 Acquiring rights in the screenplay; 4.8 Using literary and dramatic works in your film; 4.9 Using music and sound recordings in your film; 4.10 Using artistic works in your film; 4.11 Using other people's films in your film; 4.12 Using Indigenous cultural material in your film | |
505 | 8 | |a 4.13 What if it all goes wrong?4.14 Frequently asked questions; 5. Moral rights; 5.1 Introduction; 5.2 What are moral rights and who owns them?; 5.3 Right of attribution; 5.4 Right against false attribution; 5.5 Right of integrity; 5.6 Infringement of moral rights; 5.7 Defences to moral rights infringement; 5.8 Agreements concerning moral rights in underlying material; 5.9 Agreements concerning moral rights in the film itself; 5.10 Frequently asked questions; 6. Performers' rights; 6.1 Introduction; 6.2 What rights do performers have?; 6.3 Performers' protection | |
505 | 8 | |a 6.4 Performers' co-ownership of sound recordings6.5 Performers' moral rights; 6.6 Performers' rights: industry agreements; 6.7 Law reform: Beijing Treaty on Audiovisual Performances; 6.8 Filming people who are not performers; 6.9 Frequently asked questions; 7. Ownership and protection of your film; 7.1 Introduction; 7.2 Protection of ideas, formats and films; 7.3 Rights of owners of copyright in films; 7.4 Screenrights; 7.5 DRM and film; 7.6 Geoblocking and TPMs; 7.7 What to do if someone infringes your copyright; 7.8 International protection; 7.9 Law reform: online infringement | |
505 | 8 | |a 7.10 Frequently asked questions8. Financing and distributing your film; 8.1 Introduction; 8.2 Financing your film project; 8.2.1 Government screen funding agencies; 8.2.2 Australian Screen Production Incentive; 8.2.3 Producer Equity Program (PEP); 8.2.4 Broadcasters; 8.2.5 Distribution deals; 8.2.6 International funding; 8.2.7 Private investment; 8.2.8 Product placement and "contra" deals; 8.2.9 Crowd funding; 8.3 Key distribution channels; 8.4 Self-distribution; 9. Other laws; 9.1 Introduction; 9.2 Trade marks, business names and domain names | |
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adam_text | |
any_adam_object | |
author | West, Megan |
author_facet | West, Megan |
author_role | aut |
author_sort | West, Megan |
author_variant | m w mw |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | K - Law |
callnumber-label | KU1120 |
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contents | Intro; 1. About this publication; 1.1 Who this publication is for; 1.2 How this book is set out; 1.3 Defining "film"; 1.4 Information, not legal advice; 1.5 Glossary; 2. Introduction; 2.1 Overview of the Australian screen industry and audience; 3. Copyright overview; 3.1 What is protected by copyright?; 3.2 Requirements for copyright protection; 3.3 What is not protected by copyright?; 3.4 Identifying underlying works in films; 3.5 How long does copyright last?; 3.6 Who owns copyright?; 3.7 What are the rights of the copyright owner?; 3.8 When do you need permission from the copyright owner? 3.9 Exceptions to copyright3.10 Copyright infringement; 3.11 Frequently asked questions; 4. Making a film -- clearing the underlying rights; 4.1 Introduction; 4.2 Finding the copyright owner; 4.3 Orphan works; 4.4 Dealing with copyright; 4.5 Common terms in film contracts; 4.6 Industry agreements; 4.7 Acquiring rights in the screenplay; 4.8 Using literary and dramatic works in your film; 4.9 Using music and sound recordings in your film; 4.10 Using artistic works in your film; 4.11 Using other people's films in your film; 4.12 Using Indigenous cultural material in your film 4.13 What if it all goes wrong?4.14 Frequently asked questions; 5. Moral rights; 5.1 Introduction; 5.2 What are moral rights and who owns them?; 5.3 Right of attribution; 5.4 Right against false attribution; 5.5 Right of integrity; 5.6 Infringement of moral rights; 5.7 Defences to moral rights infringement; 5.8 Agreements concerning moral rights in underlying material; 5.9 Agreements concerning moral rights in the film itself; 5.10 Frequently asked questions; 6. Performers' rights; 6.1 Introduction; 6.2 What rights do performers have?; 6.3 Performers' protection 6.4 Performers' co-ownership of sound recordings6.5 Performers' moral rights; 6.6 Performers' rights: industry agreements; 6.7 Law reform: Beijing Treaty on Audiovisual Performances; 6.8 Filming people who are not performers; 6.9 Frequently asked questions; 7. Ownership and protection of your film; 7.1 Introduction; 7.2 Protection of ideas, formats and films; 7.3 Rights of owners of copyright in films; 7.4 Screenrights; 7.5 DRM and film; 7.6 Geoblocking and TPMs; 7.7 What to do if someone infringes your copyright; 7.8 International protection; 7.9 Law reform: online infringement 7.10 Frequently asked questions8. Financing and distributing your film; 8.1 Introduction; 8.2 Financing your film project; 8.2.1 Government screen funding agencies; 8.2.2 Australian Screen Production Incentive; 8.2.3 Producer Equity Program (PEP); 8.2.4 Broadcasters; 8.2.5 Distribution deals; 8.2.6 International funding; 8.2.7 Private investment; 8.2.8 Product placement and "contra" deals; 8.2.9 Crowd funding; 8.3 Key distribution channels; 8.4 Self-distribution; 9. Other laws; 9.1 Introduction; 9.2 Trade marks, business names and domain names |
ctrlnum | (OCoLC)948509340 |
dewey-full | 346.940482 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 346 - Private law |
dewey-raw | 346.940482 |
dewey-search | 346.940482 |
dewey-sort | 3346.940482 |
dewey-tens | 340 - Law |
discipline | Rechtswissenschaft |
format | Electronic eBook |
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series2 | [Publication] / Australian Copyright Council ; |
spelling | West, Megan, author. Film & copyright : making content for big and little screens / [author, Megan West]. Film and copyright : making content for big and little screens Strawberry Hills, N.S.W. : Australian Copyright Council, 2015. ©2015 1 online resource (111 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier [Publication] / Australian Copyright Council ; E152 Online resource; title from PDF title page (EBSCO, viewed May 2, 2016). Includes bibliographical references. Intro; 1. About this publication; 1.1 Who this publication is for; 1.2 How this book is set out; 1.3 Defining "film"; 1.4 Information, not legal advice; 1.5 Glossary; 2. Introduction; 2.1 Overview of the Australian screen industry and audience; 3. Copyright overview; 3.1 What is protected by copyright?; 3.2 Requirements for copyright protection; 3.3 What is not protected by copyright?; 3.4 Identifying underlying works in films; 3.5 How long does copyright last?; 3.6 Who owns copyright?; 3.7 What are the rights of the copyright owner?; 3.8 When do you need permission from the copyright owner? 3.9 Exceptions to copyright3.10 Copyright infringement; 3.11 Frequently asked questions; 4. Making a film -- clearing the underlying rights; 4.1 Introduction; 4.2 Finding the copyright owner; 4.3 Orphan works; 4.4 Dealing with copyright; 4.5 Common terms in film contracts; 4.6 Industry agreements; 4.7 Acquiring rights in the screenplay; 4.8 Using literary and dramatic works in your film; 4.9 Using music and sound recordings in your film; 4.10 Using artistic works in your film; 4.11 Using other people's films in your film; 4.12 Using Indigenous cultural material in your film 4.13 What if it all goes wrong?4.14 Frequently asked questions; 5. Moral rights; 5.1 Introduction; 5.2 What are moral rights and who owns them?; 5.3 Right of attribution; 5.4 Right against false attribution; 5.5 Right of integrity; 5.6 Infringement of moral rights; 5.7 Defences to moral rights infringement; 5.8 Agreements concerning moral rights in underlying material; 5.9 Agreements concerning moral rights in the film itself; 5.10 Frequently asked questions; 6. Performers' rights; 6.1 Introduction; 6.2 What rights do performers have?; 6.3 Performers' protection 6.4 Performers' co-ownership of sound recordings6.5 Performers' moral rights; 6.6 Performers' rights: industry agreements; 6.7 Law reform: Beijing Treaty on Audiovisual Performances; 6.8 Filming people who are not performers; 6.9 Frequently asked questions; 7. Ownership and protection of your film; 7.1 Introduction; 7.2 Protection of ideas, formats and films; 7.3 Rights of owners of copyright in films; 7.4 Screenrights; 7.5 DRM and film; 7.6 Geoblocking and TPMs; 7.7 What to do if someone infringes your copyright; 7.8 International protection; 7.9 Law reform: online infringement 7.10 Frequently asked questions8. Financing and distributing your film; 8.1 Introduction; 8.2 Financing your film project; 8.2.1 Government screen funding agencies; 8.2.2 Australian Screen Production Incentive; 8.2.3 Producer Equity Program (PEP); 8.2.4 Broadcasters; 8.2.5 Distribution deals; 8.2.6 International funding; 8.2.7 Private investment; 8.2.8 Product placement and "contra" deals; 8.2.9 Crowd funding; 8.3 Key distribution channels; 8.4 Self-distribution; 9. Other laws; 9.1 Introduction; 9.2 Trade marks, business names and domain names Copyright Motion pictures Australia. Copyright Australia. Droit d'auteur Cinéma Australie. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. bisacsh Copyright fast Copyright Motion pictures fast Australia fast https://id.oclc.org/worldcat/entity/E39QbtfRv8PPH7gCqhkJ8DK8bM Patent, copyright & intellectual property law (Australia) Law (Australia) Australian Copyright Council, issuing body. http://id.loc.gov/authorities/names/n89616291 Publication (Australian Copyright Council) ; E152. http://id.loc.gov/authorities/names/no98072386 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1222491 Volltext |
spellingShingle | West, Megan Film & copyright : making content for big and little screens / Publication (Australian Copyright Council) ; Intro; 1. About this publication; 1.1 Who this publication is for; 1.2 How this book is set out; 1.3 Defining "film"; 1.4 Information, not legal advice; 1.5 Glossary; 2. Introduction; 2.1 Overview of the Australian screen industry and audience; 3. Copyright overview; 3.1 What is protected by copyright?; 3.2 Requirements for copyright protection; 3.3 What is not protected by copyright?; 3.4 Identifying underlying works in films; 3.5 How long does copyright last?; 3.6 Who owns copyright?; 3.7 What are the rights of the copyright owner?; 3.8 When do you need permission from the copyright owner? 3.9 Exceptions to copyright3.10 Copyright infringement; 3.11 Frequently asked questions; 4. Making a film -- clearing the underlying rights; 4.1 Introduction; 4.2 Finding the copyright owner; 4.3 Orphan works; 4.4 Dealing with copyright; 4.5 Common terms in film contracts; 4.6 Industry agreements; 4.7 Acquiring rights in the screenplay; 4.8 Using literary and dramatic works in your film; 4.9 Using music and sound recordings in your film; 4.10 Using artistic works in your film; 4.11 Using other people's films in your film; 4.12 Using Indigenous cultural material in your film 4.13 What if it all goes wrong?4.14 Frequently asked questions; 5. Moral rights; 5.1 Introduction; 5.2 What are moral rights and who owns them?; 5.3 Right of attribution; 5.4 Right against false attribution; 5.5 Right of integrity; 5.6 Infringement of moral rights; 5.7 Defences to moral rights infringement; 5.8 Agreements concerning moral rights in underlying material; 5.9 Agreements concerning moral rights in the film itself; 5.10 Frequently asked questions; 6. Performers' rights; 6.1 Introduction; 6.2 What rights do performers have?; 6.3 Performers' protection 6.4 Performers' co-ownership of sound recordings6.5 Performers' moral rights; 6.6 Performers' rights: industry agreements; 6.7 Law reform: Beijing Treaty on Audiovisual Performances; 6.8 Filming people who are not performers; 6.9 Frequently asked questions; 7. Ownership and protection of your film; 7.1 Introduction; 7.2 Protection of ideas, formats and films; 7.3 Rights of owners of copyright in films; 7.4 Screenrights; 7.5 DRM and film; 7.6 Geoblocking and TPMs; 7.7 What to do if someone infringes your copyright; 7.8 International protection; 7.9 Law reform: online infringement 7.10 Frequently asked questions8. Financing and distributing your film; 8.1 Introduction; 8.2 Financing your film project; 8.2.1 Government screen funding agencies; 8.2.2 Australian Screen Production Incentive; 8.2.3 Producer Equity Program (PEP); 8.2.4 Broadcasters; 8.2.5 Distribution deals; 8.2.6 International funding; 8.2.7 Private investment; 8.2.8 Product placement and "contra" deals; 8.2.9 Crowd funding; 8.3 Key distribution channels; 8.4 Self-distribution; 9. Other laws; 9.1 Introduction; 9.2 Trade marks, business names and domain names Copyright Motion pictures Australia. Copyright Australia. Droit d'auteur Cinéma Australie. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. bisacsh Copyright fast Copyright Motion pictures fast |
title | Film & copyright : making content for big and little screens / |
title_alt | Film and copyright : making content for big and little screens |
title_auth | Film & copyright : making content for big and little screens / |
title_exact_search | Film & copyright : making content for big and little screens / |
title_full | Film & copyright : making content for big and little screens / [author, Megan West]. |
title_fullStr | Film & copyright : making content for big and little screens / [author, Megan West]. |
title_full_unstemmed | Film & copyright : making content for big and little screens / [author, Megan West]. |
title_short | Film & copyright : |
title_sort | film copyright making content for big and little screens |
title_sub | making content for big and little screens / |
topic | Copyright Motion pictures Australia. Copyright Australia. Droit d'auteur Cinéma Australie. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. bisacsh Copyright fast Copyright Motion pictures fast |
topic_facet | Copyright Motion pictures Australia. Copyright Australia. Droit d'auteur Cinéma Australie. Droit d'auteur Australie. LAW Administrative Law & Regulatory Practice. Copyright Copyright Motion pictures Australia |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1222491 |
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