In appropriate distance :: the ethics of the photographic essay /
"What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albuquerque :
University of New Mexico Press,
2016.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form? Klingensmith explores these questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond. By examining classic examples such as How the Other Half Lives, American Exodus, and Let Us Now Praise Famous Men, as well as more contemporary projects including work by John Berger, Jean Mohr, Wendy Ewald, and Zana Briski, Klingensmith examines the codependence of words and images and the long-standing collaboration required of creator and subject in this exploration of the ethics of representation"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780826356956 0826356958 |
Internformat
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| 245 | 1 | 0 | |a In appropriate distance : |b the ethics of the photographic essay / |c Kelly Klingensmith. |
| 264 | 1 | |a Albuquerque : |b University of New Mexico Press, |c 2016. | |
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| 520 | |a "What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form? Klingensmith explores these questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond. By examining classic examples such as How the Other Half Lives, American Exodus, and Let Us Now Praise Famous Men, as well as more contemporary projects including work by John Berger, Jean Mohr, Wendy Ewald, and Zana Briski, Klingensmith examines the codependence of words and images and the long-standing collaboration required of creator and subject in this exploration of the ethics of representation"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: Finding Appropriate Distance -- Part One: The Question of the Image in Jacob Riis's How the Other Half Lives -- Rethinking Riis -- Reviewing the Image -- Part One Conclusion -- Part Two: Southern Poverty in Word and Image: Three Depression-Era Photographic Essays -- "Poverty Viewed at a Distance": You Have Seen Their Faces -- "A Tripod of Photographs, Captions, and Text": An American Exodus -- "If It Hurts You, Be Glad of It": Let Us Now Praise Famous Men -- Part Two Conclusion -- Part Three: John Berger and Jean Mohr's Restored Photography -- Toward a Political Photography -- The Ways Photographs Are Used: Expressive, Redial, and Contextualized Images -- In the Context of Writing -- Part Three Conclusion -- Epilogue: Giving Cameras to Kids. | |
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| author | Klingensmith, Kelly, 1971- |
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| contents | Introduction: Finding Appropriate Distance -- Part One: The Question of the Image in Jacob Riis's How the Other Half Lives -- Rethinking Riis -- Reviewing the Image -- Part One Conclusion -- Part Two: Southern Poverty in Word and Image: Three Depression-Era Photographic Essays -- "Poverty Viewed at a Distance": You Have Seen Their Faces -- "A Tripod of Photographs, Captions, and Text": An American Exodus -- "If It Hurts You, Be Glad of It": Let Us Now Praise Famous Men -- Part Two Conclusion -- Part Three: John Berger and Jean Mohr's Restored Photography -- Toward a Political Photography -- The Ways Photographs Are Used: Expressive, Redial, and Contextualized Images -- In the Context of Writing -- Part Three Conclusion -- Epilogue: Giving Cameras to Kids. |
| ctrlnum | (OCoLC)946998303 |
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| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| indexdate | 2025-03-18T14:22:50Z |
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| spelling | Klingensmith, Kelly, 1971- author. https://id.oclc.org/worldcat/entity/E39PCjDpK3WtRKdFhpJYjr8xKq http://id.loc.gov/authorities/names/n2015065091 In appropriate distance : the ethics of the photographic essay / Kelly Klingensmith. Albuquerque : University of New Mexico Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form? Klingensmith explores these questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond. By examining classic examples such as How the Other Half Lives, American Exodus, and Let Us Now Praise Famous Men, as well as more contemporary projects including work by John Berger, Jean Mohr, Wendy Ewald, and Zana Briski, Klingensmith examines the codependence of words and images and the long-standing collaboration required of creator and subject in this exploration of the ethics of representation"-- Provided by publisher Includes bibliographical references and index. Print version record. Introduction: Finding Appropriate Distance -- Part One: The Question of the Image in Jacob Riis's How the Other Half Lives -- Rethinking Riis -- Reviewing the Image -- Part One Conclusion -- Part Two: Southern Poverty in Word and Image: Three Depression-Era Photographic Essays -- "Poverty Viewed at a Distance": You Have Seen Their Faces -- "A Tripod of Photographs, Captions, and Text": An American Exodus -- "If It Hurts You, Be Glad of It": Let Us Now Praise Famous Men -- Part Two Conclusion -- Part Three: John Berger and Jean Mohr's Restored Photography -- Toward a Political Photography -- The Ways Photographs Are Used: Expressive, Redial, and Contextualized Images -- In the Context of Writing -- Part Three Conclusion -- Epilogue: Giving Cameras to Kids. Photographic criticism. http://id.loc.gov/authorities/subjects/sh86003955 Photography Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85101236 Photography Social aspects. Critique photographique. Photographie Aspect moral. Photographie Aspect social. PHOTOGRAPHY Criticism. bisacsh COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh Photographic criticism fast Photography Moral and ethical aspects fast Photography Social aspects fast has work: In appropriate distance (Text) https://id.oclc.org/worldcat/entity/E39PCH3HTV6MwRmgkXrKMgVBKb https://id.oclc.org/worldcat/ontology/hasWork Print version: Klingensmith, Kelly, 1971- In appropriate distance. Albuquerque : University of New Mexico Press, 2016 9780826356949 (DLC) 2015030474 (OCoLC)927402495 |
| spellingShingle | Klingensmith, Kelly, 1971- In appropriate distance : the ethics of the photographic essay / Introduction: Finding Appropriate Distance -- Part One: The Question of the Image in Jacob Riis's How the Other Half Lives -- Rethinking Riis -- Reviewing the Image -- Part One Conclusion -- Part Two: Southern Poverty in Word and Image: Three Depression-Era Photographic Essays -- "Poverty Viewed at a Distance": You Have Seen Their Faces -- "A Tripod of Photographs, Captions, and Text": An American Exodus -- "If It Hurts You, Be Glad of It": Let Us Now Praise Famous Men -- Part Two Conclusion -- Part Three: John Berger and Jean Mohr's Restored Photography -- Toward a Political Photography -- The Ways Photographs Are Used: Expressive, Redial, and Contextualized Images -- In the Context of Writing -- Part Three Conclusion -- Epilogue: Giving Cameras to Kids. Photographic criticism. http://id.loc.gov/authorities/subjects/sh86003955 Photography Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85101236 Photography Social aspects. Critique photographique. Photographie Aspect moral. Photographie Aspect social. PHOTOGRAPHY Criticism. bisacsh COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh Photographic criticism fast Photography Moral and ethical aspects fast Photography Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh86003955 http://id.loc.gov/authorities/subjects/sh85101236 |
| title | In appropriate distance : the ethics of the photographic essay / |
| title_auth | In appropriate distance : the ethics of the photographic essay / |
| title_exact_search | In appropriate distance : the ethics of the photographic essay / |
| title_full | In appropriate distance : the ethics of the photographic essay / Kelly Klingensmith. |
| title_fullStr | In appropriate distance : the ethics of the photographic essay / Kelly Klingensmith. |
| title_full_unstemmed | In appropriate distance : the ethics of the photographic essay / Kelly Klingensmith. |
| title_short | In appropriate distance : |
| title_sort | in appropriate distance the ethics of the photographic essay |
| title_sub | the ethics of the photographic essay / |
| topic | Photographic criticism. http://id.loc.gov/authorities/subjects/sh86003955 Photography Moral and ethical aspects. http://id.loc.gov/authorities/subjects/sh85101236 Photography Social aspects. Critique photographique. Photographie Aspect moral. Photographie Aspect social. PHOTOGRAPHY Criticism. bisacsh COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh Photographic criticism fast Photography Moral and ethical aspects fast Photography Social aspects fast |
| topic_facet | Photographic criticism. Photography Moral and ethical aspects. Photography Social aspects. Critique photographique. Photographie Aspect moral. Photographie Aspect social. PHOTOGRAPHY Criticism. COMPUTERS Digital Media Photography. PHOTOGRAPHY Reference. TECHNOLOGY & ENGINEERING Imaging Systems. Photographic criticism Photography Moral and ethical aspects Photography Social aspects |
| work_keys_str_mv | AT klingensmithkelly inappropriatedistancetheethicsofthephotographicessay |