Deep classics :: rethinking classical reception /
"Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles -- and has even provid...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London :
Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc,
2016.
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Online-Zugang: | Volltext |
Zusammenfassung: | "Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles -- and has even provided a model for -- other kinds of human endeavor. This v. offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered -- sitting in a library, standing in a gallery, moving through a ruin -- condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies'."--Bloomsbury Publishing Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles - and has even provided a model for - other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered - sitting in a library, standing in a gallery, moving through a ruin - condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies' |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9781474260534 1474260535 9781474260541 1474260543 |
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245 | 0 | 0 | |a Deep classics : |b rethinking classical reception / |c edited by Shane Butler. |
264 | 1 | |a London : |b Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, |c 2016. | |
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a On the origin of "deep classics" / Shane Butler -- Homer's deep / Shane Butler -- The sigh of philhellenism / Joshua Billings -- Feeling on the surface: touch and emotion in Fuseli and Homer / Alex Purves -- Perceiving (in) depth: landscape, sculpture, ruin / Helen Slaney -- Etymological "alterity": depths and heights / Joshua Katz -- Shut your eyes and see / Adam Lecznar -- The loss of telos: Pasolini, Fugard, and the Oresteia / Sarah Nooter -- Kings of the stone age, or how to read an ancient inscription / Stephanie Ann Frampton -- Queer unhistoricism: scholars, metalepsis, and interventions of the unruly past / Sebastian Matzner -- Affects and contexts: a deep history of erotic anger / Giulia Sissa -- Ghostwritten classics / Edmund rRchardson -- Relic, channel, ghost: centaurs in Algernon Blackwood's The centaur / Mark Payne -- Circulation of spectres: ghosts and spells / Davide Susanetti -- Cosmopoiesis in the field of the classical / Brooke Holmes -- Borges and the disclosure of antiquity / Laura Jansen. | |
588 | |a Description based on print version record and CIP data provided by publisher. | ||
520 | |a "Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles -- and has even provided a model for -- other kinds of human endeavor. This v. offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered -- sitting in a library, standing in a gallery, moving through a ruin -- condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies'."--Bloomsbury Publishing | ||
520 | 8 | |a Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles - and has even provided a model for - other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered - sitting in a library, standing in a gallery, moving through a ruin - condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies' | |
650 | 0 | |a Classical literature |x Appreciation. |0 http://id.loc.gov/authorities/subjects/sh85026707 | |
650 | 0 | |a Classical literature |x History and criticism. | |
650 | 0 | |a Classical literature |x Influence. | |
650 | 6 | |a Littérature ancienne |x Histoire et critique. | |
650 | 6 | |a Littérature ancienne |x Influence. | |
700 | 1 | |a Butler, Shane, |d 1970- |e editor. |0 http://id.loc.gov/authorities/names/n2001046744 | |
776 | 0 | 8 | |i Print version: |t Deep classics |d London : Bloomsbury Academic, 2016 |z 9781474260527 |w (DLC) 2016016222 |
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adam_text | |
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author2 | Butler, Shane, 1970- |
author2_role | edt |
author2_variant | s b sb |
author_GND | http://id.loc.gov/authorities/names/n2001046744 |
author_facet | Butler, Shane, 1970- |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PA3013 |
callnumber-raw | PA3013 |
callnumber-search | PA3013 |
callnumber-sort | PA 43013 |
callnumber-subject | PA - Latin and Greek |
collection | ZDB-4-EBA |
contents | On the origin of "deep classics" / Shane Butler -- Homer's deep / Shane Butler -- The sigh of philhellenism / Joshua Billings -- Feeling on the surface: touch and emotion in Fuseli and Homer / Alex Purves -- Perceiving (in) depth: landscape, sculpture, ruin / Helen Slaney -- Etymological "alterity": depths and heights / Joshua Katz -- Shut your eyes and see / Adam Lecznar -- The loss of telos: Pasolini, Fugard, and the Oresteia / Sarah Nooter -- Kings of the stone age, or how to read an ancient inscription / Stephanie Ann Frampton -- Queer unhistoricism: scholars, metalepsis, and interventions of the unruly past / Sebastian Matzner -- Affects and contexts: a deep history of erotic anger / Giulia Sissa -- Ghostwritten classics / Edmund rRchardson -- Relic, channel, ghost: centaurs in Algernon Blackwood's The centaur / Mark Payne -- Circulation of spectres: ghosts and spells / Davide Susanetti -- Cosmopoiesis in the field of the classical / Brooke Holmes -- Borges and the disclosure of antiquity / Laura Jansen. |
ctrlnum | (OCoLC)946277579 |
dewey-full | 880.09 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 880 - Classical Greek & Hellenic literatures |
dewey-raw | 880.09 |
dewey-search | 880.09 |
dewey-sort | 3880.09 |
dewey-tens | 880 - Classical Greek & Hellenic literatures |
discipline | Philologie / Byzantinistik / Neulatein |
format | Electronic eBook |
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spelling | Deep classics : rethinking classical reception / edited by Shane Butler. London : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2016. 1 online resource text rdacontent computer rdamedia online resource rdacarrier Includes bibliographical references and index. On the origin of "deep classics" / Shane Butler -- Homer's deep / Shane Butler -- The sigh of philhellenism / Joshua Billings -- Feeling on the surface: touch and emotion in Fuseli and Homer / Alex Purves -- Perceiving (in) depth: landscape, sculpture, ruin / Helen Slaney -- Etymological "alterity": depths and heights / Joshua Katz -- Shut your eyes and see / Adam Lecznar -- The loss of telos: Pasolini, Fugard, and the Oresteia / Sarah Nooter -- Kings of the stone age, or how to read an ancient inscription / Stephanie Ann Frampton -- Queer unhistoricism: scholars, metalepsis, and interventions of the unruly past / Sebastian Matzner -- Affects and contexts: a deep history of erotic anger / Giulia Sissa -- Ghostwritten classics / Edmund rRchardson -- Relic, channel, ghost: centaurs in Algernon Blackwood's The centaur / Mark Payne -- Circulation of spectres: ghosts and spells / Davide Susanetti -- Cosmopoiesis in the field of the classical / Brooke Holmes -- Borges and the disclosure of antiquity / Laura Jansen. Description based on print version record and CIP data provided by publisher. "Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles -- and has even provided a model for -- other kinds of human endeavor. This v. offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered -- sitting in a library, standing in a gallery, moving through a ruin -- condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies'."--Bloomsbury Publishing Fragmented, buried, and largely lost, the classical past presents formidable obstacles to anyone who would seek to know it. 'Deep Classics' is the study of these obstacles and, in particular, of the way in which the contemplation of the classical past resembles - and has even provided a model for - other kinds of human endeavor. This volume offers a new way to understand the modalities and aims of Classics itself, through the ages. Its individual chapters draw fruitful connections between the reception of the classical and current concerns in philosophy of mind, cognitive theory, epistemology, media studies, sense studies, aesthetics, queer theory and eco-criticism. What does the study of the ancient past teach us about our encounters with our own more recent but still elusive memories? What do our always partial reconstructions of ancient sites tell us about the limits of our ability to know our own world, or to imagine our future? What does the reader of the lacunose and corrupted literatures of antiquity learn thereby about literature and language themselves? What does a shattered statue reveal about art, matter, sensation, experience, life? Does the way in which these vestiges of the past are encountered - sitting in a library, standing in a gallery, moving through a ruin - condition our responses to them and alter their significance? And finally, how has the contemplation of antiquity helped to shape seemingly unrelated disciplines, including not only other humanistic and scientific epistemologies but also non-scholarly modes and practices? In asking these and similar questions, Deep Classics makes a pointed intervention in the study of the classical tradition, now more widely known as 'reception studies' Classical literature Appreciation. http://id.loc.gov/authorities/subjects/sh85026707 Classical literature History and criticism. Classical literature Influence. Littérature ancienne Histoire et critique. Littérature ancienne Influence. Butler, Shane, 1970- editor. http://id.loc.gov/authorities/names/n2001046744 Print version: Deep classics London : Bloomsbury Academic, 2016 9781474260527 (DLC) 2016016222 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1188639 Volltext |
spellingShingle | Deep classics : rethinking classical reception / On the origin of "deep classics" / Shane Butler -- Homer's deep / Shane Butler -- The sigh of philhellenism / Joshua Billings -- Feeling on the surface: touch and emotion in Fuseli and Homer / Alex Purves -- Perceiving (in) depth: landscape, sculpture, ruin / Helen Slaney -- Etymological "alterity": depths and heights / Joshua Katz -- Shut your eyes and see / Adam Lecznar -- The loss of telos: Pasolini, Fugard, and the Oresteia / Sarah Nooter -- Kings of the stone age, or how to read an ancient inscription / Stephanie Ann Frampton -- Queer unhistoricism: scholars, metalepsis, and interventions of the unruly past / Sebastian Matzner -- Affects and contexts: a deep history of erotic anger / Giulia Sissa -- Ghostwritten classics / Edmund rRchardson -- Relic, channel, ghost: centaurs in Algernon Blackwood's The centaur / Mark Payne -- Circulation of spectres: ghosts and spells / Davide Susanetti -- Cosmopoiesis in the field of the classical / Brooke Holmes -- Borges and the disclosure of antiquity / Laura Jansen. Classical literature Appreciation. http://id.loc.gov/authorities/subjects/sh85026707 Classical literature History and criticism. Classical literature Influence. Littérature ancienne Histoire et critique. Littérature ancienne Influence. |
subject_GND | http://id.loc.gov/authorities/subjects/sh85026707 |
title | Deep classics : rethinking classical reception / |
title_auth | Deep classics : rethinking classical reception / |
title_exact_search | Deep classics : rethinking classical reception / |
title_full | Deep classics : rethinking classical reception / edited by Shane Butler. |
title_fullStr | Deep classics : rethinking classical reception / edited by Shane Butler. |
title_full_unstemmed | Deep classics : rethinking classical reception / edited by Shane Butler. |
title_short | Deep classics : |
title_sort | deep classics rethinking classical reception |
title_sub | rethinking classical reception / |
topic | Classical literature Appreciation. http://id.loc.gov/authorities/subjects/sh85026707 Classical literature History and criticism. Classical literature Influence. Littérature ancienne Histoire et critique. Littérature ancienne Influence. |
topic_facet | Classical literature Appreciation. Classical literature History and criticism. Classical literature Influence. Littérature ancienne Histoire et critique. Littérature ancienne Influence. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1188639 |
work_keys_str_mv | AT butlershane deepclassicsrethinkingclassicalreception |