Recognizing music as an art form :: Friedrich Th. Vischer and German music criticism, 1848-1887 /
"Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantia...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leuven, Belgium :
Leuven University Press,
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on art's conceptual clarity, but they adapted the aesthetic system on which this requirement had been based. Their adaptations turned out to be decisive for the development of music criticism, to such an extent that music critics used them to point out musical content and to confirm music' s autonomy as an art form. This book unravels the network of music critics and philosophers, including not only Hegel but also Franz Liszt, Franz Brendel, and Eduard Hanslick, whose works shaped public opinions of music."--Publisher's description |
| Beschreibung: | 1 online resource (270 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789461661944 9461661940 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn945657784 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 160329s2016 be ob 001 0 eng d | ||
| 040 | |a JSTOR |b eng |e rda |e pn |c JSTOR |d N$T |d EBLCP |d OCLCF |d P@U |d YDXCP |d IDB |d CSAIL |d CCO |d MERUC |d OCLCQ |d IOG |d OCLCO |d SNK |d DKU |d MHW |d IGB |d D6H |d UUM |d AGLDB |d OCLCQ |d VTS |d INT |d OCLCQ |d OCLCO |d G3B |d S8J |d S9I |d STF |d OCLCQ |d BRX |d OCLCO |d M8D |d OCLCQ |d OCLCO |d MM9 |d OCLCA |d OCLCO |d COO |d OCLCO |d OCLCQ |d SFB |d OCLCO |d OCLCL | ||
| 019 | |a 945718977 | ||
| 020 | |a 9789461661944 |q (electronic bk.) | ||
| 020 | |a 9461661940 |q (electronic bk.) | ||
| 020 | |z 9789462700550 |q (print) | ||
| 035 | |a (OCoLC)945657784 |z (OCoLC)945718977 | ||
| 037 | |a 22573/ctt1b9wqds |b JSTOR | ||
| 050 | 4 | |a ML3845 |b .T58 2016eb | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 7 | |a 781.1/7 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Titus, Barbara, |d 1973- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjKcmRJCk7MX9tgKq9wbv3 |0 http://id.loc.gov/authorities/names/nr2006004783 | |
| 245 | 1 | 0 | |a Recognizing music as an art form : |b Friedrich Th. Vischer and German music criticism, 1848-1887 / |c Barbara Titus. |
| 264 | 1 | |a Leuven, Belgium : |b Leuven University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (270 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 520 | 8 | |a "Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on art's conceptual clarity, but they adapted the aesthetic system on which this requirement had been based. Their adaptations turned out to be decisive for the development of music criticism, to such an extent that music critics used them to point out musical content and to confirm music' s autonomy as an art form. This book unravels the network of music critics and philosophers, including not only Hegel but also Franz Liszt, Franz Brendel, and Eduard Hanslick, whose works shaped public opinions of music."--Publisher's description | |
| 505 | 0 | |a Part I. The hegemony of idealist philosophy -- Thinking about art -- Thinking about music -- Part II. Between subjectivity and objectivity -- The bird among the arts -- The end of art -- Part III. Case studies -- Musical forms as 'Spiritualized material': Repositioning Eduard Hanslick -- Programme music: Franz Liszt's negotiation of Hegelian aesthetics -- Furthering a 'new form of consciousness': Franz Brendel's concept of a New German School -- The advance of musical scholarship -- Epilogue: Deconceptualizing music/ology -- Appendix I. Hegelian glossary -- Appendix II. Editions and translations -- Appendix III. Manuscript sources -- Appendix IV. Music criticism and idealist discourse -- Appendix: References to Vischer in music periodicals and treatises. | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Vischer, Friedrich Theodor, |d 1807-1887. |
| 600 | 1 | 7 | |a Vischer, Friedrich Theodor, |d 1807-1887 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJh4vVmkQm7GjvkRwJVKVC |
| 650 | 0 | |a Music |x Philosophy and aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85088808 | |
| 650 | 0 | |a Music |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85088794 | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Musique |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 651 | 7 | |a Deutschland |2 gnd |0 http://d-nb.info/gnd/4011882-4 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Recognizing music as an art form (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFCmmYY9TMwhT6r3hkQ4jd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Titus, Barbara. |t Recognizing music as an art form. Friedrich Th. Vischer and German music criticism 1848-1887. |d Leuven : Leuven UP 2016 |z 9789462700550 |w (OCoLC)940673617 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1212466 |3 Volltext |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4502561 | ||
| 938 | |a EBSCOhost |b EBSC |n 1212466 | ||
| 938 | |a Project MUSE |b MUSE |n muse52927 | ||
| 938 | |a YBP Library Services |b YANK |n 12905825 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn945657784 |
|---|---|
| _version_ | 1816882343820918785 |
| adam_text | |
| any_adam_object | |
| author | Titus, Barbara, 1973- |
| author_GND | http://id.loc.gov/authorities/names/nr2006004783 |
| author_facet | Titus, Barbara, 1973- |
| author_role | aut |
| author_sort | Titus, Barbara, 1973- |
| author_variant | b t bt |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3845 |
| callnumber-raw | ML3845 .T58 2016eb |
| callnumber-search | ML3845 .T58 2016eb |
| callnumber-sort | ML 43845 T58 42016EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Part I. The hegemony of idealist philosophy -- Thinking about art -- Thinking about music -- Part II. Between subjectivity and objectivity -- The bird among the arts -- The end of art -- Part III. Case studies -- Musical forms as 'Spiritualized material': Repositioning Eduard Hanslick -- Programme music: Franz Liszt's negotiation of Hegelian aesthetics -- Furthering a 'new form of consciousness': Franz Brendel's concept of a New German School -- The advance of musical scholarship -- Epilogue: Deconceptualizing music/ology -- Appendix I. Hegelian glossary -- Appendix II. Editions and translations -- Appendix III. Manuscript sources -- Appendix IV. Music criticism and idealist discourse -- Appendix: References to Vischer in music periodicals and treatises. |
| ctrlnum | (OCoLC)945657784 |
| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04855cam a2200613 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn945657784</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">160329s2016 be ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">JSTOR</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">JSTOR</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">P@U</subfield><subfield code="d">YDXCP</subfield><subfield code="d">IDB</subfield><subfield code="d">CSAIL</subfield><subfield code="d">CCO</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SNK</subfield><subfield code="d">DKU</subfield><subfield code="d">MHW</subfield><subfield code="d">IGB</subfield><subfield code="d">D6H</subfield><subfield code="d">UUM</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">G3B</subfield><subfield code="d">S8J</subfield><subfield code="d">S9I</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BRX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">M8D</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">MM9</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCO</subfield><subfield code="d">COO</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">945718977</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789461661944</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9461661940</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789462700550</subfield><subfield code="q">(print)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)945657784</subfield><subfield code="z">(OCoLC)945718977</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1b9wqds</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3845</subfield><subfield code="b">.T58 2016eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.1/7</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Titus, Barbara,</subfield><subfield code="d">1973-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjKcmRJCk7MX9tgKq9wbv3</subfield><subfield code="0">http://id.loc.gov/authorities/names/nr2006004783</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Recognizing music as an art form :</subfield><subfield code="b">Friedrich Th. Vischer and German music criticism, 1848-1887 /</subfield><subfield code="c">Barbara Titus.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leuven, Belgium :</subfield><subfield code="b">Leuven University Press,</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (270 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">"Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on art's conceptual clarity, but they adapted the aesthetic system on which this requirement had been based. Their adaptations turned out to be decisive for the development of music criticism, to such an extent that music critics used them to point out musical content and to confirm music' s autonomy as an art form. This book unravels the network of music critics and philosophers, including not only Hegel but also Franz Liszt, Franz Brendel, and Eduard Hanslick, whose works shaped public opinions of music."--Publisher's description</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Part I. The hegemony of idealist philosophy -- Thinking about art -- Thinking about music -- Part II. Between subjectivity and objectivity -- The bird among the arts -- The end of art -- Part III. Case studies -- Musical forms as 'Spiritualized material': Repositioning Eduard Hanslick -- Programme music: Franz Liszt's negotiation of Hegelian aesthetics -- Furthering a 'new form of consciousness': Franz Brendel's concept of a New German School -- The advance of musical scholarship -- Epilogue: Deconceptualizing music/ology -- Appendix I. Hegelian glossary -- Appendix II. Editions and translations -- Appendix III. Manuscript sources -- Appendix IV. Music criticism and idealist discourse -- Appendix: References to Vischer in music periodicals and treatises.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Vischer, Friedrich Theodor,</subfield><subfield code="d">1807-1887.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Vischer, Friedrich Theodor,</subfield><subfield code="d">1807-1887</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJh4vVmkQm7GjvkRwJVKVC</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088808</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">History and criticism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088794</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="x">Philosophie et esthétique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music</subfield><subfield code="x">Philosophy and aesthetics</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4011882-4</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Recognizing music as an art form (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFCmmYY9TMwhT6r3hkQ4jd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Titus, Barbara.</subfield><subfield code="t">Recognizing music as an art form. Friedrich Th. Vischer and German music criticism 1848-1887.</subfield><subfield code="d">Leuven : Leuven UP 2016</subfield><subfield code="z">9789462700550</subfield><subfield code="w">(OCoLC)940673617</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1212466</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4502561</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1212466</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse52927</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12905825</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Deutschland gnd http://d-nb.info/gnd/4011882-4 |
| geographic_facet | Deutschland |
| id | ZDB-4-EBA-ocn945657784 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:07Z |
| institution | BVB |
| isbn | 9789461661944 9461661940 |
| language | English |
| oclc_num | 945657784 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (270 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Leuven University Press, |
| record_format | marc |
| spelling | Titus, Barbara, 1973- author. https://id.oclc.org/worldcat/entity/E39PCjKcmRJCk7MX9tgKq9wbv3 http://id.loc.gov/authorities/names/nr2006004783 Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / Barbara Titus. Leuven, Belgium : Leuven University Press, [2016] ©2016 1 online resource (270 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file "Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on art's conceptual clarity, but they adapted the aesthetic system on which this requirement had been based. Their adaptations turned out to be decisive for the development of music criticism, to such an extent that music critics used them to point out musical content and to confirm music' s autonomy as an art form. This book unravels the network of music critics and philosophers, including not only Hegel but also Franz Liszt, Franz Brendel, and Eduard Hanslick, whose works shaped public opinions of music."--Publisher's description Part I. The hegemony of idealist philosophy -- Thinking about art -- Thinking about music -- Part II. Between subjectivity and objectivity -- The bird among the arts -- The end of art -- Part III. Case studies -- Musical forms as 'Spiritualized material': Repositioning Eduard Hanslick -- Programme music: Franz Liszt's negotiation of Hegelian aesthetics -- Furthering a 'new form of consciousness': Franz Brendel's concept of a New German School -- The advance of musical scholarship -- Epilogue: Deconceptualizing music/ology -- Appendix I. Hegelian glossary -- Appendix II. Editions and translations -- Appendix III. Manuscript sources -- Appendix IV. Music criticism and idealist discourse -- Appendix: References to Vischer in music periodicals and treatises. Includes bibliographical references and index. Print version record. Vischer, Friedrich Theodor, 1807-1887. Vischer, Friedrich Theodor, 1807-1887 fast https://id.oclc.org/worldcat/entity/E39PBJh4vVmkQm7GjvkRwJVKVC Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Philosophie et esthétique. Musique Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Music fast Music Philosophy and aesthetics fast Deutschland gnd http://d-nb.info/gnd/4011882-4 Criticism, interpretation, etc. fast has work: Recognizing music as an art form (Text) https://id.oclc.org/worldcat/entity/E39PCFCmmYY9TMwhT6r3hkQ4jd https://id.oclc.org/worldcat/ontology/hasWork Print version: Titus, Barbara. Recognizing music as an art form. Friedrich Th. Vischer and German music criticism 1848-1887. Leuven : Leuven UP 2016 9789462700550 (OCoLC)940673617 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1212466 Volltext |
| spellingShingle | Titus, Barbara, 1973- Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / Part I. The hegemony of idealist philosophy -- Thinking about art -- Thinking about music -- Part II. Between subjectivity and objectivity -- The bird among the arts -- The end of art -- Part III. Case studies -- Musical forms as 'Spiritualized material': Repositioning Eduard Hanslick -- Programme music: Franz Liszt's negotiation of Hegelian aesthetics -- Furthering a 'new form of consciousness': Franz Brendel's concept of a New German School -- The advance of musical scholarship -- Epilogue: Deconceptualizing music/ology -- Appendix I. Hegelian glossary -- Appendix II. Editions and translations -- Appendix III. Manuscript sources -- Appendix IV. Music criticism and idealist discourse -- Appendix: References to Vischer in music periodicals and treatises. Vischer, Friedrich Theodor, 1807-1887. Vischer, Friedrich Theodor, 1807-1887 fast https://id.oclc.org/worldcat/entity/E39PBJh4vVmkQm7GjvkRwJVKVC Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Philosophie et esthétique. Musique Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Music fast Music Philosophy and aesthetics fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088808 http://id.loc.gov/authorities/subjects/sh85088794 http://d-nb.info/gnd/4011882-4 |
| title | Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / |
| title_auth | Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / |
| title_exact_search | Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / |
| title_full | Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / Barbara Titus. |
| title_fullStr | Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / Barbara Titus. |
| title_full_unstemmed | Recognizing music as an art form : Friedrich Th. Vischer and German music criticism, 1848-1887 / Barbara Titus. |
| title_short | Recognizing music as an art form : |
| title_sort | recognizing music as an art form friedrich th vischer and german music criticism 1848 1887 |
| title_sub | Friedrich Th. Vischer and German music criticism, 1848-1887 / |
| topic | Vischer, Friedrich Theodor, 1807-1887. Vischer, Friedrich Theodor, 1807-1887 fast https://id.oclc.org/worldcat/entity/E39PBJh4vVmkQm7GjvkRwJVKVC Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Music History and criticism. http://id.loc.gov/authorities/subjects/sh85088794 Musique Philosophie et esthétique. Musique Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Music fast Music Philosophy and aesthetics fast |
| topic_facet | Vischer, Friedrich Theodor, 1807-1887. Vischer, Friedrich Theodor, 1807-1887 Music Philosophy and aesthetics. Music History and criticism. Musique Philosophie et esthétique. Musique Histoire et critique. MUSIC Instruction & Study Theory. Music Music Philosophy and aesthetics Deutschland Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1212466 |
| work_keys_str_mv | AT titusbarbara recognizingmusicasanartformfriedrichthvischerandgermanmusiccriticism18481887 |