Speaking truths with film :: evidence, ethics, politics in documentary /
"What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectation...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California :
University of California Press,
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"-- |
| Beschreibung: | 1 online resource (xii, 281 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 231-263) and index. |
| ISBN: | 9780520964587 0520964586 |
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| 245 | 1 | 0 | |a Speaking truths with film : |b evidence, ethics, politics in documentary / |c Bill Nichols. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2016] | |
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| 520 | |a "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references (pages 231-263) and index. | ||
| 505 | 0 | |a Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs on Investigation of a flame -- Breaking the frame : gender, violation, and the avant-garde -- Documentary film and the coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox, and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma, and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the question of impact. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 6 | |a Documentaires |x Histoire et critique. | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Documentary films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Speaking truths with film (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGK8rm6tVVDtJ7j4dVdrtq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Nichols, Bill, 1942- |t Speaking truths with film. |d Oakland, California : University of California Press, [2016] |z 9780520290396 |w (DLC) 2015045232 |w (OCoLC)923796003 |
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| author | Nichols, Bill, 1942- |
| author_GND | http://id.loc.gov/authorities/names/n80017732 |
| author_facet | Nichols, Bill, 1942- |
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| contents | Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs on Investigation of a flame -- Breaking the frame : gender, violation, and the avant-garde -- Documentary film and the coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox, and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma, and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the question of impact. |
| ctrlnum | (OCoLC)945447599 |
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| dewey-ones | 070 - Documentary, educational, news media; journalism |
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| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn945447599 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:06Z |
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| isbn | 9780520964587 0520964586 |
| language | English |
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| spelling | Nichols, Bill, 1942- author. https://id.oclc.org/worldcat/entity/E39PBJtmvkXt4pf9449WTBxhpP http://id.loc.gov/authorities/names/n80017732 Speaking truths with film : evidence, ethics, politics in documentary / Bill Nichols. Oakland, California : University of California Press, [2016] ©2016 1 online resource (xii, 281 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"-- Provided by publisher. Includes bibliographical references (pages 231-263) and index. Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs on Investigation of a flame -- Breaking the frame : gender, violation, and the avant-garde -- Documentary film and the coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox, and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma, and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the question of impact. Print version record. English. Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh PERFORMING ARTS Film & Video General. bisacsh Documentary films fast Criticism, interpretation, etc. fast has work: Speaking truths with film (Text) https://id.oclc.org/worldcat/entity/E39PCGK8rm6tVVDtJ7j4dVdrtq https://id.oclc.org/worldcat/ontology/hasWork Print version: Nichols, Bill, 1942- Speaking truths with film. Oakland, California : University of California Press, [2016] 9780520290396 (DLC) 2015045232 (OCoLC)923796003 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1132453 Volltext |
| spellingShingle | Nichols, Bill, 1942- Speaking truths with film : evidence, ethics, politics in documentary / Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs on Investigation of a flame -- Breaking the frame : gender, violation, and the avant-garde -- Documentary film and the coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox, and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma, and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the question of impact. Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh PERFORMING ARTS Film & Video General. bisacsh Documentary films fast |
| title | Speaking truths with film : evidence, ethics, politics in documentary / |
| title_auth | Speaking truths with film : evidence, ethics, politics in documentary / |
| title_exact_search | Speaking truths with film : evidence, ethics, politics in documentary / |
| title_full | Speaking truths with film : evidence, ethics, politics in documentary / Bill Nichols. |
| title_fullStr | Speaking truths with film : evidence, ethics, politics in documentary / Bill Nichols. |
| title_full_unstemmed | Speaking truths with film : evidence, ethics, politics in documentary / Bill Nichols. |
| title_short | Speaking truths with film : |
| title_sort | speaking truths with film evidence ethics politics in documentary |
| title_sub | evidence, ethics, politics in documentary / |
| topic | Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh PERFORMING ARTS Film & Video General. bisacsh Documentary films fast |
| topic_facet | Documentary films History and criticism. Documentaires Histoire et critique. LANGUAGE ARTS & DISCIPLINES Journalism. PERFORMING ARTS Film & Video General. Documentary films Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1132453 |
| work_keys_str_mv | AT nicholsbill speakingtruthswithfilmevidenceethicspoliticsindocumentary |