Imitation and Creativity in Japanese Arts :: from Kishida Ryūsei to Miyazaki Hayao /
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construction, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dyna...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Columbia University Press,
2016.
|
| Schriftenreihe: | Asia perspectives.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construction, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese creativity. Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following. |
| Beschreibung: | 1 online resource : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 023154054X 9780231540544 |
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| 245 | 1 | 0 | |a Imitation and Creativity in Japanese Arts : |b from Kishida Ryūsei to Miyazaki Hayao / |c Michael Lucken ; translated by Francesca Simkin. |
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| 520 | |a The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construction, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese creativity. Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following. | ||
| 505 | 0 | |a A historical construction. Copycat Japan -- The West and the invention of creation -- The denial, rejection, and sublimation of imitation -- No poaching -- Seen from Japan -- The logic of reflection in Nakai Masakazu -- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work? -- Kurosawa Akira's Ikiru, or, the impossibility of metaphor -- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones -- Miyazaki Hayao's Spirited away, or, the adventure of the obliques -- Conclusion. | |
| 546 | |a In English. | ||
| 600 | 1 | 0 | |a Kishida, Ryūsei, |d 1891-1929 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Kurosawa, Akira, |d 1910-1998 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Araki, Nobuyoshi, |d 1940- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Miyazaki, Hayao, |d 1941- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Araki, Nobuyoshi, |d 1940- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrKRG97fpYJcR3jwhGGpP |
| 600 | 1 | 7 | |a Kishida, Ryūsei, |d 1891-1929 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJf4hcXx4wKpDC93H7pVmd |
| 600 | 1 | 7 | |a Kurosawa, Akira, |d 1910-1998 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJhRDtRKQ3dghMDJp4RYfq |
| 600 | 1 | 7 | |a Miyazaki, Hayao, |d 1941- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxWPFFftK4wHc3kfCMtrq |
| 650 | 0 | |a Creation (Literary, artistic, etc.) |0 http://id.loc.gov/authorities/subjects/sh85033827 | |
| 650 | 0 | |a Imitation in art. |0 http://id.loc.gov/authorities/subjects/sh85064502 | |
| 650 | 6 | |a Imitation (Art) | |
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| adam_text | |
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| author | Lucken, Michael |
| author_GND | http://id.loc.gov/authorities/names/no2002047920 |
| author_facet | Lucken, Michael |
| author_role | aut |
| author_sort | Lucken, Michael |
| author_variant | m l ml |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX160 |
| callnumber-raw | NX160 .L83 2016eb |
| callnumber-search | NX160 .L83 2016eb |
| callnumber-sort | NX 3160 L83 42016EB |
| callnumber-subject | NX - Arts in General |
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| contents | A historical construction. Copycat Japan -- The West and the invention of creation -- The denial, rejection, and sublimation of imitation -- No poaching -- Seen from Japan -- The logic of reflection in Nakai Masakazu -- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work? -- Kurosawa Akira's Ikiru, or, the impossibility of metaphor -- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones -- Miyazaki Hayao's Spirited away, or, the adventure of the obliques -- Conclusion. |
| ctrlnum | (OCoLC)945038293 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.15 |
| dewey-search | 701/.15 |
| dewey-sort | 3701 215 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn945038293 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:06Z |
| institution | BVB |
| isbn | 023154054X 9780231540544 |
| language | English |
| lccn | 2015027592 |
| oclc_num | 945038293 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Columbia University Press, |
| record_format | marc |
| series | Asia perspectives. |
| series2 | Asia perspectives : history, society, and culture |
| spelling | Lucken, Michael, author. http://id.loc.gov/authorities/names/no2002047920 Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / Michael Lucken ; translated by Francesca Simkin. New York : Columbia University Press, 2016. 1 online resource : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Asia perspectives : history, society, and culture Includes bibliographical references and index. Print version record. The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construction, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese creativity. Choosing a representative work from each of four modern genres-painting, film, photography, and animation-Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey-Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following. A historical construction. Copycat Japan -- The West and the invention of creation -- The denial, rejection, and sublimation of imitation -- No poaching -- Seen from Japan -- The logic of reflection in Nakai Masakazu -- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work? -- Kurosawa Akira's Ikiru, or, the impossibility of metaphor -- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones -- Miyazaki Hayao's Spirited away, or, the adventure of the obliques -- Conclusion. In English. Kishida, Ryūsei, 1891-1929 Criticism and interpretation. Kurosawa, Akira, 1910-1998 Criticism and interpretation. Araki, Nobuyoshi, 1940- Criticism and interpretation. Miyazaki, Hayao, 1941- Criticism and interpretation. Araki, Nobuyoshi, 1940- fast https://id.oclc.org/worldcat/entity/E39PBJrKRG97fpYJcR3jwhGGpP Kishida, Ryūsei, 1891-1929 fast https://id.oclc.org/worldcat/entity/E39PBJf4hcXx4wKpDC93H7pVmd Kurosawa, Akira, 1910-1998 fast https://id.oclc.org/worldcat/entity/E39PBJhRDtRKQ3dghMDJp4RYfq Miyazaki, Hayao, 1941- fast https://id.oclc.org/worldcat/entity/E39PBJxWPFFftK4wHc3kfCMtrq Creation (Literary, artistic, etc.) http://id.loc.gov/authorities/subjects/sh85033827 Imitation in art. http://id.loc.gov/authorities/subjects/sh85064502 Imitation (Art) ART Asian General. bisacsh Creation (Literary, artistic, etc.) fast Imitation in art fast Nachahmung gnd http://d-nb.info/gnd/4170992-5 Kunst gnd http://d-nb.info/gnd/4114333-4 Kreativität gnd http://d-nb.info/gnd/4032903-3 Criticism, interpretation, etc. fast has work: Imitation and Creativity in Japanese Arts (Text) https://id.oclc.org/worldcat/entity/E39PCFJ6HTdWH9FHv9XpWMhk8P https://id.oclc.org/worldcat/ontology/hasWork Asia perspectives. http://id.loc.gov/authorities/names/n00046389 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1232732 Volltext |
| spellingShingle | Lucken, Michael Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / Asia perspectives. A historical construction. Copycat Japan -- The West and the invention of creation -- The denial, rejection, and sublimation of imitation -- No poaching -- Seen from Japan -- The logic of reflection in Nakai Masakazu -- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work? -- Kurosawa Akira's Ikiru, or, the impossibility of metaphor -- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones -- Miyazaki Hayao's Spirited away, or, the adventure of the obliques -- Conclusion. Kishida, Ryūsei, 1891-1929 Criticism and interpretation. Kurosawa, Akira, 1910-1998 Criticism and interpretation. Araki, Nobuyoshi, 1940- Criticism and interpretation. Miyazaki, Hayao, 1941- Criticism and interpretation. Araki, Nobuyoshi, 1940- fast https://id.oclc.org/worldcat/entity/E39PBJrKRG97fpYJcR3jwhGGpP Kishida, Ryūsei, 1891-1929 fast https://id.oclc.org/worldcat/entity/E39PBJf4hcXx4wKpDC93H7pVmd Kurosawa, Akira, 1910-1998 fast https://id.oclc.org/worldcat/entity/E39PBJhRDtRKQ3dghMDJp4RYfq Miyazaki, Hayao, 1941- fast https://id.oclc.org/worldcat/entity/E39PBJxWPFFftK4wHc3kfCMtrq Creation (Literary, artistic, etc.) http://id.loc.gov/authorities/subjects/sh85033827 Imitation in art. http://id.loc.gov/authorities/subjects/sh85064502 Imitation (Art) ART Asian General. bisacsh Creation (Literary, artistic, etc.) fast Imitation in art fast Nachahmung gnd http://d-nb.info/gnd/4170992-5 Kunst gnd http://d-nb.info/gnd/4114333-4 Kreativität gnd http://d-nb.info/gnd/4032903-3 |
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| title | Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / |
| title_auth | Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / |
| title_exact_search | Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / |
| title_full | Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / Michael Lucken ; translated by Francesca Simkin. |
| title_fullStr | Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / Michael Lucken ; translated by Francesca Simkin. |
| title_full_unstemmed | Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao / Michael Lucken ; translated by Francesca Simkin. |
| title_short | Imitation and Creativity in Japanese Arts : |
| title_sort | imitation and creativity in japanese arts from kishida ryusei to miyazaki hayao |
| title_sub | from Kishida Ryūsei to Miyazaki Hayao / |
| topic | Kishida, Ryūsei, 1891-1929 Criticism and interpretation. Kurosawa, Akira, 1910-1998 Criticism and interpretation. Araki, Nobuyoshi, 1940- Criticism and interpretation. Miyazaki, Hayao, 1941- Criticism and interpretation. Araki, Nobuyoshi, 1940- fast https://id.oclc.org/worldcat/entity/E39PBJrKRG97fpYJcR3jwhGGpP Kishida, Ryūsei, 1891-1929 fast https://id.oclc.org/worldcat/entity/E39PBJf4hcXx4wKpDC93H7pVmd Kurosawa, Akira, 1910-1998 fast https://id.oclc.org/worldcat/entity/E39PBJhRDtRKQ3dghMDJp4RYfq Miyazaki, Hayao, 1941- fast https://id.oclc.org/worldcat/entity/E39PBJxWPFFftK4wHc3kfCMtrq Creation (Literary, artistic, etc.) http://id.loc.gov/authorities/subjects/sh85033827 Imitation in art. http://id.loc.gov/authorities/subjects/sh85064502 Imitation (Art) ART Asian General. bisacsh Creation (Literary, artistic, etc.) fast Imitation in art fast Nachahmung gnd http://d-nb.info/gnd/4170992-5 Kunst gnd http://d-nb.info/gnd/4114333-4 Kreativität gnd http://d-nb.info/gnd/4032903-3 |
| topic_facet | Kishida, Ryūsei, 1891-1929 Criticism and interpretation. Kurosawa, Akira, 1910-1998 Criticism and interpretation. Araki, Nobuyoshi, 1940- Criticism and interpretation. Miyazaki, Hayao, 1941- Criticism and interpretation. Araki, Nobuyoshi, 1940- Kishida, Ryūsei, 1891-1929 Kurosawa, Akira, 1910-1998 Miyazaki, Hayao, 1941- Creation (Literary, artistic, etc.) Imitation in art. Imitation (Art) ART Asian General. Imitation in art Nachahmung Kunst Kreativität Criticism, interpretation, etc. |
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