Merleau-Ponty and the art of perception /:
This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works,...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
2016.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty's aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher's writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438459608 1438459602 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn944248903 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 160310s2016 nyu ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDXCP |d EBLCP |d IDB |d VLB |d YDX |d Z5A |d NJR |d OCLCQ |d SNK |d DKU |d AUW |d INTCL |d IGB |d D6H |d VTS |d KSU |d EZ9 |d AGLDB |d OCLCQ |d OCLCO |d G3B |d S8J |d S9I |d STF |d OCLCQ |d OCLCO |d UKAHL |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d DEGRU |d OCLKB |d HOPLA |d JSTOR | ||
| 019 | |a 1432458508 | ||
| 020 | |a 9781438459608 |q (electronic bk.) | ||
| 020 | |a 1438459602 |q (electronic bk.) | ||
| 020 | |z 9781438459592 | ||
| 020 | |z 1438459599 | ||
| 035 | |a (OCoLC)944248903 |z (OCoLC)1432458508 | ||
| 037 | |a 22573/cats18207972 |b JSTOR | ||
| 050 | 4 | |a B2430.M3764 |b M46823 2016eb | |
| 072 | 7 | |a PHI |x 004000 |2 bisacsh | |
| 082 | 7 | |a 121/.34092 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Merleau-Ponty and the art of perception / |c edited by Duane H. Davis and William S. Hamrick. |
| 264 | 1 | |a Albany : |b State University of New York Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g Machine generated contents note: |g pt. One |t Context and Orientation -- |g 1. |t Art of Perception / |r Duane H. Davis -- |g 2. |t Concluding Scientific Postscript / |r William S. Hamrick -- |g pt. Two |t Interpretations -- |g 3. |t Cohesion and Expression: Merleau-Ponty on Cezanne / |r Jessica Wiskus -- |g 4. |t Echoes of Brushstrokes / |r Marta Nijhuis -- |g 5. |t From Edmund Husserl's Image Consciousness to Maurice Merleau-Ponty's Flesh and Chiasm: The Phenomenological Essence of Image / |r Sara J. Northerner -- |g 6. |t Carnal Language and the Reversibility of Architecture: Modernism, Postmodernism, and Merleau-Ponty's Theory of Signs / |r Bryan E. Norwood -- |g 7. |t Architecture and Voices of Silence / |r Patricia M. Locke -- |g 8. |t Philosopher of Modern Life: Baudelaire, Merleau-Ponty, and the Art of Phenomenological Critique / |r Duane H. Davis -- |g 9. |t Flesh Made Word: As I Lay Dying and Being Incarnate / |r Cheryl A. Emerson -- |g 10. |t Listening in Depth: Reading Merleau-Ponty Alongside Nancy / |r Galen A. Johnson -- |g 11. |t Art and the Overcoming of the Discourse of Modernity / |r William S. Hamrick -- |g 12. |t Tactile Cogito: Horizons of Corporeity, Animality, and Affect in Merleau-Ponty / |r Robert Switzer -- |g 13. |t Chiasm as a Virtual: A Non-concept in Merleau-Ponty's Work (with a Coda on Theatre) / |r Marcello Vitali Rosati. |
| 520 | |a This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty's aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher's writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining. | ||
| 600 | 1 | 0 | |a Merleau-Ponty, Maurice, |d 1908-1961. |0 http://id.loc.gov/authorities/names/n79056034 |
| 600 | 1 | 7 | |a Merleau-Ponty, Maurice, |d 1908-1961 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq |
| 650 | 0 | |a Perception (Philosophy) |0 http://id.loc.gov/authorities/subjects/sh85099711 | |
| 650 | 0 | |a Art |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh85007494 | |
| 650 | 6 | |a Perception (Philosophie) | |
| 650 | 6 | |a Art |x Philosophie. | |
| 650 | 7 | |a perception. |2 aat | |
| 650 | 7 | |a PHILOSOPHY |x Epistemology. |2 bisacsh | |
| 650 | 7 | |a Art |x Philosophy |2 fast | |
| 650 | 7 | |a Perception (Philosophy) |2 fast | |
| 700 | 1 | |a Davis, Duane |q (Duane H.), |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjygMTwmgTQQBvYq4mFfG3 |0 http://id.loc.gov/authorities/names/n00107334 | |
| 758 | |i has work: |a Merleau-Ponty and the art of perception (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGWWPwrC3cFRr66chmdxXd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Merleau-Ponty and the art of perception |z 9781438459592 |w (DLC) 2015010179 |w (OCoLC)906171765 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1197402 |3 Volltext |
| 938 | |a De Gruyter |b DEGR |n 9781438459608 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38700973 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4442176 | ||
| 938 | |a EBSCOhost |b EBSC |n 1197402 | ||
| 938 | |a YBP Library Services |b YANK |n 12884547 | ||
| 938 | |b OCKB |z perlego.catalogue,6eb709fa-9570-4434-bf4c-a44b1eb44e77-emi | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn944248903 |
|---|---|
| _version_ | 1816882342220791808 |
| adam_text | |
| any_adam_object | |
| author2 | Davis, Duane (Duane H.) |
| author2_role | edt |
| author2_variant | d d dd |
| author_GND | http://id.loc.gov/authorities/names/n00107334 |
| author_additional | Duane H. Davis -- William S. Hamrick -- Jessica Wiskus -- Marta Nijhuis -- Sara J. Northerner -- Bryan E. Norwood -- Patricia M. Locke -- Cheryl A. Emerson -- Galen A. Johnson -- Robert Switzer -- Marcello Vitali Rosati. |
| author_facet | Davis, Duane (Duane H.) |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | B2430 |
| callnumber-raw | B2430.M3764 M46823 2016eb |
| callnumber-search | B2430.M3764 M46823 2016eb |
| callnumber-sort | B 42430 M3764 M46823 42016EB |
| callnumber-subject | B - Philosophy |
| collection | ZDB-4-EBA |
| contents | Context and Orientation -- Art of Perception / Concluding Scientific Postscript / Interpretations -- Cohesion and Expression: Merleau-Ponty on Cezanne / Echoes of Brushstrokes / From Edmund Husserl's Image Consciousness to Maurice Merleau-Ponty's Flesh and Chiasm: The Phenomenological Essence of Image / Carnal Language and the Reversibility of Architecture: Modernism, Postmodernism, and Merleau-Ponty's Theory of Signs / Architecture and Voices of Silence / Philosopher of Modern Life: Baudelaire, Merleau-Ponty, and the Art of Phenomenological Critique / Flesh Made Word: As I Lay Dying and Being Incarnate / Listening in Depth: Reading Merleau-Ponty Alongside Nancy / Art and the Overcoming of the Discourse of Modernity / Tactile Cogito: Horizons of Corporeity, Animality, and Affect in Merleau-Ponty / Chiasm as a Virtual: A Non-concept in Merleau-Ponty's Work (with a Coda on Theatre) / |
| ctrlnum | (OCoLC)944248903 |
| dewey-full | 121/.34092 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 121 - Epistemology (Theory of knowledge) |
| dewey-raw | 121/.34092 |
| dewey-search | 121/.34092 |
| dewey-sort | 3121 534092 |
| dewey-tens | 120 - Epistemology, causation, humankind |
| discipline | Philosophie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05416cam a2200625 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn944248903</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">160310s2016 nyu ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDB</subfield><subfield code="d">VLB</subfield><subfield code="d">YDX</subfield><subfield code="d">Z5A</subfield><subfield code="d">NJR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SNK</subfield><subfield code="d">DKU</subfield><subfield code="d">AUW</subfield><subfield code="d">INTCL</subfield><subfield code="d">IGB</subfield><subfield code="d">D6H</subfield><subfield code="d">VTS</subfield><subfield code="d">KSU</subfield><subfield code="d">EZ9</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">G3B</subfield><subfield code="d">S8J</subfield><subfield code="d">S9I</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLKB</subfield><subfield code="d">HOPLA</subfield><subfield code="d">JSTOR</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1432458508</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781438459608</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1438459602</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781438459592</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1438459599</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)944248903</subfield><subfield code="z">(OCoLC)1432458508</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/cats18207972</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">B2430.M3764</subfield><subfield code="b">M46823 2016eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHI</subfield><subfield code="x">004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">121/.34092</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Merleau-Ponty and the art of perception /</subfield><subfield code="c">edited by Duane H. Davis and William S. Hamrick.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Albany :</subfield><subfield code="b">State University of New York Press,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="g">Machine generated contents note:</subfield><subfield code="g">pt. One</subfield><subfield code="t">Context and Orientation --</subfield><subfield code="g">1.</subfield><subfield code="t">Art of Perception /</subfield><subfield code="r">Duane H. Davis --</subfield><subfield code="g">2.</subfield><subfield code="t">Concluding Scientific Postscript /</subfield><subfield code="r">William S. Hamrick --</subfield><subfield code="g">pt. Two</subfield><subfield code="t">Interpretations --</subfield><subfield code="g">3.</subfield><subfield code="t">Cohesion and Expression: Merleau-Ponty on Cezanne /</subfield><subfield code="r">Jessica Wiskus --</subfield><subfield code="g">4.</subfield><subfield code="t">Echoes of Brushstrokes /</subfield><subfield code="r">Marta Nijhuis --</subfield><subfield code="g">5.</subfield><subfield code="t">From Edmund Husserl's Image Consciousness to Maurice Merleau-Ponty's Flesh and Chiasm: The Phenomenological Essence of Image /</subfield><subfield code="r">Sara J. Northerner --</subfield><subfield code="g">6.</subfield><subfield code="t">Carnal Language and the Reversibility of Architecture: Modernism, Postmodernism, and Merleau-Ponty's Theory of Signs /</subfield><subfield code="r">Bryan E. Norwood --</subfield><subfield code="g">7.</subfield><subfield code="t">Architecture and Voices of Silence /</subfield><subfield code="r">Patricia M. Locke --</subfield><subfield code="g">8.</subfield><subfield code="t">Philosopher of Modern Life: Baudelaire, Merleau-Ponty, and the Art of Phenomenological Critique /</subfield><subfield code="r">Duane H. Davis --</subfield><subfield code="g">9.</subfield><subfield code="t">Flesh Made Word: As I Lay Dying and Being Incarnate /</subfield><subfield code="r">Cheryl A. Emerson --</subfield><subfield code="g">10.</subfield><subfield code="t">Listening in Depth: Reading Merleau-Ponty Alongside Nancy /</subfield><subfield code="r">Galen A. Johnson --</subfield><subfield code="g">11.</subfield><subfield code="t">Art and the Overcoming of the Discourse of Modernity /</subfield><subfield code="r">William S. Hamrick --</subfield><subfield code="g">12.</subfield><subfield code="t">Tactile Cogito: Horizons of Corporeity, Animality, and Affect in Merleau-Ponty /</subfield><subfield code="r">Robert Switzer --</subfield><subfield code="g">13.</subfield><subfield code="t">Chiasm as a Virtual: A Non-concept in Merleau-Ponty's Work (with a Coda on Theatre) /</subfield><subfield code="r">Marcello Vitali Rosati.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty's aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher's writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Merleau-Ponty, Maurice,</subfield><subfield code="d">1908-1961.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n79056034</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Merleau-Ponty, Maurice,</subfield><subfield code="d">1908-1961</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Perception (Philosophy)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85099711</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art</subfield><subfield code="x">Philosophy.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85007494</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Perception (Philosophie)</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art</subfield><subfield code="x">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">perception.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHILOSOPHY</subfield><subfield code="x">Epistemology.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Perception (Philosophy)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Davis, Duane</subfield><subfield code="q">(Duane H.),</subfield><subfield code="e">editor.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjygMTwmgTQQBvYq4mFfG3</subfield><subfield code="0">http://id.loc.gov/authorities/names/n00107334</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Merleau-Ponty and the art of perception (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGWWPwrC3cFRr66chmdxXd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Merleau-Ponty and the art of perception</subfield><subfield code="z">9781438459592</subfield><subfield code="w">(DLC) 2015010179</subfield><subfield code="w">(OCoLC)906171765</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1197402</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9781438459608</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH38700973</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4442176</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1197402</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12884547</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="b">OCKB</subfield><subfield code="z">perlego.catalogue,6eb709fa-9570-4434-bf4c-a44b1eb44e77-emi</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocn944248903 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:05Z |
| institution | BVB |
| isbn | 9781438459608 1438459602 |
| language | English |
| oclc_num | 944248903 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | State University of New York Press, |
| record_format | marc |
| spelling | Merleau-Ponty and the art of perception / edited by Duane H. Davis and William S. Hamrick. Albany : State University of New York Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Print version record. Machine generated contents note: pt. One Context and Orientation -- 1. Art of Perception / Duane H. Davis -- 2. Concluding Scientific Postscript / William S. Hamrick -- pt. Two Interpretations -- 3. Cohesion and Expression: Merleau-Ponty on Cezanne / Jessica Wiskus -- 4. Echoes of Brushstrokes / Marta Nijhuis -- 5. From Edmund Husserl's Image Consciousness to Maurice Merleau-Ponty's Flesh and Chiasm: The Phenomenological Essence of Image / Sara J. Northerner -- 6. Carnal Language and the Reversibility of Architecture: Modernism, Postmodernism, and Merleau-Ponty's Theory of Signs / Bryan E. Norwood -- 7. Architecture and Voices of Silence / Patricia M. Locke -- 8. Philosopher of Modern Life: Baudelaire, Merleau-Ponty, and the Art of Phenomenological Critique / Duane H. Davis -- 9. Flesh Made Word: As I Lay Dying and Being Incarnate / Cheryl A. Emerson -- 10. Listening in Depth: Reading Merleau-Ponty Alongside Nancy / Galen A. Johnson -- 11. Art and the Overcoming of the Discourse of Modernity / William S. Hamrick -- 12. Tactile Cogito: Horizons of Corporeity, Animality, and Affect in Merleau-Ponty / Robert Switzer -- 13. Chiasm as a Virtual: A Non-concept in Merleau-Ponty's Work (with a Coda on Theatre) / Marcello Vitali Rosati. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty's aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher's writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining. Merleau-Ponty, Maurice, 1908-1961. http://id.loc.gov/authorities/names/n79056034 Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Perception (Philosophy) http://id.loc.gov/authorities/subjects/sh85099711 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Perception (Philosophie) Art Philosophie. perception. aat PHILOSOPHY Epistemology. bisacsh Art Philosophy fast Perception (Philosophy) fast Davis, Duane (Duane H.), editor. https://id.oclc.org/worldcat/entity/E39PCjygMTwmgTQQBvYq4mFfG3 http://id.loc.gov/authorities/names/n00107334 has work: Merleau-Ponty and the art of perception (Text) https://id.oclc.org/worldcat/entity/E39PCGWWPwrC3cFRr66chmdxXd https://id.oclc.org/worldcat/ontology/hasWork Print version: Merleau-Ponty and the art of perception 9781438459592 (DLC) 2015010179 (OCoLC)906171765 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1197402 Volltext |
| spellingShingle | Merleau-Ponty and the art of perception / Context and Orientation -- Art of Perception / Concluding Scientific Postscript / Interpretations -- Cohesion and Expression: Merleau-Ponty on Cezanne / Echoes of Brushstrokes / From Edmund Husserl's Image Consciousness to Maurice Merleau-Ponty's Flesh and Chiasm: The Phenomenological Essence of Image / Carnal Language and the Reversibility of Architecture: Modernism, Postmodernism, and Merleau-Ponty's Theory of Signs / Architecture and Voices of Silence / Philosopher of Modern Life: Baudelaire, Merleau-Ponty, and the Art of Phenomenological Critique / Flesh Made Word: As I Lay Dying and Being Incarnate / Listening in Depth: Reading Merleau-Ponty Alongside Nancy / Art and the Overcoming of the Discourse of Modernity / Tactile Cogito: Horizons of Corporeity, Animality, and Affect in Merleau-Ponty / Chiasm as a Virtual: A Non-concept in Merleau-Ponty's Work (with a Coda on Theatre) / Merleau-Ponty, Maurice, 1908-1961. http://id.loc.gov/authorities/names/n79056034 Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Perception (Philosophy) http://id.loc.gov/authorities/subjects/sh85099711 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Perception (Philosophie) Art Philosophie. perception. aat PHILOSOPHY Epistemology. bisacsh Art Philosophy fast Perception (Philosophy) fast |
| subject_GND | http://id.loc.gov/authorities/names/n79056034 http://id.loc.gov/authorities/subjects/sh85099711 http://id.loc.gov/authorities/subjects/sh85007494 |
| title | Merleau-Ponty and the art of perception / |
| title_alt | Context and Orientation -- Art of Perception / Concluding Scientific Postscript / Interpretations -- Cohesion and Expression: Merleau-Ponty on Cezanne / Echoes of Brushstrokes / From Edmund Husserl's Image Consciousness to Maurice Merleau-Ponty's Flesh and Chiasm: The Phenomenological Essence of Image / Carnal Language and the Reversibility of Architecture: Modernism, Postmodernism, and Merleau-Ponty's Theory of Signs / Architecture and Voices of Silence / Philosopher of Modern Life: Baudelaire, Merleau-Ponty, and the Art of Phenomenological Critique / Flesh Made Word: As I Lay Dying and Being Incarnate / Listening in Depth: Reading Merleau-Ponty Alongside Nancy / Art and the Overcoming of the Discourse of Modernity / Tactile Cogito: Horizons of Corporeity, Animality, and Affect in Merleau-Ponty / Chiasm as a Virtual: A Non-concept in Merleau-Ponty's Work (with a Coda on Theatre) / |
| title_auth | Merleau-Ponty and the art of perception / |
| title_exact_search | Merleau-Ponty and the art of perception / |
| title_full | Merleau-Ponty and the art of perception / edited by Duane H. Davis and William S. Hamrick. |
| title_fullStr | Merleau-Ponty and the art of perception / edited by Duane H. Davis and William S. Hamrick. |
| title_full_unstemmed | Merleau-Ponty and the art of perception / edited by Duane H. Davis and William S. Hamrick. |
| title_short | Merleau-Ponty and the art of perception / |
| title_sort | merleau ponty and the art of perception |
| topic | Merleau-Ponty, Maurice, 1908-1961. http://id.loc.gov/authorities/names/n79056034 Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Perception (Philosophy) http://id.loc.gov/authorities/subjects/sh85099711 Art Philosophy. http://id.loc.gov/authorities/subjects/sh85007494 Perception (Philosophie) Art Philosophie. perception. aat PHILOSOPHY Epistemology. bisacsh Art Philosophy fast Perception (Philosophy) fast |
| topic_facet | Merleau-Ponty, Maurice, 1908-1961. Merleau-Ponty, Maurice, 1908-1961 Perception (Philosophy) Art Philosophy. Perception (Philosophie) Art Philosophie. perception. PHILOSOPHY Epistemology. Art Philosophy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1197402 |
| work_keys_str_mv | AT davisduane merleaupontyandtheartofperception |