A cultural history of the avant-garde in the Nordic countries, 1950-1975 /:
"A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design,...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill Rodopi,
[2016]
|
| Schriftenreihe: | Avant garde critical studies ;
32. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture"--Provided by publisher. |
| Beschreibung: | 1 online resource (xxii, 857 pages) : illustrations (some color). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789004310506 9004310509 |
| ISSN: | 1387-3008 ; |
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| 245 | 0 | 2 | |a A cultural history of the avant-garde in the Nordic countries, 1950-1975 / |c edited by Tania Ørum, Jesper Olsson ; editorial panel, Birgitte Anderberg, Andreas Engström, Benedikt Hjartarson, Audun Lindholm, Henrik Kaare Nielsen, Harri Veivo. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill Rodopi, |c [2016] | |
| 264 | 4 | |c ©2016 | |
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| 490 | 1 | |a Avant-garde critical studies, |x 1387-3008 ; |v volume 32 | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture"--Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro -- A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 -- Copyright -- Contents -- Introduction -- The Post-War Avant-Garde in the Nordic Countries -- SECTION 1: Paradigmatic Images of Scandinavia -- Politics and Play -- The Impure Arts of Öyvind Fahlström -- The Female Christ at the Stock Exchange -- Biological Avant-Garde -- Inger Christensen's det -- Images of Women -- The Kitchen -- An Offspring of Steina and Woody Vasulka -- SECTION 2: Cultural Politics and Institutions -- The Social Avant-Garde -- The 'Democratisation' of Literature in the Early 1960s in Sweden -- Culture Wars in Denmark -- The Moderna Museet in Stockholm -- The Institution and the Avant-Garde -- The Fylkingen Concert Society, 1950-1975 -- Self-Organisation in the Avant-Garde of the 1960s -- Åke Hodell's Kerberos -- A Case Study -- Morten Krohg and Art's Oppositional Role -- EMS -- The Electronic Music Studio in Stockholm -- Subpublications from a Basement in Snaregade 6, Copenhagen -- Arena Sub-Pub (1969-1970) -- Dossier/Little Magazines -- An Open Field of Play and Experimentation -- The Little Magazine Birtingur -- Tvångs-Blandaren -- Stuff in a Box -- Rondo and Gorilla -- Magazine and Calendar -- Against Restrictions and Exclusions -- For Expansion and Inclusions -- The Little Magazine ta' (1967-68) -- A Time Capsule from the Sixties -- The Little Magazine ta' BOX (1969-1970) -- In the Service of the Revolution -- The Little Magazine MAK (1969-1970) -- Profil 1966-69 -- Triumph and Crisis of the Collective -- SECTION 3: New Cultural Geographies -- Christian Dotremont's Logogrammes and Logoneiges -- European Avant-Garde Inspired by Lapland -- Exile, Correspondence, Rebellion -- Tracing the Interactive Relationship between Iceland and Dieter Roth -- Galerie Køpcke -- An Artist-Run Gallery in Copenhagen 1958-1962 -- Action Music! -- Nam June Paik in Scandinavia, 1961. | |
| 505 | 8 | |a Clothing Irons and Whisky Bottles -- Creating an Icelandic Musical Avant-Garde -- Erró, or the Porousness of Borders -- The Situationist Offensive in Scandinavia -- SÚM -- The Flux in Iceland -- Fluxus, Eric Andersen and the Communist East -- Making Choices -- Debatable Translations and Publication Policies of Finnish Cultural Magazines -- SECTION 4: New Technologies and New Media -- Chance and Play, or Marvellous Machines -- A Forgotten Swedish Film Avant-Garde -- Radiophonic Poetry and a Blind Movie -- Öyvind Fahlström's Sound Art -- The Medium is the Message -- Danish Radio Experiments of the 1960s -- What's Wrong with Billy Spafon? -- Comics and the Avant-Garde -- Concrete Poetry as Sign of Technological Changes in Society -- Collaborators in Art and Technology -- The Case of Billy Klüver -- The Case[y] of Husberg -- Computers and Art in the 1960s -- Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds -- Erkki Kurenniemi on Music and Technology -- University of Helsinki Electronic Music Studio -- Founding and Early Development -- The New Monument -- Experimental TV and Remediation -- ABCinema and Super 8 Technology -- Visions Seen through Felt Boots -- "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland -- Artists' Books in the 1960s -- Telephone Art -- Fylkingen's Text-Sound Festivals 1968-1974 -- The Detested Interval Music -- On Per Nørgård's Calendar Music as Interval Signal on TV -- SECTION 5: Performative Strategies -- "Hätila ragulpr på fåtskliaben" -- Conceiving of Concrete Poetry -- Concrete Poetry as a Score for Performance -- Bengt Emil Johnson's Gubbdrunkning -- The Festum Fluxorum in Copenhagen 23-28 November 1962 -- To Play To-Day -- Experiment, Scam and Children's Games -- The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964. | |
| 505 | 8 | |a Pistolteatern -- Avant-Garde Performance and Political Theatre -- Yvonne Rainer and Robert Morris -- An Evening of Talking and Dancing, 1964 -- Odin Teatret -- Between Tradition and the Avant-Garde -- Leiksmiðjan -- Collaborating on a New Theatre -- Asger Jorn's Work in the Archive of the Revolution in Havana -- Showtime! -- Notes on the Performance Practice of Per Højholt -- Performing Feminism -- Kirsten Justesen -- A Borderline Case -- Facial Politics in Kjartan Slettemark's The Passport -- SECTION 6: Interventions into Everyday Life -- Raping the Whole World in a Warm Embrace of Fascination -- Drakabygget's Anti-Authoritarian Artistic Endeavours -- 1966 -- Thinking the City -- True Rulers of Their Own Realm -- Political Subjectivisation in Modellen -- En modell för ett kvalitativt samhälle -- Jarl Hammarberg's Concrete Poetry and Collective Books -- Linguistic Leakage in the Landscape -- Early Land Art in Norway -- Kanonklubben -- The Oslo Trip and The Garden -- The Avant-Garde in Public Space -- Two Danish Examples -- And and and -- A Device of One's Own -- Reproductive Parataxis in Rex, Thorup and Åkesson -- Christiania -- Utopia Realised? -- A Sensuous Dramaturgy of Intervention -- The Sun Chariot, Copenhagen, 1969-1983 -- Viggo Andersen's Vigelandsinstallasjon -- The History of a Forgotten Anti-monument -- SECTION 7: The Avant-Garde between Market and Counterculture -- Gunnar Aagaard Andersen -- Commercial Design and Experimental Art -- Angli Avant-Gardism -- Paul Gadegaard's Art Project in Herning, Denmark -- Vagn is Also a Bit of a Soft Drink -- Vagn Steen's Advertisements for Himself and Concrete Poetry, 1964-1969 -- The Artist on Holiday, or "L'art pour l'or", or Some Conceptual Investments of Carl Fredrik Reuterswärd -- From Avant-Garde to Pop Culture to Alternative Scenes -- The Case of Two Swedish Bands. | |
| 505 | 8 | |a Everyday High and Low -- Finnish Avant-Garde Poetry of the 1960s in a Rapidly Changing Society -- The Rose Campaign -- John Davidsen's Appropriation of Commercial Formats -- PUSS 1968-1973 -- Counterculture -- "A Furious Girl from Rome" -- Róska and the Mythography of Avant-Garde Bohemianism -- "From Everyone to Everyone" -- The Countercultural Little Magazine Dikt & -- datt -- The Alternative Eurovision Song Contest in Sweden, 1975 -- Index. | |
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Datensatz im Suchindex
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| adam_text | |
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| author2 | Ørum, Tania Olsson, Jesper |
| author2_role | edt edt |
| author2_variant | t ø tø j o jo |
| author_GND | http://id.loc.gov/authorities/names/n78046217 http://id.loc.gov/authorities/names/no2006036139 |
| author_facet | Ørum, Tania Olsson, Jesper |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | D - World History |
| callnumber-label | DL87 |
| callnumber-raw | DL87 .C85 2016 |
| callnumber-search | DL87 .C85 2016 |
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| callnumber-subject | DL - Northern Europe, Scandinavia |
| collection | ZDB-4-EBA |
| contents | Intro -- A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 -- Copyright -- Contents -- Introduction -- The Post-War Avant-Garde in the Nordic Countries -- SECTION 1: Paradigmatic Images of Scandinavia -- Politics and Play -- The Impure Arts of Öyvind Fahlström -- The Female Christ at the Stock Exchange -- Biological Avant-Garde -- Inger Christensen's det -- Images of Women -- The Kitchen -- An Offspring of Steina and Woody Vasulka -- SECTION 2: Cultural Politics and Institutions -- The Social Avant-Garde -- The 'Democratisation' of Literature in the Early 1960s in Sweden -- Culture Wars in Denmark -- The Moderna Museet in Stockholm -- The Institution and the Avant-Garde -- The Fylkingen Concert Society, 1950-1975 -- Self-Organisation in the Avant-Garde of the 1960s -- Åke Hodell's Kerberos -- A Case Study -- Morten Krohg and Art's Oppositional Role -- EMS -- The Electronic Music Studio in Stockholm -- Subpublications from a Basement in Snaregade 6, Copenhagen -- Arena Sub-Pub (1969-1970) -- Dossier/Little Magazines -- An Open Field of Play and Experimentation -- The Little Magazine Birtingur -- Tvångs-Blandaren -- Stuff in a Box -- Rondo and Gorilla -- Magazine and Calendar -- Against Restrictions and Exclusions -- For Expansion and Inclusions -- The Little Magazine ta' (1967-68) -- A Time Capsule from the Sixties -- The Little Magazine ta' BOX (1969-1970) -- In the Service of the Revolution -- The Little Magazine MAK (1969-1970) -- Profil 1966-69 -- Triumph and Crisis of the Collective -- SECTION 3: New Cultural Geographies -- Christian Dotremont's Logogrammes and Logoneiges -- European Avant-Garde Inspired by Lapland -- Exile, Correspondence, Rebellion -- Tracing the Interactive Relationship between Iceland and Dieter Roth -- Galerie Køpcke -- An Artist-Run Gallery in Copenhagen 1958-1962 -- Action Music! -- Nam June Paik in Scandinavia, 1961. Clothing Irons and Whisky Bottles -- Creating an Icelandic Musical Avant-Garde -- Erró, or the Porousness of Borders -- The Situationist Offensive in Scandinavia -- SÚM -- The Flux in Iceland -- Fluxus, Eric Andersen and the Communist East -- Making Choices -- Debatable Translations and Publication Policies of Finnish Cultural Magazines -- SECTION 4: New Technologies and New Media -- Chance and Play, or Marvellous Machines -- A Forgotten Swedish Film Avant-Garde -- Radiophonic Poetry and a Blind Movie -- Öyvind Fahlström's Sound Art -- The Medium is the Message -- Danish Radio Experiments of the 1960s -- What's Wrong with Billy Spafon? -- Comics and the Avant-Garde -- Concrete Poetry as Sign of Technological Changes in Society -- Collaborators in Art and Technology -- The Case of Billy Klüver -- The Case[y] of Husberg -- Computers and Art in the 1960s -- Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds -- Erkki Kurenniemi on Music and Technology -- University of Helsinki Electronic Music Studio -- Founding and Early Development -- The New Monument -- Experimental TV and Remediation -- ABCinema and Super 8 Technology -- Visions Seen through Felt Boots -- "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland -- Artists' Books in the 1960s -- Telephone Art -- Fylkingen's Text-Sound Festivals 1968-1974 -- The Detested Interval Music -- On Per Nørgård's Calendar Music as Interval Signal on TV -- SECTION 5: Performative Strategies -- "Hätila ragulpr på fåtskliaben" -- Conceiving of Concrete Poetry -- Concrete Poetry as a Score for Performance -- Bengt Emil Johnson's Gubbdrunkning -- The Festum Fluxorum in Copenhagen 23-28 November 1962 -- To Play To-Day -- Experiment, Scam and Children's Games -- The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964. Pistolteatern -- Avant-Garde Performance and Political Theatre -- Yvonne Rainer and Robert Morris -- An Evening of Talking and Dancing, 1964 -- Odin Teatret -- Between Tradition and the Avant-Garde -- Leiksmiðjan -- Collaborating on a New Theatre -- Asger Jorn's Work in the Archive of the Revolution in Havana -- Showtime! -- Notes on the Performance Practice of Per Højholt -- Performing Feminism -- Kirsten Justesen -- A Borderline Case -- Facial Politics in Kjartan Slettemark's The Passport -- SECTION 6: Interventions into Everyday Life -- Raping the Whole World in a Warm Embrace of Fascination -- Drakabygget's Anti-Authoritarian Artistic Endeavours -- 1966 -- Thinking the City -- True Rulers of Their Own Realm -- Political Subjectivisation in Modellen -- En modell för ett kvalitativt samhälle -- Jarl Hammarberg's Concrete Poetry and Collective Books -- Linguistic Leakage in the Landscape -- Early Land Art in Norway -- Kanonklubben -- The Oslo Trip and The Garden -- The Avant-Garde in Public Space -- Two Danish Examples -- And and and -- A Device of One's Own -- Reproductive Parataxis in Rex, Thorup and Åkesson -- Christiania -- Utopia Realised? -- A Sensuous Dramaturgy of Intervention -- The Sun Chariot, Copenhagen, 1969-1983 -- Viggo Andersen's Vigelandsinstallasjon -- The History of a Forgotten Anti-monument -- SECTION 7: The Avant-Garde between Market and Counterculture -- Gunnar Aagaard Andersen -- Commercial Design and Experimental Art -- Angli Avant-Gardism -- Paul Gadegaard's Art Project in Herning, Denmark -- Vagn is Also a Bit of a Soft Drink -- Vagn Steen's Advertisements for Himself and Concrete Poetry, 1964-1969 -- The Artist on Holiday, or "L'art pour l'or", or Some Conceptual Investments of Carl Fredrik Reuterswärd -- From Avant-Garde to Pop Culture to Alternative Scenes -- The Case of Two Swedish Bands. Everyday High and Low -- Finnish Avant-Garde Poetry of the 1960s in a Rapidly Changing Society -- The Rose Campaign -- John Davidsen's Appropriation of Commercial Formats -- PUSS 1968-1973 -- Counterculture -- "A Furious Girl from Rome" -- Róska and the Mythography of Avant-Garde Bohemianism -- "From Everyone to Everyone" -- The Countercultural Little Magazine Dikt & -- datt -- The Alternative Eurovision Song Contest in Sweden, 1975 -- Index. |
| ctrlnum | (OCoLC)944246656 |
| dewey-full | 700/.411094809045 |
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| dewey-ones | 700 - The arts |
| dewey-raw | 700/.411094809045 |
| dewey-search | 700/.411094809045 |
| dewey-sort | 3700 12411094809045 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Since 1900 fast |
| era_facet | Since 1900 |
| format | Electronic eBook |
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The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture"--Provided by publisher.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro -- A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 -- Copyright -- Contents -- Introduction -- The Post-War Avant-Garde in the Nordic Countries -- SECTION 1: Paradigmatic Images of Scandinavia -- Politics and Play -- The Impure Arts of Öyvind Fahlström -- The Female Christ at the Stock Exchange -- Biological Avant-Garde -- Inger Christensen's det -- Images of Women -- The Kitchen -- An Offspring of Steina and Woody Vasulka -- SECTION 2: Cultural Politics and Institutions -- The Social Avant-Garde -- The 'Democratisation' of Literature in the Early 1960s in Sweden -- Culture Wars in Denmark -- The Moderna Museet in Stockholm -- The Institution and the Avant-Garde -- The Fylkingen Concert Society, 1950-1975 -- Self-Organisation in the Avant-Garde of the 1960s -- Åke Hodell's Kerberos -- A Case Study -- Morten Krohg and Art's Oppositional Role -- EMS -- The Electronic Music Studio in Stockholm -- Subpublications from a Basement in Snaregade 6, Copenhagen -- Arena Sub-Pub (1969-1970) -- Dossier/Little Magazines -- An Open Field of Play and Experimentation -- The Little Magazine Birtingur -- Tvångs-Blandaren -- Stuff in a Box -- Rondo and Gorilla -- Magazine and Calendar -- Against Restrictions and Exclusions -- For Expansion and Inclusions -- The Little Magazine ta' (1967-68) -- A Time Capsule from the Sixties -- The Little Magazine ta' BOX (1969-1970) -- In the Service of the Revolution -- The Little Magazine MAK (1969-1970) -- Profil 1966-69 -- Triumph and Crisis of the Collective -- SECTION 3: New Cultural Geographies -- Christian Dotremont's Logogrammes and Logoneiges -- European Avant-Garde Inspired by Lapland -- Exile, Correspondence, Rebellion -- Tracing the Interactive Relationship between Iceland and Dieter Roth -- Galerie Køpcke -- An Artist-Run Gallery in Copenhagen 1958-1962 -- Action Music! -- Nam June Paik in Scandinavia, 1961.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Clothing Irons and Whisky Bottles -- Creating an Icelandic Musical Avant-Garde -- Erró, or the Porousness of Borders -- The Situationist Offensive in Scandinavia -- SÚM -- The Flux in Iceland -- Fluxus, Eric Andersen and the Communist East -- Making Choices -- Debatable Translations and Publication Policies of Finnish Cultural Magazines -- SECTION 4: New Technologies and New Media -- Chance and Play, or Marvellous Machines -- A Forgotten Swedish Film Avant-Garde -- Radiophonic Poetry and a Blind Movie -- Öyvind Fahlström's Sound Art -- The Medium is the Message -- Danish Radio Experiments of the 1960s -- What's Wrong with Billy Spafon? -- Comics and the Avant-Garde -- Concrete Poetry as Sign of Technological Changes in Society -- Collaborators in Art and Technology -- The Case of Billy Klüver -- The Case[y] of Husberg -- Computers and Art in the 1960s -- Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds -- Erkki Kurenniemi on Music and Technology -- University of Helsinki Electronic Music Studio -- Founding and Early Development -- The New Monument -- Experimental TV and Remediation -- ABCinema and Super 8 Technology -- Visions Seen through Felt Boots -- "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland -- Artists' Books in the 1960s -- Telephone Art -- Fylkingen's Text-Sound Festivals 1968-1974 -- The Detested Interval Music -- On Per Nørgård's Calendar Music as Interval Signal on TV -- SECTION 5: Performative Strategies -- "Hätila ragulpr på fåtskliaben" -- Conceiving of Concrete Poetry -- Concrete Poetry as a Score for Performance -- Bengt Emil Johnson's Gubbdrunkning -- The Festum Fluxorum in Copenhagen 23-28 November 1962 -- To Play To-Day -- Experiment, Scam and Children's Games -- The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Pistolteatern -- Avant-Garde Performance and Political Theatre -- Yvonne Rainer and Robert Morris -- An Evening of Talking and Dancing, 1964 -- Odin Teatret -- Between Tradition and the Avant-Garde -- Leiksmiðjan -- Collaborating on a New Theatre -- Asger Jorn's Work in the Archive of the Revolution in Havana -- Showtime! -- Notes on the Performance Practice of Per Højholt -- Performing Feminism -- Kirsten Justesen -- A Borderline Case -- Facial Politics in Kjartan Slettemark's The Passport -- SECTION 6: Interventions into Everyday Life -- Raping the Whole World in a Warm Embrace of Fascination -- Drakabygget's Anti-Authoritarian Artistic Endeavours -- 1966 -- Thinking the City -- True Rulers of Their Own Realm -- Political Subjectivisation in Modellen -- En modell för ett kvalitativt samhälle -- Jarl Hammarberg's Concrete Poetry and Collective Books -- Linguistic Leakage in the Landscape -- Early Land Art in Norway -- Kanonklubben -- The Oslo Trip and The Garden -- The Avant-Garde in Public Space -- Two Danish Examples -- And and and -- A Device of One's Own -- Reproductive Parataxis in Rex, Thorup and Åkesson -- Christiania -- Utopia Realised? -- A Sensuous Dramaturgy of Intervention -- The Sun Chariot, Copenhagen, 1969-1983 -- Viggo Andersen's Vigelandsinstallasjon -- The History of a Forgotten Anti-monument -- SECTION 7: The Avant-Garde between Market and Counterculture -- Gunnar Aagaard Andersen -- Commercial Design and Experimental Art -- Angli Avant-Gardism -- Paul Gadegaard's Art Project in Herning, Denmark -- Vagn is Also a Bit of a Soft Drink -- Vagn Steen's Advertisements for Himself and Concrete Poetry, 1964-1969 -- The Artist on Holiday, or "L'art pour l'or", or Some Conceptual Investments of Carl Fredrik Reuterswärd -- From Avant-Garde to Pop Culture to Alternative Scenes -- The Case of Two Swedish Bands.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Everyday High and Low -- Finnish Avant-Garde Poetry of the 1960s in a Rapidly Changing Society -- The Rose Campaign -- John Davidsen's Appropriation of Commercial Formats -- PUSS 1968-1973 -- Counterculture -- "A Furious Girl from Rome" -- Róska and the Mythography of Avant-Garde Bohemianism -- "From Everyone to Everyone" -- The Countercultural Little Magazine Dikt &amp -- datt -- The Alternative Eurovision Song Contest in Sweden, 1975 -- 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| genre | History fast |
| genre_facet | History |
| geographic | Scandinavia Intellectual life 20th century. Scandinavia Politics and government 1945- http://id.loc.gov/authorities/subjects/sh85117953 Scandinavia Social conditions 20th century. Scandinavie Politique et gouvernement 1945- Scandinavie Vie intellectuelle 20e siècle. Scandinavie Conditions sociales 20e siècle. Scandinavia fast |
| geographic_facet | Scandinavia Intellectual life 20th century. Scandinavia Politics and government 1945- Scandinavia Social conditions 20th century. Scandinavie Politique et gouvernement 1945- Scandinavie Vie intellectuelle 20e siècle. Scandinavie Conditions sociales 20e siècle. Scandinavia |
| id | ZDB-4-EBA-ocn944246656 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:23:04Z |
| institution | BVB |
| isbn | 9789004310506 9004310509 |
| issn | 1387-3008 ; |
| language | English |
| lccn | 2016011592 |
| oclc_num | 944246656 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (xxii, 857 pages) : illustrations (some color). |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Brill Rodopi, |
| record_format | marc |
| series | Avant garde critical studies ; |
| series2 | Avant-garde critical studies, |
| spelling | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / edited by Tania Ørum, Jesper Olsson ; editorial panel, Birgitte Anderberg, Andreas Engström, Benedikt Hjartarson, Audun Lindholm, Henrik Kaare Nielsen, Harri Veivo. Leiden ; Boston : Brill Rodopi, [2016] ©2016 1 online resource (xxii, 857 pages) : illustrations (some color). text txt rdacontent still image sti rdacontent computer n rdamedia online resource nc rdacarrier Avant-garde critical studies, 1387-3008 ; volume 32 Includes bibliographical references and index. "A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture"--Provided by publisher. Print version record. Intro -- A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 -- Copyright -- Contents -- Introduction -- The Post-War Avant-Garde in the Nordic Countries -- SECTION 1: Paradigmatic Images of Scandinavia -- Politics and Play -- The Impure Arts of Öyvind Fahlström -- The Female Christ at the Stock Exchange -- Biological Avant-Garde -- Inger Christensen's det -- Images of Women -- The Kitchen -- An Offspring of Steina and Woody Vasulka -- SECTION 2: Cultural Politics and Institutions -- The Social Avant-Garde -- The 'Democratisation' of Literature in the Early 1960s in Sweden -- Culture Wars in Denmark -- The Moderna Museet in Stockholm -- The Institution and the Avant-Garde -- The Fylkingen Concert Society, 1950-1975 -- Self-Organisation in the Avant-Garde of the 1960s -- Åke Hodell's Kerberos -- A Case Study -- Morten Krohg and Art's Oppositional Role -- EMS -- The Electronic Music Studio in Stockholm -- Subpublications from a Basement in Snaregade 6, Copenhagen -- Arena Sub-Pub (1969-1970) -- Dossier/Little Magazines -- An Open Field of Play and Experimentation -- The Little Magazine Birtingur -- Tvångs-Blandaren -- Stuff in a Box -- Rondo and Gorilla -- Magazine and Calendar -- Against Restrictions and Exclusions -- For Expansion and Inclusions -- The Little Magazine ta' (1967-68) -- A Time Capsule from the Sixties -- The Little Magazine ta' BOX (1969-1970) -- In the Service of the Revolution -- The Little Magazine MAK (1969-1970) -- Profil 1966-69 -- Triumph and Crisis of the Collective -- SECTION 3: New Cultural Geographies -- Christian Dotremont's Logogrammes and Logoneiges -- European Avant-Garde Inspired by Lapland -- Exile, Correspondence, Rebellion -- Tracing the Interactive Relationship between Iceland and Dieter Roth -- Galerie Køpcke -- An Artist-Run Gallery in Copenhagen 1958-1962 -- Action Music! -- Nam June Paik in Scandinavia, 1961. Clothing Irons and Whisky Bottles -- Creating an Icelandic Musical Avant-Garde -- Erró, or the Porousness of Borders -- The Situationist Offensive in Scandinavia -- SÚM -- The Flux in Iceland -- Fluxus, Eric Andersen and the Communist East -- Making Choices -- Debatable Translations and Publication Policies of Finnish Cultural Magazines -- SECTION 4: New Technologies and New Media -- Chance and Play, or Marvellous Machines -- A Forgotten Swedish Film Avant-Garde -- Radiophonic Poetry and a Blind Movie -- Öyvind Fahlström's Sound Art -- The Medium is the Message -- Danish Radio Experiments of the 1960s -- What's Wrong with Billy Spafon? -- Comics and the Avant-Garde -- Concrete Poetry as Sign of Technological Changes in Society -- Collaborators in Art and Technology -- The Case of Billy Klüver -- The Case[y] of Husberg -- Computers and Art in the 1960s -- Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds -- Erkki Kurenniemi on Music and Technology -- University of Helsinki Electronic Music Studio -- Founding and Early Development -- The New Monument -- Experimental TV and Remediation -- ABCinema and Super 8 Technology -- Visions Seen through Felt Boots -- "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland -- Artists' Books in the 1960s -- Telephone Art -- Fylkingen's Text-Sound Festivals 1968-1974 -- The Detested Interval Music -- On Per Nørgård's Calendar Music as Interval Signal on TV -- SECTION 5: Performative Strategies -- "Hätila ragulpr på fåtskliaben" -- Conceiving of Concrete Poetry -- Concrete Poetry as a Score for Performance -- Bengt Emil Johnson's Gubbdrunkning -- The Festum Fluxorum in Copenhagen 23-28 November 1962 -- To Play To-Day -- Experiment, Scam and Children's Games -- The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964. Pistolteatern -- Avant-Garde Performance and Political Theatre -- Yvonne Rainer and Robert Morris -- An Evening of Talking and Dancing, 1964 -- Odin Teatret -- Between Tradition and the Avant-Garde -- Leiksmiðjan -- Collaborating on a New Theatre -- Asger Jorn's Work in the Archive of the Revolution in Havana -- Showtime! -- Notes on the Performance Practice of Per Højholt -- Performing Feminism -- Kirsten Justesen -- A Borderline Case -- Facial Politics in Kjartan Slettemark's The Passport -- SECTION 6: Interventions into Everyday Life -- Raping the Whole World in a Warm Embrace of Fascination -- Drakabygget's Anti-Authoritarian Artistic Endeavours -- 1966 -- Thinking the City -- True Rulers of Their Own Realm -- Political Subjectivisation in Modellen -- En modell för ett kvalitativt samhälle -- Jarl Hammarberg's Concrete Poetry and Collective Books -- Linguistic Leakage in the Landscape -- Early Land Art in Norway -- Kanonklubben -- The Oslo Trip and The Garden -- The Avant-Garde in Public Space -- Two Danish Examples -- And and and -- A Device of One's Own -- Reproductive Parataxis in Rex, Thorup and Åkesson -- Christiania -- Utopia Realised? -- A Sensuous Dramaturgy of Intervention -- The Sun Chariot, Copenhagen, 1969-1983 -- Viggo Andersen's Vigelandsinstallasjon -- The History of a Forgotten Anti-monument -- SECTION 7: The Avant-Garde between Market and Counterculture -- Gunnar Aagaard Andersen -- Commercial Design and Experimental Art -- Angli Avant-Gardism -- Paul Gadegaard's Art Project in Herning, Denmark -- Vagn is Also a Bit of a Soft Drink -- Vagn Steen's Advertisements for Himself and Concrete Poetry, 1964-1969 -- The Artist on Holiday, or "L'art pour l'or", or Some Conceptual Investments of Carl Fredrik Reuterswärd -- From Avant-Garde to Pop Culture to Alternative Scenes -- The Case of Two Swedish Bands. Everyday High and Low -- Finnish Avant-Garde Poetry of the 1960s in a Rapidly Changing Society -- The Rose Campaign -- John Davidsen's Appropriation of Commercial Formats -- PUSS 1968-1973 -- Counterculture -- "A Furious Girl from Rome" -- Róska and the Mythography of Avant-Garde Bohemianism -- "From Everyone to Everyone" -- The Countercultural Little Magazine Dikt & -- datt -- The Alternative Eurovision Song Contest in Sweden, 1975 -- Index. Scandinavia Intellectual life 20th century. Avant-garde (Aesthetics) Scandinavia History 20th century. Arts, Scandinavian History 20th century. Politics and culture Scandinavia History 20th century. Arts and society Scandinavia History 20th century. World War, 1939-1945 Influence. http://id.loc.gov/authorities/subjects/sh85148426 Scandinavia Politics and government 1945- http://id.loc.gov/authorities/subjects/sh85117953 Scandinavia Social conditions 20th century. Arts scandinaves Histoire 20e siècle. Politique et culture Scandinavie Histoire 20e siècle. Arts et société Scandinavie Histoire 20e siècle. Guerre mondiale, 1939-1945 Influence. Scandinavie Politique et gouvernement 1945- Scandinavie Vie intellectuelle 20e siècle. Scandinavie Conditions sociales 20e siècle. ART Performance. bisacsh ART Reference. bisacsh Arts and society fast Arts, Scandinavian fast Avant-garde (Aesthetics) fast Influence (Literary, artistic, etc.) fast Intellectual life fast Politics and culture fast Politics and government fast Social conditions fast Scandinavia fast World War (1939-1945) fast Since 1900 fast History fast Ørum, Tania, editor. http://id.loc.gov/authorities/names/n78046217 Olsson, Jesper, editor. http://id.loc.gov/authorities/names/no2006036139 has work: A cultural history of the avant-garde in the Nordic countries 1950-1975 (Text) https://id.oclc.org/worldcat/entity/E39PCH9mJftjKpytHwR9BHJhVy https://id.oclc.org/worldcat/ontology/hasWork Print version: Cultural history of the avant-garde in the Nordic countries, 1950-1975. Leiden ; Boston : Brill/Rodopi, 2016 9789004310490 (DLC) 2016000260 Avant garde critical studies ; 32. http://id.loc.gov/authorities/names/no94041099 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1940653 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1940653 Volltext |
| spellingShingle | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / Avant garde critical studies ; Intro -- A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 -- Copyright -- Contents -- Introduction -- The Post-War Avant-Garde in the Nordic Countries -- SECTION 1: Paradigmatic Images of Scandinavia -- Politics and Play -- The Impure Arts of Öyvind Fahlström -- The Female Christ at the Stock Exchange -- Biological Avant-Garde -- Inger Christensen's det -- Images of Women -- The Kitchen -- An Offspring of Steina and Woody Vasulka -- SECTION 2: Cultural Politics and Institutions -- The Social Avant-Garde -- The 'Democratisation' of Literature in the Early 1960s in Sweden -- Culture Wars in Denmark -- The Moderna Museet in Stockholm -- The Institution and the Avant-Garde -- The Fylkingen Concert Society, 1950-1975 -- Self-Organisation in the Avant-Garde of the 1960s -- Åke Hodell's Kerberos -- A Case Study -- Morten Krohg and Art's Oppositional Role -- EMS -- The Electronic Music Studio in Stockholm -- Subpublications from a Basement in Snaregade 6, Copenhagen -- Arena Sub-Pub (1969-1970) -- Dossier/Little Magazines -- An Open Field of Play and Experimentation -- The Little Magazine Birtingur -- Tvångs-Blandaren -- Stuff in a Box -- Rondo and Gorilla -- Magazine and Calendar -- Against Restrictions and Exclusions -- For Expansion and Inclusions -- The Little Magazine ta' (1967-68) -- A Time Capsule from the Sixties -- The Little Magazine ta' BOX (1969-1970) -- In the Service of the Revolution -- The Little Magazine MAK (1969-1970) -- Profil 1966-69 -- Triumph and Crisis of the Collective -- SECTION 3: New Cultural Geographies -- Christian Dotremont's Logogrammes and Logoneiges -- European Avant-Garde Inspired by Lapland -- Exile, Correspondence, Rebellion -- Tracing the Interactive Relationship between Iceland and Dieter Roth -- Galerie Køpcke -- An Artist-Run Gallery in Copenhagen 1958-1962 -- Action Music! -- Nam June Paik in Scandinavia, 1961. Clothing Irons and Whisky Bottles -- Creating an Icelandic Musical Avant-Garde -- Erró, or the Porousness of Borders -- The Situationist Offensive in Scandinavia -- SÚM -- The Flux in Iceland -- Fluxus, Eric Andersen and the Communist East -- Making Choices -- Debatable Translations and Publication Policies of Finnish Cultural Magazines -- SECTION 4: New Technologies and New Media -- Chance and Play, or Marvellous Machines -- A Forgotten Swedish Film Avant-Garde -- Radiophonic Poetry and a Blind Movie -- Öyvind Fahlström's Sound Art -- The Medium is the Message -- Danish Radio Experiments of the 1960s -- What's Wrong with Billy Spafon? -- Comics and the Avant-Garde -- Concrete Poetry as Sign of Technological Changes in Society -- Collaborators in Art and Technology -- The Case of Billy Klüver -- The Case[y] of Husberg -- Computers and Art in the 1960s -- Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds -- Erkki Kurenniemi on Music and Technology -- University of Helsinki Electronic Music Studio -- Founding and Early Development -- The New Monument -- Experimental TV and Remediation -- ABCinema and Super 8 Technology -- Visions Seen through Felt Boots -- "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland -- Artists' Books in the 1960s -- Telephone Art -- Fylkingen's Text-Sound Festivals 1968-1974 -- The Detested Interval Music -- On Per Nørgård's Calendar Music as Interval Signal on TV -- SECTION 5: Performative Strategies -- "Hätila ragulpr på fåtskliaben" -- Conceiving of Concrete Poetry -- Concrete Poetry as a Score for Performance -- Bengt Emil Johnson's Gubbdrunkning -- The Festum Fluxorum in Copenhagen 23-28 November 1962 -- To Play To-Day -- Experiment, Scam and Children's Games -- The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964. Pistolteatern -- Avant-Garde Performance and Political Theatre -- Yvonne Rainer and Robert Morris -- An Evening of Talking and Dancing, 1964 -- Odin Teatret -- Between Tradition and the Avant-Garde -- Leiksmiðjan -- Collaborating on a New Theatre -- Asger Jorn's Work in the Archive of the Revolution in Havana -- Showtime! -- Notes on the Performance Practice of Per Højholt -- Performing Feminism -- Kirsten Justesen -- A Borderline Case -- Facial Politics in Kjartan Slettemark's The Passport -- SECTION 6: Interventions into Everyday Life -- Raping the Whole World in a Warm Embrace of Fascination -- Drakabygget's Anti-Authoritarian Artistic Endeavours -- 1966 -- Thinking the City -- True Rulers of Their Own Realm -- Political Subjectivisation in Modellen -- En modell för ett kvalitativt samhälle -- Jarl Hammarberg's Concrete Poetry and Collective Books -- Linguistic Leakage in the Landscape -- Early Land Art in Norway -- Kanonklubben -- The Oslo Trip and The Garden -- The Avant-Garde in Public Space -- Two Danish Examples -- And and and -- A Device of One's Own -- Reproductive Parataxis in Rex, Thorup and Åkesson -- Christiania -- Utopia Realised? -- A Sensuous Dramaturgy of Intervention -- The Sun Chariot, Copenhagen, 1969-1983 -- Viggo Andersen's Vigelandsinstallasjon -- The History of a Forgotten Anti-monument -- SECTION 7: The Avant-Garde between Market and Counterculture -- Gunnar Aagaard Andersen -- Commercial Design and Experimental Art -- Angli Avant-Gardism -- Paul Gadegaard's Art Project in Herning, Denmark -- Vagn is Also a Bit of a Soft Drink -- Vagn Steen's Advertisements for Himself and Concrete Poetry, 1964-1969 -- The Artist on Holiday, or "L'art pour l'or", or Some Conceptual Investments of Carl Fredrik Reuterswärd -- From Avant-Garde to Pop Culture to Alternative Scenes -- The Case of Two Swedish Bands. Everyday High and Low -- Finnish Avant-Garde Poetry of the 1960s in a Rapidly Changing Society -- The Rose Campaign -- John Davidsen's Appropriation of Commercial Formats -- PUSS 1968-1973 -- Counterculture -- "A Furious Girl from Rome" -- Róska and the Mythography of Avant-Garde Bohemianism -- "From Everyone to Everyone" -- The Countercultural Little Magazine Dikt & -- datt -- The Alternative Eurovision Song Contest in Sweden, 1975 -- Index. Avant-garde (Aesthetics) Scandinavia History 20th century. Arts, Scandinavian History 20th century. Politics and culture Scandinavia History 20th century. Arts and society Scandinavia History 20th century. World War, 1939-1945 Influence. http://id.loc.gov/authorities/subjects/sh85148426 Arts scandinaves Histoire 20e siècle. Politique et culture Scandinavie Histoire 20e siècle. Arts et société Scandinavie Histoire 20e siècle. Guerre mondiale, 1939-1945 Influence. ART Performance. bisacsh ART Reference. bisacsh Arts and society fast Arts, Scandinavian fast Avant-garde (Aesthetics) fast Influence (Literary, artistic, etc.) fast Intellectual life fast Politics and culture fast Politics and government fast Social conditions fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85148426 http://id.loc.gov/authorities/subjects/sh85117953 |
| title | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / |
| title_auth | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / |
| title_exact_search | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / |
| title_full | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / edited by Tania Ørum, Jesper Olsson ; editorial panel, Birgitte Anderberg, Andreas Engström, Benedikt Hjartarson, Audun Lindholm, Henrik Kaare Nielsen, Harri Veivo. |
| title_fullStr | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / edited by Tania Ørum, Jesper Olsson ; editorial panel, Birgitte Anderberg, Andreas Engström, Benedikt Hjartarson, Audun Lindholm, Henrik Kaare Nielsen, Harri Veivo. |
| title_full_unstemmed | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / edited by Tania Ørum, Jesper Olsson ; editorial panel, Birgitte Anderberg, Andreas Engström, Benedikt Hjartarson, Audun Lindholm, Henrik Kaare Nielsen, Harri Veivo. |
| title_short | A cultural history of the avant-garde in the Nordic countries, 1950-1975 / |
| title_sort | cultural history of the avant garde in the nordic countries 1950 1975 |
| topic | Avant-garde (Aesthetics) Scandinavia History 20th century. Arts, Scandinavian History 20th century. Politics and culture Scandinavia History 20th century. Arts and society Scandinavia History 20th century. World War, 1939-1945 Influence. http://id.loc.gov/authorities/subjects/sh85148426 Arts scandinaves Histoire 20e siècle. Politique et culture Scandinavie Histoire 20e siècle. Arts et société Scandinavie Histoire 20e siècle. Guerre mondiale, 1939-1945 Influence. ART Performance. bisacsh ART Reference. bisacsh Arts and society fast Arts, Scandinavian fast Avant-garde (Aesthetics) fast Influence (Literary, artistic, etc.) fast Intellectual life fast Politics and culture fast Politics and government fast Social conditions fast |
| topic_facet | Scandinavia Intellectual life 20th century. Avant-garde (Aesthetics) Scandinavia History 20th century. Arts, Scandinavian History 20th century. Politics and culture Scandinavia History 20th century. Arts and society Scandinavia History 20th century. World War, 1939-1945 Influence. Scandinavia Politics and government 1945- Scandinavia Social conditions 20th century. Arts scandinaves Histoire 20e siècle. Politique et culture Scandinavie Histoire 20e siècle. Arts et société Scandinavie Histoire 20e siècle. Guerre mondiale, 1939-1945 Influence. Scandinavie Politique et gouvernement 1945- Scandinavie Vie intellectuelle 20e siècle. Scandinavie Conditions sociales 20e siècle. ART Performance. ART Reference. Arts and society Arts, Scandinavian Avant-garde (Aesthetics) Influence (Literary, artistic, etc.) Intellectual life Politics and culture Politics and government Social conditions Scandinavia History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1940653 |
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