Forbidden city /:
From "Mount Fuji" A draughtsman's draughtsman, Hokusai at 70 thought he'd begun to grasp the structures of birds and beasts, insects and fish, of the way plants grow, hoped that by 90 he'd have penetrated to their essential nature. And more, by 100, I will have reached the s...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Chicago ; London :
The University of Chicago Press,
2016.
|
Schriftenreihe: | Phoenix poets.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | From "Mount Fuji" A draughtsman's draughtsman, Hokusai at 70 thought he'd begun to grasp the structures of birds and beasts, insects and fish, of the way plants grow, hoped that by 90 he'd have penetrated to their essential nature. And more, by 100, I will have reached the stage where every dot, every mark I make will be alive. You always loved that resolve, you'd repeat joyfully--Hokusai's utterance of faith in work's possibilities, its reward, that, at 130, he'd perhaps have learned to draw. Gail Mazur's poems in Forbidden City build an engaging meditative structure upon the elements of mortality and art, eloquently contemplating the relationship of art and life--and the dynamic possibilities of each in combination. At the collection's heart is the poet's long marriage to the artist Michael Mazur (1935-2009). A fascinating range of tone infuses the book--grieving, but clear-eyed rather than lugubrious, sometimes whimsical, even comical, and often exuberant. The note of pleasure, as in an old tradition enriched by transience, runs through the work, even in the final poem, "Grief," where "our ravenous hold on the world" is a powerful central element |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9780226349732 022634973X |
Internformat
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505 | 0 | |a Forbidden city -- Mount Fuji -- Late at night -- My studio -- Believe that even in my deliberateness I was not deliberate -- Sintra -- Inventory -- At dusk, in the yard -- We swam to an island of bees -- Ou sont les neiges d'antan -- Philip Guston -- On Jane Cooper's "The Green Notebook" -- Shade -- Instance of me -- Doorknobs -- Things -- Geneaology -- Art history -- The 70s -- Age -- Living treasure -- Unveiling -- Family crucible -- Perennial -- Night -- Minnesota -- Ur-dream -- Elephant memory -- To the Charles River -- Amarin -- July Saturday night -- The self in search of the sublime -- The bay -- Morning letter -- Grief. | |
520 | |a From "Mount Fuji" A draughtsman's draughtsman, Hokusai at 70 thought he'd begun to grasp the structures of birds and beasts, insects and fish, of the way plants grow, hoped that by 90 he'd have penetrated to their essential nature. And more, by 100, I will have reached the stage where every dot, every mark I make will be alive. You always loved that resolve, you'd repeat joyfully--Hokusai's utterance of faith in work's possibilities, its reward, that, at 130, he'd perhaps have learned to draw. Gail Mazur's poems in Forbidden City build an engaging meditative structure upon the elements of mortality and art, eloquently contemplating the relationship of art and life--and the dynamic possibilities of each in combination. At the collection's heart is the poet's long marriage to the artist Michael Mazur (1935-2009). A fascinating range of tone infuses the book--grieving, but clear-eyed rather than lugubrious, sometimes whimsical, even comical, and often exuberant. The note of pleasure, as in an old tradition enriched by transience, runs through the work, even in the final poem, "Grief," where "our ravenous hold on the world" is a powerful central element | ||
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adam_text | |
any_adam_object | |
author | Mazur, Gail |
author_facet | Mazur, Gail |
author_role | aut |
author_sort | Mazur, Gail |
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callnumber-first | P - Language and Literature |
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callnumber-search | PS3563.A987 F67 2016eb |
callnumber-sort | PS 43563 A987 F67 42016EB |
callnumber-subject | PS - American Literature |
collection | ZDB-4-EBA |
contents | Forbidden city -- Mount Fuji -- Late at night -- My studio -- Believe that even in my deliberateness I was not deliberate -- Sintra -- Inventory -- At dusk, in the yard -- We swam to an island of bees -- Ou sont les neiges d'antan -- Philip Guston -- On Jane Cooper's "The Green Notebook" -- Shade -- Instance of me -- Doorknobs -- Things -- Geneaology -- Art history -- The 70s -- Age -- Living treasure -- Unveiling -- Family crucible -- Perennial -- Night -- Minnesota -- Ur-dream -- Elephant memory -- To the Charles River -- Amarin -- July Saturday night -- The self in search of the sublime -- The bay -- Morning letter -- Grief. |
ctrlnum | (OCoLC)941780605 |
dewey-full | 811/.54 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 811 - American poetry in English |
dewey-raw | 811/.54 |
dewey-search | 811/.54 |
dewey-sort | 3811 254 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | 2000-2099 fast |
era_facet | 2000-2099 |
format | Electronic eBook |
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id | ZDB-4-EBA-ocn941780605 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:27:04Z |
institution | BVB |
isbn | 9780226349732 022634973X |
language | English |
oclc_num | 941780605 |
open_access_boolean | |
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physical | 1 online resource |
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publishDate | 2016 |
publishDateSearch | 2016 |
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publisher | The University of Chicago Press, |
record_format | marc |
series | Phoenix poets. |
series2 | Phoenix poets |
spelling | Mazur, Gail, author. Forbidden city / Gail Mazur. Chicago ; London : The University of Chicago Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Phoenix poets Includes bibliographical references. Print version record. Forbidden city -- Mount Fuji -- Late at night -- My studio -- Believe that even in my deliberateness I was not deliberate -- Sintra -- Inventory -- At dusk, in the yard -- We swam to an island of bees -- Ou sont les neiges d'antan -- Philip Guston -- On Jane Cooper's "The Green Notebook" -- Shade -- Instance of me -- Doorknobs -- Things -- Geneaology -- Art history -- The 70s -- Age -- Living treasure -- Unveiling -- Family crucible -- Perennial -- Night -- Minnesota -- Ur-dream -- Elephant memory -- To the Charles River -- Amarin -- July Saturday night -- The self in search of the sublime -- The bay -- Morning letter -- Grief. From "Mount Fuji" A draughtsman's draughtsman, Hokusai at 70 thought he'd begun to grasp the structures of birds and beasts, insects and fish, of the way plants grow, hoped that by 90 he'd have penetrated to their essential nature. And more, by 100, I will have reached the stage where every dot, every mark I make will be alive. You always loved that resolve, you'd repeat joyfully--Hokusai's utterance of faith in work's possibilities, its reward, that, at 130, he'd perhaps have learned to draw. Gail Mazur's poems in Forbidden City build an engaging meditative structure upon the elements of mortality and art, eloquently contemplating the relationship of art and life--and the dynamic possibilities of each in combination. At the collection's heart is the poet's long marriage to the artist Michael Mazur (1935-2009). A fascinating range of tone infuses the book--grieving, but clear-eyed rather than lugubrious, sometimes whimsical, even comical, and often exuberant. The note of pleasure, as in an old tradition enriched by transience, runs through the work, even in the final poem, "Grief," where "our ravenous hold on the world" is a powerful central element American poetry 21st century. http://id.loc.gov/authorities/subjects/sh2007100768 FICTION General. bisacsh American poetry fast 2000-2099 fast poetry, literature, fiction, creative writing, contemporary, art, mortality, marriage, relationships, china, memory, love, desolation, grief, pain, suffering, letting go, nature, imagination, potential, creativity, elegy, loss, death, sorrow, fear, heroism, courage, strength, moving forward, longing, lament, yearning, desire, asia, travel. has work: Forbidden city (Text) https://id.oclc.org/worldcat/entity/E39PCFChvdTY3p3gr93cBpqPHy https://id.oclc.org/worldcat/ontology/hasWork Print version: Mazur, Gail. Forbidden city 9780226349565 (DLC) 2015026529 (OCoLC)913647365 Phoenix poets. http://id.loc.gov/authorities/names/n42034948 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1180820 Volltext |
spellingShingle | Mazur, Gail Forbidden city / Phoenix poets. Forbidden city -- Mount Fuji -- Late at night -- My studio -- Believe that even in my deliberateness I was not deliberate -- Sintra -- Inventory -- At dusk, in the yard -- We swam to an island of bees -- Ou sont les neiges d'antan -- Philip Guston -- On Jane Cooper's "The Green Notebook" -- Shade -- Instance of me -- Doorknobs -- Things -- Geneaology -- Art history -- The 70s -- Age -- Living treasure -- Unveiling -- Family crucible -- Perennial -- Night -- Minnesota -- Ur-dream -- Elephant memory -- To the Charles River -- Amarin -- July Saturday night -- The self in search of the sublime -- The bay -- Morning letter -- Grief. American poetry 21st century. http://id.loc.gov/authorities/subjects/sh2007100768 FICTION General. bisacsh American poetry fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2007100768 |
title | Forbidden city / |
title_auth | Forbidden city / |
title_exact_search | Forbidden city / |
title_full | Forbidden city / Gail Mazur. |
title_fullStr | Forbidden city / Gail Mazur. |
title_full_unstemmed | Forbidden city / Gail Mazur. |
title_short | Forbidden city / |
title_sort | forbidden city |
topic | American poetry 21st century. http://id.loc.gov/authorities/subjects/sh2007100768 FICTION General. bisacsh American poetry fast |
topic_facet | American poetry 21st century. FICTION General. American poetry |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1180820 |
work_keys_str_mv | AT mazurgail forbiddencity |