Rock, counterculture and the avant-garde, 1966/1970 :: how the Beatles, Frank Zappa and the Velvet Underground defined an era /
"This book examines these artists' relationship to the historical avant-garde and neo-avant-garde, considering their work in light of debates about modernism versus postmodernism. The author analyzes how performers used dissonance and noise within music, the role of social commentary in so...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, North Carolina :
McFarland,
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "This book examines these artists' relationship to the historical avant-garde and neo-avant-garde, considering their work in light of debates about modernism versus postmodernism. The author analyzes how performers used dissonance and noise within music, the role of social commentary in songs, and how experiments with concert and studio performance proceeded in cultural and political unrest"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781476624037 1476624038 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn939597980 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 160218s2016 ncu ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d YDXCP |d IDEBK |d EBLCP |d CDX |d OCLCF |d TEFOD |d OCLCQ |d OCLCA |d UAB |d OCLCQ |d OCLCA |d INT |d OCLCQ |d YOU |d UKAHL |d S2H |d OCLCQ |d OCLCO |d OCLCQ |d QGK |d OCLCO |d OCLCL |d OCLCQ | ||
| 019 | |a 1116712315 | ||
| 020 | |a 9781476624037 |q (electronic bk.) | ||
| 020 | |a 1476624038 |q (electronic bk.) | ||
| 020 | |z 9781476662145 | ||
| 020 | |z 1476662142 | ||
| 035 | |a (OCoLC)939597980 |z (OCoLC)1116712315 | ||
| 037 | |a 29B8F19F-7F57-475F-8089-3A6195691457 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 050 | 4 | |a ML3470 |b .G72 2016eb | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 7 | |a 781.6609/046 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Greene, Doyle, |d 1962- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjxkpdpYrHfPrcJrW8PjVK |0 http://id.loc.gov/authorities/names/n2005028005 | |
| 245 | 1 | 0 | |a Rock, counterculture and the avant-garde, 1966/1970 : |b how the Beatles, Frank Zappa and the Velvet Underground defined an era / |c Doyle Greene. |
| 264 | 1 | |a Jefferson, North Carolina : |b McFarland, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "This book examines these artists' relationship to the historical avant-garde and neo-avant-garde, considering their work in light of debates about modernism versus postmodernism. The author analyzes how performers used dissonance and noise within music, the role of social commentary in songs, and how experiments with concert and studio performance proceeded in cultural and political unrest"-- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Acknowledgments; Table of Contents; Preface ; Introduction: Pop Goes the Avant-Garde; Part One: All You Need Is Studio Time (or, the Ballad of John and Yoko): The Beatles; 1. Rebranding the Beatles: Sgt. Pepper's Lonely Hearts Club Band (1967); 2. Music Television: Magical Mystery Tour (1967) ; 3. The Dialectic of Lennon/McCartney: The Beatles (a.k.a. The White Album) (1968); 4. One Bad Apple: John Lennon, Yoko Ono and the Avant-Garde Turn; 5. Breaking Up Is Hard to Do: Abbey Road (1969) and Let It Be (1970) | |
| 505 | 8 | |a Part Two: No Commercial Potential: Frank Zappa and the Mothers of Invention6. Zappa in Context: Pal Recording Studio and The Steve Allen Show (1963); 7. Motherly Summer of Love: Freak Out! (1966) ; 8. Nothing Succeeds Like Excess: Absolutely Free (1967) and "Rock Theater"; 9. The Conscience of a (Practical) Conservative: We're Only in It for the Money (1968); 10. Project/Object: Zappa, Mass Culture and Postmodernism; Part Three: All Tomorrow's Parties: The Velvet Underground | |
| 505 | 8 | |a 11. Andy Says: The Exploding Plastic Inevitable and The Velvet Underground and Nico (1967)12. The Black Album: White Light/White Heat (1968) ; 13. Playing It Safe: The Velvet Underground (1969) and Loaded (1970); Conclusion: The Avant-Garde Goes Pop; Discography ; Chapter Notes ; Bibliography ; Index | |
| 610 | 2 | 0 | |a Beatles. |
| 600 | 1 | 0 | |a Zappa, Frank |x Criticism and interpretation. |
| 610 | 2 | 0 | |a Velvet Underground (Musical group) |0 http://id.loc.gov/authorities/names/n85093496 |
| 600 | 1 | 7 | |a Zappa, Frank |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxCDW6QqxJQYqJfWRRVG3 |
| 610 | 2 | 7 | |a Beatles |2 fast |
| 610 | 2 | 7 | |a Velvet Underground (Musical group) |2 fast |
| 650 | 0 | |a Popular music |y 1961-1970 |x History and criticism. | |
| 650 | 0 | |a Avant-garde (Music) |0 http://id.loc.gov/authorities/subjects/sh90001254 | |
| 650 | 6 | |a Musique populaire |y 1961-1970 |x Histoire et critique. | |
| 650 | 6 | |a Musique expérimentale. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Avant-garde (Music) |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 648 | 7 | |a 1961-1970 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Rock, counterculture and the avant-garde, 1966/1970 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGdYJkqtJmcvdv6Q8qJBCP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Greene, Doyle, 1962- |t Rock, counterculture and the avant-garde, 1966/1970 |z 9781476662145 |w (DLC) 2016001174 |w (OCoLC)923853755 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1172088 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH32244762 | ||
| 938 | |a Coutts Information Services |b COUT |n 34013860 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4411500 | ||
| 938 | |a EBSCOhost |b EBSC |n 1172088 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis34013860 | ||
| 938 | |a YBP Library Services |b YANK |n 12853579 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn939597980 |
|---|---|
| _version_ | 1816882339939090432 |
| adam_text | |
| any_adam_object | |
| author | Greene, Doyle, 1962- |
| author_GND | http://id.loc.gov/authorities/names/n2005028005 |
| author_facet | Greene, Doyle, 1962- |
| author_role | aut |
| author_sort | Greene, Doyle, 1962- |
| author_variant | d g dg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3470 |
| callnumber-raw | ML3470 .G72 2016eb |
| callnumber-search | ML3470 .G72 2016eb |
| callnumber-sort | ML 43470 G72 42016EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover; Acknowledgments; Table of Contents; Preface ; Introduction: Pop Goes the Avant-Garde; Part One: All You Need Is Studio Time (or, the Ballad of John and Yoko): The Beatles; 1. Rebranding the Beatles: Sgt. Pepper's Lonely Hearts Club Band (1967); 2. Music Television: Magical Mystery Tour (1967) ; 3. The Dialectic of Lennon/McCartney: The Beatles (a.k.a. The White Album) (1968); 4. One Bad Apple: John Lennon, Yoko Ono and the Avant-Garde Turn; 5. Breaking Up Is Hard to Do: Abbey Road (1969) and Let It Be (1970) Part Two: No Commercial Potential: Frank Zappa and the Mothers of Invention6. Zappa in Context: Pal Recording Studio and The Steve Allen Show (1963); 7. Motherly Summer of Love: Freak Out! (1966) ; 8. Nothing Succeeds Like Excess: Absolutely Free (1967) and "Rock Theater"; 9. The Conscience of a (Practical) Conservative: We're Only in It for the Money (1968); 10. Project/Object: Zappa, Mass Culture and Postmodernism; Part Three: All Tomorrow's Parties: The Velvet Underground 11. Andy Says: The Exploding Plastic Inevitable and The Velvet Underground and Nico (1967)12. The Black Album: White Light/White Heat (1968) ; 13. Playing It Safe: The Velvet Underground (1969) and Loaded (1970); Conclusion: The Avant-Garde Goes Pop; Discography ; Chapter Notes ; Bibliography ; Index |
| ctrlnum | (OCoLC)939597980 |
| dewey-full | 781.6609/046 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6609/046 |
| dewey-search | 781.6609/046 |
| dewey-sort | 3781.6609 246 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1961-1970 fast |
| era_facet | 1961-1970 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05001cam a2200709 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn939597980</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">160218s2016 ncu ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">EBLCP</subfield><subfield code="d">CDX</subfield><subfield code="d">OCLCF</subfield><subfield code="d">TEFOD</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCA</subfield><subfield code="d">UAB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCA</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YOU</subfield><subfield code="d">UKAHL</subfield><subfield code="d">S2H</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">QGK</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1116712315</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781476624037</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1476624038</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781476662145</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1476662142</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)939597980</subfield><subfield code="z">(OCoLC)1116712315</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">29B8F19F-7F57-475F-8089-3A6195691457</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3470</subfield><subfield code="b">.G72 2016eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.6609/046</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Greene, Doyle,</subfield><subfield code="d">1962-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCjxkpdpYrHfPrcJrW8PjVK</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2005028005</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Rock, counterculture and the avant-garde, 1966/1970 :</subfield><subfield code="b">how the Beatles, Frank Zappa and the Velvet Underground defined an era /</subfield><subfield code="c">Doyle Greene.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jefferson, North Carolina :</subfield><subfield code="b">McFarland,</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"This book examines these artists' relationship to the historical avant-garde and neo-avant-garde, considering their work in light of debates about modernism versus postmodernism. The author analyzes how performers used dissonance and noise within music, the role of social commentary in songs, and how experiments with concert and studio performance proceeded in cultural and political unrest"--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Acknowledgments; Table of Contents; Preface ; Introduction: Pop Goes the Avant-Garde; Part One: All You Need Is Studio Time (or, the Ballad of John and Yoko): The Beatles; 1. Rebranding the Beatles: Sgt. Pepper's Lonely Hearts Club Band (1967); 2. Music Television: Magical Mystery Tour (1967) ; 3. The Dialectic of Lennon/McCartney: The Beatles (a.k.a. The White Album) (1968); 4. One Bad Apple: John Lennon, Yoko Ono and the Avant-Garde Turn; 5. Breaking Up Is Hard to Do: Abbey Road (1969) and Let It Be (1970)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part Two: No Commercial Potential: Frank Zappa and the Mothers of Invention6. Zappa in Context: Pal Recording Studio and The Steve Allen Show (1963); 7. Motherly Summer of Love: Freak Out! (1966) ; 8. Nothing Succeeds Like Excess: Absolutely Free (1967) and "Rock Theater"; 9. The Conscience of a (Practical) Conservative: We're Only in It for the Money (1968); 10. Project/Object: Zappa, Mass Culture and Postmodernism; Part Three: All Tomorrow's Parties: The Velvet Underground</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">11. Andy Says: The Exploding Plastic Inevitable and The Velvet Underground and Nico (1967)12. The Black Album: White Light/White Heat (1968) ; 13. Playing It Safe: The Velvet Underground (1969) and Loaded (1970); Conclusion: The Avant-Garde Goes Pop; Discography ; Chapter Notes ; Bibliography ; Index</subfield></datafield><datafield tag="610" ind1="2" ind2="0"><subfield code="a">Beatles.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Zappa, Frank</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="610" ind1="2" ind2="0"><subfield code="a">Velvet Underground (Musical group)</subfield><subfield code="0">http://id.loc.gov/authorities/names/n85093496</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Zappa, Frank</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJxCDW6QqxJQYqJfWRRVG3</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Beatles</subfield><subfield code="2">fast</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Velvet Underground (Musical group)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music</subfield><subfield code="y">1961-1970</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Avant-garde (Music)</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh90001254</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique populaire</subfield><subfield code="y">1961-1970</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique expérimentale.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Avant-garde (Music)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1961-1970</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Rock, counterculture and the avant-garde, 1966/1970 (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGdYJkqtJmcvdv6Q8qJBCP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Greene, Doyle, 1962-</subfield><subfield code="t">Rock, counterculture and the avant-garde, 1966/1970</subfield><subfield code="z">9781476662145</subfield><subfield code="w">(DLC) 2016001174</subfield><subfield code="w">(OCoLC)923853755</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1172088</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH32244762</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">34013860</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4411500</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1172088</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis34013860</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12853579</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn939597980 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:03Z |
| institution | BVB |
| isbn | 9781476624037 1476624038 |
| language | English |
| oclc_num | 939597980 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | McFarland, |
| record_format | marc |
| spelling | Greene, Doyle, 1962- author. https://id.oclc.org/worldcat/entity/E39PCjxkpdpYrHfPrcJrW8PjVK http://id.loc.gov/authorities/names/n2005028005 Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / Doyle Greene. Jefferson, North Carolina : McFarland, [2016] ©2016 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. "This book examines these artists' relationship to the historical avant-garde and neo-avant-garde, considering their work in light of debates about modernism versus postmodernism. The author analyzes how performers used dissonance and noise within music, the role of social commentary in songs, and how experiments with concert and studio performance proceeded in cultural and political unrest"-- Provided by publisher. Print version record. Cover; Acknowledgments; Table of Contents; Preface ; Introduction: Pop Goes the Avant-Garde; Part One: All You Need Is Studio Time (or, the Ballad of John and Yoko): The Beatles; 1. Rebranding the Beatles: Sgt. Pepper's Lonely Hearts Club Band (1967); 2. Music Television: Magical Mystery Tour (1967) ; 3. The Dialectic of Lennon/McCartney: The Beatles (a.k.a. The White Album) (1968); 4. One Bad Apple: John Lennon, Yoko Ono and the Avant-Garde Turn; 5. Breaking Up Is Hard to Do: Abbey Road (1969) and Let It Be (1970) Part Two: No Commercial Potential: Frank Zappa and the Mothers of Invention6. Zappa in Context: Pal Recording Studio and The Steve Allen Show (1963); 7. Motherly Summer of Love: Freak Out! (1966) ; 8. Nothing Succeeds Like Excess: Absolutely Free (1967) and "Rock Theater"; 9. The Conscience of a (Practical) Conservative: We're Only in It for the Money (1968); 10. Project/Object: Zappa, Mass Culture and Postmodernism; Part Three: All Tomorrow's Parties: The Velvet Underground 11. Andy Says: The Exploding Plastic Inevitable and The Velvet Underground and Nico (1967)12. The Black Album: White Light/White Heat (1968) ; 13. Playing It Safe: The Velvet Underground (1969) and Loaded (1970); Conclusion: The Avant-Garde Goes Pop; Discography ; Chapter Notes ; Bibliography ; Index Beatles. Zappa, Frank Criticism and interpretation. Velvet Underground (Musical group) http://id.loc.gov/authorities/names/n85093496 Zappa, Frank fast https://id.oclc.org/worldcat/entity/E39PBJxCDW6QqxJQYqJfWRRVG3 Beatles fast Velvet Underground (Musical group) fast Popular music 1961-1970 History and criticism. Avant-garde (Music) http://id.loc.gov/authorities/subjects/sh90001254 Musique populaire 1961-1970 Histoire et critique. Musique expérimentale. MUSIC Instruction & Study Theory. bisacsh Avant-garde (Music) fast Popular music fast 1961-1970 fast Criticism, interpretation, etc. fast has work: Rock, counterculture and the avant-garde, 1966/1970 (Text) https://id.oclc.org/worldcat/entity/E39PCGdYJkqtJmcvdv6Q8qJBCP https://id.oclc.org/worldcat/ontology/hasWork Print version: Greene, Doyle, 1962- Rock, counterculture and the avant-garde, 1966/1970 9781476662145 (DLC) 2016001174 (OCoLC)923853755 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1172088 Volltext |
| spellingShingle | Greene, Doyle, 1962- Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / Cover; Acknowledgments; Table of Contents; Preface ; Introduction: Pop Goes the Avant-Garde; Part One: All You Need Is Studio Time (or, the Ballad of John and Yoko): The Beatles; 1. Rebranding the Beatles: Sgt. Pepper's Lonely Hearts Club Band (1967); 2. Music Television: Magical Mystery Tour (1967) ; 3. The Dialectic of Lennon/McCartney: The Beatles (a.k.a. The White Album) (1968); 4. One Bad Apple: John Lennon, Yoko Ono and the Avant-Garde Turn; 5. Breaking Up Is Hard to Do: Abbey Road (1969) and Let It Be (1970) Part Two: No Commercial Potential: Frank Zappa and the Mothers of Invention6. Zappa in Context: Pal Recording Studio and The Steve Allen Show (1963); 7. Motherly Summer of Love: Freak Out! (1966) ; 8. Nothing Succeeds Like Excess: Absolutely Free (1967) and "Rock Theater"; 9. The Conscience of a (Practical) Conservative: We're Only in It for the Money (1968); 10. Project/Object: Zappa, Mass Culture and Postmodernism; Part Three: All Tomorrow's Parties: The Velvet Underground 11. Andy Says: The Exploding Plastic Inevitable and The Velvet Underground and Nico (1967)12. The Black Album: White Light/White Heat (1968) ; 13. Playing It Safe: The Velvet Underground (1969) and Loaded (1970); Conclusion: The Avant-Garde Goes Pop; Discography ; Chapter Notes ; Bibliography ; Index Beatles. Zappa, Frank Criticism and interpretation. Velvet Underground (Musical group) http://id.loc.gov/authorities/names/n85093496 Zappa, Frank fast https://id.oclc.org/worldcat/entity/E39PBJxCDW6QqxJQYqJfWRRVG3 Beatles fast Velvet Underground (Musical group) fast Popular music 1961-1970 History and criticism. Avant-garde (Music) http://id.loc.gov/authorities/subjects/sh90001254 Musique populaire 1961-1970 Histoire et critique. Musique expérimentale. MUSIC Instruction & Study Theory. bisacsh Avant-garde (Music) fast Popular music fast |
| subject_GND | http://id.loc.gov/authorities/names/n85093496 http://id.loc.gov/authorities/subjects/sh90001254 |
| title | Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / |
| title_auth | Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / |
| title_exact_search | Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / |
| title_full | Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / Doyle Greene. |
| title_fullStr | Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / Doyle Greene. |
| title_full_unstemmed | Rock, counterculture and the avant-garde, 1966/1970 : how the Beatles, Frank Zappa and the Velvet Underground defined an era / Doyle Greene. |
| title_short | Rock, counterculture and the avant-garde, 1966/1970 : |
| title_sort | rock counterculture and the avant garde 1966 1970 how the beatles frank zappa and the velvet underground defined an era |
| title_sub | how the Beatles, Frank Zappa and the Velvet Underground defined an era / |
| topic | Beatles. Zappa, Frank Criticism and interpretation. Velvet Underground (Musical group) http://id.loc.gov/authorities/names/n85093496 Zappa, Frank fast https://id.oclc.org/worldcat/entity/E39PBJxCDW6QqxJQYqJfWRRVG3 Beatles fast Velvet Underground (Musical group) fast Popular music 1961-1970 History and criticism. Avant-garde (Music) http://id.loc.gov/authorities/subjects/sh90001254 Musique populaire 1961-1970 Histoire et critique. Musique expérimentale. MUSIC Instruction & Study Theory. bisacsh Avant-garde (Music) fast Popular music fast |
| topic_facet | Beatles. Zappa, Frank Criticism and interpretation. Velvet Underground (Musical group) Zappa, Frank Beatles Popular music 1961-1970 History and criticism. Avant-garde (Music) Musique populaire 1961-1970 Histoire et critique. Musique expérimentale. MUSIC Instruction & Study Theory. Popular music Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1172088 |
| work_keys_str_mv | AT greenedoyle rockcountercultureandtheavantgarde19661970howthebeatlesfrankzappaandthevelvetundergrounddefinedanera |