Radiance and Symbolism in Modern Stained Glass :: European and American Innovations and Aesthetic Interrelations in Material Culture.
This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge Scholars Publishing,
2016.
©2016 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries--the modern era. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1443888591 9781443888592 |
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| 245 | 1 | 0 | |a Radiance and Symbolism in Modern Stained Glass : |b European and American Innovations and Aesthetic Interrelations in Material Culture. |
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries--the modern era. | |
| 505 | 0 | |a Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part One: American and European Religious Radiance and Symbolism in Stained Glass -- A Retrospective of Fine American Stained Glass -- A Fondness for Gothic Design -- Edward Burne-Jones' Virtues in Radiant Light and Glory -- Part Two: European Secular Radiance and Symbolism in Stained Glass -- Artistry and Craftsmanship -- Between Art and Literature -- After the Nabis -- Part Three: American Religious and Secular Radiance and Symbolism in Stained Glass -- Luca della Robbia Goes to Harvard -- Violet Oakley's Stained Glass Epiphany -- Leopoldo Flores' Cosmovitral -- Part Four: International Radiance and Symbolism in Stained Glass -- Symbolist Stimuli and International Influences on Some Early Twentieth-Century Italian Stained Glass by the Giovanni Beltrami Firm at the 1902 Turin Exhibition -- Turin 1902 -- Italian Stained Glass in the 1920s and 1930s -- Select Bibliography -- Contributors -- Index. | |
| 650 | 0 | |a Glass painting and staining |x History |y 19th century. | |
| 650 | 6 | |a Peinture sur verre |x Histoire |y 19e siècle. | |
| 650 | 7 | |a CRAFTS & HOBBIES |x Glass & Glassware. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |t Radiance and symbolism in modern stained glass : European and American innovations and aesthetic interrelations in material culture. |d Newcastle upon Tyne, England : Cambridge Scholars Publishing, ©2016 |h xviii, 379 pages |z 9781443885850 |
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| author | Cheney, Liana De Girolami |
| author_facet | Cheney, Liana De Girolami |
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| contents | Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part One: American and European Religious Radiance and Symbolism in Stained Glass -- A Retrospective of Fine American Stained Glass -- A Fondness for Gothic Design -- Edward Burne-Jones' Virtues in Radiant Light and Glory -- Part Two: European Secular Radiance and Symbolism in Stained Glass -- Artistry and Craftsmanship -- Between Art and Literature -- After the Nabis -- Part Three: American Religious and Secular Radiance and Symbolism in Stained Glass -- Luca della Robbia Goes to Harvard -- Violet Oakley's Stained Glass Epiphany -- Leopoldo Flores' Cosmovitral -- Part Four: International Radiance and Symbolism in Stained Glass -- Symbolist Stimuli and International Influences on Some Early Twentieth-Century Italian Stained Glass by the Giovanni Beltrami Firm at the 1902 Turin Exhibition -- Turin 1902 -- Italian Stained Glass in the 1920s and 1930s -- Select Bibliography -- Contributors -- Index. |
| ctrlnum | (OCoLC)938788230 |
| dewey-full | 748.5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 748 - Glass |
| dewey-raw | 748.5 |
| dewey-search | 748.5 |
| dewey-sort | 3748.5 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
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| spelling | Cheney, Liana De Girolami. Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. Cambridge Scholars Publishing, 2016. ©2016 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Includes bibliographical references and index. This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries--the modern era. Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part One: American and European Religious Radiance and Symbolism in Stained Glass -- A Retrospective of Fine American Stained Glass -- A Fondness for Gothic Design -- Edward Burne-Jones' Virtues in Radiant Light and Glory -- Part Two: European Secular Radiance and Symbolism in Stained Glass -- Artistry and Craftsmanship -- Between Art and Literature -- After the Nabis -- Part Three: American Religious and Secular Radiance and Symbolism in Stained Glass -- Luca della Robbia Goes to Harvard -- Violet Oakley's Stained Glass Epiphany -- Leopoldo Flores' Cosmovitral -- Part Four: International Radiance and Symbolism in Stained Glass -- Symbolist Stimuli and International Influences on Some Early Twentieth-Century Italian Stained Glass by the Giovanni Beltrami Firm at the 1902 Turin Exhibition -- Turin 1902 -- Italian Stained Glass in the 1920s and 1930s -- Select Bibliography -- Contributors -- Index. Glass painting and staining History 19th century. Peinture sur verre Histoire 19e siècle. CRAFTS & HOBBIES Glass & Glassware. bisacsh Glass painting and staining fast 1800-1899 fast History fast has work: Radiance and symbolism in modern stained glass (Text) https://id.oclc.org/worldcat/entity/E39PCGBBf8tywjQrkWpcXrH7pd https://id.oclc.org/worldcat/ontology/hasWork Print version: Radiance and symbolism in modern stained glass : European and American innovations and aesthetic interrelations in material culture. Newcastle upon Tyne, England : Cambridge Scholars Publishing, ©2016 xviii, 379 pages 9781443885850 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1168384 Volltext |
| spellingShingle | Cheney, Liana De Girolami Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part One: American and European Religious Radiance and Symbolism in Stained Glass -- A Retrospective of Fine American Stained Glass -- A Fondness for Gothic Design -- Edward Burne-Jones' Virtues in Radiant Light and Glory -- Part Two: European Secular Radiance and Symbolism in Stained Glass -- Artistry and Craftsmanship -- Between Art and Literature -- After the Nabis -- Part Three: American Religious and Secular Radiance and Symbolism in Stained Glass -- Luca della Robbia Goes to Harvard -- Violet Oakley's Stained Glass Epiphany -- Leopoldo Flores' Cosmovitral -- Part Four: International Radiance and Symbolism in Stained Glass -- Symbolist Stimuli and International Influences on Some Early Twentieth-Century Italian Stained Glass by the Giovanni Beltrami Firm at the 1902 Turin Exhibition -- Turin 1902 -- Italian Stained Glass in the 1920s and 1930s -- Select Bibliography -- Contributors -- Index. Glass painting and staining History 19th century. Peinture sur verre Histoire 19e siècle. CRAFTS & HOBBIES Glass & Glassware. bisacsh Glass painting and staining fast |
| title | Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. |
| title_auth | Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. |
| title_exact_search | Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. |
| title_full | Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. |
| title_fullStr | Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. |
| title_full_unstemmed | Radiance and Symbolism in Modern Stained Glass : European and American Innovations and Aesthetic Interrelations in Material Culture. |
| title_short | Radiance and Symbolism in Modern Stained Glass : |
| title_sort | radiance and symbolism in modern stained glass european and american innovations and aesthetic interrelations in material culture |
| title_sub | European and American Innovations and Aesthetic Interrelations in Material Culture. |
| topic | Glass painting and staining History 19th century. Peinture sur verre Histoire 19e siècle. CRAFTS & HOBBIES Glass & Glassware. bisacsh Glass painting and staining fast |
| topic_facet | Glass painting and staining History 19th century. Peinture sur verre Histoire 19e siècle. CRAFTS & HOBBIES Glass & Glassware. Glass painting and staining History |
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