Shot on location :: postwar American cinema and the exploration of real place /
Renowned film scholar R. Barton Palmer explores the historical, ideological, economic, and technical developments that led Hollywood filmmakers of the late 1940s and 1950s to increasingly head outside the studio and capture footage of real places. Examining works ranging from Sunset Blvd. to The Sea...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Brunswick, New Jersey :
Rutgers University Press,
[2016]
|
Schriftenreihe: | Techniques of the moving image.
|
Schlagworte: | |
Online-Zugang: | DE-862 DE-863 |
Zusammenfassung: | Renowned film scholar R. Barton Palmer explores the historical, ideological, economic, and technical developments that led Hollywood filmmakers of the late 1940s and 1950s to increasingly head outside the studio and capture footage of real places. Examining works ranging from Sunset Blvd. to The Searchers, Shot on Location discovers the massive influence that wartime newsreels had on the postwar Hollywood film, as the blurring of the formal boundaries between cinematic journalism and fiction lent a ""reality effect"" to otherwise implausible stories. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780813564104 0813564107 9780813575490 0813575494 |
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490 | 1 | |a Techniques of the moving image | |
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520 | |a Renowned film scholar R. Barton Palmer explores the historical, ideological, economic, and technical developments that led Hollywood filmmakers of the late 1940s and 1950s to increasingly head outside the studio and capture footage of real places. Examining works ranging from Sunset Blvd. to The Searchers, Shot on Location discovers the massive influence that wartime newsreels had on the postwar Hollywood film, as the blurring of the formal boundaries between cinematic journalism and fiction lent a ""reality effect"" to otherwise implausible stories. | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t Acknowledgments -- |t Introduction: Real History, Real Cinema -- |t 1. Filming The Transitory World We Live In -- |t 2. The Postwar Turn Toward The Real -- |t 3. Of Backdrops And Place: The Searchers And Sunset Blvd -- |t 4. An American Neorealism? -- |t 5. Noir On Location -- |t 6. The Legacies Of The Ramparts We Watch -- |t Conclusion: Authentic Banality? -- |t Notes -- |t Index -- |t About The Author |
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DE-BY-FWS_katkey | ZDB-4-EBA-ocn936331995 |
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adam_text | |
any_adam_object | |
author | Palmer, R. Barton, 1946- |
author_GND | http://id.loc.gov/authorities/names/n83059978 |
author_facet | Palmer, R. Barton, 1946- |
author_role | aut |
author_sort | Palmer, R. Barton, 1946- |
author_variant | r b p rb rbp |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.U6 P28 2016eb |
callnumber-search | PN1993.5.U6 P28 2016eb |
callnumber-sort | PN 41993.5 U6 P28 42016EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: Real History, Real Cinema -- 1. Filming The Transitory World We Live In -- 2. The Postwar Turn Toward The Real -- 3. Of Backdrops And Place: The Searchers And Sunset Blvd -- 4. An American Neorealism? -- 5. Noir On Location -- 6. The Legacies Of The Ramparts We Watch -- Conclusion: Authentic Banality? -- Notes -- Index -- About The Author |
ctrlnum | (OCoLC)936331995 |
dewey-full | 791.430973 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430973 |
dewey-search | 791.430973 |
dewey-sort | 3791.430973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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id | ZDB-4-EBA-ocn936331995 |
illustrated | Not Illustrated |
indexdate | 2025-04-11T08:42:59Z |
institution | BVB |
isbn | 9780813564104 0813564107 9780813575490 0813575494 |
language | English |
oclc_num | 936331995 |
open_access_boolean | |
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publishDate | 2016 |
publishDateSearch | 2016 |
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publisher | Rutgers University Press, |
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series | Techniques of the moving image. |
series2 | Techniques of the moving image |
spelling | Palmer, R. Barton, 1946- author. https://id.oclc.org/worldcat/entity/E39PBJmTjwFf3hhvftRfD6RVG3 http://id.loc.gov/authorities/names/n83059978 Shot on location : postwar American cinema and the exploration of real place / R. Barton Palmer. New Brunswick, New Jersey : Rutgers University Press, [2016] ©2016 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Techniques of the moving image Includes bibliographical references and index. Print version record. Renowned film scholar R. Barton Palmer explores the historical, ideological, economic, and technical developments that led Hollywood filmmakers of the late 1940s and 1950s to increasingly head outside the studio and capture footage of real places. Examining works ranging from Sunset Blvd. to The Searchers, Shot on Location discovers the massive influence that wartime newsreels had on the postwar Hollywood film, as the blurring of the formal boundaries between cinematic journalism and fiction lent a ""reality effect"" to otherwise implausible stories. Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: Real History, Real Cinema -- 1. Filming The Transitory World We Live In -- 2. The Postwar Turn Toward The Real -- 3. Of Backdrops And Place: The Searchers And Sunset Blvd -- 4. An American Neorealism? -- 5. Noir On Location -- 6. The Legacies Of The Ramparts We Watch -- Conclusion: Authentic Banality? -- Notes -- Index -- About The Author Motion pictures United States History 20th century. Motion pictures Production and direction United States History 20th century. Motion pictures Setting and scenery. http://id.loc.gov/authorities/subjects/sh85088107 Cinéma États-Unis Histoire 20e siècle. Cinéma Production et réalisation États-Unis Histoire 20e siècle. Cinéma Décors. PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures Production and direction fast Motion pictures Setting and scenery fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Electronic books. History fast has work: Shot on location (Text) https://id.oclc.org/worldcat/entity/E39PCGBBfKVVhpyXmWr74j7jFq https://id.oclc.org/worldcat/ontology/hasWork Print version: Palmer, R. Barton, 1946- Shot on location 9780813564098 (DLC) 2015012453 (OCoLC)906447605 Techniques of the moving image. http://id.loc.gov/authorities/names/no2012119993 |
spellingShingle | Palmer, R. Barton, 1946- Shot on location : postwar American cinema and the exploration of real place / Techniques of the moving image. Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: Real History, Real Cinema -- 1. Filming The Transitory World We Live In -- 2. The Postwar Turn Toward The Real -- 3. Of Backdrops And Place: The Searchers And Sunset Blvd -- 4. An American Neorealism? -- 5. Noir On Location -- 6. The Legacies Of The Ramparts We Watch -- Conclusion: Authentic Banality? -- Notes -- Index -- About The Author Motion pictures United States History 20th century. Motion pictures Production and direction United States History 20th century. Motion pictures Setting and scenery. http://id.loc.gov/authorities/subjects/sh85088107 Cinéma États-Unis Histoire 20e siècle. Cinéma Production et réalisation États-Unis Histoire 20e siècle. Cinéma Décors. PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures Production and direction fast Motion pictures Setting and scenery fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh85088107 |
title | Shot on location : postwar American cinema and the exploration of real place / |
title_alt | Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction: Real History, Real Cinema -- 1. Filming The Transitory World We Live In -- 2. The Postwar Turn Toward The Real -- 3. Of Backdrops And Place: The Searchers And Sunset Blvd -- 4. An American Neorealism? -- 5. Noir On Location -- 6. The Legacies Of The Ramparts We Watch -- Conclusion: Authentic Banality? -- Notes -- Index -- About The Author |
title_auth | Shot on location : postwar American cinema and the exploration of real place / |
title_exact_search | Shot on location : postwar American cinema and the exploration of real place / |
title_full | Shot on location : postwar American cinema and the exploration of real place / R. Barton Palmer. |
title_fullStr | Shot on location : postwar American cinema and the exploration of real place / R. Barton Palmer. |
title_full_unstemmed | Shot on location : postwar American cinema and the exploration of real place / R. Barton Palmer. |
title_short | Shot on location : |
title_sort | shot on location postwar american cinema and the exploration of real place |
title_sub | postwar American cinema and the exploration of real place / |
topic | Motion pictures United States History 20th century. Motion pictures Production and direction United States History 20th century. Motion pictures Setting and scenery. http://id.loc.gov/authorities/subjects/sh85088107 Cinéma États-Unis Histoire 20e siècle. Cinéma Production et réalisation États-Unis Histoire 20e siècle. Cinéma Décors. PERFORMING ARTS Reference. bisacsh Motion pictures fast Motion pictures Production and direction fast Motion pictures Setting and scenery fast |
topic_facet | Motion pictures United States History 20th century. Motion pictures Production and direction United States History 20th century. Motion pictures Setting and scenery. Cinéma États-Unis Histoire 20e siècle. Cinéma Production et réalisation États-Unis Histoire 20e siècle. Cinéma Décors. PERFORMING ARTS Reference. Motion pictures Motion pictures Production and direction Motion pictures Setting and scenery United States Electronic books. History |
work_keys_str_mv | AT palmerrbarton shotonlocationpostwaramericancinemaandtheexplorationofrealplace |