Impersonal enunciation, or the place of film /:
Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how fi...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
New York :
Columbia University Press,
[2016]
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| Schriftenreihe: | Film and culture.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize' And should we consider this staging an impersonal act of enunciation' Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today |
| Beschreibung: | 1 online resource (xxiv, 247 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231540643 0231540647 |
Internformat
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| 505 | 0 | |a Humanoid enunciation -- The voice of address in the image : the look to camera --The voice of address outside the image : related sounds -- Written modes of address -- Secondary screens, or Squaring the rectangle -- Mirrors -- "Exposing the apparatus" -- Film(s) within film -- Subjective images, subjective sounds, "points of view" -- The I-voice and related sounds -- The oriented objective system : enunciation and style -- "Neutral" images and sounds -- (Taking theoretical flight) -- Afterword / by Dana Polan. | |
| 520 | |a Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize' And should we consider this staging an impersonal act of enunciation' Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today | ||
| 546 | |a Translated from the French. | ||
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| 650 | 0 | |a Narration (Rhetoric) |0 http://id.loc.gov/authorities/subjects/sh85089833 | |
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| adam_text | |
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| contents | Humanoid enunciation -- The voice of address in the image : the look to camera --The voice of address outside the image : related sounds -- Written modes of address -- Secondary screens, or Squaring the rectangle -- Mirrors -- "Exposing the apparatus" -- Film(s) within film -- Subjective images, subjective sounds, "points of view" -- The I-voice and related sounds -- The oriented objective system : enunciation and style -- "Neutral" images and sounds -- (Taking theoretical flight) -- Afterword / by Dana Polan. |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| id | ZDB-4-EBA-ocn936117850 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:01Z |
| institution | BVB |
| isbn | 9780231540643 0231540647 |
| language | English French |
| oclc_num | 936117850 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxiv, 247 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Columbia University Press, |
| record_format | marc |
| series | Film and culture. |
| series2 | Film and culture |
| spelling | Metz, Christian, author. http://id.loc.gov/authorities/names/n80014928 Énonciation impersonnelle, ou, Le site du film. English Impersonal enunciation, or the place of film / Christian Metz ; translated by Cormac Deane ; afterword by Dana Polan. Place of film New York : Columbia University Press, [2016] ©2016 1 online resource (xxiv, 247 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and culture Includes bibliographical references and index. Humanoid enunciation -- The voice of address in the image : the look to camera --The voice of address outside the image : related sounds -- Written modes of address -- Secondary screens, or Squaring the rectangle -- Mirrors -- "Exposing the apparatus" -- Film(s) within film -- Subjective images, subjective sounds, "points of view" -- The I-voice and related sounds -- The oriented objective system : enunciation and style -- "Neutral" images and sounds -- (Taking theoretical flight) -- Afterword / by Dana Polan. Christian Metz is best known for applying Saussurean theories of semiology to film analysis. In the 1970s, he used Sigmund Freud's psychology and Jacques Lacan's mirror theory to explain the popularity of cinema. In this final book, Metz uses the concept of enunciation to articulate how films "speak" and explore where this communication occurs, offering critical direction for theorists who struggle with the phenomena of new media. If a film frame contains another frame, which frame do we emphasize' And should we consider this staging an impersonal act of enunciation' Consulting a range of genres and national trends, Metz builds a novel theory around the placement and subjectivity of screens within screens, which pulls in-and forces him to reassess-his work on authorship, film language, and the position of the spectator. Metz again takes up the linguistic and theoretical work of Benveniste, Genette, Casetti, and Bordwell, drawing surprising conclusions that presage current writings on digital media. Metz's analysis enriches work on cybernetic emergence, self-assembly, self-reference, hypertext, and texts that self-produce in such a way that the human element disappears. A critical introduction by Cormac Deane bolsters the connection between Metz's findings and nascent digital-media theory, emphasizing Metz's keen awareness of the methodological and philosophical concerns we wrestle with today Translated from the French. Print version record. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Cinéma Histoire. Narration. PERFORMING ARTS Reference. bisacsh ART Film & Video. bisacsh Motion pictures fast Narration (Rhetoric) fast Electronic books. History fast Deane, Cormac, translator. http://id.loc.gov/authorities/names/n2015040049 Polan, Dana B., 1953- writer of afterword. https://id.oclc.org/worldcat/entity/E39PBJmhMX6v74GmwhB6C6Dcyd http://id.loc.gov/authorities/names/n84144754 has work: Impersonal enunciation, or the place of film (Text) https://id.oclc.org/worldcat/entity/E39PCFFT4PtjbPpVjHQMJkbjYd https://id.oclc.org/worldcat/ontology/hasWork Print version: Metz, Christian. Énonciation impersonnelle ou Le site du film. English. Impersonal enunciation, or the place of film. New York : Columbia University Press, [2016] 9780231173667 (DLC) 2015021152 (OCoLC)911171645 Film and culture. http://id.loc.gov/authorities/names/n92059833 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1158095 Volltext |
| spellingShingle | Metz, Christian Impersonal enunciation, or the place of film / Film and culture. Humanoid enunciation -- The voice of address in the image : the look to camera --The voice of address outside the image : related sounds -- Written modes of address -- Secondary screens, or Squaring the rectangle -- Mirrors -- "Exposing the apparatus" -- Film(s) within film -- Subjective images, subjective sounds, "points of view" -- The I-voice and related sounds -- The oriented objective system : enunciation and style -- "Neutral" images and sounds -- (Taking theoretical flight) -- Afterword / by Dana Polan. Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Cinéma Histoire. Narration. PERFORMING ARTS Reference. bisacsh ART Film & Video. bisacsh Motion pictures fast Narration (Rhetoric) fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87002438 http://id.loc.gov/authorities/subjects/sh85089833 |
| title | Impersonal enunciation, or the place of film / |
| title_alt | Énonciation impersonnelle, ou, Le site du film. Place of film |
| title_auth | Impersonal enunciation, or the place of film / |
| title_exact_search | Impersonal enunciation, or the place of film / |
| title_full | Impersonal enunciation, or the place of film / Christian Metz ; translated by Cormac Deane ; afterword by Dana Polan. |
| title_fullStr | Impersonal enunciation, or the place of film / Christian Metz ; translated by Cormac Deane ; afterword by Dana Polan. |
| title_full_unstemmed | Impersonal enunciation, or the place of film / Christian Metz ; translated by Cormac Deane ; afterword by Dana Polan. |
| title_short | Impersonal enunciation, or the place of film / |
| title_sort | impersonal enunciation or the place of film |
| topic | Motion pictures History. http://id.loc.gov/authorities/subjects/sh87002438 Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Cinéma Histoire. Narration. PERFORMING ARTS Reference. bisacsh ART Film & Video. bisacsh Motion pictures fast Narration (Rhetoric) fast |
| topic_facet | Motion pictures History. Narration (Rhetoric) Cinéma Histoire. Narration. PERFORMING ARTS Reference. ART Film & Video. Motion pictures Electronic books. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1158095 |
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