Seeing Motion :: a History of Visual Perception in Art and Science /
Der zentrale Fokus dieser Publikation ist die Synthese von Wissenschaft und Kunst im Bereich der visuellen Wahrnehmung, insbesondere der Einfluss der im 19. Jahrhundert einsetzenden Wahrnehmungsforschung zu Illusionen, kinetischen Scheinfiguren und Scheinbewegungen auf die apparative/ maschinelle, k...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
De Gruyter :
De Gruyter,
2015.
|
Schriftenreihe: | Edition Die Angewandte, University Press.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Der zentrale Fokus dieser Publikation ist die Synthese von Wissenschaft und Kunst im Bereich der visuellen Wahrnehmung, insbesondere der Einfluss der im 19. Jahrhundert einsetzenden Wahrnehmungsforschung zu Illusionen, kinetischen Scheinfiguren und Scheinbewegungen auf die apparative/ maschinelle, kinetische Kunst des 20. und auf die computergestützte visuelle Kunst des 21. Jahrhunderts. |
Beschreibung: | 1 online resource (304 pages) |
Bibliographie: | Includes bibliographical references. |
ISBN: | 9783110422993 3110422999 9783110423037 3110423030 9783110426960 311042696X |
Internformat
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245 | 1 | 0 | |a Seeing Motion : |b a History of Visual Perception in Art and Science / |c Romana Karla Schuler. |
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505 | 0 | |a TABLE OF CONTENTS ; PREFACE: On Theories and Art in Visualizing (Apparent)-Motion ; Acknowledgements ; PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality ; Seeing as a Scientific Topic ; The Beginnings of the Study of Apparent Motion. | |
505 | 8 | |a An Individual Way of Seeing: Jan Evangelista Purkinje The Explanation of an Optical Illusion: Peter Mark Roget ; The First Motion Picture Machine: Joseph Plateau ; The Phenakistoscope or the Stroboscopic Disk ; Inventions with Stroboscopic Effects ; The Talbot-Plateau law of 1834/35. | |
505 | 8 | |a Gustav Theodor Fechner's Subjective colors Four notes on Afterimages ; Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope ; Zöllner's Illusion ; Reflections on Zöllner's Illusion: Wilhelm Filehne. | |
505 | 8 | |a Hermann helmholtz and the new Physiological optics in the nineteenth century helmholtz's Experiments on Visual Sensations ; Ernst Brücke: The Advantage of Intermittent Retina Stimuli ; Josef czermak: Thoughts on Speed during Motional Illusions. | |
505 | 8 | |a The Influence of Psychophysics on Mach's Experiments Mach's Series of Experiments on light Stimulus on the Retina ; Mach's Experiments on Sensation of Movement and Afterimages of Movement ; Studies in Movement: The Mach Drum. | |
504 | |a Includes bibliographical references. | ||
520 | |a Der zentrale Fokus dieser Publikation ist die Synthese von Wissenschaft und Kunst im Bereich der visuellen Wahrnehmung, insbesondere der Einfluss der im 19. Jahrhundert einsetzenden Wahrnehmungsforschung zu Illusionen, kinetischen Scheinfiguren und Scheinbewegungen auf die apparative/ maschinelle, kinetische Kunst des 20. und auf die computergestützte visuelle Kunst des 21. Jahrhunderts. | ||
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776 | 0 | 8 | |i Print version: |a Schuler, Romana Karla. |t Seeing Motion : A History of Visual Perception in Art and Science. |d Berlin/Boston : De Gruyter, ©2016 |z 9783110426960 |
830 | 0 | |a Edition Die Angewandte, University Press. |0 http://id.loc.gov/authorities/names/nr2004003035 | |
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adam_text | |
any_adam_object | |
author | Schuler, Romana Karla |
author_facet | Schuler, Romana Karla |
author_role | aut |
author_sort | Schuler, Romana Karla |
author_variant | r k s rk rks |
building | Verbundindex |
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callnumber-first | N - Fine Arts |
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callnumber-search | N7430.5 .S38 2016 |
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callnumber-subject | N - Visual Arts |
collection | ZDB-4-EBA |
contents | TABLE OF CONTENTS ; PREFACE: On Theories and Art in Visualizing (Apparent)-Motion ; Acknowledgements ; PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality ; Seeing as a Scientific Topic ; The Beginnings of the Study of Apparent Motion. An Individual Way of Seeing: Jan Evangelista Purkinje The Explanation of an Optical Illusion: Peter Mark Roget ; The First Motion Picture Machine: Joseph Plateau ; The Phenakistoscope or the Stroboscopic Disk ; Inventions with Stroboscopic Effects ; The Talbot-Plateau law of 1834/35. Gustav Theodor Fechner's Subjective colors Four notes on Afterimages ; Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope ; Zöllner's Illusion ; Reflections on Zöllner's Illusion: Wilhelm Filehne. Hermann helmholtz and the new Physiological optics in the nineteenth century helmholtz's Experiments on Visual Sensations ; Ernst Brücke: The Advantage of Intermittent Retina Stimuli ; Josef czermak: Thoughts on Speed during Motional Illusions. The Influence of Psychophysics on Mach's Experiments Mach's Series of Experiments on light Stimulus on the Retina ; Mach's Experiments on Sensation of Movement and Afterimages of Movement ; Studies in Movement: The Mach Drum. |
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dewey-ones | 700 - The arts |
dewey-raw | 700 |
dewey-search | 700 |
dewey-sort | 3700 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Electronic eBook |
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genre_facet | History |
id | ZDB-4-EBA-ocn933611984 |
illustrated | Not Illustrated |
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isbn | 9783110422993 3110422999 9783110423037 3110423030 9783110426960 311042696X |
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series2 | Edition Angewandte |
spelling | Schuler, Romana Karla. aut Seeing Motion : a History of Visual Perception in Art and Science / Romana Karla Schuler. De Gruyter : De Gruyter, 2015. 1 online resource (304 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Edition Angewandte TABLE OF CONTENTS ; PREFACE: On Theories and Art in Visualizing (Apparent)-Motion ; Acknowledgements ; PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality ; Seeing as a Scientific Topic ; The Beginnings of the Study of Apparent Motion. An Individual Way of Seeing: Jan Evangelista Purkinje The Explanation of an Optical Illusion: Peter Mark Roget ; The First Motion Picture Machine: Joseph Plateau ; The Phenakistoscope or the Stroboscopic Disk ; Inventions with Stroboscopic Effects ; The Talbot-Plateau law of 1834/35. Gustav Theodor Fechner's Subjective colors Four notes on Afterimages ; Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope ; Zöllner's Illusion ; Reflections on Zöllner's Illusion: Wilhelm Filehne. Hermann helmholtz and the new Physiological optics in the nineteenth century helmholtz's Experiments on Visual Sensations ; Ernst Brücke: The Advantage of Intermittent Retina Stimuli ; Josef czermak: Thoughts on Speed during Motional Illusions. The Influence of Psychophysics on Mach's Experiments Mach's Series of Experiments on light Stimulus on the Retina ; Mach's Experiments on Sensation of Movement and Afterimages of Movement ; Studies in Movement: The Mach Drum. Includes bibliographical references. Der zentrale Fokus dieser Publikation ist die Synthese von Wissenschaft und Kunst im Bereich der visuellen Wahrnehmung, insbesondere der Einfluss der im 19. Jahrhundert einsetzenden Wahrnehmungsforschung zu Illusionen, kinetischen Scheinfiguren und Scheinbewegungen auf die apparative/ maschinelle, kinetische Kunst des 20. und auf die computergestützte visuelle Kunst des 21. Jahrhunderts. Visual perception History. Art and science Psychology. Perception visuelle Histoire. Art et sciences Psychologie. ART Performance. bisacsh ART Reference. bisacsh Visual perception fast Visuell perception historia. sao History fast Print version: Schuler, Romana Karla. Seeing Motion : A History of Visual Perception in Art and Science. Berlin/Boston : De Gruyter, ©2016 9783110426960 Edition Die Angewandte, University Press. http://id.loc.gov/authorities/names/nr2004003035 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1157838 Volltext |
spellingShingle | Schuler, Romana Karla Seeing Motion : a History of Visual Perception in Art and Science / Edition Die Angewandte, University Press. TABLE OF CONTENTS ; PREFACE: On Theories and Art in Visualizing (Apparent)-Motion ; Acknowledgements ; PART 1: On the Study of Apparent Motion, Apparent Corporeality and Apparent Spatiality ; Seeing as a Scientific Topic ; The Beginnings of the Study of Apparent Motion. An Individual Way of Seeing: Jan Evangelista Purkinje The Explanation of an Optical Illusion: Peter Mark Roget ; The First Motion Picture Machine: Joseph Plateau ; The Phenakistoscope or the Stroboscopic Disk ; Inventions with Stroboscopic Effects ; The Talbot-Plateau law of 1834/35. Gustav Theodor Fechner's Subjective colors Four notes on Afterimages ; Experiments on the Simulation of Riparian Illusion with the oppel Antirheoscope ; Zöllner's Illusion ; Reflections on Zöllner's Illusion: Wilhelm Filehne. Hermann helmholtz and the new Physiological optics in the nineteenth century helmholtz's Experiments on Visual Sensations ; Ernst Brücke: The Advantage of Intermittent Retina Stimuli ; Josef czermak: Thoughts on Speed during Motional Illusions. The Influence of Psychophysics on Mach's Experiments Mach's Series of Experiments on light Stimulus on the Retina ; Mach's Experiments on Sensation of Movement and Afterimages of Movement ; Studies in Movement: The Mach Drum. Visual perception History. Art and science Psychology. Perception visuelle Histoire. Art et sciences Psychologie. ART Performance. bisacsh ART Reference. bisacsh Visual perception fast Visuell perception historia. sao |
title | Seeing Motion : a History of Visual Perception in Art and Science / |
title_auth | Seeing Motion : a History of Visual Perception in Art and Science / |
title_exact_search | Seeing Motion : a History of Visual Perception in Art and Science / |
title_full | Seeing Motion : a History of Visual Perception in Art and Science / Romana Karla Schuler. |
title_fullStr | Seeing Motion : a History of Visual Perception in Art and Science / Romana Karla Schuler. |
title_full_unstemmed | Seeing Motion : a History of Visual Perception in Art and Science / Romana Karla Schuler. |
title_short | Seeing Motion : |
title_sort | seeing motion a history of visual perception in art and science |
title_sub | a History of Visual Perception in Art and Science / |
topic | Visual perception History. Art and science Psychology. Perception visuelle Histoire. Art et sciences Psychologie. ART Performance. bisacsh ART Reference. bisacsh Visual perception fast Visuell perception historia. sao |
topic_facet | Visual perception History. Art and science Psychology. Perception visuelle Histoire. Art et sciences Psychologie. ART Performance. ART Reference. Visual perception Visuell perception historia. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1157838 |
work_keys_str_mv | AT schulerromanakarla seeingmotionahistoryofvisualperceptioninartandscience |