Rhythm and meaning in Shakespeare :: a guide for readers and actors /
How did Shakespere intend that his plays be read? Rhythm and Meaning in Shakespeare explores the rhythmical organisation of Shakespeare's verse and how it creates and reinforces meaning both in the theatre and in the mind of the reader. Because metrical form in the pentameter is not passively p...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Clayton, Victoria, Australia :
Monash University Publishing,
[2013]
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | How did Shakespere intend that his plays be read? Rhythm and Meaning in Shakespeare explores the rhythmical organisation of Shakespeare's verse and how it creates and reinforces meaning both in the theatre and in the mind of the reader. Because metrical form in the pentameter is not passively present in the text but rather something that the performer must co-operatively re-create in speaking it, pentameter is what John Barton calls "stage-direction in shorthand", a supple instrument through which Shakespeare communicates valuable cues for performance. This book is thus an essential guide for actors wishing to perform in his plays, as well as a valuable resource for anyone wishing to enhance their understanding of and engagement with Shakespeare's verse. Has supplementary audio files |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 9781921867996 192186799X 1921867817 9781921867811 9781925523058 1925523055 |
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| 505 | 0 | |a Dedication -- Acknowledgements -- Contents -- Introduction -- Chapter 1: Prosody -- The Music of Speech -- 1.1: Syllables -- 1.2: Lexical Stress: Major, Minor and Weak -- 1.3: Accent: High and Low Syllables -- 1.4: Syntactic Stress -- 1.5: Beats: The Timing of Syllables -- Chapter 2: Pentameter and its Common Variations -- 2.1: The Prototype: Verse and Line -- 2.2: Changing the Pattern (Metrical Variation) -- 2.3: Changing the Representation of the Pattern (Prosodic Variation) -- 2.4: Other Variations in Rhythm -- Chapter 3: Pauses, Breaks and Transitions -- 3.1: Pauses and Short Lines3.2: Transitions Between Speakers -- Chapter 4: The Short Pentameter 1: Silent Offbeats -- 4.1: The 'Jolt' -- 4.2: The 'Drag' -- Chapter 5: The Short Pentameter 2: Silent Beats -- 5.1: Rests that Cue Stage Business -- 5.2: Rests that Cue Expressive Gestures -- 5.3: The Deictic Rest -- 5.4: Multiple Lacunae -- Chapter 6: Other Kinds of Verse in the Plays -- 6.1: Short and Long Lines in Blank Verse -- 6.2: Rhymed Verse -- Chapter 7: Taking it Further: Metrical Analysis -- 7.1: What is Scansion (and Why is it Useful?) -- 7.2: Prosodic Politics: Independence, Domination and Liberation -- 7.3: Scanning Elastic Words -- 7.4: Context and Accent -- 7.5: Scanning Compounds -- 7.6: Scanning and Stress Exchange -- 7.7: Scanning Short Pentameters -- Appendices -- Appendix A: Differently Stressed Words -- Appendix B: Pronouncing Shakespeare's Names -- Appendix C: Stress in Monosyllables -- Appendix D: Select Glossary -- Appendix E: A List of Symbols used in Scansion -- Appendix F: A List of Abbreviations -- References -- Back Cover. | |
| 520 | |a How did Shakespere intend that his plays be read? Rhythm and Meaning in Shakespeare explores the rhythmical organisation of Shakespeare's verse and how it creates and reinforces meaning both in the theatre and in the mind of the reader. Because metrical form in the pentameter is not passively present in the text but rather something that the performer must co-operatively re-create in speaking it, pentameter is what John Barton calls "stage-direction in shorthand", a supple instrument through which Shakespeare communicates valuable cues for performance. This book is thus an essential guide for actors wishing to perform in his plays, as well as a valuable resource for anyone wishing to enhance their understanding of and engagement with Shakespeare's verse. Has supplementary audio files | ||
| 542 | 1 | |f This work is licensed under a Creative Commons license |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| 542 | 1 | |f This work is licensed by Knowledge Unlatched under a Creative Commons license |u https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Literary style. |0 http://id.loc.gov/authorities/subjects/sh85121048 |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Language. |0 http://id.loc.gov/authorities/subjects/sh85120997 |
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| 653 | |a Literature | ||
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| 776 | 0 | 8 | |i Print version: |a Groves, Peter L. |t Rhythm and meaning in Shakespeare. |d Clayton, Victoria, Australia : Monash University Publishing, [2013] |w (DLC) 2013443667 |
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| author | Groves, Peter L. |
| author_GND | http://id.loc.gov/authorities/names/n98042354 |
| author_facet | Groves, Peter L. |
| author_role | aut |
| author_sort | Groves, Peter L. |
| author_variant | p l g pl plg |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3072 |
| callnumber-raw | PR3072 .G77 2013 |
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| contents | Dedication -- Acknowledgements -- Contents -- Introduction -- Chapter 1: Prosody -- The Music of Speech -- 1.1: Syllables -- 1.2: Lexical Stress: Major, Minor and Weak -- 1.3: Accent: High and Low Syllables -- 1.4: Syntactic Stress -- 1.5: Beats: The Timing of Syllables -- Chapter 2: Pentameter and its Common Variations -- 2.1: The Prototype: Verse and Line -- 2.2: Changing the Pattern (Metrical Variation) -- 2.3: Changing the Representation of the Pattern (Prosodic Variation) -- 2.4: Other Variations in Rhythm -- Chapter 3: Pauses, Breaks and Transitions -- 3.1: Pauses and Short Lines3.2: Transitions Between Speakers -- Chapter 4: The Short Pentameter 1: Silent Offbeats -- 4.1: The 'Jolt' -- 4.2: The 'Drag' -- Chapter 5: The Short Pentameter 2: Silent Beats -- 5.1: Rests that Cue Stage Business -- 5.2: Rests that Cue Expressive Gestures -- 5.3: The Deictic Rest -- 5.4: Multiple Lacunae -- Chapter 6: Other Kinds of Verse in the Plays -- 6.1: Short and Long Lines in Blank Verse -- 6.2: Rhymed Verse -- Chapter 7: Taking it Further: Metrical Analysis -- 7.1: What is Scansion (and Why is it Useful?) -- 7.2: Prosodic Politics: Independence, Domination and Liberation -- 7.3: Scanning Elastic Words -- 7.4: Context and Accent -- 7.5: Scanning Compounds -- 7.6: Scanning and Stress Exchange -- 7.7: Scanning Short Pentameters -- Appendices -- Appendix A: Differently Stressed Words -- Appendix B: Pronouncing Shakespeare's Names -- Appendix C: Stress in Monosyllables -- Appendix D: Select Glossary -- Appendix E: A List of Symbols used in Scansion -- Appendix F: A List of Abbreviations -- References -- Back Cover. |
| ctrlnum | (OCoLC)933580979 |
| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:58Z |
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| isbn | 9781921867996 192186799X 1921867817 9781921867811 9781925523058 1925523055 |
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| spelling | Groves, Peter L., author. http://id.loc.gov/authorities/names/n98042354 Rhythm and meaning in Shakespeare : a guide for readers and actors / Peter Groves. Clayton, Victoria, Australia : Monash University Publishing, [2013] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record. Includes bibliographical references. Dedication -- Acknowledgements -- Contents -- Introduction -- Chapter 1: Prosody -- The Music of Speech -- 1.1: Syllables -- 1.2: Lexical Stress: Major, Minor and Weak -- 1.3: Accent: High and Low Syllables -- 1.4: Syntactic Stress -- 1.5: Beats: The Timing of Syllables -- Chapter 2: Pentameter and its Common Variations -- 2.1: The Prototype: Verse and Line -- 2.2: Changing the Pattern (Metrical Variation) -- 2.3: Changing the Representation of the Pattern (Prosodic Variation) -- 2.4: Other Variations in Rhythm -- Chapter 3: Pauses, Breaks and Transitions -- 3.1: Pauses and Short Lines3.2: Transitions Between Speakers -- Chapter 4: The Short Pentameter 1: Silent Offbeats -- 4.1: The 'Jolt' -- 4.2: The 'Drag' -- Chapter 5: The Short Pentameter 2: Silent Beats -- 5.1: Rests that Cue Stage Business -- 5.2: Rests that Cue Expressive Gestures -- 5.3: The Deictic Rest -- 5.4: Multiple Lacunae -- Chapter 6: Other Kinds of Verse in the Plays -- 6.1: Short and Long Lines in Blank Verse -- 6.2: Rhymed Verse -- Chapter 7: Taking it Further: Metrical Analysis -- 7.1: What is Scansion (and Why is it Useful?) -- 7.2: Prosodic Politics: Independence, Domination and Liberation -- 7.3: Scanning Elastic Words -- 7.4: Context and Accent -- 7.5: Scanning Compounds -- 7.6: Scanning and Stress Exchange -- 7.7: Scanning Short Pentameters -- Appendices -- Appendix A: Differently Stressed Words -- Appendix B: Pronouncing Shakespeare's Names -- Appendix C: Stress in Monosyllables -- Appendix D: Select Glossary -- Appendix E: A List of Symbols used in Scansion -- Appendix F: A List of Abbreviations -- References -- Back Cover. How did Shakespere intend that his plays be read? Rhythm and Meaning in Shakespeare explores the rhythmical organisation of Shakespeare's verse and how it creates and reinforces meaning both in the theatre and in the mind of the reader. Because metrical form in the pentameter is not passively present in the text but rather something that the performer must co-operatively re-create in speaking it, pentameter is what John Barton calls "stage-direction in shorthand", a supple instrument through which Shakespeare communicates valuable cues for performance. This book is thus an essential guide for actors wishing to perform in his plays, as well as a valuable resource for anyone wishing to enhance their understanding of and engagement with Shakespeare's verse. Has supplementary audio files This work is licensed under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This work is licensed by Knowledge Unlatched under a Creative Commons license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode English. Shakespeare, William, 1564-1616 Literary style. http://id.loc.gov/authorities/subjects/sh85121048 Shakespeare, William, 1564-1616 Language. http://id.loc.gov/authorities/subjects/sh85120997 Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Literature and literary studies. bicssc Plays, playscripts. bicssc Shakespeare plays. bicssc DRAMA English, Irish, Scottish, Welsh. bisacsh Language and languages fast Literary style fast Technique fast Theater fast Literature shakespeare shakespearean verse performing shakespeare performance studies theatre theater rhythm in poetry Hamlet Metre (poetry) Prosody (linguistics) Syllable Vowel William Shakespeare has work: Rhythm and meaning in Shakespeare (Text) https://id.oclc.org/worldcat/entity/E39PCFxVJVr33Xxbtc3Bc34xwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Groves, Peter L. Rhythm and meaning in Shakespeare. Clayton, Victoria, Australia : Monash University Publishing, [2013] (DLC) 2013443667 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1106015 Volltext |
| spellingShingle | Groves, Peter L. Rhythm and meaning in Shakespeare : a guide for readers and actors / Dedication -- Acknowledgements -- Contents -- Introduction -- Chapter 1: Prosody -- The Music of Speech -- 1.1: Syllables -- 1.2: Lexical Stress: Major, Minor and Weak -- 1.3: Accent: High and Low Syllables -- 1.4: Syntactic Stress -- 1.5: Beats: The Timing of Syllables -- Chapter 2: Pentameter and its Common Variations -- 2.1: The Prototype: Verse and Line -- 2.2: Changing the Pattern (Metrical Variation) -- 2.3: Changing the Representation of the Pattern (Prosodic Variation) -- 2.4: Other Variations in Rhythm -- Chapter 3: Pauses, Breaks and Transitions -- 3.1: Pauses and Short Lines3.2: Transitions Between Speakers -- Chapter 4: The Short Pentameter 1: Silent Offbeats -- 4.1: The 'Jolt' -- 4.2: The 'Drag' -- Chapter 5: The Short Pentameter 2: Silent Beats -- 5.1: Rests that Cue Stage Business -- 5.2: Rests that Cue Expressive Gestures -- 5.3: The Deictic Rest -- 5.4: Multiple Lacunae -- Chapter 6: Other Kinds of Verse in the Plays -- 6.1: Short and Long Lines in Blank Verse -- 6.2: Rhymed Verse -- Chapter 7: Taking it Further: Metrical Analysis -- 7.1: What is Scansion (and Why is it Useful?) -- 7.2: Prosodic Politics: Independence, Domination and Liberation -- 7.3: Scanning Elastic Words -- 7.4: Context and Accent -- 7.5: Scanning Compounds -- 7.6: Scanning and Stress Exchange -- 7.7: Scanning Short Pentameters -- Appendices -- Appendix A: Differently Stressed Words -- Appendix B: Pronouncing Shakespeare's Names -- Appendix C: Stress in Monosyllables -- Appendix D: Select Glossary -- Appendix E: A List of Symbols used in Scansion -- Appendix F: A List of Abbreviations -- References -- Back Cover. Shakespeare, William, 1564-1616 Literary style. http://id.loc.gov/authorities/subjects/sh85121048 Shakespeare, William, 1564-1616 Language. http://id.loc.gov/authorities/subjects/sh85120997 Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Literature and literary studies. bicssc Plays, playscripts. bicssc Shakespeare plays. bicssc DRAMA English, Irish, Scottish, Welsh. bisacsh Language and languages fast Literary style fast Technique fast Theater fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85121048 http://id.loc.gov/authorities/subjects/sh85120997 http://id.loc.gov/authorities/subjects/sh85121051 http://id.loc.gov/authorities/subjects/sh85120938 |
| title | Rhythm and meaning in Shakespeare : a guide for readers and actors / |
| title_auth | Rhythm and meaning in Shakespeare : a guide for readers and actors / |
| title_exact_search | Rhythm and meaning in Shakespeare : a guide for readers and actors / |
| title_full | Rhythm and meaning in Shakespeare : a guide for readers and actors / Peter Groves. |
| title_fullStr | Rhythm and meaning in Shakespeare : a guide for readers and actors / Peter Groves. |
| title_full_unstemmed | Rhythm and meaning in Shakespeare : a guide for readers and actors / Peter Groves. |
| title_short | Rhythm and meaning in Shakespeare : |
| title_sort | rhythm and meaning in shakespeare a guide for readers and actors |
| title_sub | a guide for readers and actors / |
| topic | Shakespeare, William, 1564-1616 Literary style. http://id.loc.gov/authorities/subjects/sh85121048 Shakespeare, William, 1564-1616 Language. http://id.loc.gov/authorities/subjects/sh85120997 Shakespeare, William, 1564-1616 Technique. http://id.loc.gov/authorities/subjects/sh85121051 Shakespeare, William, 1564-1616 Dramatic production. http://id.loc.gov/authorities/subjects/sh85120938 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Shakespeare, William 1564-1616 gnd Literature and literary studies. bicssc Plays, playscripts. bicssc Shakespeare plays. bicssc DRAMA English, Irish, Scottish, Welsh. bisacsh Language and languages fast Literary style fast Technique fast Theater fast |
| topic_facet | Shakespeare, William, 1564-1616 Literary style. Shakespeare, William, 1564-1616 Language. Shakespeare, William, 1564-1616 Technique. Shakespeare, William, 1564-1616 Dramatic production. Shakespeare, William, 1564-1616 Shakespeare, William 1564-1616 Literature and literary studies. Plays, playscripts. Shakespeare plays. DRAMA English, Irish, Scottish, Welsh. Language and languages Literary style Technique Theater |
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