Networks of sound, style and subversion :: the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 /
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analy...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester :
Manchester University Press,
2015.
|
| Schriftenreihe: | Music and society (Series)
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781847799937 1847799930 071908864X 9780719088643 |
Internformat
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| 245 | 1 | 0 | |a Networks of sound, style and subversion : |b the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / |c Nick Crossley. |
| 264 | 1 | |a Manchester : |b Manchester University Press, |c 2015. | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Music and society | |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Networks of sound, style and subversion; Contents; List of figures and tables ; Acknowledgements; 1 Introduction; 2 Music worlds; 3 Explaining punk: a review of existing accounts; 4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space; 5 Micro-mobilisation and the network structure of the London punk world; 6 The evolution of the London network; 7 Punk goes national: broadcast networks, media and moral panics; 8 From punk to post-punk: a tale of three cities; 9 Joining the dots: post-punk worlds as networks. | |
| 505 | 8 | |a 10 The small world of British post-punk11 Conclusion; References; Videography and discography; Index. | |
| 520 | |a This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. | ||
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| 650 | 7 | |a Punk culture |2 fast | |
| 650 | 7 | |a Punk rock music |2 fast | |
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| 653 | |a Howard Becker. | ||
| 653 | |a Liverpool. | ||
| 653 | |a London. | ||
| 653 | |a Manchester. | ||
| 653 | |a Samuel Gilmore. | ||
| 653 | |a Sheffield. | ||
| 653 | |a mass media networks. | ||
| 653 | |a music worlds. | ||
| 653 | |a post-punk world. | ||
| 653 | |a punk. | ||
| 653 | |a social networks. | ||
| 653 | |a sociological reality. | ||
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Datensatz im Suchindex
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| _version_ | 1826942101678456832 |
| adam_text | |
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| author | Crossley, Nick, 1968- |
| author_GND | http://id.loc.gov/authorities/names/n94021236 |
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| callnumber-first | M - Music |
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| contents | Cover; Networks of sound, style and subversion; Contents; List of figures and tables ; Acknowledgements; 1 Introduction; 2 Music worlds; 3 Explaining punk: a review of existing accounts; 4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space; 5 Micro-mobilisation and the network structure of the London punk world; 6 The evolution of the London network; 7 Punk goes national: broadcast networks, media and moral panics; 8 From punk to post-punk: a tale of three cities; 9 Joining the dots: post-punk worlds as networks. 10 The small world of British post-punk11 Conclusion; References; Videography and discography; Index. |
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| dewey-ones | 781 - General principles and musical forms |
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| dewey-search | 781.660941/09047 |
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocn933388593 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:22:39Z |
| institution | BVB |
| isbn | 9781847799937 1847799930 071908864X 9780719088643 |
| language | English |
| oclc_num | 933388593 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Manchester University Press, |
| record_format | marc |
| series | Music and society (Series) |
| series2 | Music and society |
| spelling | Crossley, Nick, 1968- author. https://id.oclc.org/worldcat/entity/E39PCjGqRCC6MpYrw7tYjJq6yq http://id.loc.gov/authorities/names/n94021236 Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / Nick Crossley. Manchester : Manchester University Press, 2015. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Music and society Online resource; title from PDF title page (EBSCO, viewed December 29, 2015). Includes bibliographical references and index. Cover; Networks of sound, style and subversion; Contents; List of figures and tables ; Acknowledgements; 1 Introduction; 2 Music worlds; 3 Explaining punk: a review of existing accounts; 4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space; 5 Micro-mobilisation and the network structure of the London punk world; 6 The evolution of the London network; 7 Punk goes national: broadcast networks, media and moral panics; 8 From punk to post-punk: a tale of three cities; 9 Joining the dots: post-punk worlds as networks. 10 The small world of British post-punk11 Conclusion; References; Videography and discography; Index. This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. Punk rock music Great Britain History and criticism. Punk culture Great Britain. http://id.loc.gov/authorities/subjects/sh85109127 Punk (Musique) Grande-Bretagne Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Punk culture fast Punk rock music fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Howard Becker. Liverpool. London. Manchester. Samuel Gilmore. Sheffield. mass media networks. music worlds. post-punk world. punk. social networks. sociological reality. subculture. Criticism, interpretation, etc. fast has work: Networks of sound, style and subversion (Text) https://id.oclc.org/worldcat/entity/E39PCFTXBFP8YkpQXMGkmRP98P https://id.oclc.org/worldcat/ontology/hasWork Print version: 9780719088643 071908864X (OCoLC)905527184 Music and society (Series) http://id.loc.gov/authorities/names/n86712583 |
| spellingShingle | Crossley, Nick, 1968- Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / Music and society (Series) Cover; Networks of sound, style and subversion; Contents; List of figures and tables ; Acknowledgements; 1 Introduction; 2 Music worlds; 3 Explaining punk: a review of existing accounts; 4 Theorising micro-mobilisation: critical mass, collective effervescence, social networks and social space; 5 Micro-mobilisation and the network structure of the London punk world; 6 The evolution of the London network; 7 Punk goes national: broadcast networks, media and moral panics; 8 From punk to post-punk: a tale of three cities; 9 Joining the dots: post-punk worlds as networks. 10 The small world of British post-punk11 Conclusion; References; Videography and discography; Index. Punk rock music Great Britain History and criticism. Punk culture Great Britain. http://id.loc.gov/authorities/subjects/sh85109127 Punk (Musique) Grande-Bretagne Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Punk culture fast Punk rock music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85109127 |
| title | Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / |
| title_auth | Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / |
| title_exact_search | Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / |
| title_full | Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / Nick Crossley. |
| title_fullStr | Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / Nick Crossley. |
| title_full_unstemmed | Networks of sound, style and subversion : the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / Nick Crossley. |
| title_short | Networks of sound, style and subversion : |
| title_sort | networks of sound style and subversion the punk and post punk worlds of manchester london liverpool and sheffield 1975 80 |
| title_sub | the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975-80 / |
| topic | Punk rock music Great Britain History and criticism. Punk culture Great Britain. http://id.loc.gov/authorities/subjects/sh85109127 Punk (Musique) Grande-Bretagne Histoire et critique. MUSIC Instruction & Study Theory. bisacsh Punk culture fast Punk rock music fast |
| topic_facet | Punk rock music Great Britain History and criticism. Punk culture Great Britain. Punk (Musique) Grande-Bretagne Histoire et critique. MUSIC Instruction & Study Theory. Punk culture Punk rock music Great Britain Criticism, interpretation, etc. |
| work_keys_str_mv | AT crossleynick networksofsoundstyleandsubversionthepunkandpostpunkworldsofmanchesterlondonliverpoolandsheffield197580 |