A camera in the garden of Eden :: the self-forging of a Banana Republic /
In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company's power that it challenged the sovereignty of the Latin American and Caribbean...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Regierungsdokument Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin :
University of Texas Press,
2016.
|
| Ausgabe: | First edition. |
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company's power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated "banana republics." In A Camera in the Garden of Eden, Kevin Coleman argues that the "banana republic" was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781477308578 1477308571 9781477308561 1477308563 |
Internformat
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| 245 | 1 | 2 | |a A camera in the garden of Eden : |b the self-forging of a Banana Republic / |c by Kevin Coleman. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2016. | |
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| 505 | 0 | |a Prologue : foto arte and corporate seeing -- Photography as a practice of self-forging -- Visualizing progress -- Vaudeville and empire -- An egalitarian optic -- Transnational imagescapes -- In visibility in an exceptional space -- Photographs of a prayer -- Possibility eruption exists -- Between is and ought -- Epilogue : a bridge called democracy. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | |a In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company's power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated "banana republics." In A Camera in the Garden of Eden, Kevin Coleman argues that the "banana republic" was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study. | ||
| 650 | 0 | |a Photography |x Social aspects. | |
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| 650 | 7 | |a Banana trade |2 fast | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn933296573 |
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| adam_text | |
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| author | Coleman, Kevin P. |
| author_facet | Coleman, Kevin P. |
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| bvnumber | localFWS |
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| contents | Prologue : foto arte and corporate seeing -- Photography as a practice of self-forging -- Visualizing progress -- Vaudeville and empire -- An egalitarian optic -- Transnational imagescapes -- In visibility in an exceptional space -- Photographs of a prayer -- Possibility eruption exists -- Between is and ought -- Epilogue : a bridge called democracy. |
| ctrlnum | (OCoLC)933296573 |
| dewey-full | 770.97283 |
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| dewey-raw | 770.97283 |
| dewey-search | 770.97283 |
| dewey-sort | 3770.97283 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| edition | First edition. |
| format | Government Document Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| geographic | Honduras History. http://id.loc.gov/authorities/subjects/sh85061827 Honduras Histoire. Honduras fast https://id.oclc.org/worldcat/entity/E39PBJpJcG9p8vPFRXVGWTvvHC Honduras gnd http://d-nb.info/gnd/4025814-2 |
| geographic_facet | Honduras History. Honduras Histoire. Honduras |
| id | ZDB-4-EBA-ocn933296573 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:22:39Z |
| institution | BVB |
| isbn | 9781477308578 1477308571 9781477308561 1477308563 |
| language | English |
| oclc_num | 933296573 |
| open_access_boolean | |
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| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University of Texas Press, |
| record_format | marc |
| spelling | Coleman, Kevin P., author. A camera in the garden of Eden : the self-forging of a Banana Republic / by Kevin Coleman. First edition. Austin : University of Texas Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Prologue : foto arte and corporate seeing -- Photography as a practice of self-forging -- Visualizing progress -- Vaudeville and empire -- An egalitarian optic -- Transnational imagescapes -- In visibility in an exceptional space -- Photographs of a prayer -- Possibility eruption exists -- Between is and ought -- Epilogue : a bridge called democracy. Print version record. English. In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company's power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated "banana republics." In A Camera in the Garden of Eden, Kevin Coleman argues that the "banana republic" was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study. Photography Social aspects. Plantation workers Honduras Social conditions. Banana trade Honduras History. Visual communication Social aspects. Honduras History. http://id.loc.gov/authorities/subjects/sh85061827 Photography Honduras. Photographie Aspect social. Communication visuelle Aspect social. Honduras Histoire. Travailleurs des plantations Honduras Conditions sociales. Banane Commerce Honduras Histoire. Photographie Honduras. COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh HISTORY Latin America Central America. bisacsh Banana trade fast Photography fast Photography Social aspects fast Visual communication Social aspects fast Honduras fast https://id.oclc.org/worldcat/entity/E39PBJpJcG9p8vPFRXVGWTvvHC Fotografie gnd Plantagenwirtschaft gnd http://d-nb.info/gnd/4287817-2 Bananenhandel gnd http://d-nb.info/gnd/4358856-6 Bananenproduktion gnd http://d-nb.info/gnd/4654187-1 Arbeitnehmer gnd http://d-nb.info/gnd/4002623-1 Honduras gnd http://d-nb.info/gnd/4025814-2 History fast Print version: Coleman, Kevin P. Camera in the garden of Eden. First edition 9781477308547 (DLC) 2015024075 (OCoLC)913469739 |
| spellingShingle | Coleman, Kevin P. A camera in the garden of Eden : the self-forging of a Banana Republic / Prologue : foto arte and corporate seeing -- Photography as a practice of self-forging -- Visualizing progress -- Vaudeville and empire -- An egalitarian optic -- Transnational imagescapes -- In visibility in an exceptional space -- Photographs of a prayer -- Possibility eruption exists -- Between is and ought -- Epilogue : a bridge called democracy. Photography Social aspects. Plantation workers Honduras Social conditions. Banana trade Honduras History. Visual communication Social aspects. Photography Honduras. Photographie Aspect social. Communication visuelle Aspect social. Travailleurs des plantations Honduras Conditions sociales. Banane Commerce Honduras Histoire. Photographie Honduras. COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh HISTORY Latin America Central America. bisacsh Banana trade fast Photography fast Photography Social aspects fast Visual communication Social aspects fast Fotografie gnd Plantagenwirtschaft gnd http://d-nb.info/gnd/4287817-2 Bananenhandel gnd http://d-nb.info/gnd/4358856-6 Bananenproduktion gnd http://d-nb.info/gnd/4654187-1 Arbeitnehmer gnd http://d-nb.info/gnd/4002623-1 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85061827 http://d-nb.info/gnd/4287817-2 http://d-nb.info/gnd/4358856-6 http://d-nb.info/gnd/4654187-1 http://d-nb.info/gnd/4002623-1 http://d-nb.info/gnd/4025814-2 |
| title | A camera in the garden of Eden : the self-forging of a Banana Republic / |
| title_auth | A camera in the garden of Eden : the self-forging of a Banana Republic / |
| title_exact_search | A camera in the garden of Eden : the self-forging of a Banana Republic / |
| title_full | A camera in the garden of Eden : the self-forging of a Banana Republic / by Kevin Coleman. |
| title_fullStr | A camera in the garden of Eden : the self-forging of a Banana Republic / by Kevin Coleman. |
| title_full_unstemmed | A camera in the garden of Eden : the self-forging of a Banana Republic / by Kevin Coleman. |
| title_short | A camera in the garden of Eden : |
| title_sort | camera in the garden of eden the self forging of a banana republic |
| title_sub | the self-forging of a Banana Republic / |
| topic | Photography Social aspects. Plantation workers Honduras Social conditions. Banana trade Honduras History. Visual communication Social aspects. Photography Honduras. Photographie Aspect social. Communication visuelle Aspect social. Travailleurs des plantations Honduras Conditions sociales. Banane Commerce Honduras Histoire. Photographie Honduras. COMPUTERS Digital Media Photography. bisacsh PHOTOGRAPHY Reference. bisacsh TECHNOLOGY & ENGINEERING Imaging Systems. bisacsh HISTORY Latin America Central America. bisacsh Banana trade fast Photography fast Photography Social aspects fast Visual communication Social aspects fast Fotografie gnd Plantagenwirtschaft gnd http://d-nb.info/gnd/4287817-2 Bananenhandel gnd http://d-nb.info/gnd/4358856-6 Bananenproduktion gnd http://d-nb.info/gnd/4654187-1 Arbeitnehmer gnd http://d-nb.info/gnd/4002623-1 |
| topic_facet | Photography Social aspects. Plantation workers Honduras Social conditions. Banana trade Honduras History. Visual communication Social aspects. Honduras History. Photography Honduras. Photographie Aspect social. Communication visuelle Aspect social. Honduras Histoire. Travailleurs des plantations Honduras Conditions sociales. Banane Commerce Honduras Histoire. Photographie Honduras. COMPUTERS Digital Media Photography. PHOTOGRAPHY Reference. TECHNOLOGY & ENGINEERING Imaging Systems. HISTORY Latin America Central America. Banana trade Photography Photography Social aspects Visual communication Social aspects Honduras Fotografie Plantagenwirtschaft Bananenhandel Bananenproduktion Arbeitnehmer History |
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