The CIA in Hollywood :: how the agency shapes film and television /
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin :
University of Texas Press,
2016.
|
| Ausgabe: | Revised edition. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780292772472 0292772475 9780292772489 0292772483 |
Internformat
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| 100 | 1 | |a Jenkins, Tricia, |e author. | |
| 245 | 1 | 4 | |a The CIA in Hollywood : |b how the agency shapes film and television / |c Patricia Jenkins. |
| 246 | 3 | |a Central Intelligence Agency in Hollywood | |
| 250 | |a Revised edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2016. | |
| 300 | |a 1 online resource | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Rogues, assassins, and buffoons : representations of the CIA in film and television -- Opening the doors : why and how the CIA works with Hollywood -- Necessary and competent : the CIA in the agency and in the company of spies -- The chase Brandon years -- The legal and ethical implications of the CIA in Hollywood -- The last people we want in Hollywood : the retired CIA officer and the Hollywood docudrama -- Argo's Tony Mendez : the first retiree the CIA wants in Hollywood -- Relaxing the rules : Zero Dark Thirty, Homeland, and the move toward Nuance -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 610 | 1 | 0 | |a United States. |b Central Intelligence Agency |x In motion pictures. |
| 610 | 1 | 0 | |a United States. |b Central Intelligence Agency |x Influence. |
| 610 | 1 | 7 | |a United States. |b Central Intelligence Agency |2 fast |
| 650 | 0 | |a Spy films |z United States |x History and criticism. | |
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| 650 | 0 | |a Motion picture industry |z United States. |0 http://id.loc.gov/authorities/subjects/sh85088052 | |
| 650 | 0 | |a Spy television programs |z United States |x History and criticism. | |
| 650 | 6 | |a Films d'espionnage |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Espionnage au cinéma. | |
| 650 | 6 | |a Cinéma |x Industrie |z États-Unis. | |
| 650 | 6 | |a Émissions d'espionnage télévisées |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |x Aspect politique |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
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| 650 | 7 | |a Spy films |2 fast | |
| 650 | 7 | |a Spy television programs |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
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| contents | Introduction -- Rogues, assassins, and buffoons : representations of the CIA in film and television -- Opening the doors : why and how the CIA works with Hollywood -- Necessary and competent : the CIA in the agency and in the company of spies -- The chase Brandon years -- The legal and ethical implications of the CIA in Hollywood -- The last people we want in Hollywood : the retired CIA officer and the Hollywood docudrama -- Argo's Tony Mendez : the first retiree the CIA wants in Hollywood -- Relaxing the rules : Zero Dark Thirty, Homeland, and the move toward Nuance -- Conclusion. |
| ctrlnum | (OCoLC)933296412 |
| dewey-full | 791.43/6581 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6581 |
| dewey-search | 791.43/6581 |
| dewey-sort | 3791.43 46581 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Revised edition. |
| format | Electronic eBook |
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| spelling | Jenkins, Tricia, author. The CIA in Hollywood : how the agency shapes film and television / Patricia Jenkins. Central Intelligence Agency in Hollywood Revised edition. Austin : University of Texas Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction -- Rogues, assassins, and buffoons : representations of the CIA in film and television -- Opening the doors : why and how the CIA works with Hollywood -- Necessary and competent : the CIA in the agency and in the company of spies -- The chase Brandon years -- The legal and ethical implications of the CIA in Hollywood -- The last people we want in Hollywood : the retired CIA officer and the Hollywood docudrama -- Argo's Tony Mendez : the first retiree the CIA wants in Hollywood -- Relaxing the rules : Zero Dark Thirty, Homeland, and the move toward Nuance -- Conclusion. Print version record. United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency Influence. United States. Central Intelligence Agency fast Spy films United States History and criticism. Espionage in motion pictures. http://id.loc.gov/authorities/subjects/sh2009004332 Motion pictures Political aspects United States. Motion picture industry United States. http://id.loc.gov/authorities/subjects/sh85088052 Spy television programs United States History and criticism. Films d'espionnage États-Unis Histoire et critique. Espionnage au cinéma. Cinéma Industrie États-Unis. Émissions d'espionnage télévisées États-Unis Histoire et critique. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. bisacsh Espionage in motion pictures fast Influence (Literary, artistic, etc.) fast Motion picture industry fast Motion pictures fast Motion pictures Political aspects fast Spy films fast Spy television programs fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Print version: Jenkins, Tricia. CIA in Hollywood. Revised edition 9780292772465 (DLC) 2015028460 (OCoLC)914339453 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1130961 Volltext |
| spellingShingle | Jenkins, Tricia The CIA in Hollywood : how the agency shapes film and television / Introduction -- Rogues, assassins, and buffoons : representations of the CIA in film and television -- Opening the doors : why and how the CIA works with Hollywood -- Necessary and competent : the CIA in the agency and in the company of spies -- The chase Brandon years -- The legal and ethical implications of the CIA in Hollywood -- The last people we want in Hollywood : the retired CIA officer and the Hollywood docudrama -- Argo's Tony Mendez : the first retiree the CIA wants in Hollywood -- Relaxing the rules : Zero Dark Thirty, Homeland, and the move toward Nuance -- Conclusion. United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency Influence. United States. Central Intelligence Agency fast Spy films United States History and criticism. Espionage in motion pictures. http://id.loc.gov/authorities/subjects/sh2009004332 Motion pictures Political aspects United States. Motion picture industry United States. http://id.loc.gov/authorities/subjects/sh85088052 Spy television programs United States History and criticism. Films d'espionnage États-Unis Histoire et critique. Espionnage au cinéma. Cinéma Industrie États-Unis. Émissions d'espionnage télévisées États-Unis Histoire et critique. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. bisacsh Espionage in motion pictures fast Influence (Literary, artistic, etc.) fast Motion picture industry fast Motion pictures fast Motion pictures Political aspects fast Spy films fast Spy television programs fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2009004332 http://id.loc.gov/authorities/subjects/sh85088052 |
| title | The CIA in Hollywood : how the agency shapes film and television / |
| title_alt | Central Intelligence Agency in Hollywood |
| title_auth | The CIA in Hollywood : how the agency shapes film and television / |
| title_exact_search | The CIA in Hollywood : how the agency shapes film and television / |
| title_full | The CIA in Hollywood : how the agency shapes film and television / Patricia Jenkins. |
| title_fullStr | The CIA in Hollywood : how the agency shapes film and television / Patricia Jenkins. |
| title_full_unstemmed | The CIA in Hollywood : how the agency shapes film and television / Patricia Jenkins. |
| title_short | The CIA in Hollywood : |
| title_sort | cia in hollywood how the agency shapes film and television |
| title_sub | how the agency shapes film and television / |
| topic | United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency Influence. United States. Central Intelligence Agency fast Spy films United States History and criticism. Espionage in motion pictures. http://id.loc.gov/authorities/subjects/sh2009004332 Motion pictures Political aspects United States. Motion picture industry United States. http://id.loc.gov/authorities/subjects/sh85088052 Spy television programs United States History and criticism. Films d'espionnage États-Unis Histoire et critique. Espionnage au cinéma. Cinéma Industrie États-Unis. Émissions d'espionnage télévisées États-Unis Histoire et critique. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. bisacsh Espionage in motion pictures fast Influence (Literary, artistic, etc.) fast Motion picture industry fast Motion pictures fast Motion pictures Political aspects fast Spy films fast Spy television programs fast |
| topic_facet | United States. Central Intelligence Agency In motion pictures. United States. Central Intelligence Agency Influence. United States. Central Intelligence Agency Spy films United States History and criticism. Espionage in motion pictures. Motion pictures Political aspects United States. Motion picture industry United States. Spy television programs United States History and criticism. Films d'espionnage États-Unis Histoire et critique. Espionnage au cinéma. Cinéma Industrie États-Unis. Émissions d'espionnage télévisées États-Unis Histoire et critique. Cinéma Aspect politique États-Unis. PERFORMING ARTS Reference. Espionage in motion pictures Influence (Literary, artistic, etc.) Motion picture industry Motion pictures Motion pictures Political aspects Spy films Spy television programs United States Criticism, interpretation, etc. |
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