Making sense of cinema :: empirical studies into film spectators and spectatorship /
"Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions"--
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2016.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions"-- |
| Beschreibung: | 1 online resource (xvi, 304 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501302954 1501302957 9781501302961 1501302965 9781501302978 1501302973 9781501320217 1501320211 |
Internformat
MARC
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| 245 | 0 | 0 | |a Making sense of cinema : |b empirical studies into film spectators and spectatorship / |c edited by CarrieLynn D. Reinhard, Christopher J. Olson. |
| 264 | 1 | |a New York : |b Bloomsbury Academic, |c 2016. | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xvi, 304 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a "Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g 1. |t Introduction: Empirical Approaches to Film Spectators and Spectatorship / |r CarrieLynn D. Reinhard and Christopher J. Olson -- |g 2. |t Spectatorship in Public Space: The Moving Image in Public Art / |r Annie Dell'Aria -- |g 3. |t The Festival Collective: Cult Audiences and Asian Extreme Cinema / |r Jessica Hughes -- |g 4. |t : Transnational Investments: Aging in Les Invisibles (Sébastien Lifshitz, 2012) and its Reception / |r Darren Waldron -- |g 5. |t Preferred Readings and Dissociative Appropriations: Group Discussions Following and Challenging the Tradition of Cultural Studies / |r Alexander Geimer -- |g 6/ |t "Legolas, He's Cool ... and He's Hot!": The Meanings and Implications of Audiences' Favorite Characters / |r Martin Barker -- |g 7. |t In Search of the Child Spectator in the Late Silent Era / |r Amanda C. Fleming -- |g 8. |t Seeing, Sensing Sound: Eye-Tracking Soundscapes in Saving Private Ryan and Monsters, Inc. / |r Andrea Russell, Sean Redmond, Jenny Robinson, Jane Stadler, Darrin Verhagen and Sarah Pink -- |g 9. |t Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative / |r Craig Batty, Adrian Dyer, Claire Perkins and Jodi Sita -- |g 10. |t Focalization, Attachment on Film Viewers' Responses to Film Characters: Experimental Design with Qualitative Data Collection / |r Katalin Bálint and András Bálint Kovács -- |g 11. |t Making Sense of the American Superhero Film: Experiences of Engagement and Detachment / |r CarrieLynn D. Reinhard -- |g 12. |t Indexing the Events of an Art Film by Audiences with Different Viewing Backgrounds / |r Sermin Ildirar -- |g 13. |t Exploring the Role of Narrative Contextualizationin Film Interpretation: Issues and Challenges for Eye-Tracking Methodology / |r Thorsten Kluss, John Bateman, Heinz-Oeter Preusser and Kerstin Schill -- |g 14. |t Conclusion: A Metholodigcal Toolbos for Film Reception Studies / |r Christopher J. Olson. |
| 650 | 0 | |a Motion picture audiences |x Research |x Methodology. | |
| 650 | 6 | |a Cinéma |x Publics |x Recherche |x Méthodologie. | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a PSYCHOLOGY |x Social Psychology. |2 bisacsh | |
| 700 | 1 | |a Reinhard, CarrieLynn D., |e editor. | |
| 700 | 1 | |a Olson, Christopher J., |e editor. | |
| 758 | |i has work: |a Making sense of cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFtGb7hQBYc69Jf37cvQHK |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Making sense of cinema. |d New York : Bloomsbury Academic, 2016 |z 9781501302947 |w (DLC) 2015028704 |w (OCoLC)915135932 |
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| DE-BY-FWS_katkey | ZDB-4-EBA-ocn932487675 |
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| _version_ | 1816882333463085056 |
| adam_text | |
| any_adam_object | |
| author2 | Reinhard, CarrieLynn D. Olson, Christopher J. |
| author2_role | edt edt |
| author2_variant | c d r cd cdr c j o cj cjo |
| author_additional | CarrieLynn D. Reinhard and Christopher J. Olson -- Annie Dell'Aria -- Jessica Hughes -- Darren Waldron -- Alexander Geimer -- Martin Barker -- Amanda C. Fleming -- Andrea Russell, Sean Redmond, Jenny Robinson, Jane Stadler, Darrin Verhagen and Sarah Pink -- Craig Batty, Adrian Dyer, Claire Perkins and Jodi Sita -- Katalin Bálint and András Bálint Kovács -- CarrieLynn D. Reinhard -- Sermin Ildirar -- Thorsten Kluss, John Bateman, Heinz-Oeter Preusser and Kerstin Schill -- Christopher J. Olson. |
| author_facet | Reinhard, CarrieLynn D. Olson, Christopher J. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.A8 M275 2016eb |
| callnumber-search | PN1995.9.A8 M275 2016eb |
| callnumber-sort | PN 41995.9 A8 M275 42016EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: Empirical Approaches to Film Spectators and Spectatorship / Spectatorship in Public Space: The Moving Image in Public Art / The Festival Collective: Cult Audiences and Asian Extreme Cinema / : Transnational Investments: Aging in Les Invisibles (Sébastien Lifshitz, 2012) and its Reception / Preferred Readings and Dissociative Appropriations: Group Discussions Following and Challenging the Tradition of Cultural Studies / "Legolas, He's Cool ... and He's Hot!": The Meanings and Implications of Audiences' Favorite Characters / In Search of the Child Spectator in the Late Silent Era / Seeing, Sensing Sound: Eye-Tracking Soundscapes in Saving Private Ryan and Monsters, Inc. / Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative / Focalization, Attachment on Film Viewers' Responses to Film Characters: Experimental Design with Qualitative Data Collection / Making Sense of the American Superhero Film: Experiences of Engagement and Detachment / Indexing the Events of an Art Film by Audiences with Different Viewing Backgrounds / Exploring the Role of Narrative Contextualizationin Film Interpretation: Issues and Challenges for Eye-Tracking Methodology / Conclusion: A Metholodigcal Toolbos for Film Reception Studies / |
| ctrlnum | (OCoLC)932487675 |
| dewey-full | 302.23/43 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23/43 |
| dewey-search | 302.23/43 |
| dewey-sort | 3302.23 243 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:57Z |
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| isbn | 9781501302954 1501302957 9781501302961 1501302965 9781501302978 1501302973 9781501320217 1501320211 |
| language | English |
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| open_access_boolean | |
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| physical | 1 online resource (xvi, 304 pages) : illustrations |
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| publishDateSearch | 2016 |
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| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Making sense of cinema : empirical studies into film spectators and spectatorship / edited by CarrieLynn D. Reinhard, Christopher J. Olson. New York : Bloomsbury Academic, 2016. ©2016 1 online resource (xvi, 304 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier "Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions"-- Provided by publisher Includes bibliographical references and index. Print version record. 1. Introduction: Empirical Approaches to Film Spectators and Spectatorship / CarrieLynn D. Reinhard and Christopher J. Olson -- 2. Spectatorship in Public Space: The Moving Image in Public Art / Annie Dell'Aria -- 3. The Festival Collective: Cult Audiences and Asian Extreme Cinema / Jessica Hughes -- 4. : Transnational Investments: Aging in Les Invisibles (Sébastien Lifshitz, 2012) and its Reception / Darren Waldron -- 5. Preferred Readings and Dissociative Appropriations: Group Discussions Following and Challenging the Tradition of Cultural Studies / Alexander Geimer -- 6/ "Legolas, He's Cool ... and He's Hot!": The Meanings and Implications of Audiences' Favorite Characters / Martin Barker -- 7. In Search of the Child Spectator in the Late Silent Era / Amanda C. Fleming -- 8. Seeing, Sensing Sound: Eye-Tracking Soundscapes in Saving Private Ryan and Monsters, Inc. / Andrea Russell, Sean Redmond, Jenny Robinson, Jane Stadler, Darrin Verhagen and Sarah Pink -- 9. Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative / Craig Batty, Adrian Dyer, Claire Perkins and Jodi Sita -- 10. Focalization, Attachment on Film Viewers' Responses to Film Characters: Experimental Design with Qualitative Data Collection / Katalin Bálint and András Bálint Kovács -- 11. Making Sense of the American Superhero Film: Experiences of Engagement and Detachment / CarrieLynn D. Reinhard -- 12. Indexing the Events of an Art Film by Audiences with Different Viewing Backgrounds / Sermin Ildirar -- 13. Exploring the Role of Narrative Contextualizationin Film Interpretation: Issues and Challenges for Eye-Tracking Methodology / Thorsten Kluss, John Bateman, Heinz-Oeter Preusser and Kerstin Schill -- 14. Conclusion: A Metholodigcal Toolbos for Film Reception Studies / Christopher J. Olson. Motion picture audiences Research Methodology. Cinéma Publics Recherche Méthodologie. Films, cinema. bicssc PERFORMING ARTS Film & Video General. bisacsh PSYCHOLOGY Social Psychology. bisacsh Reinhard, CarrieLynn D., editor. Olson, Christopher J., editor. has work: Making sense of cinema (Text) https://id.oclc.org/worldcat/entity/E39PCFtGb7hQBYc69Jf37cvQHK https://id.oclc.org/worldcat/ontology/hasWork Print version: Making sense of cinema. New York : Bloomsbury Academic, 2016 9781501302947 (DLC) 2015028704 (OCoLC)915135932 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1118538 Volltext |
| spellingShingle | Making sense of cinema : empirical studies into film spectators and spectatorship / Introduction: Empirical Approaches to Film Spectators and Spectatorship / Spectatorship in Public Space: The Moving Image in Public Art / The Festival Collective: Cult Audiences and Asian Extreme Cinema / : Transnational Investments: Aging in Les Invisibles (Sébastien Lifshitz, 2012) and its Reception / Preferred Readings and Dissociative Appropriations: Group Discussions Following and Challenging the Tradition of Cultural Studies / "Legolas, He's Cool ... and He's Hot!": The Meanings and Implications of Audiences' Favorite Characters / In Search of the Child Spectator in the Late Silent Era / Seeing, Sensing Sound: Eye-Tracking Soundscapes in Saving Private Ryan and Monsters, Inc. / Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative / Focalization, Attachment on Film Viewers' Responses to Film Characters: Experimental Design with Qualitative Data Collection / Making Sense of the American Superhero Film: Experiences of Engagement and Detachment / Indexing the Events of an Art Film by Audiences with Different Viewing Backgrounds / Exploring the Role of Narrative Contextualizationin Film Interpretation: Issues and Challenges for Eye-Tracking Methodology / Conclusion: A Metholodigcal Toolbos for Film Reception Studies / Motion picture audiences Research Methodology. Cinéma Publics Recherche Méthodologie. Films, cinema. bicssc PERFORMING ARTS Film & Video General. bisacsh PSYCHOLOGY Social Psychology. bisacsh |
| title | Making sense of cinema : empirical studies into film spectators and spectatorship / |
| title_alt | Introduction: Empirical Approaches to Film Spectators and Spectatorship / Spectatorship in Public Space: The Moving Image in Public Art / The Festival Collective: Cult Audiences and Asian Extreme Cinema / : Transnational Investments: Aging in Les Invisibles (Sébastien Lifshitz, 2012) and its Reception / Preferred Readings and Dissociative Appropriations: Group Discussions Following and Challenging the Tradition of Cultural Studies / "Legolas, He's Cool ... and He's Hot!": The Meanings and Implications of Audiences' Favorite Characters / In Search of the Child Spectator in the Late Silent Era / Seeing, Sensing Sound: Eye-Tracking Soundscapes in Saving Private Ryan and Monsters, Inc. / Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative / Focalization, Attachment on Film Viewers' Responses to Film Characters: Experimental Design with Qualitative Data Collection / Making Sense of the American Superhero Film: Experiences of Engagement and Detachment / Indexing the Events of an Art Film by Audiences with Different Viewing Backgrounds / Exploring the Role of Narrative Contextualizationin Film Interpretation: Issues and Challenges for Eye-Tracking Methodology / Conclusion: A Metholodigcal Toolbos for Film Reception Studies / |
| title_auth | Making sense of cinema : empirical studies into film spectators and spectatorship / |
| title_exact_search | Making sense of cinema : empirical studies into film spectators and spectatorship / |
| title_full | Making sense of cinema : empirical studies into film spectators and spectatorship / edited by CarrieLynn D. Reinhard, Christopher J. Olson. |
| title_fullStr | Making sense of cinema : empirical studies into film spectators and spectatorship / edited by CarrieLynn D. Reinhard, Christopher J. Olson. |
| title_full_unstemmed | Making sense of cinema : empirical studies into film spectators and spectatorship / edited by CarrieLynn D. Reinhard, Christopher J. Olson. |
| title_short | Making sense of cinema : |
| title_sort | making sense of cinema empirical studies into film spectators and spectatorship |
| title_sub | empirical studies into film spectators and spectatorship / |
| topic | Motion picture audiences Research Methodology. Cinéma Publics Recherche Méthodologie. Films, cinema. bicssc PERFORMING ARTS Film & Video General. bisacsh PSYCHOLOGY Social Psychology. bisacsh |
| topic_facet | Motion picture audiences Research Methodology. Cinéma Publics Recherche Méthodologie. Films, cinema. PERFORMING ARTS Film & Video General. PSYCHOLOGY Social Psychology. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1118538 |
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