Reductionism in art and brain science :: bridging the two cultures /
Can science and art find common ground? Are scientific and artistic quests mutually exclusive? In this new book, neuroscientist Eric Kandel, whose interests span the fields of science and art, explores how reductionism-the distillation of larger scientific or aesthetic concepts into smaller, more tr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Columbia University Press,
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Can science and art find common ground? Are scientific and artistic quests mutually exclusive? In this new book, neuroscientist Eric Kandel, whose interests span the fields of science and art, explores how reductionism-the distillation of larger scientific or aesthetic concepts into smaller, more tractable ideas-has been used by scientists and artists alike to pursue their respective truths. Their common use of reductionist strategies demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel draws on his Nobel Prize-winning work studying the neurobiological underpinnings of learning and memory in the humble sea slug, whose simple brain helps illuminate the complex workings of higher animal minds. He extends these findings to the complexities of human perception, which uses bottom-up sensory and top-down cognitive functions to perceive the world and to appreciate and understand works of art. At the heart of this book is an elegant elucidation of the pivotal contribution of reductionism to modern art's extraordinary evolution and to its role in a monumental shift in artistic perspective. |
| Beschreibung: | 1 online resource (x, 226 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231542081 0231542089 0231179626 9780231179621 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn932303011 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 151214t20162016nyua ob 001 0 eng | ||
| 010 | |a 2015049468 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d YDX |d OCLCF |d YDXCP |d N$T |d TEFOD |d JSTOR |d IDEBK |d WAU |d EBLCP |d IDB |d OTZ |d ICA |d AGLDB |d OCLCQ |d MERUC |d OCLCQ |d IOG |d DEGRU |d D6H |d WRM |d COCUF |d VTS |d UOK |d STF |d LOA |d CUY |d COO |d ICG |d K6U |d VT2 |d U3W |d OCLCQ |d WYU |d LVT |d TKN |d DKC |d OCLCQ |d CNMTR |d SFB |d AU@ |d UX1 |d CEF |d ADU |d OCLCQ |d RECBK |d OCLCA |d MM9 |d OCLCO |d OCL |d OCLCQ |d DGITA |d OCLCO |d OCLCL |d UEJ |d OCLCO |d OCLCQ |d HOPLA | ||
| 019 | |a 956138052 |a 984652113 |a 1055388336 |a 1058975214 |a 1066537096 |a 1087003162 |a 1100380859 |a 1101717342 |a 1162293715 |a 1228540667 |a 1290100518 |a 1300694550 | ||
| 020 | |a 9780231542081 |q (electronic bk.) | ||
| 020 | |a 0231542089 |q (electronic bk.) | ||
| 020 | |a 0231179626 | ||
| 020 | |a 9780231179621 | ||
| 020 | |z 9780231179621 |q (hardcover |q alkaline paper) | ||
| 024 | 7 | |a 10.7312/kand17962 |2 doi | |
| 035 | |a (OCoLC)932303011 |z (OCoLC)956138052 |z (OCoLC)984652113 |z (OCoLC)1055388336 |z (OCoLC)1058975214 |z (OCoLC)1066537096 |z (OCoLC)1087003162 |z (OCoLC)1100380859 |z (OCoLC)1101717342 |z (OCoLC)1162293715 |z (OCoLC)1228540667 |z (OCoLC)1290100518 |z (OCoLC)1300694550 | ||
| 037 | |a 1E12BA0A-6C2D-4FBA-804B-0D154246C918 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 22573/ctt1hj9tk0 |b JSTOR | ||
| 042 | |a pcc | ||
| 050 | 4 | |a N71 |b .K355 2016 | |
| 072 | 7 | |a ART |x 060000 |2 bisacsh | |
| 072 | 7 | |a ART |x 025000 |2 bisacsh | |
| 072 | 7 | |a ART015100 |2 bisacsh | |
| 072 | 7 | |a PSY008000 |2 bisacsh | |
| 072 | 7 | |a SCI089000 |2 bisacsh | |
| 072 | 7 | |a ART015110 |2 bisacsh | |
| 072 | 7 | |a PSY020000 |2 bisacsh | |
| 072 | 7 | |a ART007000 |2 bisacsh | |
| 082 | 7 | |a 700.1/9 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Kandel, Eric R., |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJhCFQT49CxQPwBXJD4H4q |0 http://id.loc.gov/authorities/names/n79132454 | |
| 245 | 1 | 0 | |a Reductionism in art and brain science : |b bridging the two cultures / |c Eric R. Kandel. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (x, 226 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures. | |
| 520 | 8 | |a Can science and art find common ground? Are scientific and artistic quests mutually exclusive? In this new book, neuroscientist Eric Kandel, whose interests span the fields of science and art, explores how reductionism-the distillation of larger scientific or aesthetic concepts into smaller, more tractable ideas-has been used by scientists and artists alike to pursue their respective truths. Their common use of reductionist strategies demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel draws on his Nobel Prize-winning work studying the neurobiological underpinnings of learning and memory in the humble sea slug, whose simple brain helps illuminate the complex workings of higher animal minds. He extends these findings to the complexities of human perception, which uses bottom-up sensory and top-down cognitive functions to perceive the world and to appreciate and understand works of art. At the heart of this book is an elegant elucidation of the pivotal contribution of reductionism to modern art's extraordinary evolution and to its role in a monumental shift in artistic perspective. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a In English. | ||
| 650 | 0 | |a Art |x Psychology. |0 http://id.loc.gov/authorities/subjects/sh85007499 | |
| 650 | 0 | |a Reductionism. |0 http://id.loc.gov/authorities/subjects/sh85112145 | |
| 650 | 0 | |a Visual perception. |0 http://id.loc.gov/authorities/subjects/sh85143926 | |
| 650 | 0 | |a Neurosciences and the arts. |0 http://id.loc.gov/authorities/subjects/sh2007001222 | |
| 650 | 0 | |a Neurosciences. |0 http://id.loc.gov/authorities/subjects/sh91006099 | |
| 650 | 1 | 2 | |a Art |x psychology |
| 650 | 2 | 2 | |a Visual Perception |
| 650 | 2 | 2 | |a Neurosciences |
| 650 | 6 | |a Art |x Psychologie. | |
| 650 | 6 | |a Réductionnisme. | |
| 650 | 6 | |a Perception visuelle. | |
| 650 | 6 | |a Neurosciences et arts. | |
| 650 | 6 | |a Neurosciences. | |
| 650 | 7 | |a visual perception. |2 aat | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x Modern (late 19th Century to 1945) |2 bisacsh | |
| 650 | 7 | |a Neurosciences |2 fast | |
| 650 | 7 | |a Art |x Psychology |2 fast | |
| 650 | 7 | |a Neurosciences and the arts |2 fast | |
| 650 | 7 | |a Reductionism |2 fast | |
| 650 | 7 | |a Visual perception |2 fast | |
| 758 | |i has work: |a Reductionism in art and brain science (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFDyBbFfYGyXV4QRVHp8bq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Kandel, Eric R. |t Reductionism in art and brain science. |d New York : Columbia University Press, [2016] |z 9780231179621 |w (DLC) 2015048058 |w (OCoLC)932302605 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1341916 |3 Volltext |
| 938 | |a hoopla Digital |b HOPL |n MWT11861082 | ||
| 938 | |a Digitalia Publishing |b DGIT |n DIGCOLUP0837 | ||
| 938 | |a Recorded Books, LLC |b RECE |n rbeEB00681003 | ||
| 938 | |a De Gruyter |b DEGR |n 9780231542081 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4588064 | ||
| 938 | |a EBSCOhost |b EBSC |n 1341916 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis33393595 | ||
| 938 | |a YBP Library Services |b YANK |n 13102262 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn932303011 |
|---|---|
| _version_ | 1816882333317332992 |
| adam_text | |
| any_adam_object | |
| author | Kandel, Eric R. |
| author_GND | http://id.loc.gov/authorities/names/n79132454 |
| author_facet | Kandel, Eric R. |
| author_role | aut |
| author_sort | Kandel, Eric R. |
| author_variant | e r k er erk |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | N71 |
| callnumber-raw | N71 .K355 2016 |
| callnumber-search | N71 .K355 2016 |
| callnumber-sort | N 271 K355 42016 |
| callnumber-subject | N - Visual Arts |
| collection | ZDB-4-EBA |
| contents | Introduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures. |
| ctrlnum | (OCoLC)932303011 |
| dewey-full | 700.1/9 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.1/9 |
| dewey-search | 700.1/9 |
| dewey-sort | 3700.1 19 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06508cam a2200961 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn932303011</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">151214t20162016nyua ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2015049468</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCF</subfield><subfield code="d">YDXCP</subfield><subfield code="d">N$T</subfield><subfield code="d">TEFOD</subfield><subfield code="d">JSTOR</subfield><subfield code="d">IDEBK</subfield><subfield code="d">WAU</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDB</subfield><subfield code="d">OTZ</subfield><subfield code="d">ICA</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">DEGRU</subfield><subfield code="d">D6H</subfield><subfield code="d">WRM</subfield><subfield code="d">COCUF</subfield><subfield code="d">VTS</subfield><subfield code="d">UOK</subfield><subfield code="d">STF</subfield><subfield code="d">LOA</subfield><subfield code="d">CUY</subfield><subfield code="d">COO</subfield><subfield code="d">ICG</subfield><subfield code="d">K6U</subfield><subfield code="d">VT2</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WYU</subfield><subfield code="d">LVT</subfield><subfield code="d">TKN</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CNMTR</subfield><subfield code="d">SFB</subfield><subfield code="d">AU@</subfield><subfield code="d">UX1</subfield><subfield code="d">CEF</subfield><subfield code="d">ADU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">RECBK</subfield><subfield code="d">OCLCA</subfield><subfield code="d">MM9</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">DGITA</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">UEJ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">HOPLA</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">956138052</subfield><subfield code="a">984652113</subfield><subfield code="a">1055388336</subfield><subfield code="a">1058975214</subfield><subfield code="a">1066537096</subfield><subfield code="a">1087003162</subfield><subfield code="a">1100380859</subfield><subfield code="a">1101717342</subfield><subfield code="a">1162293715</subfield><subfield code="a">1228540667</subfield><subfield code="a">1290100518</subfield><subfield code="a">1300694550</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231542081</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231542089</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231179626</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231179621</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780231179621</subfield><subfield code="q">(hardcover</subfield><subfield code="q">alkaline paper)</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/kand17962</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)932303011</subfield><subfield code="z">(OCoLC)956138052</subfield><subfield code="z">(OCoLC)984652113</subfield><subfield code="z">(OCoLC)1055388336</subfield><subfield code="z">(OCoLC)1058975214</subfield><subfield code="z">(OCoLC)1066537096</subfield><subfield code="z">(OCoLC)1087003162</subfield><subfield code="z">(OCoLC)1100380859</subfield><subfield code="z">(OCoLC)1101717342</subfield><subfield code="z">(OCoLC)1162293715</subfield><subfield code="z">(OCoLC)1228540667</subfield><subfield code="z">(OCoLC)1290100518</subfield><subfield code="z">(OCoLC)1300694550</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">1E12BA0A-6C2D-4FBA-804B-0D154246C918</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1hj9tk0</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N71</subfield><subfield code="b">.K355 2016</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">060000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">025000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART015100</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PSY008000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">SCI089000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART015110</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PSY020000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART007000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">700.1/9</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kandel, Eric R.,</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJhCFQT49CxQPwBXJD4H4q</subfield><subfield code="0">http://id.loc.gov/authorities/names/n79132454</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reductionism in art and brain science :</subfield><subfield code="b">bridging the two cultures /</subfield><subfield code="c">Eric R. Kandel.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Columbia University Press,</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 226 pages) :</subfield><subfield code="b">illustrations (some color)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Can science and art find common ground? Are scientific and artistic quests mutually exclusive? In this new book, neuroscientist Eric Kandel, whose interests span the fields of science and art, explores how reductionism-the distillation of larger scientific or aesthetic concepts into smaller, more tractable ideas-has been used by scientists and artists alike to pursue their respective truths. Their common use of reductionist strategies demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel draws on his Nobel Prize-winning work studying the neurobiological underpinnings of learning and memory in the humble sea slug, whose simple brain helps illuminate the complex workings of higher animal minds. He extends these findings to the complexities of human perception, which uses bottom-up sensory and top-down cognitive functions to perceive the world and to appreciate and understand works of art. At the heart of this book is an elegant elucidation of the pivotal contribution of reductionism to modern art's extraordinary evolution and to its role in a monumental shift in artistic perspective.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art</subfield><subfield code="x">Psychology.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85007499</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Reductionism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85112145</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Visual perception.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85143926</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Neurosciences and the arts.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2007001222</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Neurosciences.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh91006099</subfield></datafield><datafield tag="650" ind1="1" ind2="2"><subfield code="a">Art</subfield><subfield code="x">psychology</subfield></datafield><datafield tag="650" ind1="2" ind2="2"><subfield code="a">Visual Perception</subfield></datafield><datafield tag="650" ind1="2" ind2="2"><subfield code="a">Neurosciences</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art</subfield><subfield code="x">Psychologie.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Réductionnisme.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Perception visuelle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Neurosciences et arts.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Neurosciences.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">visual perception.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">Performance.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">History</subfield><subfield code="x">Modern (late 19th Century to 1945)</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Neurosciences</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art</subfield><subfield code="x">Psychology</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Neurosciences and the arts</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Reductionism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Visual perception</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Reductionism in art and brain science (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFDyBbFfYGyXV4QRVHp8bq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Kandel, Eric R.</subfield><subfield code="t">Reductionism in art and brain science.</subfield><subfield code="d">New York : Columbia University Press, [2016]</subfield><subfield code="z">9780231179621</subfield><subfield code="w">(DLC) 2015048058</subfield><subfield code="w">(OCoLC)932302605</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1341916</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">hoopla Digital</subfield><subfield code="b">HOPL</subfield><subfield code="n">MWT11861082</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Digitalia Publishing</subfield><subfield code="b">DGIT</subfield><subfield code="n">DIGCOLUP0837</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Recorded Books, LLC</subfield><subfield code="b">RECE</subfield><subfield code="n">rbeEB00681003</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780231542081</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4588064</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1341916</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis33393595</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13102262</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocn932303011 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:57Z |
| institution | BVB |
| isbn | 9780231542081 0231542089 0231179626 9780231179621 |
| language | English |
| lccn | 2015049468 |
| oclc_num | 932303011 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 226 pages) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Columbia University Press, |
| record_format | marc |
| spelling | Kandel, Eric R., author. https://id.oclc.org/worldcat/entity/E39PBJhCFQT49CxQPwBXJD4H4q http://id.loc.gov/authorities/names/n79132454 Reductionism in art and brain science : bridging the two cultures / Eric R. Kandel. New York : Columbia University Press, [2016] ©2016 1 online resource (x, 226 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Includes bibliographical references and index. Introduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures. Can science and art find common ground? Are scientific and artistic quests mutually exclusive? In this new book, neuroscientist Eric Kandel, whose interests span the fields of science and art, explores how reductionism-the distillation of larger scientific or aesthetic concepts into smaller, more tractable ideas-has been used by scientists and artists alike to pursue their respective truths. Their common use of reductionist strategies demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel draws on his Nobel Prize-winning work studying the neurobiological underpinnings of learning and memory in the humble sea slug, whose simple brain helps illuminate the complex workings of higher animal minds. He extends these findings to the complexities of human perception, which uses bottom-up sensory and top-down cognitive functions to perceive the world and to appreciate and understand works of art. At the heart of this book is an elegant elucidation of the pivotal contribution of reductionism to modern art's extraordinary evolution and to its role in a monumental shift in artistic perspective. Print version record. In English. Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Reductionism. http://id.loc.gov/authorities/subjects/sh85112145 Visual perception. http://id.loc.gov/authorities/subjects/sh85143926 Neurosciences and the arts. http://id.loc.gov/authorities/subjects/sh2007001222 Neurosciences. http://id.loc.gov/authorities/subjects/sh91006099 Art psychology Visual Perception Neurosciences Art Psychologie. Réductionnisme. Perception visuelle. Neurosciences et arts. Neurosciences. visual perception. aat ART Performance. bisacsh ART Reference. bisacsh ART History Modern (late 19th Century to 1945) bisacsh Neurosciences fast Art Psychology fast Neurosciences and the arts fast Reductionism fast Visual perception fast has work: Reductionism in art and brain science (Text) https://id.oclc.org/worldcat/entity/E39PCFDyBbFfYGyXV4QRVHp8bq https://id.oclc.org/worldcat/ontology/hasWork Print version: Kandel, Eric R. Reductionism in art and brain science. New York : Columbia University Press, [2016] 9780231179621 (DLC) 2015048058 (OCoLC)932302605 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1341916 Volltext |
| spellingShingle | Kandel, Eric R. Reductionism in art and brain science : bridging the two cultures / Introduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures. Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Reductionism. http://id.loc.gov/authorities/subjects/sh85112145 Visual perception. http://id.loc.gov/authorities/subjects/sh85143926 Neurosciences and the arts. http://id.loc.gov/authorities/subjects/sh2007001222 Neurosciences. http://id.loc.gov/authorities/subjects/sh91006099 Art psychology Visual Perception Neurosciences Art Psychologie. Réductionnisme. Perception visuelle. Neurosciences et arts. Neurosciences. visual perception. aat ART Performance. bisacsh ART Reference. bisacsh ART History Modern (late 19th Century to 1945) bisacsh Neurosciences fast Art Psychology fast Neurosciences and the arts fast Reductionism fast Visual perception fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85007499 http://id.loc.gov/authorities/subjects/sh85112145 http://id.loc.gov/authorities/subjects/sh85143926 http://id.loc.gov/authorities/subjects/sh2007001222 http://id.loc.gov/authorities/subjects/sh91006099 |
| title | Reductionism in art and brain science : bridging the two cultures / |
| title_auth | Reductionism in art and brain science : bridging the two cultures / |
| title_exact_search | Reductionism in art and brain science : bridging the two cultures / |
| title_full | Reductionism in art and brain science : bridging the two cultures / Eric R. Kandel. |
| title_fullStr | Reductionism in art and brain science : bridging the two cultures / Eric R. Kandel. |
| title_full_unstemmed | Reductionism in art and brain science : bridging the two cultures / Eric R. Kandel. |
| title_short | Reductionism in art and brain science : |
| title_sort | reductionism in art and brain science bridging the two cultures |
| title_sub | bridging the two cultures / |
| topic | Art Psychology. http://id.loc.gov/authorities/subjects/sh85007499 Reductionism. http://id.loc.gov/authorities/subjects/sh85112145 Visual perception. http://id.loc.gov/authorities/subjects/sh85143926 Neurosciences and the arts. http://id.loc.gov/authorities/subjects/sh2007001222 Neurosciences. http://id.loc.gov/authorities/subjects/sh91006099 Art psychology Visual Perception Neurosciences Art Psychologie. Réductionnisme. Perception visuelle. Neurosciences et arts. Neurosciences. visual perception. aat ART Performance. bisacsh ART Reference. bisacsh ART History Modern (late 19th Century to 1945) bisacsh Neurosciences fast Art Psychology fast Neurosciences and the arts fast Reductionism fast Visual perception fast |
| topic_facet | Art Psychology. Reductionism. Visual perception. Neurosciences and the arts. Neurosciences. Art psychology Visual Perception Neurosciences Art Psychologie. Réductionnisme. Perception visuelle. Neurosciences et arts. visual perception. ART Performance. ART Reference. ART History Modern (late 19th Century to 1945) Art Psychology Neurosciences and the arts Reductionism Visual perception |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1341916 |
| work_keys_str_mv | AT kandelericr reductionisminartandbrainsciencebridgingthetwocultures |