Categorizing sound :: genre and twentieth-century popular music /
"Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? Aft...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oakland, California :
University of California Press,
[2016]
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher. |
Beschreibung: | 1 online resource (xvi, 368 pages) : illustrations, music |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780520965317 0520965310 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn932302927 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 151214t20162016cauag ob 001 0 eng | ||
010 | |a 2015049245 | ||
040 | |a DLC |b eng |e rda |e pn |c DLC |d YDX |d N$T |d YDXCP |d EBLCP |d JSTOR |d WAU |d P@U |d IDB |d OTZ |d TEFOD |d IOG |d OCLCF |d KSU |d MERUC |d OCLCQ |d G3B |d IGB |d BRX |d AU@ |d AGLDB |d DEGRU |d OCLCQ |d VLY |d QGK |d DST |d OCLCQ |d OCLCO |d OCLCL | ||
019 | |a 958350037 |a 958778472 |a 959272624 |a 959873827 |a 1162074129 |a 1241771565 |a 1300550823 |a 1303305307 | ||
020 | |a 9780520965317 |q (electronic bk.) | ||
020 | |a 0520965310 |q (electronic bk.) | ||
020 | |z 9780520248717 |q (hardcover ; |q alkaline paper) | ||
024 | 7 | |a 10.1525/9780520965317 |2 doi | |
035 | |a (OCoLC)932302927 |z (OCoLC)958350037 |z (OCoLC)958778472 |z (OCoLC)959272624 |z (OCoLC)959873827 |z (OCoLC)1162074129 |z (OCoLC)1241771565 |z (OCoLC)1300550823 |z (OCoLC)1303305307 | ||
037 | |a 22573/ctt1c7rx07 |b JSTOR | ||
037 | |a A1A49C11-BD88-4664-A0CE-0B0802145253 |b OverDrive, Inc. |n http://www.overdrive.com | ||
042 | |a pcc | ||
043 | |a n-us--- | ||
050 | 1 | 0 | |a ML3918.P67 |b B72 2016 |
072 | 7 | |a MUS |x 041000 |2 bisacsh | |
072 | 7 | |a MUS049000 |2 bisacsh | |
072 | 7 | |a MUS029000 |2 bisacsh | |
072 | 7 | |a MUS020000 |2 bisacsh | |
082 | 7 | |a 781.64 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Brackett, David, |e author. | |
245 | 1 | 0 | |a Categorizing sound : |b genre and twentieth-century popular music / |c David Brackett. |
264 | 1 | |a Oakland, California : |b University of California Press, |c [2016] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (xvi, 368 pages) : |b illustrations, music | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s -- The corny-ness of the folk -- The dictionary of soul -- Crossover dreams: from Urban cowboy to the King of Pop -- Notes toward a conclusion. | |
520 | |a "Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher. | ||
588 | 0 | |a Print version record. | |
546 | |a English. | ||
650 | 0 | |a Popular music genres |x Social aspects |z United States. | |
650 | 0 | |a Popular music |z United States |x History and criticism. | |
650 | 6 | |a Musique populaire |z États-Unis |x Histoire et critique. | |
650 | 6 | |a Genres de musique populaire |x Aspect social |z États-Unis. | |
650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
650 | 7 | |a MUSIC |x Genres & Styles |x General. |2 bisacsh | |
650 | 7 | |a Popular music |2 fast | |
651 | 7 | |a United States |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
758 | |i has work: |a Categorizing sound (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG63XpqxqWy3f8CPFtmHkC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Brackett, David. |t Categorizing sound. |d Oakland, California : University of California Press, [2016] |z 9780520248717 |w (DLC) 2015046200 |w (OCoLC)932116111 |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1244591 |3 Volltext |
938 | |a De Gruyter |b DEGR |n 9780520965317 | ||
938 | |a EBL - Ebook Library |b EBLB |n EBL4405680 | ||
938 | |a EBSCOhost |b EBSC |n 1244591 | ||
938 | |a Project MUSE |b MUSE |n muse53126 | ||
938 | |a YBP Library Services |b YANK |n 13018095 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn932302927 |
---|---|
_version_ | 1816882333366616064 |
adam_text | |
any_adam_object | |
author | Brackett, David |
author_facet | Brackett, David |
author_role | aut |
author_sort | Brackett, David |
author_variant | d b db |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | ML3918 |
callnumber-raw | ML3918.P67 B72 2016 |
callnumber-search | ML3918.P67 B72 2016 |
callnumber-sort | ML 43918 P67 B72 42016 |
callnumber-subject | ML - Literature on Music |
collection | ZDB-4-EBA |
contents | Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s -- The corny-ness of the folk -- The dictionary of soul -- Crossover dreams: from Urban cowboy to the King of Pop -- Notes toward a conclusion. |
ctrlnum | (OCoLC)932302927 |
dewey-full | 781.64 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.64 |
dewey-search | 781.64 |
dewey-sort | 3781.64 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04265cam a2200697 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn932302927</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">151214t20162016cauag ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2015049245</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">YDX</subfield><subfield code="d">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">EBLCP</subfield><subfield code="d">JSTOR</subfield><subfield code="d">WAU</subfield><subfield code="d">P@U</subfield><subfield code="d">IDB</subfield><subfield code="d">OTZ</subfield><subfield code="d">TEFOD</subfield><subfield code="d">IOG</subfield><subfield code="d">OCLCF</subfield><subfield code="d">KSU</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">G3B</subfield><subfield code="d">IGB</subfield><subfield code="d">BRX</subfield><subfield code="d">AU@</subfield><subfield code="d">AGLDB</subfield><subfield code="d">DEGRU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VLY</subfield><subfield code="d">QGK</subfield><subfield code="d">DST</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">958350037</subfield><subfield code="a">958778472</subfield><subfield code="a">959272624</subfield><subfield code="a">959873827</subfield><subfield code="a">1162074129</subfield><subfield code="a">1241771565</subfield><subfield code="a">1300550823</subfield><subfield code="a">1303305307</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520965317</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0520965310</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780520248717</subfield><subfield code="q">(hardcover ;</subfield><subfield code="q">alkaline paper)</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1525/9780520965317</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)932302927</subfield><subfield code="z">(OCoLC)958350037</subfield><subfield code="z">(OCoLC)958778472</subfield><subfield code="z">(OCoLC)959272624</subfield><subfield code="z">(OCoLC)959873827</subfield><subfield code="z">(OCoLC)1162074129</subfield><subfield code="z">(OCoLC)1241771565</subfield><subfield code="z">(OCoLC)1300550823</subfield><subfield code="z">(OCoLC)1303305307</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1c7rx07</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">A1A49C11-BD88-4664-A0CE-0B0802145253</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">n-us---</subfield></datafield><datafield tag="050" ind1="1" ind2="0"><subfield code="a">ML3918.P67</subfield><subfield code="b">B72 2016</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">041000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS049000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS029000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS020000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.64</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brackett, David,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Categorizing sound :</subfield><subfield code="b">genre and twentieth-century popular music /</subfield><subfield code="c">David Brackett.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California :</subfield><subfield code="b">University of California Press,</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 368 pages) :</subfield><subfield code="b">illustrations, music</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s -- The corny-ness of the folk -- The dictionary of soul -- Crossover dreams: from Urban cowboy to the King of Pop -- Notes toward a conclusion.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music genres</subfield><subfield code="x">Social aspects</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Musique populaire</subfield><subfield code="z">États-Unis</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Genres de musique populaire</subfield><subfield code="x">Aspect social</subfield><subfield code="z">États-Unis.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Instruction & Study</subfield><subfield code="x">Theory.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">United States</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Categorizing sound (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCG63XpqxqWy3f8CPFtmHkC</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Brackett, David.</subfield><subfield code="t">Categorizing sound.</subfield><subfield code="d">Oakland, California : University of California Press, [2016]</subfield><subfield code="z">9780520248717</subfield><subfield code="w">(DLC) 2015046200</subfield><subfield code="w">(OCoLC)932116111</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1244591</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9780520965317</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4405680</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1244591</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">muse53126</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13018095</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | United States fast |
geographic_facet | United States |
id | ZDB-4-EBA-ocn932302927 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:26:57Z |
institution | BVB |
isbn | 9780520965317 0520965310 |
language | English |
lccn | 2015049245 |
oclc_num | 932302927 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xvi, 368 pages) : illustrations, music |
psigel | ZDB-4-EBA |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | University of California Press, |
record_format | marc |
spelling | Brackett, David, author. Categorizing sound : genre and twentieth-century popular music / David Brackett. Oakland, California : University of California Press, [2016] ©2016 1 online resource (xvi, 368 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s -- The corny-ness of the folk -- The dictionary of soul -- Crossover dreams: from Urban cowboy to the King of Pop -- Notes toward a conclusion. "Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher. Print version record. English. Popular music genres Social aspects United States. Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. Genres de musique populaire Aspect social États-Unis. MUSIC Instruction & Study Theory. bisacsh MUSIC Genres & Styles General. bisacsh Popular music fast United States fast Criticism, interpretation, etc. fast has work: Categorizing sound (Text) https://id.oclc.org/worldcat/entity/E39PCG63XpqxqWy3f8CPFtmHkC https://id.oclc.org/worldcat/ontology/hasWork Print version: Brackett, David. Categorizing sound. Oakland, California : University of California Press, [2016] 9780520248717 (DLC) 2015046200 (OCoLC)932116111 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1244591 Volltext |
spellingShingle | Brackett, David Categorizing sound : genre and twentieth-century popular music / Introduction: They never even knew -- Foreign music and the emergence of phonography -- Forward to the past: race music in the 1920s -- The newness of old-time music -- From jazz to pop: swing in the 1940s -- The corny-ness of the folk -- The dictionary of soul -- Crossover dreams: from Urban cowboy to the King of Pop -- Notes toward a conclusion. Popular music genres Social aspects United States. Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. Genres de musique populaire Aspect social États-Unis. MUSIC Instruction & Study Theory. bisacsh MUSIC Genres & Styles General. bisacsh Popular music fast |
title | Categorizing sound : genre and twentieth-century popular music / |
title_auth | Categorizing sound : genre and twentieth-century popular music / |
title_exact_search | Categorizing sound : genre and twentieth-century popular music / |
title_full | Categorizing sound : genre and twentieth-century popular music / David Brackett. |
title_fullStr | Categorizing sound : genre and twentieth-century popular music / David Brackett. |
title_full_unstemmed | Categorizing sound : genre and twentieth-century popular music / David Brackett. |
title_short | Categorizing sound : |
title_sort | categorizing sound genre and twentieth century popular music |
title_sub | genre and twentieth-century popular music / |
topic | Popular music genres Social aspects United States. Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. Genres de musique populaire Aspect social États-Unis. MUSIC Instruction & Study Theory. bisacsh MUSIC Genres & Styles General. bisacsh Popular music fast |
topic_facet | Popular music genres Social aspects United States. Popular music United States History and criticism. Musique populaire États-Unis Histoire et critique. Genres de musique populaire Aspect social États-Unis. MUSIC Instruction & Study Theory. MUSIC Genres & Styles General. Popular music United States Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1244591 |
work_keys_str_mv | AT brackettdavid categorizingsoundgenreandtwentiethcenturypopularmusic |