Postcolonial overtures :: the politics of sound in contemporary Northern Irish poetry /
Postcolonial Overtures explores the importance of sound in contemporary Northern Irish writing, focusing on the work of three canonical poets: Ciaran Carson, Derek Mahon, and Paul Muldoon. Obert argues that these poets respond to what Edward Said calls "geographical violence"-to the strati...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Syracuse :
Syracuse University Press,
2015.
|
Ausgabe: | First edition. |
Schriftenreihe: | Irish studies.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Postcolonial Overtures explores the importance of sound in contemporary Northern Irish writing, focusing on the work of three canonical poets: Ciaran Carson, Derek Mahon, and Paul Muldoon. Obert argues that these poets respond to what Edward Said calls "geographical violence"-to the stratification of the North's visual spaces; to the sectarian symbols splashed across Belfast and beyond-by turning from the eye to the ear, tentatively remapping place in acoustic space. Carson, for instance, casts Troubles-era Belfast as a "demolition city," its landmarks "swallowed in the maw of time and trouble," and tries to compensate for this inhospitality by reimagining landscape as soundscape, an immersive auditory field. This strategy suggests sound's political and affective potential: music, accent, and even comfortingly familiar white noise can help subjects, otherwise unmoored, feel at home. Drawing on a diverse range of fields, Obert devotes two chapters to the examination of each poet's work, allowing room for both in-depth formalist readings and contextual and theoretical understandings of the poems and their reverberating effects. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780815653493 0815653492 |
Internformat
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245 | 1 | 0 | |a Postcolonial overtures : |b the politics of sound in contemporary Northern Irish poetry / |c Julia C. Obert. |
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505 | 0 | |a Of homing refrains -- Ciaran Carson: sounding the city -- Ciaran Carson: from song to stutter -- Derek Mahon: bearing earwitness -- Derek Mahon: a "politics of frequency" -- Paul Muldoon: becoming opera -- Paul Muldoon: poetic sonography -- Coda: "the new north." | |
588 | 0 | |a Print version record. | |
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520 | |a Postcolonial Overtures explores the importance of sound in contemporary Northern Irish writing, focusing on the work of three canonical poets: Ciaran Carson, Derek Mahon, and Paul Muldoon. Obert argues that these poets respond to what Edward Said calls "geographical violence"-to the stratification of the North's visual spaces; to the sectarian symbols splashed across Belfast and beyond-by turning from the eye to the ear, tentatively remapping place in acoustic space. Carson, for instance, casts Troubles-era Belfast as a "demolition city," its landmarks "swallowed in the maw of time and trouble," and tries to compensate for this inhospitality by reimagining landscape as soundscape, an immersive auditory field. This strategy suggests sound's political and affective potential: music, accent, and even comfortingly familiar white noise can help subjects, otherwise unmoored, feel at home. Drawing on a diverse range of fields, Obert devotes two chapters to the examination of each poet's work, allowing room for both in-depth formalist readings and contextual and theoretical understandings of the poems and their reverberating effects. | ||
600 | 1 | 0 | |a Muldoon, Paul |x Criticism and interpretation. |
600 | 1 | 0 | |a Mahon, Derek, |d 1941-2020 |x Criticism and interpretation. |
600 | 1 | 0 | |a Carson, Ciaran, |d 1948-2019 |x Criticism and interpretation. |
600 | 1 | 7 | |a Carson, Ciaran, |d 1948-2019 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJbxBFV7vpBjCTHpfk8wG3 |
600 | 1 | 7 | |a Mahon, Derek, |d 1941-2020 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJf8vtXPRPhjBxxPwXjDMP |
600 | 1 | 7 | |a Muldoon, Paul |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJgmR64TmxKTFRpr4KCWjC |
650 | 0 | |a Sound in literature. |0 http://id.loc.gov/authorities/subjects/sh94009081 | |
650 | 0 | |a English poetry |y 20th century |x History and criticism. | |
650 | 0 | |a English poetry |x Irish authors |x History and criticism. | |
651 | 0 | |a Northern Ireland |x In literature. | |
650 | 6 | |a Poésie anglaise |y 20e siècle |x Histoire et critique. | |
650 | 6 | |a Poésie anglaise |x Auteurs irlandais |x Histoire et critique. | |
650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
650 | 7 | |a English poetry |2 fast | |
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author | Obert, Julia C. |
author_GND | http://id.loc.gov/authorities/names/n2015044932 |
author_facet | Obert, Julia C. |
author_role | |
author_sort | Obert, Julia C. |
author_variant | j c o jc jco |
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callnumber-first | P - Language and Literature |
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callnumber-search | PR8781.S75 O43 2015eb |
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callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Of homing refrains -- Ciaran Carson: sounding the city -- Ciaran Carson: from song to stutter -- Derek Mahon: bearing earwitness -- Derek Mahon: a "politics of frequency" -- Paul Muldoon: becoming opera -- Paul Muldoon: poetic sonography -- Coda: "the new north." |
ctrlnum | (OCoLC)928978171 |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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dewey-raw | 821/.9109357 |
dewey-search | 821/.9109357 |
dewey-sort | 3821 79109357 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
edition | First edition. |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
geographic | Northern Ireland In literature. Northern Ireland fast https://id.oclc.org/worldcat/entity/E39QbtfRkd6Thwyx76cfMKMjPp |
geographic_facet | Northern Ireland In literature. Northern Ireland |
id | ZDB-4-EBA-ocn928978171 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:26:53Z |
institution | BVB |
isbn | 9780815653493 0815653492 |
language | English |
oclc_num | 928978171 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Syracuse University Press, |
record_format | marc |
series | Irish studies. |
series2 | Irish Studies |
spelling | Obert, Julia C. http://id.loc.gov/authorities/names/n2015044932 Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / Julia C. Obert. First edition. Syracuse : Syracuse University Press, 2015. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Irish Studies Includes bibliographical references and index. Of homing refrains -- Ciaran Carson: sounding the city -- Ciaran Carson: from song to stutter -- Derek Mahon: bearing earwitness -- Derek Mahon: a "politics of frequency" -- Paul Muldoon: becoming opera -- Paul Muldoon: poetic sonography -- Coda: "the new north." Print version record. English. Postcolonial Overtures explores the importance of sound in contemporary Northern Irish writing, focusing on the work of three canonical poets: Ciaran Carson, Derek Mahon, and Paul Muldoon. Obert argues that these poets respond to what Edward Said calls "geographical violence"-to the stratification of the North's visual spaces; to the sectarian symbols splashed across Belfast and beyond-by turning from the eye to the ear, tentatively remapping place in acoustic space. Carson, for instance, casts Troubles-era Belfast as a "demolition city," its landmarks "swallowed in the maw of time and trouble," and tries to compensate for this inhospitality by reimagining landscape as soundscape, an immersive auditory field. This strategy suggests sound's political and affective potential: music, accent, and even comfortingly familiar white noise can help subjects, otherwise unmoored, feel at home. Drawing on a diverse range of fields, Obert devotes two chapters to the examination of each poet's work, allowing room for both in-depth formalist readings and contextual and theoretical understandings of the poems and their reverberating effects. Muldoon, Paul Criticism and interpretation. Mahon, Derek, 1941-2020 Criticism and interpretation. Carson, Ciaran, 1948-2019 Criticism and interpretation. Carson, Ciaran, 1948-2019 fast https://id.oclc.org/worldcat/entity/E39PBJbxBFV7vpBjCTHpfk8wG3 Mahon, Derek, 1941-2020 fast https://id.oclc.org/worldcat/entity/E39PBJf8vtXPRPhjBxxPwXjDMP Muldoon, Paul fast https://id.oclc.org/worldcat/entity/E39PBJgmR64TmxKTFRpr4KCWjC Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 English poetry 20th century History and criticism. English poetry Irish authors History and criticism. Northern Ireland In literature. Poésie anglaise 20e siècle Histoire et critique. Poésie anglaise Auteurs irlandais Histoire et critique. POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English poetry fast English poetry Irish authors fast Literature fast Sound in literature fast Northern Ireland fast https://id.oclc.org/worldcat/entity/E39QbtfRkd6Thwyx76cfMKMjPp 1900-1999 fast Criticism, interpretation, etc. fast has work: Postcolonial overtures (Text) https://id.oclc.org/worldcat/entity/E39PCGc8GhkPKJ8PC639VPYqXq https://id.oclc.org/worldcat/ontology/hasWork Print version: Obert, Julia C. Postcolonial overtures. First edition. Syracuse : Syracuse University Press, 2015 (DLC) 2015027643 Irish studies. http://id.loc.gov/authorities/names/n95088394 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=986566 Volltext |
spellingShingle | Obert, Julia C. Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / Irish studies. Of homing refrains -- Ciaran Carson: sounding the city -- Ciaran Carson: from song to stutter -- Derek Mahon: bearing earwitness -- Derek Mahon: a "politics of frequency" -- Paul Muldoon: becoming opera -- Paul Muldoon: poetic sonography -- Coda: "the new north." Muldoon, Paul Criticism and interpretation. Mahon, Derek, 1941-2020 Criticism and interpretation. Carson, Ciaran, 1948-2019 Criticism and interpretation. Carson, Ciaran, 1948-2019 fast https://id.oclc.org/worldcat/entity/E39PBJbxBFV7vpBjCTHpfk8wG3 Mahon, Derek, 1941-2020 fast https://id.oclc.org/worldcat/entity/E39PBJf8vtXPRPhjBxxPwXjDMP Muldoon, Paul fast https://id.oclc.org/worldcat/entity/E39PBJgmR64TmxKTFRpr4KCWjC Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 English poetry 20th century History and criticism. English poetry Irish authors History and criticism. Poésie anglaise 20e siècle Histoire et critique. Poésie anglaise Auteurs irlandais Histoire et critique. POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English poetry fast English poetry Irish authors fast Literature fast Sound in literature fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh94009081 |
title | Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / |
title_auth | Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / |
title_exact_search | Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / |
title_full | Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / Julia C. Obert. |
title_fullStr | Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / Julia C. Obert. |
title_full_unstemmed | Postcolonial overtures : the politics of sound in contemporary Northern Irish poetry / Julia C. Obert. |
title_short | Postcolonial overtures : |
title_sort | postcolonial overtures the politics of sound in contemporary northern irish poetry |
title_sub | the politics of sound in contemporary Northern Irish poetry / |
topic | Muldoon, Paul Criticism and interpretation. Mahon, Derek, 1941-2020 Criticism and interpretation. Carson, Ciaran, 1948-2019 Criticism and interpretation. Carson, Ciaran, 1948-2019 fast https://id.oclc.org/worldcat/entity/E39PBJbxBFV7vpBjCTHpfk8wG3 Mahon, Derek, 1941-2020 fast https://id.oclc.org/worldcat/entity/E39PBJf8vtXPRPhjBxxPwXjDMP Muldoon, Paul fast https://id.oclc.org/worldcat/entity/E39PBJgmR64TmxKTFRpr4KCWjC Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 English poetry 20th century History and criticism. English poetry Irish authors History and criticism. Poésie anglaise 20e siècle Histoire et critique. Poésie anglaise Auteurs irlandais Histoire et critique. POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English poetry fast English poetry Irish authors fast Literature fast Sound in literature fast |
topic_facet | Muldoon, Paul Criticism and interpretation. Mahon, Derek, 1941-2020 Criticism and interpretation. Carson, Ciaran, 1948-2019 Criticism and interpretation. Carson, Ciaran, 1948-2019 Mahon, Derek, 1941-2020 Muldoon, Paul Sound in literature. English poetry 20th century History and criticism. English poetry Irish authors History and criticism. Northern Ireland In literature. Poésie anglaise 20e siècle Histoire et critique. Poésie anglaise Auteurs irlandais Histoire et critique. POETRY English, Irish, Scottish, Welsh. LITERARY CRITICISM European English, Irish, Scottish, Welsh. English poetry English poetry Irish authors Literature Sound in literature Northern Ireland Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=986566 |
work_keys_str_mv | AT obertjuliac postcolonialoverturesthepoliticsofsoundincontemporarynorthernirishpoetry |