Becoming a music teacher :: from student to practitioner /
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford :
Oxford University Press,
2016.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780190245092 0190245093 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn928388372 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 151109s2016 nyu ob 001 0 eng d | ||
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| 037 | |a 4084101 |b Proquest Ebook Central | ||
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| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 082 | 7 | |a 780.71 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Hamann, Donald L. | |
| 245 | 1 | 0 | |a Becoming a music teacher : |b from student to practitioner / |c Donald L. Hamann and Shelly Cooper. |
| 264 | 1 | |a New York ; |a Oxford : |b Oxford University Press, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Module 1. Posture ; Kodaly ; Conducting posture and rebound ; Our profession and decision-making -- Module 2. Eye contact ; Sight-singing steps ; Conducting rebound and hand/arm independence ; School community -- Module 3. Establishing carriage ; Rhythmic duration syllable systems ; Hand/arm independence ; Classroom word choice -- Module 4. Facial expression ; Sight-singing ; Hand/arm conducting independence ; Ethics in teaching -- Module 5. Receiving facial expression messages ; Body posture and singing ; Conducting independence and rebounds ; Diverse learners -- Module 6. Facial gestures with hands ; Breathing and singing ; Conductor cueing ; Classroom modeling -- Module 7. Visual scanning ; Vocal exploration ; Conducting crescendos and diminuendos ; Teaching adolescents -- Module 8. Visual scanning ; Vocal exploration and the wave ; Conducting cutoff gestures ; Teaching music in early childhood -- Module 9. Connective eye contact ; Improvisation in singing ; Conducting cutoff gestures ; Communicating with students -- Module 10. Visual awareness and facial gestures ; Singing intervals ; Conducting the 4/4 pattern ; Goals and objectives -- Module 11. Reading individuals ; Lip trills in vocal warm-up ; Conducting the 3/4 pattern ; Lesson planning -- Module 12. Identifying facial gestures ; Solfege syllables ; Conducting the 2/4 pattern ; Assessment -- Module 13. Emotions ; Resonance through humming ; Preparatory gestures in 4/4 ; Motivation -- Module 14. Identifying expressions ; Building triads ; Preparatory gestures in 3/4 ; Learning theories -- Module 15. Identifying expressions ; Triads using inversions ; Preparatory gestures in 2/4 ; Jean Piaget -- Module 16. Facial and body gesture awareness ; Chord building ; Preparatory gestures in 4/4 ; Jerome Bruner -- Module 17. Identifying facial and body expressions ; Singing ascending leaps ; Preparatory gestures in 3/4 ; Asking good questions -- Module 18. Body expression awareness ; Singing large ascending leaps ; Preparatory gestures in 2/4 ; Teaching flexibility -- Module 19. Upper- and lower-body gestures ; Breath support ; Preparatory gestures in 4/4 ; Emotions in the classroom | |
| 505 | 8 | |a Module 20. Mixed or congruent messages ; Articulators in vocal production ; Preparatory gestures in 4/4 ; Teacher emotions -- Module 21. Wind instrument body gestures ; Raising the soft palate ; Conducting preparatory gestures ; Learning communities -- Module 22. Body gestures ; Soft palate ; Independence while conducting ; Advocacy statements -- Module 23. Body gestures playing bowed string instruments ; Relaxed vocal tone ; Independence in conducting 3/4 ; Applying knowledge in the classroom -- Module 24. Body gestures playing bowed string instruments ; Outlining tonic ; Independence in conducting 2/4 ; Public-speaking skills -- Module 25. Body gestures in a full orchestra setting ; Singing in la-based minor ; Cueing on the downbeat ; Improving public speaking -- Module 26. Continued body gesture awareness ; La-based minor ; Cueing on beat two ; Music performance anxiety -- Module 27. Proximity and gestures ; Breath management ; Cueing on beat three ; Avoiding performance injury -- Module 28. Gesture identification ; Hydration ; Cueing on beat four ; Classroom management -- Module 29. Identifying and initiating gestures ; Building triads in la-based minor ; Cueing on the downbeat in 3/4 ; Positive management techniques -- Module 30. Facial and physical gestures ; Voice-leading patterns ; Cueing on beat two in 3/4 ; Implementing classroom management -- Module 31. Nonverbal music directives ; Diction ; Cueing on beat three in 3/4 ; Adult learners -- Module 32. Speechless lessons ; Pure vowels ; Cueing on the downbeat in 2/4 ; Analogies and metaphors -- Module 33. Speech comprehension and projection ; Warming up on pure vowels ; Cueing on beat two in 2/4 ; Traits of an effective teacher -- Module 34. Speech comprehension ; Mental imagery ; Indicating crescendos and diminuendos in 4/4 ; Examining effective teacher traits -- Module 35. Pauses in speech ; Vocal health ; Indicating crescendos and diminuendos in 3/4 ; Importance of personal resilience -- Module 36. Varying speaking tempi ; Body warm-up sequence ; Indicating crescendos and diminuendos in 2/4 ; Legal issues in the classroom -- Module 37. Vocal emotion ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Legal issues II -- Module 38. Vocal inflection ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Collegiality -- Module 39. Combining verbal and nonverbal elements ; Moving toward artistry ; Cutoff gesture in 4/4 ; Formulating a philosophy of music -- Module 40. Verbal and nonverbal elements in a speech ; Defining artistry ; Cutoff gestures in various meters ; A successful music education career. | |
| 650 | 0 | |a Music teachers |x Training of. |0 http://id.loc.gov/authorities/subjects/sh85088823 | |
| 650 | 0 | |a Music |x Instruction and study. |0 http://id.loc.gov/authorities/subjects/sh85088796 | |
| 650 | 6 | |a Professeurs de musique |x Formation. | |
| 650 | 6 | |a Musique |x Étude et enseignement. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Music |x Instruction and study |2 fast | |
| 650 | 7 | |a Music teachers |x Training of |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Cooper, Shelly. | |
| 758 | |i has work: |a Becoming a music teacher (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG9v8kXHdckhXRkjHdqmV3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Hamann, Donald L. |t Becoming a music teacher |z 9780190245078 |w (DLC) 2015014194 |w (OCoLC)907391572 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1090973 |3 Volltext |
| 938 | |a eLibro |b ELBO |n ELB160653 | ||
| 938 | |a Coutts Information Services |b COUT |n 33111187 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4084101 | ||
| 938 | |a EBSCOhost |b EBSC |n 1090973 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis33111187 | ||
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| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn928388372 |
|---|---|
| _version_ | 1816882329234178048 |
| adam_text | |
| any_adam_object | |
| author | Hamann, Donald L. |
| author2 | Cooper, Shelly |
| author2_role | |
| author2_variant | s c sc |
| author_facet | Hamann, Donald L. Cooper, Shelly |
| author_role | |
| author_sort | Hamann, Donald L. |
| author_variant | d l h dl dlh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | MT1 |
| callnumber-raw | MT1 .H1358 2016eb |
| callnumber-search | MT1 .H1358 2016eb |
| callnumber-sort | MT 11 H1358 42016EB |
| callnumber-subject | MT - Instruction and Study |
| collection | ZDB-4-EBA |
| contents | Module 1. Posture ; Kodaly ; Conducting posture and rebound ; Our profession and decision-making -- Module 2. Eye contact ; Sight-singing steps ; Conducting rebound and hand/arm independence ; School community -- Module 3. Establishing carriage ; Rhythmic duration syllable systems ; Hand/arm independence ; Classroom word choice -- Module 4. Facial expression ; Sight-singing ; Hand/arm conducting independence ; Ethics in teaching -- Module 5. Receiving facial expression messages ; Body posture and singing ; Conducting independence and rebounds ; Diverse learners -- Module 6. Facial gestures with hands ; Breathing and singing ; Conductor cueing ; Classroom modeling -- Module 7. Visual scanning ; Vocal exploration ; Conducting crescendos and diminuendos ; Teaching adolescents -- Module 8. Visual scanning ; Vocal exploration and the wave ; Conducting cutoff gestures ; Teaching music in early childhood -- Module 9. Connective eye contact ; Improvisation in singing ; Conducting cutoff gestures ; Communicating with students -- Module 10. Visual awareness and facial gestures ; Singing intervals ; Conducting the 4/4 pattern ; Goals and objectives -- Module 11. Reading individuals ; Lip trills in vocal warm-up ; Conducting the 3/4 pattern ; Lesson planning -- Module 12. Identifying facial gestures ; Solfege syllables ; Conducting the 2/4 pattern ; Assessment -- Module 13. Emotions ; Resonance through humming ; Preparatory gestures in 4/4 ; Motivation -- Module 14. Identifying expressions ; Building triads ; Preparatory gestures in 3/4 ; Learning theories -- Module 15. Identifying expressions ; Triads using inversions ; Preparatory gestures in 2/4 ; Jean Piaget -- Module 16. Facial and body gesture awareness ; Chord building ; Preparatory gestures in 4/4 ; Jerome Bruner -- Module 17. Identifying facial and body expressions ; Singing ascending leaps ; Preparatory gestures in 3/4 ; Asking good questions -- Module 18. Body expression awareness ; Singing large ascending leaps ; Preparatory gestures in 2/4 ; Teaching flexibility -- Module 19. Upper- and lower-body gestures ; Breath support ; Preparatory gestures in 4/4 ; Emotions in the classroom Module 20. Mixed or congruent messages ; Articulators in vocal production ; Preparatory gestures in 4/4 ; Teacher emotions -- Module 21. Wind instrument body gestures ; Raising the soft palate ; Conducting preparatory gestures ; Learning communities -- Module 22. Body gestures ; Soft palate ; Independence while conducting ; Advocacy statements -- Module 23. Body gestures playing bowed string instruments ; Relaxed vocal tone ; Independence in conducting 3/4 ; Applying knowledge in the classroom -- Module 24. Body gestures playing bowed string instruments ; Outlining tonic ; Independence in conducting 2/4 ; Public-speaking skills -- Module 25. Body gestures in a full orchestra setting ; Singing in la-based minor ; Cueing on the downbeat ; Improving public speaking -- Module 26. Continued body gesture awareness ; La-based minor ; Cueing on beat two ; Music performance anxiety -- Module 27. Proximity and gestures ; Breath management ; Cueing on beat three ; Avoiding performance injury -- Module 28. Gesture identification ; Hydration ; Cueing on beat four ; Classroom management -- Module 29. Identifying and initiating gestures ; Building triads in la-based minor ; Cueing on the downbeat in 3/4 ; Positive management techniques -- Module 30. Facial and physical gestures ; Voice-leading patterns ; Cueing on beat two in 3/4 ; Implementing classroom management -- Module 31. Nonverbal music directives ; Diction ; Cueing on beat three in 3/4 ; Adult learners -- Module 32. Speechless lessons ; Pure vowels ; Cueing on the downbeat in 2/4 ; Analogies and metaphors -- Module 33. Speech comprehension and projection ; Warming up on pure vowels ; Cueing on beat two in 2/4 ; Traits of an effective teacher -- Module 34. Speech comprehension ; Mental imagery ; Indicating crescendos and diminuendos in 4/4 ; Examining effective teacher traits -- Module 35. Pauses in speech ; Vocal health ; Indicating crescendos and diminuendos in 3/4 ; Importance of personal resilience -- Module 36. Varying speaking tempi ; Body warm-up sequence ; Indicating crescendos and diminuendos in 2/4 ; Legal issues in the classroom -- Module 37. Vocal emotion ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Legal issues II -- Module 38. Vocal inflection ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Collegiality -- Module 39. Combining verbal and nonverbal elements ; Moving toward artistry ; Cutoff gesture in 4/4 ; Formulating a philosophy of music -- Module 40. Verbal and nonverbal elements in a speech ; Defining artistry ; Cutoff gestures in various meters ; A successful music education career. |
| ctrlnum | (OCoLC)928388372 |
| dewey-full | 780.71 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.71 |
| dewey-search | 780.71 |
| dewey-sort | 3780.71 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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Posture ; Kodaly ; Conducting posture and rebound ; Our profession and decision-making -- Module 2. Eye contact ; Sight-singing steps ; Conducting rebound and hand/arm independence ; School community -- Module 3. Establishing carriage ; Rhythmic duration syllable systems ; Hand/arm independence ; Classroom word choice -- Module 4. Facial expression ; Sight-singing ; Hand/arm conducting independence ; Ethics in teaching -- Module 5. Receiving facial expression messages ; Body posture and singing ; Conducting independence and rebounds ; Diverse learners -- Module 6. Facial gestures with hands ; Breathing and singing ; Conductor cueing ; Classroom modeling -- Module 7. Visual scanning ; Vocal exploration ; Conducting crescendos and diminuendos ; Teaching adolescents -- Module 8. Visual scanning ; Vocal exploration and the wave ; Conducting cutoff gestures ; Teaching music in early childhood -- Module 9. Connective eye contact ; Improvisation in singing ; Conducting cutoff gestures ; Communicating with students -- Module 10. Visual awareness and facial gestures ; Singing intervals ; Conducting the 4/4 pattern ; Goals and objectives -- Module 11. Reading individuals ; Lip trills in vocal warm-up ; Conducting the 3/4 pattern ; Lesson planning -- Module 12. Identifying facial gestures ; Solfege syllables ; Conducting the 2/4 pattern ; Assessment -- Module 13. Emotions ; Resonance through humming ; Preparatory gestures in 4/4 ; Motivation -- Module 14. Identifying expressions ; Building triads ; Preparatory gestures in 3/4 ; Learning theories -- Module 15. Identifying expressions ; Triads using inversions ; Preparatory gestures in 2/4 ; Jean Piaget -- Module 16. Facial and body gesture awareness ; Chord building ; Preparatory gestures in 4/4 ; Jerome Bruner -- Module 17. Identifying facial and body expressions ; Singing ascending leaps ; Preparatory gestures in 3/4 ; Asking good questions -- Module 18. Body expression awareness ; Singing large ascending leaps ; Preparatory gestures in 2/4 ; Teaching flexibility -- Module 19. Upper- and lower-body gestures ; Breath support ; Preparatory gestures in 4/4 ; Emotions in the classroom</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Module 20. Mixed or congruent messages ; Articulators in vocal production ; Preparatory gestures in 4/4 ; Teacher emotions -- Module 21. Wind instrument body gestures ; Raising the soft palate ; Conducting preparatory gestures ; Learning communities -- Module 22. Body gestures ; Soft palate ; Independence while conducting ; Advocacy statements -- Module 23. Body gestures playing bowed string instruments ; Relaxed vocal tone ; Independence in conducting 3/4 ; Applying knowledge in the classroom -- Module 24. Body gestures playing bowed string instruments ; Outlining tonic ; Independence in conducting 2/4 ; Public-speaking skills -- Module 25. Body gestures in a full orchestra setting ; Singing in la-based minor ; Cueing on the downbeat ; Improving public speaking -- Module 26. Continued body gesture awareness ; La-based minor ; Cueing on beat two ; Music performance anxiety -- Module 27. Proximity and gestures ; Breath management ; Cueing on beat three ; Avoiding performance injury -- Module 28. Gesture identification ; Hydration ; Cueing on beat four ; Classroom management -- Module 29. Identifying and initiating gestures ; Building triads in la-based minor ; Cueing on the downbeat in 3/4 ; Positive management techniques -- Module 30. Facial and physical gestures ; Voice-leading patterns ; Cueing on beat two in 3/4 ; Implementing classroom management -- Module 31. Nonverbal music directives ; Diction ; Cueing on beat three in 3/4 ; Adult learners -- Module 32. Speechless lessons ; Pure vowels ; Cueing on the downbeat in 2/4 ; Analogies and metaphors -- Module 33. Speech comprehension and projection ; Warming up on pure vowels ; Cueing on beat two in 2/4 ; Traits of an effective teacher -- Module 34. Speech comprehension ; Mental imagery ; Indicating crescendos and diminuendos in 4/4 ; Examining effective teacher traits -- Module 35. Pauses in speech ; Vocal health ; Indicating crescendos and diminuendos in 3/4 ; Importance of personal resilience -- Module 36. Varying speaking tempi ; Body warm-up sequence ; Indicating crescendos and diminuendos in 2/4 ; Legal issues in the classroom -- Module 37. Vocal emotion ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Legal issues II -- Module 38. Vocal inflection ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Collegiality -- Module 39. Combining verbal and nonverbal elements ; Moving toward artistry ; Cutoff gesture in 4/4 ; Formulating a philosophy of music -- Module 40. 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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-ocn928388372 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:53Z |
| institution | BVB |
| isbn | 9780190245092 0190245093 |
| language | English |
| oclc_num | 928388372 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Oxford University Press, |
| record_format | marc |
| spelling | Hamann, Donald L. Becoming a music teacher : from student to practitioner / Donald L. Hamann and Shelly Cooper. New York ; Oxford : Oxford University Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Module 1. Posture ; Kodaly ; Conducting posture and rebound ; Our profession and decision-making -- Module 2. Eye contact ; Sight-singing steps ; Conducting rebound and hand/arm independence ; School community -- Module 3. Establishing carriage ; Rhythmic duration syllable systems ; Hand/arm independence ; Classroom word choice -- Module 4. Facial expression ; Sight-singing ; Hand/arm conducting independence ; Ethics in teaching -- Module 5. Receiving facial expression messages ; Body posture and singing ; Conducting independence and rebounds ; Diverse learners -- Module 6. Facial gestures with hands ; Breathing and singing ; Conductor cueing ; Classroom modeling -- Module 7. Visual scanning ; Vocal exploration ; Conducting crescendos and diminuendos ; Teaching adolescents -- Module 8. Visual scanning ; Vocal exploration and the wave ; Conducting cutoff gestures ; Teaching music in early childhood -- Module 9. Connective eye contact ; Improvisation in singing ; Conducting cutoff gestures ; Communicating with students -- Module 10. Visual awareness and facial gestures ; Singing intervals ; Conducting the 4/4 pattern ; Goals and objectives -- Module 11. Reading individuals ; Lip trills in vocal warm-up ; Conducting the 3/4 pattern ; Lesson planning -- Module 12. Identifying facial gestures ; Solfege syllables ; Conducting the 2/4 pattern ; Assessment -- Module 13. Emotions ; Resonance through humming ; Preparatory gestures in 4/4 ; Motivation -- Module 14. Identifying expressions ; Building triads ; Preparatory gestures in 3/4 ; Learning theories -- Module 15. Identifying expressions ; Triads using inversions ; Preparatory gestures in 2/4 ; Jean Piaget -- Module 16. Facial and body gesture awareness ; Chord building ; Preparatory gestures in 4/4 ; Jerome Bruner -- Module 17. Identifying facial and body expressions ; Singing ascending leaps ; Preparatory gestures in 3/4 ; Asking good questions -- Module 18. Body expression awareness ; Singing large ascending leaps ; Preparatory gestures in 2/4 ; Teaching flexibility -- Module 19. Upper- and lower-body gestures ; Breath support ; Preparatory gestures in 4/4 ; Emotions in the classroom Module 20. Mixed or congruent messages ; Articulators in vocal production ; Preparatory gestures in 4/4 ; Teacher emotions -- Module 21. Wind instrument body gestures ; Raising the soft palate ; Conducting preparatory gestures ; Learning communities -- Module 22. Body gestures ; Soft palate ; Independence while conducting ; Advocacy statements -- Module 23. Body gestures playing bowed string instruments ; Relaxed vocal tone ; Independence in conducting 3/4 ; Applying knowledge in the classroom -- Module 24. Body gestures playing bowed string instruments ; Outlining tonic ; Independence in conducting 2/4 ; Public-speaking skills -- Module 25. Body gestures in a full orchestra setting ; Singing in la-based minor ; Cueing on the downbeat ; Improving public speaking -- Module 26. Continued body gesture awareness ; La-based minor ; Cueing on beat two ; Music performance anxiety -- Module 27. Proximity and gestures ; Breath management ; Cueing on beat three ; Avoiding performance injury -- Module 28. Gesture identification ; Hydration ; Cueing on beat four ; Classroom management -- Module 29. Identifying and initiating gestures ; Building triads in la-based minor ; Cueing on the downbeat in 3/4 ; Positive management techniques -- Module 30. Facial and physical gestures ; Voice-leading patterns ; Cueing on beat two in 3/4 ; Implementing classroom management -- Module 31. Nonverbal music directives ; Diction ; Cueing on beat three in 3/4 ; Adult learners -- Module 32. Speechless lessons ; Pure vowels ; Cueing on the downbeat in 2/4 ; Analogies and metaphors -- Module 33. Speech comprehension and projection ; Warming up on pure vowels ; Cueing on beat two in 2/4 ; Traits of an effective teacher -- Module 34. Speech comprehension ; Mental imagery ; Indicating crescendos and diminuendos in 4/4 ; Examining effective teacher traits -- Module 35. Pauses in speech ; Vocal health ; Indicating crescendos and diminuendos in 3/4 ; Importance of personal resilience -- Module 36. Varying speaking tempi ; Body warm-up sequence ; Indicating crescendos and diminuendos in 2/4 ; Legal issues in the classroom -- Module 37. Vocal emotion ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Legal issues II -- Module 38. Vocal inflection ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Collegiality -- Module 39. Combining verbal and nonverbal elements ; Moving toward artistry ; Cutoff gesture in 4/4 ; Formulating a philosophy of music -- Module 40. Verbal and nonverbal elements in a speech ; Defining artistry ; Cutoff gestures in various meters ; A successful music education career. Music teachers Training of. http://id.loc.gov/authorities/subjects/sh85088823 Music Instruction and study. http://id.loc.gov/authorities/subjects/sh85088796 Professeurs de musique Formation. Musique Étude et enseignement. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music Instruction and study fast Music teachers Training of fast Electronic book. Cooper, Shelly. has work: Becoming a music teacher (Text) https://id.oclc.org/worldcat/entity/E39PCG9v8kXHdckhXRkjHdqmV3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Hamann, Donald L. Becoming a music teacher 9780190245078 (DLC) 2015014194 (OCoLC)907391572 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1090973 Volltext |
| spellingShingle | Hamann, Donald L. Becoming a music teacher : from student to practitioner / Module 1. Posture ; Kodaly ; Conducting posture and rebound ; Our profession and decision-making -- Module 2. Eye contact ; Sight-singing steps ; Conducting rebound and hand/arm independence ; School community -- Module 3. Establishing carriage ; Rhythmic duration syllable systems ; Hand/arm independence ; Classroom word choice -- Module 4. Facial expression ; Sight-singing ; Hand/arm conducting independence ; Ethics in teaching -- Module 5. Receiving facial expression messages ; Body posture and singing ; Conducting independence and rebounds ; Diverse learners -- Module 6. Facial gestures with hands ; Breathing and singing ; Conductor cueing ; Classroom modeling -- Module 7. Visual scanning ; Vocal exploration ; Conducting crescendos and diminuendos ; Teaching adolescents -- Module 8. Visual scanning ; Vocal exploration and the wave ; Conducting cutoff gestures ; Teaching music in early childhood -- Module 9. Connective eye contact ; Improvisation in singing ; Conducting cutoff gestures ; Communicating with students -- Module 10. Visual awareness and facial gestures ; Singing intervals ; Conducting the 4/4 pattern ; Goals and objectives -- Module 11. Reading individuals ; Lip trills in vocal warm-up ; Conducting the 3/4 pattern ; Lesson planning -- Module 12. Identifying facial gestures ; Solfege syllables ; Conducting the 2/4 pattern ; Assessment -- Module 13. Emotions ; Resonance through humming ; Preparatory gestures in 4/4 ; Motivation -- Module 14. Identifying expressions ; Building triads ; Preparatory gestures in 3/4 ; Learning theories -- Module 15. Identifying expressions ; Triads using inversions ; Preparatory gestures in 2/4 ; Jean Piaget -- Module 16. Facial and body gesture awareness ; Chord building ; Preparatory gestures in 4/4 ; Jerome Bruner -- Module 17. Identifying facial and body expressions ; Singing ascending leaps ; Preparatory gestures in 3/4 ; Asking good questions -- Module 18. Body expression awareness ; Singing large ascending leaps ; Preparatory gestures in 2/4 ; Teaching flexibility -- Module 19. Upper- and lower-body gestures ; Breath support ; Preparatory gestures in 4/4 ; Emotions in the classroom Module 20. Mixed or congruent messages ; Articulators in vocal production ; Preparatory gestures in 4/4 ; Teacher emotions -- Module 21. Wind instrument body gestures ; Raising the soft palate ; Conducting preparatory gestures ; Learning communities -- Module 22. Body gestures ; Soft palate ; Independence while conducting ; Advocacy statements -- Module 23. Body gestures playing bowed string instruments ; Relaxed vocal tone ; Independence in conducting 3/4 ; Applying knowledge in the classroom -- Module 24. Body gestures playing bowed string instruments ; Outlining tonic ; Independence in conducting 2/4 ; Public-speaking skills -- Module 25. Body gestures in a full orchestra setting ; Singing in la-based minor ; Cueing on the downbeat ; Improving public speaking -- Module 26. Continued body gesture awareness ; La-based minor ; Cueing on beat two ; Music performance anxiety -- Module 27. Proximity and gestures ; Breath management ; Cueing on beat three ; Avoiding performance injury -- Module 28. Gesture identification ; Hydration ; Cueing on beat four ; Classroom management -- Module 29. Identifying and initiating gestures ; Building triads in la-based minor ; Cueing on the downbeat in 3/4 ; Positive management techniques -- Module 30. Facial and physical gestures ; Voice-leading patterns ; Cueing on beat two in 3/4 ; Implementing classroom management -- Module 31. Nonverbal music directives ; Diction ; Cueing on beat three in 3/4 ; Adult learners -- Module 32. Speechless lessons ; Pure vowels ; Cueing on the downbeat in 2/4 ; Analogies and metaphors -- Module 33. Speech comprehension and projection ; Warming up on pure vowels ; Cueing on beat two in 2/4 ; Traits of an effective teacher -- Module 34. Speech comprehension ; Mental imagery ; Indicating crescendos and diminuendos in 4/4 ; Examining effective teacher traits -- Module 35. Pauses in speech ; Vocal health ; Indicating crescendos and diminuendos in 3/4 ; Importance of personal resilience -- Module 36. Varying speaking tempi ; Body warm-up sequence ; Indicating crescendos and diminuendos in 2/4 ; Legal issues in the classroom -- Module 37. Vocal emotion ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Legal issues II -- Module 38. Vocal inflection ; Diaphragmatic action ; Cutoff gesture in 4/4 ; Collegiality -- Module 39. Combining verbal and nonverbal elements ; Moving toward artistry ; Cutoff gesture in 4/4 ; Formulating a philosophy of music -- Module 40. Verbal and nonverbal elements in a speech ; Defining artistry ; Cutoff gestures in various meters ; A successful music education career. Music teachers Training of. http://id.loc.gov/authorities/subjects/sh85088823 Music Instruction and study. http://id.loc.gov/authorities/subjects/sh85088796 Professeurs de musique Formation. Musique Étude et enseignement. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music Instruction and study fast Music teachers Training of fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088823 http://id.loc.gov/authorities/subjects/sh85088796 |
| title | Becoming a music teacher : from student to practitioner / |
| title_auth | Becoming a music teacher : from student to practitioner / |
| title_exact_search | Becoming a music teacher : from student to practitioner / |
| title_full | Becoming a music teacher : from student to practitioner / Donald L. Hamann and Shelly Cooper. |
| title_fullStr | Becoming a music teacher : from student to practitioner / Donald L. Hamann and Shelly Cooper. |
| title_full_unstemmed | Becoming a music teacher : from student to practitioner / Donald L. Hamann and Shelly Cooper. |
| title_short | Becoming a music teacher : |
| title_sort | becoming a music teacher from student to practitioner |
| title_sub | from student to practitioner / |
| topic | Music teachers Training of. http://id.loc.gov/authorities/subjects/sh85088823 Music Instruction and study. http://id.loc.gov/authorities/subjects/sh85088796 Professeurs de musique Formation. Musique Étude et enseignement. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Music Instruction and study fast Music teachers Training of fast |
| topic_facet | Music teachers Training of. Music Instruction and study. Professeurs de musique Formation. Musique Étude et enseignement. MUSIC Genres & Styles Classical. MUSIC Reference. Music Instruction and study Music teachers Training of Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1090973 |
| work_keys_str_mv | AT hamanndonaldl becomingamusicteacherfromstudenttopractitioner AT coopershelly becomingamusicteacherfromstudenttopractitioner |