1616 :: Shakespeare and Tang Xianzu's China /
"The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in th...
Saved in:
| Other Authors: | , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London :
Bloomsbury Arden Shakespeare,
2016.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"-- |
| Physical Description: | 1 online resource |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781472583444 1472583442 9781472583437 1472583434 |
Staff View
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn927140841 | ||
| 003 | OCoLC | ||
| 005 | 20250103110447.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 151029s2016 enk ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDXCP |d OCLCO |d IDEBK |d CDX |d EBLCP |d OCLCO |d OCL |d YDX |d IDB |d OCLCQ |d ESU |d UKMGB |d OCLCQ |d OCLCO |d G3B |d IGB |d STF |d UKAHL |d OCLCQ |d OCLCO |d EZ9 |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d INARC |d OCLCL |d UKKRT | ||
| 015 | |a GBB874672 |2 bnb | ||
| 016 | 7 | |a 018560406 |2 Uk | |
| 019 | |a 947129372 |a 965714351 |a 1190694444 |a 1193554382 | ||
| 020 | |a 9781472583444 |q (electronic bk.) | ||
| 020 | |a 1472583442 |q (electronic bk.) | ||
| 020 | |a 9781472583437 | ||
| 020 | |a 1472583434 | ||
| 020 | |z 9781472583420 | ||
| 020 | |z 1472583426 | ||
| 020 | |z 9781472583413 | ||
| 020 | |z 1472583418 | ||
| 035 | |a (OCoLC)927140841 |z (OCoLC)947129372 |z (OCoLC)965714351 |z (OCoLC)1190694444 |z (OCoLC)1193554382 | ||
| 037 | |a 9781472583437 |b CodeMantra | ||
| 043 | |a a-cc--- |a e-uk-en | ||
| 050 | 4 | |a PR2971.C6 |b A26 2016eb | |
| 072 | 7 | |a DRA |x 003000 |2 bisacsh | |
| 072 | 7 | |a LIT |2 ukslc | |
| 072 | 7 | |a 2AB |2 bicssc | |
| 072 | 7 | |a 2GDC |2 bicssc | |
| 072 | 7 | |a DSBD |2 bicssc | |
| 072 | 7 | |a DSG |2 bicssc | |
| 072 | 7 | |a DSGS |2 bicssc | |
| 082 | 7 | |a 822.3/3 |2 23 | |
| 084 | |a LIT015000 |a LIT008010 |2 bisacsh | ||
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a 1616 : |b Shakespeare and Tang Xianzu's China / |c edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| 264 | 1 | |a London : |b Bloomsbury Arden Shakespeare, |c 2016. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Foreword / |r by Wilt L. Idema -- |g 1. |t Introduction / |r by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang |g 1. |t Setting the Scene: Playwrights and Localities: |g 1.1. |t The backdrop of regional theatre to Tang Xianzu's drama / |r Yongming Xu; |g 1.2. |t Stratford-upon-Avon: 1616 / |r Paul Edmondson -- |g 2. |t Classics, Tastes and Popularity: |g 2.1. |t The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / |r Wei Hua; |g 2.2. |t Blockbusters and popular stories / |r Nick Walton -- |g 3. |t Making History: |g 3.1. |t Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / |r Ayling Wang; |g 3.2. |t Dramatizing the Tudors / |r Helen Cooper -- |g 4. |t The State and the Theatre: |g 4.1 |t Sixty plays from the Ming Palace, 1615-1618 / |r Tian Yuan Tan; |g 4.2. |t Licensing the King's Men: from court revels to public performance / |r Janet Clare -- |g 5. |t The Transmission of Dramatic Texts and Printing: |g 5.1. |t Tired, sick, and looking for money: Zang Maoxun in 1616 / |r Stephen H. West; |g 5.2. |t "Status anxiety: arguing about plays and print in early modern London / |r Jason Scott-Warren -- |g 6. |t Dramatic Authorship and Collaboration: |g 6.1. |t Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / |r Patricia Sieber; |g 6.2. |t 'May I subscribe a name?': terms of collaboration in 1616 / |r Peter Kirwan -- |g 7. |t Audiences, Critics, and Reception: |g 7.1. |t Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / |r Shih-pe Wang; |g 7.2. |t 'No epilogue, I pray you': audience reception in Shakespearian theatre / |r Anjna Chouhan -- |g 8. |t Music and Performance: |g 8.1. |t Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / |r Mei Sun; |g 8.2. |t Music in the English theatre of 1616 / |r David Lindley -- |g 9. |t Theatre in Theory and Practice: |g 9.1. |t Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / |r Regina Llamas; |g 9.2. |t Taking cover: 1616 and the move indoors / |r Will Tosh -- |g 10. |t Theatre Across Genres and Cultures: |g 10.1. |t Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / |r Xiaoqiao Ling; |g 10.2. |t 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / |r Kate McLuskie -- |t Afterword / |r by Stanley Wells. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Appreciation |z China. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |0 http://id.loc.gov/authorities/subjects/sh85120926 |
| 600 | 1 | 0 | |a Tang, Xianzu, |d 1550-1616 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 600 | 1 | 7 | |a Tang, Xianzu, |d 1550-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |2 gnd |0 http://d-nb.info/gnd/118613723 |
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 0 | |a Chinese drama |y Ming dynasty, 1368-1644 |x History and criticism. | |
| 650 | 0 | |a Theater |z China |x History. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre chinois |y 1368-1644 (Dynastie des Ming) |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |z Chine |x Histoire. | |
| 650 | 7 | |a Shakespeare studies & criticism. |2 bicssc | |
| 650 | 7 | |a Literary studies: plays & playwrights. |2 bicssc | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Asian |x Chinese. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Art appreciation |2 fast | |
| 650 | 7 | |a Chinese drama |x Ming dynasty |2 fast | |
| 650 | 7 | |a English drama |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 651 | 7 | |a China |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 | |
| 650 | 7 | |a Rezeption |2 gnd |0 http://d-nb.info/gnd/4049716-1 | |
| 651 | 7 | |a China |2 gnd |0 http://d-nb.info/gnd/4009937-4 | |
| 648 | 7 | |a 1368-1699 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Tan, Tian Yuan, |e editor. | |
| 700 | 1 | |a Edmondson, Paul, |e editor. | |
| 700 | 1 | |a Wang, Shih-pe, |e editor. | |
| 758 | |i has work: |a 1616 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGDqBBFDPcqrw9MJCDGYCP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t 1616 |z 9781472583420 |w (DLC) 2015020628 |w (OCoLC)908262498 |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1087086 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1087086 |3 Volltext |
| 938 | |a Kortext |b KTXT |n 99627 | ||
| 938 | |a Internet Archive |b INAR |n isbn_9781472583413 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH29521227 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH29521228 | ||
| 938 | |a Coutts Information Services |b COUT |n 31699278 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4196020 | ||
| 938 | |a EBSCOhost |b EBSC |n 1087086 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis31699278 | ||
| 938 | |a YBP Library Services |b YANK |n 301694414 | ||
| 938 | |a YBP Library Services |b YANK |n 12666084 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Record in the Search Index
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn927140841 |
|---|---|
| _version_ | 1829095049233694720 |
| adam_text | |
| any_adam_object | |
| author2 | Tan, Tian Yuan Edmondson, Paul Wang, Shih-pe |
| author2_role | edt edt edt |
| author2_variant | t y t ty tyt p e pe s p w spw |
| author_additional | by Wilt L. Idema -- by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang Yongming Xu; Paul Edmondson -- Wei Hua; Nick Walton -- Ayling Wang; Helen Cooper -- Tian Yuan Tan; Janet Clare -- Stephen H. West; Jason Scott-Warren -- Patricia Sieber; Peter Kirwan -- Shih-pe Wang; Anjna Chouhan -- Mei Sun; David Lindley -- Regina Llamas; Will Tosh -- Xiaoqiao Ling; Kate McLuskie -- by Stanley Wells. |
| author_facet | Tan, Tian Yuan Edmondson, Paul Wang, Shih-pe |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR2971 |
| callnumber-raw | PR2971.C6 A26 2016eb |
| callnumber-search | PR2971.C6 A26 2016eb |
| callnumber-sort | PR 42971 C6 A26 42016EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Foreword / Introduction / Setting the Scene: Playwrights and Localities: The backdrop of regional theatre to Tang Xianzu's drama / Stratford-upon-Avon: 1616 / Classics, Tastes and Popularity: The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Blockbusters and popular stories / Making History: Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Dramatizing the Tudors / The State and the Theatre: Sixty plays from the Ming Palace, 1615-1618 / Licensing the King's Men: from court revels to public performance / The Transmission of Dramatic Texts and Printing: Tired, sick, and looking for money: Zang Maoxun in 1616 / "Status anxiety: arguing about plays and print in early modern London / Dramatic Authorship and Collaboration: Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / 'May I subscribe a name?': terms of collaboration in 1616 / Audiences, Critics, and Reception: Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / 'No epilogue, I pray you': audience reception in Shakespearian theatre / Music and Performance: Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Music in the English theatre of 1616 / Theatre in Theory and Practice: Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Taking cover: 1616 and the move indoors / Theatre Across Genres and Cultures: Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Afterword / |
| ctrlnum | (OCoLC)927140841 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1368-1699 fast |
| era_facet | 1368-1699 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>08044cam a2201057 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn927140841</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20250103110447.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">151029s2016 enk ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">IDEBK</subfield><subfield code="d">CDX</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCL</subfield><subfield code="d">YDX</subfield><subfield code="d">IDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ESU</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">G3B</subfield><subfield code="d">IGB</subfield><subfield code="d">STF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EZ9</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">INARC</subfield><subfield code="d">OCLCL</subfield><subfield code="d">UKKRT</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB874672</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">018560406</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">947129372</subfield><subfield code="a">965714351</subfield><subfield code="a">1190694444</subfield><subfield code="a">1193554382</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472583444</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1472583442</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472583437</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1472583434</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781472583420</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1472583426</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781472583413</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1472583418</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)927140841</subfield><subfield code="z">(OCoLC)947129372</subfield><subfield code="z">(OCoLC)965714351</subfield><subfield code="z">(OCoLC)1190694444</subfield><subfield code="z">(OCoLC)1193554382</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">9781472583437</subfield><subfield code="b">CodeMantra</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">a-cc---</subfield><subfield code="a">e-uk-en</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR2971.C6</subfield><subfield code="b">A26 2016eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA</subfield><subfield code="x">003000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="2">ukslc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">2AB</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">2GDC</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DSBD</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DSG</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DSGS</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">822.3/3</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LIT015000</subfield><subfield code="a">LIT008010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">1616 :</subfield><subfield code="b">Shakespeare and Tang Xianzu's China /</subfield><subfield code="c">edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London :</subfield><subfield code="b">Bloomsbury Arden Shakespeare,</subfield><subfield code="c">2016.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--</subfield><subfield code="c">Provided by publisher</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Foreword /</subfield><subfield code="r">by Wilt L. Idema --</subfield><subfield code="g">1.</subfield><subfield code="t">Introduction /</subfield><subfield code="r">by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang</subfield><subfield code="g">1.</subfield><subfield code="t">Setting the Scene: Playwrights and Localities:</subfield><subfield code="g">1.1.</subfield><subfield code="t">The backdrop of regional theatre to Tang Xianzu's drama /</subfield><subfield code="r">Yongming Xu;</subfield><subfield code="g">1.2.</subfield><subfield code="t">Stratford-upon-Avon: 1616 /</subfield><subfield code="r">Paul Edmondson --</subfield><subfield code="g">2.</subfield><subfield code="t">Classics, Tastes and Popularity:</subfield><subfield code="g">2.1.</subfield><subfield code="t">The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft /</subfield><subfield code="r">Wei Hua;</subfield><subfield code="g">2.2.</subfield><subfield code="t">Blockbusters and popular stories /</subfield><subfield code="r">Nick Walton --</subfield><subfield code="g">3.</subfield><subfield code="t">Making History:</subfield><subfield code="g">3.1.</subfield><subfield code="t">Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China /</subfield><subfield code="r">Ayling Wang;</subfield><subfield code="g">3.2.</subfield><subfield code="t">Dramatizing the Tudors /</subfield><subfield code="r">Helen Cooper --</subfield><subfield code="g">4.</subfield><subfield code="t">The State and the Theatre:</subfield><subfield code="g">4.1</subfield><subfield code="t">Sixty plays from the Ming Palace, 1615-1618 /</subfield><subfield code="r">Tian Yuan Tan;</subfield><subfield code="g">4.2.</subfield><subfield code="t">Licensing the King's Men: from court revels to public performance /</subfield><subfield code="r">Janet Clare --</subfield><subfield code="g">5.</subfield><subfield code="t">The Transmission of Dramatic Texts and Printing:</subfield><subfield code="g">5.1.</subfield><subfield code="t">Tired, sick, and looking for money: Zang Maoxun in 1616 /</subfield><subfield code="r">Stephen H. West;</subfield><subfield code="g">5.2.</subfield><subfield code="t">"Status anxiety: arguing about plays and print in early modern London /</subfield><subfield code="r">Jason Scott-Warren --</subfield><subfield code="g">6.</subfield><subfield code="t">Dramatic Authorship and Collaboration:</subfield><subfield code="g">6.1.</subfield><subfield code="t">Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture /</subfield><subfield code="r">Patricia Sieber;</subfield><subfield code="g">6.2.</subfield><subfield code="t">'May I subscribe a name?': terms of collaboration in 1616 /</subfield><subfield code="r">Peter Kirwan --</subfield><subfield code="g">7.</subfield><subfield code="t">Audiences, Critics, and Reception:</subfield><subfield code="g">7.1.</subfield><subfield code="t">Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text /</subfield><subfield code="r">Shih-pe Wang;</subfield><subfield code="g">7.2.</subfield><subfield code="t">'No epilogue, I pray you': audience reception in Shakespearian theatre /</subfield><subfield code="r">Anjna Chouhan --</subfield><subfield code="g">8.</subfield><subfield code="t">Music and Performance:</subfield><subfield code="g">8.1.</subfield><subfield code="t">Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) /</subfield><subfield code="r">Mei Sun;</subfield><subfield code="g">8.2.</subfield><subfield code="t">Music in the English theatre of 1616 /</subfield><subfield code="r">David Lindley --</subfield><subfield code="g">9.</subfield><subfield code="t">Theatre in Theory and Practice:</subfield><subfield code="g">9.1.</subfield><subfield code="t">Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China /</subfield><subfield code="r">Regina Llamas;</subfield><subfield code="g">9.2.</subfield><subfield code="t">Taking cover: 1616 and the move indoors /</subfield><subfield code="r">Will Tosh --</subfield><subfield code="g">10.</subfield><subfield code="t">Theatre Across Genres and Cultures:</subfield><subfield code="g">10.1.</subfield><subfield code="t">Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing /</subfield><subfield code="r">Xiaoqiao Ling;</subfield><subfield code="g">10.2.</subfield><subfield code="t">'There be salmons in both': models of connection for seventeenth-century English and Chinese drama /</subfield><subfield code="r">Kate McLuskie --</subfield><subfield code="t">Afterword /</subfield><subfield code="r">by Stanley Wells.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="x">Appreciation</subfield><subfield code="z">China.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="x">Criticism and interpretation.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85120926</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Tang, Xianzu,</subfield><subfield code="d">1550-1616</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William,</subfield><subfield code="d">1564-1616</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Tang, Xianzu,</subfield><subfield code="d">1550-1616</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Shakespeare, William</subfield><subfield code="d">1564-1616</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/118613723</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">English drama</subfield><subfield code="y">17th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Chinese drama</subfield><subfield code="y">Ming dynasty, 1368-1644</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">China</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre anglais</subfield><subfield code="y">17e siècle</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre chinois</subfield><subfield code="y">1368-1644 (Dynastie des Ming)</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre</subfield><subfield code="z">Chine</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Shakespeare studies & criticism.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Literary studies: plays & playwrights.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM</subfield><subfield code="x">Shakespeare.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LITERARY CRITICISM</subfield><subfield code="x">Asian</subfield><subfield code="x">Chinese.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DRAMA</subfield><subfield code="x">English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art appreciation</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Chinese drama</subfield><subfield code="x">Ming dynasty</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">English drama</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theater</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">China</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Rezeption</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4049716-1</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">China</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4009937-4</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1368-1699</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Tan, Tian Yuan,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Edmondson, Paul,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wang, Shih-pe,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">1616 (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGDqBBFDPcqrw9MJCDGYCP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">1616</subfield><subfield code="z">9781472583420</subfield><subfield code="w">(DLC) 2015020628</subfield><subfield code="w">(OCoLC)908262498</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1087086</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1087086</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Kortext</subfield><subfield code="b">KTXT</subfield><subfield code="n">99627</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">isbn_9781472583413</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH29521227</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH29521228</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Coutts Information Services</subfield><subfield code="b">COUT</subfield><subfield code="n">31699278</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4196020</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1087086</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis31699278</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301694414</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12666084</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 China gnd http://d-nb.info/gnd/4009937-4 |
| geographic_facet | China |
| id | ZDB-4-EBA-ocn927140841 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:42:50Z |
| institution | BVB |
| isbn | 9781472583444 1472583442 9781472583437 1472583434 |
| language | English |
| oclc_num | 927140841 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Arden Shakespeare, |
| record_format | marc |
| spelling | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. London : Bloomsbury Arden Shakespeare, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"-- Provided by publisher Includes bibliographical references and index. Print version record. Foreword / by Wilt L. Idema -- 1. Introduction / by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang 1. Setting the Scene: Playwrights and Localities: 1.1. The backdrop of regional theatre to Tang Xianzu's drama / Yongming Xu; 1.2. Stratford-upon-Avon: 1616 / Paul Edmondson -- 2. Classics, Tastes and Popularity: 2.1. The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Wei Hua; 2.2. Blockbusters and popular stories / Nick Walton -- 3. Making History: 3.1. Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Ayling Wang; 3.2. Dramatizing the Tudors / Helen Cooper -- 4. The State and the Theatre: 4.1 Sixty plays from the Ming Palace, 1615-1618 / Tian Yuan Tan; 4.2. Licensing the King's Men: from court revels to public performance / Janet Clare -- 5. The Transmission of Dramatic Texts and Printing: 5.1. Tired, sick, and looking for money: Zang Maoxun in 1616 / Stephen H. West; 5.2. "Status anxiety: arguing about plays and print in early modern London / Jason Scott-Warren -- 6. Dramatic Authorship and Collaboration: 6.1. Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / Patricia Sieber; 6.2. 'May I subscribe a name?': terms of collaboration in 1616 / Peter Kirwan -- 7. Audiences, Critics, and Reception: 7.1. Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / Shih-pe Wang; 7.2. 'No epilogue, I pray you': audience reception in Shakespearian theatre / Anjna Chouhan -- 8. Music and Performance: 8.1. Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Mei Sun; 8.2. Music in the English theatre of 1616 / David Lindley -- 9. Theatre in Theory and Practice: 9.1. Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Regina Llamas; 9.2. Taking cover: 1616 and the move indoors / Will Tosh -- 10. Theatre Across Genres and Cultures: 10.1. Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / Xiaoqiao Ling; 10.2. 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Kate McLuskie -- Afterword / by Stanley Wells. Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Tang, Xianzu, 1550-1616 fast https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C Shakespeare, William 1564-1616 gnd http://d-nb.info/gnd/118613723 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. bicssc Literary studies: plays & playwrights. bicssc LITERARY CRITICISM Shakespeare. bisacsh LITERARY CRITICISM Asian Chinese. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Art appreciation fast Chinese drama Ming dynasty fast English drama fast Theater fast China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 Rezeption gnd http://d-nb.info/gnd/4049716-1 China gnd http://d-nb.info/gnd/4009937-4 1368-1699 fast Criticism, interpretation, etc. fast History fast Tan, Tian Yuan, editor. Edmondson, Paul, editor. Wang, Shih-pe, editor. has work: 1616 (Text) https://id.oclc.org/worldcat/entity/E39PCGDqBBFDPcqrw9MJCDGYCP https://id.oclc.org/worldcat/ontology/hasWork Print version: 1616 9781472583420 (DLC) 2015020628 (OCoLC)908262498 |
| spellingShingle | 1616 : Shakespeare and Tang Xianzu's China / Foreword / Introduction / Setting the Scene: Playwrights and Localities: The backdrop of regional theatre to Tang Xianzu's drama / Stratford-upon-Avon: 1616 / Classics, Tastes and Popularity: The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Blockbusters and popular stories / Making History: Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Dramatizing the Tudors / The State and the Theatre: Sixty plays from the Ming Palace, 1615-1618 / Licensing the King's Men: from court revels to public performance / The Transmission of Dramatic Texts and Printing: Tired, sick, and looking for money: Zang Maoxun in 1616 / "Status anxiety: arguing about plays and print in early modern London / Dramatic Authorship and Collaboration: Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / 'May I subscribe a name?': terms of collaboration in 1616 / Audiences, Critics, and Reception: Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / 'No epilogue, I pray you': audience reception in Shakespearian theatre / Music and Performance: Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Music in the English theatre of 1616 / Theatre in Theory and Practice: Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Taking cover: 1616 and the move indoors / Theatre Across Genres and Cultures: Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Afterword / Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Tang, Xianzu, 1550-1616 fast https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C Shakespeare, William 1564-1616 gnd http://d-nb.info/gnd/118613723 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. bicssc Literary studies: plays & playwrights. bicssc LITERARY CRITICISM Shakespeare. bisacsh LITERARY CRITICISM Asian Chinese. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Art appreciation fast Chinese drama Ming dynasty fast English drama fast Theater fast Rezeption gnd http://d-nb.info/gnd/4049716-1 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120926 http://d-nb.info/gnd/118613723 http://d-nb.info/gnd/4049716-1 http://d-nb.info/gnd/4009937-4 |
| title | 1616 : Shakespeare and Tang Xianzu's China / |
| title_alt | Foreword / Introduction / Setting the Scene: Playwrights and Localities: The backdrop of regional theatre to Tang Xianzu's drama / Stratford-upon-Avon: 1616 / Classics, Tastes and Popularity: The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Blockbusters and popular stories / Making History: Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Dramatizing the Tudors / The State and the Theatre: Sixty plays from the Ming Palace, 1615-1618 / Licensing the King's Men: from court revels to public performance / The Transmission of Dramatic Texts and Printing: Tired, sick, and looking for money: Zang Maoxun in 1616 / "Status anxiety: arguing about plays and print in early modern London / Dramatic Authorship and Collaboration: Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / 'May I subscribe a name?': terms of collaboration in 1616 / Audiences, Critics, and Reception: Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / 'No epilogue, I pray you': audience reception in Shakespearian theatre / Music and Performance: Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Music in the English theatre of 1616 / Theatre in Theory and Practice: Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Taking cover: 1616 and the move indoors / Theatre Across Genres and Cultures: Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Afterword / |
| title_auth | 1616 : Shakespeare and Tang Xianzu's China / |
| title_exact_search | 1616 : Shakespeare and Tang Xianzu's China / |
| title_full | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| title_fullStr | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| title_full_unstemmed | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| title_short | 1616 : |
| title_sort | 1616 shakespeare and tang xianzu s china |
| title_sub | Shakespeare and Tang Xianzu's China / |
| topic | Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Tang, Xianzu, 1550-1616 fast https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C Shakespeare, William 1564-1616 gnd http://d-nb.info/gnd/118613723 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. bicssc Literary studies: plays & playwrights. bicssc LITERARY CRITICISM Shakespeare. bisacsh LITERARY CRITICISM Asian Chinese. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Art appreciation fast Chinese drama Ming dynasty fast English drama fast Theater fast Rezeption gnd http://d-nb.info/gnd/4049716-1 |
| topic_facet | Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 Tang, Xianzu, 1550-1616 Shakespeare, William 1564-1616 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. Literary studies: plays & playwrights. LITERARY CRITICISM Shakespeare. LITERARY CRITICISM Asian Chinese. DRAMA English, Irish, Scottish, Welsh. Art appreciation Chinese drama Ming dynasty English drama Theater China Rezeption Criticism, interpretation, etc. History |
| work_keys_str_mv | AT tantianyuan 1616shakespeareandtangxianzuschina AT edmondsonpaul 1616shakespeareandtangxianzuschina AT wangshihpe 1616shakespeareandtangxianzuschina |