1616 :: Shakespeare and Tang Xianzu's China /
"The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in th...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London :
Bloomsbury Arden Shakespeare,
2016.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781472583444 1472583442 9781472583437 1472583434 |
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| 245 | 0 | 0 | |a 1616 : |b Shakespeare and Tang Xianzu's China / |c edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| 264 | 1 | |a London : |b Bloomsbury Arden Shakespeare, |c 2016. | |
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| 520 | |a "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Foreword / |r by Wilt L. Idema -- |g 1. |t Introduction / |r by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang |g 1. |t Setting the Scene: Playwrights and Localities: |g 1.1. |t The backdrop of regional theatre to Tang Xianzu's drama / |r Yongming Xu; |g 1.2. |t Stratford-upon-Avon: 1616 / |r Paul Edmondson -- |g 2. |t Classics, Tastes and Popularity: |g 2.1. |t The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / |r Wei Hua; |g 2.2. |t Blockbusters and popular stories / |r Nick Walton -- |g 3. |t Making History: |g 3.1. |t Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / |r Ayling Wang; |g 3.2. |t Dramatizing the Tudors / |r Helen Cooper -- |g 4. |t The State and the Theatre: |g 4.1 |t Sixty plays from the Ming Palace, 1615-1618 / |r Tian Yuan Tan; |g 4.2. |t Licensing the King's Men: from court revels to public performance / |r Janet Clare -- |g 5. |t The Transmission of Dramatic Texts and Printing: |g 5.1. |t Tired, sick, and looking for money: Zang Maoxun in 1616 / |r Stephen H. West; |g 5.2. |t "Status anxiety: arguing about plays and print in early modern London / |r Jason Scott-Warren -- |g 6. |t Dramatic Authorship and Collaboration: |g 6.1. |t Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / |r Patricia Sieber; |g 6.2. |t 'May I subscribe a name?': terms of collaboration in 1616 / |r Peter Kirwan -- |g 7. |t Audiences, Critics, and Reception: |g 7.1. |t Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / |r Shih-pe Wang; |g 7.2. |t 'No epilogue, I pray you': audience reception in Shakespearian theatre / |r Anjna Chouhan -- |g 8. |t Music and Performance: |g 8.1. |t Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / |r Mei Sun; |g 8.2. |t Music in the English theatre of 1616 / |r David Lindley -- |g 9. |t Theatre in Theory and Practice: |g 9.1. |t Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / |r Regina Llamas; |g 9.2. |t Taking cover: 1616 and the move indoors / |r Will Tosh -- |g 10. |t Theatre Across Genres and Cultures: |g 10.1. |t Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / |r Xiaoqiao Ling; |g 10.2. |t 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / |r Kate McLuskie -- |t Afterword / |r by Stanley Wells. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Appreciation |z China. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |0 http://id.loc.gov/authorities/subjects/sh85120926 |
| 600 | 1 | 0 | |a Tang, Xianzu, |d 1550-1616 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 600 | 1 | 7 | |a Tang, Xianzu, |d 1550-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C |
| 600 | 1 | 7 | |a Shakespeare, William |d 1564-1616 |2 gnd |0 http://d-nb.info/gnd/118613723 |
| 650 | 0 | |a English drama |y 17th century |x History and criticism. | |
| 650 | 0 | |a Chinese drama |y Ming dynasty, 1368-1644 |x History and criticism. | |
| 650 | 0 | |a Theater |z China |x History. | |
| 650 | 6 | |a Théâtre anglais |y 17e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre chinois |y 1368-1644 (Dynastie des Ming) |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |z Chine |x Histoire. | |
| 650 | 7 | |a Shakespeare studies & criticism. |2 bicssc | |
| 650 | 7 | |a Literary studies: plays & playwrights. |2 bicssc | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Asian |x Chinese. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Art appreciation |2 fast | |
| 650 | 7 | |a Chinese drama |x Ming dynasty |2 fast | |
| 650 | 7 | |a English drama |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 651 | 7 | |a China |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 | |
| 650 | 7 | |a Rezeption |2 gnd |0 http://d-nb.info/gnd/4049716-1 | |
| 651 | 7 | |a China |2 gnd |0 http://d-nb.info/gnd/4009937-4 | |
| 648 | 7 | |a 1368-1699 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Tan, Tian Yuan, |e editor. | |
| 700 | 1 | |a Edmondson, Paul, |e editor. | |
| 700 | 1 | |a Wang, Shih-pe, |e editor. | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn927140841 |
|---|---|
| _version_ | 1816882327986372608 |
| adam_text | |
| any_adam_object | |
| author2 | Tan, Tian Yuan Edmondson, Paul Wang, Shih-pe |
| author2_role | edt edt edt |
| author2_variant | t y t ty tyt p e pe s p w spw |
| author_additional | by Wilt L. Idema -- by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang Yongming Xu; Paul Edmondson -- Wei Hua; Nick Walton -- Ayling Wang; Helen Cooper -- Tian Yuan Tan; Janet Clare -- Stephen H. West; Jason Scott-Warren -- Patricia Sieber; Peter Kirwan -- Shih-pe Wang; Anjna Chouhan -- Mei Sun; David Lindley -- Regina Llamas; Will Tosh -- Xiaoqiao Ling; Kate McLuskie -- by Stanley Wells. |
| author_facet | Tan, Tian Yuan Edmondson, Paul Wang, Shih-pe |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR2971 |
| callnumber-raw | PR2971.C6 A26 2016eb |
| callnumber-search | PR2971.C6 A26 2016eb |
| callnumber-sort | PR 42971 C6 A26 42016EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Foreword / Introduction / Setting the Scene: Playwrights and Localities: The backdrop of regional theatre to Tang Xianzu's drama / Stratford-upon-Avon: 1616 / Classics, Tastes and Popularity: The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Blockbusters and popular stories / Making History: Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Dramatizing the Tudors / The State and the Theatre: Sixty plays from the Ming Palace, 1615-1618 / Licensing the King's Men: from court revels to public performance / The Transmission of Dramatic Texts and Printing: Tired, sick, and looking for money: Zang Maoxun in 1616 / "Status anxiety: arguing about plays and print in early modern London / Dramatic Authorship and Collaboration: Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / 'May I subscribe a name?': terms of collaboration in 1616 / Audiences, Critics, and Reception: Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / 'No epilogue, I pray you': audience reception in Shakespearian theatre / Music and Performance: Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Music in the English theatre of 1616 / Theatre in Theory and Practice: Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Taking cover: 1616 and the move indoors / Theatre Across Genres and Cultures: Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Afterword / |
| ctrlnum | (OCoLC)927140841 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | 1368-1699 fast |
| era_facet | 1368-1699 |
| format | Electronic eBook |
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This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"--</subfield><subfield code="c">Provided by publisher</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Foreword /</subfield><subfield code="r">by Wilt L. 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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 China gnd http://d-nb.info/gnd/4009937-4 |
| geographic_facet | China |
| id | ZDB-4-EBA-ocn927140841 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:52Z |
| institution | BVB |
| isbn | 9781472583444 1472583442 9781472583437 1472583434 |
| language | English |
| oclc_num | 927140841 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Arden Shakespeare, |
| record_format | marc |
| spelling | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. London : Bloomsbury Arden Shakespeare, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier "The year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time"-- Provided by publisher Includes bibliographical references and index. Print version record. Foreword / by Wilt L. Idema -- 1. Introduction / by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang 1. Setting the Scene: Playwrights and Localities: 1.1. The backdrop of regional theatre to Tang Xianzu's drama / Yongming Xu; 1.2. Stratford-upon-Avon: 1616 / Paul Edmondson -- 2. Classics, Tastes and Popularity: 2.1. The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Wei Hua; 2.2. Blockbusters and popular stories / Nick Walton -- 3. Making History: 3.1. Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Ayling Wang; 3.2. Dramatizing the Tudors / Helen Cooper -- 4. The State and the Theatre: 4.1 Sixty plays from the Ming Palace, 1615-1618 / Tian Yuan Tan; 4.2. Licensing the King's Men: from court revels to public performance / Janet Clare -- 5. The Transmission of Dramatic Texts and Printing: 5.1. Tired, sick, and looking for money: Zang Maoxun in 1616 / Stephen H. West; 5.2. "Status anxiety: arguing about plays and print in early modern London / Jason Scott-Warren -- 6. Dramatic Authorship and Collaboration: 6.1. Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / Patricia Sieber; 6.2. 'May I subscribe a name?': terms of collaboration in 1616 / Peter Kirwan -- 7. Audiences, Critics, and Reception: 7.1. Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / Shih-pe Wang; 7.2. 'No epilogue, I pray you': audience reception in Shakespearian theatre / Anjna Chouhan -- 8. Music and Performance: 8.1. Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Mei Sun; 8.2. Music in the English theatre of 1616 / David Lindley -- 9. Theatre in Theory and Practice: 9.1. Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Regina Llamas; 9.2. Taking cover: 1616 and the move indoors / Will Tosh -- 10. Theatre Across Genres and Cultures: 10.1. Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / Xiaoqiao Ling; 10.2. 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Kate McLuskie -- Afterword / by Stanley Wells. Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Tang, Xianzu, 1550-1616 fast https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C Shakespeare, William 1564-1616 gnd http://d-nb.info/gnd/118613723 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. bicssc Literary studies: plays & playwrights. bicssc LITERARY CRITICISM Shakespeare. bisacsh LITERARY CRITICISM Asian Chinese. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Art appreciation fast Chinese drama Ming dynasty fast English drama fast Theater fast China fast https://id.oclc.org/worldcat/entity/E39PBJcrd4RjtCBk4wfMhTwwG3 Rezeption gnd http://d-nb.info/gnd/4049716-1 China gnd http://d-nb.info/gnd/4009937-4 1368-1699 fast Criticism, interpretation, etc. fast History fast Tan, Tian Yuan, editor. Edmondson, Paul, editor. Wang, Shih-pe, editor. has work: 1616 (Text) https://id.oclc.org/worldcat/entity/E39PCGDqBBFDPcqrw9MJCDGYCP https://id.oclc.org/worldcat/ontology/hasWork Print version: 1616 9781472583420 (DLC) 2015020628 (OCoLC)908262498 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1087086 Volltext |
| spellingShingle | 1616 : Shakespeare and Tang Xianzu's China / Foreword / Introduction / Setting the Scene: Playwrights and Localities: The backdrop of regional theatre to Tang Xianzu's drama / Stratford-upon-Avon: 1616 / Classics, Tastes and Popularity: The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Blockbusters and popular stories / Making History: Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Dramatizing the Tudors / The State and the Theatre: Sixty plays from the Ming Palace, 1615-1618 / Licensing the King's Men: from court revels to public performance / The Transmission of Dramatic Texts and Printing: Tired, sick, and looking for money: Zang Maoxun in 1616 / "Status anxiety: arguing about plays and print in early modern London / Dramatic Authorship and Collaboration: Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / 'May I subscribe a name?': terms of collaboration in 1616 / Audiences, Critics, and Reception: Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / 'No epilogue, I pray you': audience reception in Shakespearian theatre / Music and Performance: Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Music in the English theatre of 1616 / Theatre in Theory and Practice: Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Taking cover: 1616 and the move indoors / Theatre Across Genres and Cultures: Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Afterword / Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Tang, Xianzu, 1550-1616 fast https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C Shakespeare, William 1564-1616 gnd http://d-nb.info/gnd/118613723 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. bicssc Literary studies: plays & playwrights. bicssc LITERARY CRITICISM Shakespeare. bisacsh LITERARY CRITICISM Asian Chinese. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Art appreciation fast Chinese drama Ming dynasty fast English drama fast Theater fast Rezeption gnd http://d-nb.info/gnd/4049716-1 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120926 http://d-nb.info/gnd/118613723 http://d-nb.info/gnd/4049716-1 http://d-nb.info/gnd/4009937-4 |
| title | 1616 : Shakespeare and Tang Xianzu's China / |
| title_alt | Foreword / Introduction / Setting the Scene: Playwrights and Localities: The backdrop of regional theatre to Tang Xianzu's drama / Stratford-upon-Avon: 1616 / Classics, Tastes and Popularity: The 'popular turn' in the elite theatre of the Ming after Tang Xianzu: love, dream and deaths in The tale of the West loft / Blockbusters and popular stories / Making History: Shishiju as public forum: The crying Phoenix and the dramatization of contemporary political affairs in late Ming China / Dramatizing the Tudors / The State and the Theatre: Sixty plays from the Ming Palace, 1615-1618 / Licensing the King's Men: from court revels to public performance / The Transmission of Dramatic Texts and Printing: Tired, sick, and looking for money: Zang Maoxun in 1616 / "Status anxiety: arguing about plays and print in early modern London / Dramatic Authorship and Collaboration: Is there a playwright in this text? the 1610s and the consolidation of dramatic authorship in late Ming print culture / 'May I subscribe a name?': terms of collaboration in 1616 / Audiences, Critics, and Reception: Revising Peony Pavilion: audience reception in presenting Tang Xianzu's text / 'No epilogue, I pray you': audience reception in Shakespearian theatre / Music and Performance: Seeking the relics of music and performance: an investigation of Chinese theatrical scenes published in the early seventeenth century (1606-6) / Music in the English theatre of 1616 / Theatre in Theory and Practice: Xu Wei's A record of Southern Drama: the idea of a theatre at the turn of a seventeenth-century China / Taking cover: 1616 and the move indoors / Theatre Across Genres and Cultures: Elite drama readership staged in vernacular fiction: The Western Wing and The Retrieved History of Hailing / 'There be salmons in both': models of connection for seventeenth-century English and Chinese drama / Afterword / |
| title_auth | 1616 : Shakespeare and Tang Xianzu's China / |
| title_exact_search | 1616 : Shakespeare and Tang Xianzu's China / |
| title_full | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| title_fullStr | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| title_full_unstemmed | 1616 : Shakespeare and Tang Xianzu's China / edited by Tian Yuan Tan, Paul Edmondson, and Shih-pe Wang. |
| title_short | 1616 : |
| title_sort | 1616 shakespeare and tang xianzu s china |
| title_sub | Shakespeare and Tang Xianzu's China / |
| topic | Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. http://id.loc.gov/authorities/subjects/sh85120926 Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Tang, Xianzu, 1550-1616 fast https://id.oclc.org/worldcat/entity/E39PBJvxpMhDw4yhTM67yqYF8C Shakespeare, William 1564-1616 gnd http://d-nb.info/gnd/118613723 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. bicssc Literary studies: plays & playwrights. bicssc LITERARY CRITICISM Shakespeare. bisacsh LITERARY CRITICISM Asian Chinese. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Art appreciation fast Chinese drama Ming dynasty fast English drama fast Theater fast Rezeption gnd http://d-nb.info/gnd/4049716-1 |
| topic_facet | Shakespeare, William, 1564-1616 Appreciation China. Shakespeare, William, 1564-1616 Criticism and interpretation. Tang, Xianzu, 1550-1616 Criticism and interpretation. Shakespeare, William, 1564-1616 Tang, Xianzu, 1550-1616 Shakespeare, William 1564-1616 English drama 17th century History and criticism. Chinese drama Ming dynasty, 1368-1644 History and criticism. Theater China History. Théâtre anglais 17e siècle Histoire et critique. Théâtre chinois 1368-1644 (Dynastie des Ming) Histoire et critique. Théâtre Chine Histoire. Shakespeare studies & criticism. Literary studies: plays & playwrights. LITERARY CRITICISM Shakespeare. LITERARY CRITICISM Asian Chinese. DRAMA English, Irish, Scottish, Welsh. Art appreciation Chinese drama Ming dynasty English drama Theater China Rezeption Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1087086 |
| work_keys_str_mv | AT tantianyuan 1616shakespeareandtangxianzuschina AT edmondsonpaul 1616shakespeareandtangxianzuschina AT wangshihpe 1616shakespeareandtangxianzuschina |