Country soul :: making music and making race in the American South /
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and M...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill :
University of North Carolina Press,
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period |
| Beschreibung: | 1 online resource (280 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781469623245 1469623242 |
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| 100 | 1 | |a Hughes, Charles L., |e author. |0 http://id.loc.gov/authorities/names/n80112910 | |
| 245 | 1 | 0 | |a Country soul : |b making music and making race in the American South / |c Charles L. Hughes. |
| 264 | 1 | |a Chapel Hill : |b University of North Carolina Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Introduction. There's a redneck in the soul band -- We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle -- I got what I got the hard way : the music and mythology of the Memphis sound -- Selling soul : black music and black power in Memphis -- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s -- Pride and prejudice : race and country music in the era of backlash -- The south's gonna do it again : the racial politics of the new southern music of the 1970s -- Disco and down home blues : country and soul at the end of the 1970s -- Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle. | |
| 520 | |a In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period | ||
| 546 | |a English. | ||
| 650 | 0 | |a Popular music |z Alabama |z Muscle Shoals |y 1961-1970 |x History and criticism. | |
| 650 | 0 | |a Popular music |z Tennessee |z Memphis |y 1961-1970 |x History and criticism. | |
| 650 | 0 | |a Popular music |z Tennessee |z Nashville |y 1961-1970 |x History and criticism. | |
| 650 | 0 | |a Popular music |z Alabama |z Muscle Shoals |y 1971-1980 |x History and criticism. | |
| 650 | 0 | |a Popular music |z Tennessee |z Memphis |y 1971-1980 |x History and criticism. | |
| 650 | 0 | |a Popular music |z Tennessee |z Nashville |y 1971-1980 |x History and criticism. | |
| 650 | 0 | |a Soul music |z Alabama |z Muscle Shoals |x History and criticism. | |
| 650 | 0 | |a Soul music |z Tennessee |z Memphis |x History and criticism. | |
| 650 | 0 | |a Country music |z Tennessee |z Nashville |x History and criticism. | |
| 650 | 0 | |a Music and race |z Southern States. | |
| 651 | 0 | |a Muscle Shoals (Ala.) |x Music |y 20th century |x History and criticism. | |
| 651 | 0 | |a Alabama |x Music |y 20th century |x History and criticism. | |
| 651 | 0 | |a Memphis (Tenn.) |x Music |y 20th century |x History and criticism. | |
| 651 | 0 | |a Tennessee |x Music |y 20th century |x History and criticism. | |
| 651 | 0 | |a Nashville (Tenn.) |x Music |y 20th century |x History and criticism. | |
| 650 | 6 | |a Musique populaire |z Tennessee |z Memphis |y 1961-1970 |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |z Tennessee |z Nashville |y 1961-1970 |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |z Tennessee |z Memphis |y 1971-1980 |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire |z Tennessee |z Nashville |y 1971-1980 |x Histoire et critique. | |
| 650 | 6 | |a Musique et race |z États-Unis (Sud) | |
| 651 | 6 | |a Alabama |x Musique |y 20e siècle |x Histoire et critique. | |
| 651 | 6 | |a Tennessee |x Musique |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Discrimination & Race Relations. |2 bisacsh | |
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| 650 | 7 | |a Music |2 fast | |
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| 651 | 7 | |a Alabama |z Muscle Shoals |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJB48kHfqcJftcg7Dxwpyd | |
| 651 | 7 | |a Southern States |2 fast | |
| 651 | 7 | |a Tennessee |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJrRf39VjgwCHrPYYvMMfq | |
| 651 | 7 | |a Tennessee |z Memphis |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJfWY6yWGTkQMXY88R3CwC | |
| 651 | 7 | |a Tennessee |z Nashville |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRCYvtCQc9gYwJbHvFTB | |
| 648 | 7 | |a 1900-1999 |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Hughes, Charles L. |t Country Soul : Making Music and Making Race in the American South |z 9781469622439 |w (OCoLC)915751464 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn922325684 |
|---|---|
| _version_ | 1816882324461060096 |
| adam_text | |
| any_adam_object | |
| author | Hughes, Charles L. |
| author_GND | http://id.loc.gov/authorities/names/n80112910 |
| author_facet | Hughes, Charles L. |
| author_role | aut |
| author_sort | Hughes, Charles L. |
| author_variant | c l h cl clh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3477 |
| callnumber-raw | ML3477 |
| callnumber-search | ML3477 |
| callnumber-sort | ML 43477 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction. There's a redneck in the soul band -- We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle -- I got what I got the hard way : the music and mythology of the Memphis sound -- Selling soul : black music and black power in Memphis -- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s -- Pride and prejudice : race and country music in the era of backlash -- The south's gonna do it again : the racial politics of the new southern music of the 1970s -- Disco and down home blues : country and soul at the end of the 1970s -- Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle. |
| ctrlnum | (OCoLC)922325684 |
| dewey-full | 781.642089/00976 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.642089/00976 |
| dewey-search | 781.642089/00976 |
| dewey-sort | 3781.642089 3976 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| geographic | Muscle Shoals (Ala.) Music 20th century History and criticism. Alabama Music 20th century History and criticism. Memphis (Tenn.) Music 20th century History and criticism. Tennessee Music 20th century History and criticism. Nashville (Tenn.) Music 20th century History and criticism. Alabama Musique 20e siècle Histoire et critique. Tennessee Musique 20e siècle Histoire et critique. Alabama fast https://id.oclc.org/worldcat/entity/E39QbtfRCDtKdF7vHd4P467qDY Alabama Muscle Shoals fast https://id.oclc.org/worldcat/entity/E39PBJB48kHfqcJftcg7Dxwpyd Southern States fast Tennessee fast https://id.oclc.org/worldcat/entity/E39PBJrRf39VjgwCHrPYYvMMfq Tennessee Memphis fast https://id.oclc.org/worldcat/entity/E39PBJfWY6yWGTkQMXY88R3CwC Tennessee Nashville fast https://id.oclc.org/worldcat/entity/E39QbtfRCYvtCQc9gYwJbHvFTB |
| geographic_facet | Muscle Shoals (Ala.) Music 20th century History and criticism. Alabama Music 20th century History and criticism. Memphis (Tenn.) Music 20th century History and criticism. Tennessee Music 20th century History and criticism. Nashville (Tenn.) Music 20th century History and criticism. Alabama Musique 20e siècle Histoire et critique. Tennessee Musique 20e siècle Histoire et critique. Alabama Alabama Muscle Shoals Southern States Tennessee Tennessee Memphis Tennessee Nashville |
| id | ZDB-4-EBA-ocn922325684 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:48Z |
| institution | BVB |
| isbn | 9781469623245 1469623242 |
| language | English |
| oclc_num | 922325684 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (280 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | University of North Carolina Press, |
| record_format | marc |
| spelling | Hughes, Charles L., author. http://id.loc.gov/authorities/names/n80112910 Country soul : making music and making race in the American South / Charles L. Hughes. Chapel Hill : University of North Carolina Press, [2015] ©2015 1 online resource (280 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Introduction. There's a redneck in the soul band -- We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle -- I got what I got the hard way : the music and mythology of the Memphis sound -- Selling soul : black music and black power in Memphis -- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s -- Pride and prejudice : race and country music in the era of backlash -- The south's gonna do it again : the racial politics of the new southern music of the 1970s -- Disco and down home blues : country and soul at the end of the 1970s -- Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle. In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period English. Popular music Alabama Muscle Shoals 1961-1970 History and criticism. Popular music Tennessee Memphis 1961-1970 History and criticism. Popular music Tennessee Nashville 1961-1970 History and criticism. Popular music Alabama Muscle Shoals 1971-1980 History and criticism. Popular music Tennessee Memphis 1971-1980 History and criticism. Popular music Tennessee Nashville 1971-1980 History and criticism. Soul music Alabama Muscle Shoals History and criticism. Soul music Tennessee Memphis History and criticism. Country music Tennessee Nashville History and criticism. Music and race Southern States. Muscle Shoals (Ala.) Music 20th century History and criticism. Alabama Music 20th century History and criticism. Memphis (Tenn.) Music 20th century History and criticism. Tennessee Music 20th century History and criticism. Nashville (Tenn.) Music 20th century History and criticism. Musique populaire Tennessee Memphis 1961-1970 Histoire et critique. Musique populaire Tennessee Nashville 1961-1970 Histoire et critique. Musique populaire Tennessee Memphis 1971-1980 Histoire et critique. Musique populaire Tennessee Nashville 1971-1980 Histoire et critique. Musique et race États-Unis (Sud) Alabama Musique 20e siècle Histoire et critique. Tennessee Musique 20e siècle Histoire et critique. MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Discrimination & Race Relations. bisacsh Country music fast Music fast Music and race fast Popular music fast Soul music fast Alabama fast https://id.oclc.org/worldcat/entity/E39QbtfRCDtKdF7vHd4P467qDY Alabama Muscle Shoals fast https://id.oclc.org/worldcat/entity/E39PBJB48kHfqcJftcg7Dxwpyd Southern States fast Tennessee fast https://id.oclc.org/worldcat/entity/E39PBJrRf39VjgwCHrPYYvMMfq Tennessee Memphis fast https://id.oclc.org/worldcat/entity/E39PBJfWY6yWGTkQMXY88R3CwC Tennessee Nashville fast https://id.oclc.org/worldcat/entity/E39QbtfRCYvtCQc9gYwJbHvFTB 1900-1999 fast Electronic books. Criticism, interpretation, etc. fast has work: Country soul (Text) https://id.oclc.org/worldcat/entity/E39PCGYbCdfbH8HQwDjYgXXxcP https://id.oclc.org/worldcat/ontology/hasWork Print version: Hughes, Charles L. Country Soul : Making Music and Making Race in the American South 9781469622439 (OCoLC)915751464 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=965058 Volltext |
| spellingShingle | Hughes, Charles L. Country soul : making music and making race in the American South / Introduction. There's a redneck in the soul band -- We only had this one thing in common : we liked all types of music : the birth of the country-soul triangle -- I got what I got the hard way : the music and mythology of the Memphis sound -- Selling soul : black music and black power in Memphis -- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s -- Pride and prejudice : race and country music in the era of backlash -- The south's gonna do it again : the racial politics of the new southern music of the 1970s -- Disco and down home blues : country and soul at the end of the 1970s -- Coda. On accidental racists : interracial friendship, historical memory, and the country-soul triangle. Popular music Alabama Muscle Shoals 1961-1970 History and criticism. Popular music Tennessee Memphis 1961-1970 History and criticism. Popular music Tennessee Nashville 1961-1970 History and criticism. Popular music Alabama Muscle Shoals 1971-1980 History and criticism. Popular music Tennessee Memphis 1971-1980 History and criticism. Popular music Tennessee Nashville 1971-1980 History and criticism. Soul music Alabama Muscle Shoals History and criticism. Soul music Tennessee Memphis History and criticism. Country music Tennessee Nashville History and criticism. Music and race Southern States. Musique populaire Tennessee Memphis 1961-1970 Histoire et critique. Musique populaire Tennessee Nashville 1961-1970 Histoire et critique. Musique populaire Tennessee Memphis 1971-1980 Histoire et critique. Musique populaire Tennessee Nashville 1971-1980 Histoire et critique. Musique et race États-Unis (Sud) MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Discrimination & Race Relations. bisacsh Country music fast Music fast Music and race fast Popular music fast Soul music fast |
| title | Country soul : making music and making race in the American South / |
| title_auth | Country soul : making music and making race in the American South / |
| title_exact_search | Country soul : making music and making race in the American South / |
| title_full | Country soul : making music and making race in the American South / Charles L. Hughes. |
| title_fullStr | Country soul : making music and making race in the American South / Charles L. Hughes. |
| title_full_unstemmed | Country soul : making music and making race in the American South / Charles L. Hughes. |
| title_short | Country soul : |
| title_sort | country soul making music and making race in the american south |
| title_sub | making music and making race in the American South / |
| topic | Popular music Alabama Muscle Shoals 1961-1970 History and criticism. Popular music Tennessee Memphis 1961-1970 History and criticism. Popular music Tennessee Nashville 1961-1970 History and criticism. Popular music Alabama Muscle Shoals 1971-1980 History and criticism. Popular music Tennessee Memphis 1971-1980 History and criticism. Popular music Tennessee Nashville 1971-1980 History and criticism. Soul music Alabama Muscle Shoals History and criticism. Soul music Tennessee Memphis History and criticism. Country music Tennessee Nashville History and criticism. Music and race Southern States. Musique populaire Tennessee Memphis 1961-1970 Histoire et critique. Musique populaire Tennessee Nashville 1961-1970 Histoire et critique. Musique populaire Tennessee Memphis 1971-1980 Histoire et critique. Musique populaire Tennessee Nashville 1971-1980 Histoire et critique. Musique et race États-Unis (Sud) MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Discrimination & Race Relations. bisacsh Country music fast Music fast Music and race fast Popular music fast Soul music fast |
| topic_facet | Popular music Alabama Muscle Shoals 1961-1970 History and criticism. Popular music Tennessee Memphis 1961-1970 History and criticism. Popular music Tennessee Nashville 1961-1970 History and criticism. Popular music Alabama Muscle Shoals 1971-1980 History and criticism. Popular music Tennessee Memphis 1971-1980 History and criticism. Popular music Tennessee Nashville 1971-1980 History and criticism. Soul music Alabama Muscle Shoals History and criticism. Soul music Tennessee Memphis History and criticism. Country music Tennessee Nashville History and criticism. Music and race Southern States. Muscle Shoals (Ala.) Music 20th century History and criticism. Alabama Music 20th century History and criticism. Memphis (Tenn.) Music 20th century History and criticism. Tennessee Music 20th century History and criticism. Nashville (Tenn.) Music 20th century History and criticism. Musique populaire Tennessee Memphis 1961-1970 Histoire et critique. Musique populaire Tennessee Nashville 1961-1970 Histoire et critique. Musique populaire Tennessee Memphis 1971-1980 Histoire et critique. Musique populaire Tennessee Nashville 1971-1980 Histoire et critique. Musique et race États-Unis (Sud) Alabama Musique 20e siècle Histoire et critique. Tennessee Musique 20e siècle Histoire et critique. MUSIC Instruction & Study Theory. SOCIAL SCIENCE Discrimination & Race Relations. Country music Music Music and race Popular music Soul music Alabama Alabama Muscle Shoals Southern States Tennessee Tennessee Memphis Tennessee Nashville Electronic books. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT hughescharlesl countrysoulmakingmusicandmakingraceintheamericansouth |