The flesh of images :: Merleau-Ponty between painting and cinema /
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular pres...
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| Format: | Elektronisch E-Book |
| Sprache: | English French |
| Veröffentlicht: |
Albany :
State University of New York Press,
[2015]
|
| Schriftenreihe: | SUNY series in contemporary continental philosophy.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the "new idea of light" that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty's continuous interest in cinema-an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty's later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty's interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438458809 1438458800 |
Internformat
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| 100 | 1 | |a Carbone, Mauro, |d 1956- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJvmKkFqdJDm9qwVyCgtKd |0 http://id.loc.gov/authorities/names/nr94036545 | |
| 240 | 1 | 0 | |a Chair des images. |l English |
| 245 | 1 | 4 | |a The flesh of images : |b Merleau-Ponty between painting and cinema / |c Mauro Carbone ; Translated by Marta Nijhuis. |
| 264 | 1 | |a Albany : |b State University of New York Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
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| 490 | 1 | |a SUNY series in contemporary continental philosophy | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : The flesh and the thinking of the visual today -- Flesh : towards the history of a misunderstanding -- It takes a long time to become wild : Gauguin according to Merleau-Ponty, Merleau-Ponty according to Gauguin -- 'Making visible' : Merleau-Ponty and Paul Klee -- The philosopher and the moviemaker : Merleau-Ponty and cinematic thinking -- The light of the flesh : anti-platonistic instances and neoplatonic traces in the later Merleau-Ponty's thinking -- The sensible ideas between life and philosophy. | |
| 520 | |a In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the "new idea of light" that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty's continuous interest in cinema-an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty's later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty's interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Merleau-Ponty, Maurice, |d 1908-1961 |x Knowledge and learning. |
| 600 | 1 | 7 | |a Merleau-Ponty, Maurice, |d 1908-1961 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq |
| 650 | 0 | |a Painting. |0 http://id.loc.gov/authorities/subjects/sh85096661 | |
| 650 | 0 | |a Motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85088084 | |
| 650 | 2 | |a Paintings |0 https://id.nlm.nih.gov/mesh/D010151 | |
| 650 | 2 | |a Motion Pictures | |
| 650 | 6 | |a Peinture. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a PHILOSOPHY |x Epistemology. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Painting |2 fast | |
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| 700 | 1 | |a Nijhuis, Marta, |d 1983- |e translator. |1 https://id.oclc.org/worldcat/entity/E39PCjxPmDhG4XvwqqjgJw4hh3 |0 http://id.loc.gov/authorities/names/n2015003283 | |
| 700 | 1 | |i Translation of: |a Carbone, Mauro, |d 1956- |t Chair des images. | |
| 758 | |i has work: |a The flesh of images (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGqB7xkQx8M74hqBjkxqwC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Carbone, Mauro, 1956- |s Chair des images. English. |t Flesh of images |z 9781438458793 |w (DLC) 2015001352 |w (OCoLC)900564806 |
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Datensatz im Suchindex
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| adam_text | |
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| author | Carbone, Mauro, 1956- |
| author2 | Nijhuis, Marta, 1983- Carbone, Mauro, 1956- |
| author2_role | trl |
| author2_variant | m n mn m c mc |
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| contents | Introduction : The flesh and the thinking of the visual today -- Flesh : towards the history of a misunderstanding -- It takes a long time to become wild : Gauguin according to Merleau-Ponty, Merleau-Ponty according to Gauguin -- 'Making visible' : Merleau-Ponty and Paul Klee -- The philosopher and the moviemaker : Merleau-Ponty and cinematic thinking -- The light of the flesh : anti-platonistic instances and neoplatonic traces in the later Merleau-Ponty's thinking -- The sensible ideas between life and philosophy. |
| ctrlnum | (OCoLC)922325606 |
| dewey-full | 121/.34 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 121 - Epistemology (Theory of knowledge) |
| dewey-raw | 121/.34 |
| dewey-search | 121/.34 |
| dewey-sort | 3121 234 |
| dewey-tens | 120 - Epistemology, causation, humankind |
| discipline | Philosophie |
| format | Electronic eBook |
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| genre | Motion pictures fast |
| genre_facet | Motion pictures |
| id | ZDB-4-EBA-ocn922325606 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:48Z |
| institution | BVB |
| isbn | 9781438458809 1438458800 |
| language | English French |
| oclc_num | 922325606 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
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| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | State University of New York Press, |
| record_format | marc |
| series | SUNY series in contemporary continental philosophy. |
| series2 | SUNY series in contemporary continental philosophy |
| spelling | Carbone, Mauro, 1956- author. https://id.oclc.org/worldcat/entity/E39PBJvmKkFqdJDm9qwVyCgtKd http://id.loc.gov/authorities/names/nr94036545 Chair des images. English The flesh of images : Merleau-Ponty between painting and cinema / Mauro Carbone ; Translated by Marta Nijhuis. Albany : State University of New York Press, [2015] ©2015 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series in contemporary continental philosophy Includes bibliographical references and index. Introduction : The flesh and the thinking of the visual today -- Flesh : towards the history of a misunderstanding -- It takes a long time to become wild : Gauguin according to Merleau-Ponty, Merleau-Ponty according to Gauguin -- 'Making visible' : Merleau-Ponty and Paul Klee -- The philosopher and the moviemaker : Merleau-Ponty and cinematic thinking -- The light of the flesh : anti-platonistic instances and neoplatonic traces in the later Merleau-Ponty's thinking -- The sensible ideas between life and philosophy. In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which, as such, had not been present before, Carbone proposes original connections between Merleau-Ponty and Paul Gauguin, and articulates his own further development of the "new idea of light" that the French philosopher was beginning to elaborate at the time of his sudden death. Carbone connects these ideas to Merleau-Ponty's continuous interest in cinema-an interest that has been traditionally neglected or circumscribed. Focusing on Merleau-Ponty's later writings, including unpublished course notes and documents not yet available in English, Carbone demonstrates both that Merleau-Ponty's interest in film was sustained and philosophically crucial, and also that his thinking provides an important resource for illuminating our contemporary relationship to images, with profound implications for the future of philosophy and aesthetics. Building on his earlier work on Marcel Proust and considering ongoing developments in optical and media technologies, Carbone adds his own philosophical insight into understanding the visual today. Print version record. English. Merleau-Ponty, Maurice, 1908-1961 Knowledge and learning. Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Painting. http://id.loc.gov/authorities/subjects/sh85096661 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Paintings https://id.nlm.nih.gov/mesh/D010151 Motion Pictures Peinture. Cinéma. PHILOSOPHY Epistemology. bisacsh Motion pictures fast Painting fast Nijhuis, Marta, 1983- translator. https://id.oclc.org/worldcat/entity/E39PCjxPmDhG4XvwqqjgJw4hh3 http://id.loc.gov/authorities/names/n2015003283 Translation of: Carbone, Mauro, 1956- Chair des images. has work: The flesh of images (Text) https://id.oclc.org/worldcat/entity/E39PCGqB7xkQx8M74hqBjkxqwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Carbone, Mauro, 1956- Chair des images. English. Flesh of images 9781438458793 (DLC) 2015001352 (OCoLC)900564806 SUNY series in contemporary continental philosophy. http://id.loc.gov/authorities/names/n84720871 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1071074 Volltext |
| spellingShingle | Carbone, Mauro, 1956- The flesh of images : Merleau-Ponty between painting and cinema / SUNY series in contemporary continental philosophy. Introduction : The flesh and the thinking of the visual today -- Flesh : towards the history of a misunderstanding -- It takes a long time to become wild : Gauguin according to Merleau-Ponty, Merleau-Ponty according to Gauguin -- 'Making visible' : Merleau-Ponty and Paul Klee -- The philosopher and the moviemaker : Merleau-Ponty and cinematic thinking -- The light of the flesh : anti-platonistic instances and neoplatonic traces in the later Merleau-Ponty's thinking -- The sensible ideas between life and philosophy. Merleau-Ponty, Maurice, 1908-1961 Knowledge and learning. Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Painting. http://id.loc.gov/authorities/subjects/sh85096661 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Paintings https://id.nlm.nih.gov/mesh/D010151 Motion Pictures Peinture. Cinéma. PHILOSOPHY Epistemology. bisacsh Motion pictures fast Painting fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85096661 http://id.loc.gov/authorities/subjects/sh85088084 https://id.nlm.nih.gov/mesh/D010151 |
| title | The flesh of images : Merleau-Ponty between painting and cinema / |
| title_alt | Chair des images. |
| title_auth | The flesh of images : Merleau-Ponty between painting and cinema / |
| title_exact_search | The flesh of images : Merleau-Ponty between painting and cinema / |
| title_full | The flesh of images : Merleau-Ponty between painting and cinema / Mauro Carbone ; Translated by Marta Nijhuis. |
| title_fullStr | The flesh of images : Merleau-Ponty between painting and cinema / Mauro Carbone ; Translated by Marta Nijhuis. |
| title_full_unstemmed | The flesh of images : Merleau-Ponty between painting and cinema / Mauro Carbone ; Translated by Marta Nijhuis. |
| title_short | The flesh of images : |
| title_sort | flesh of images merleau ponty between painting and cinema |
| title_sub | Merleau-Ponty between painting and cinema / |
| topic | Merleau-Ponty, Maurice, 1908-1961 Knowledge and learning. Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Painting. http://id.loc.gov/authorities/subjects/sh85096661 Motion pictures. http://id.loc.gov/authorities/subjects/sh85088084 Paintings https://id.nlm.nih.gov/mesh/D010151 Motion Pictures Peinture. Cinéma. PHILOSOPHY Epistemology. bisacsh Motion pictures fast Painting fast |
| topic_facet | Merleau-Ponty, Maurice, 1908-1961 Knowledge and learning. Merleau-Ponty, Maurice, 1908-1961 Painting. Motion pictures. Paintings Motion Pictures Peinture. Cinéma. PHILOSOPHY Epistemology. Motion pictures Painting |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1071074 |
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