The feel-bad film /:
An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. Thes...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
2015.
|
| Schriftenreihe: | Edinburgh studies in film and intermediality.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. These films systematically manipulate the spectator: sometimes by withholding information from her, sometimes by shocking her, and sometimes by seducing her in order to further disturb her. As a result, they have been criticized for being amoral, nihilistic, politically irresponsible and anti-humanistic. The Feel-Bad Film raises three questions to this body of work: How is the feel-bad experience created? What do the directors believe they can achieve in this manner? And how should the films be situated in intellectual history? Through close analysis of films by Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, the book argues that feel-bad directors invite the spectator to think of art as an experimental activity with ethical norms that are different from the ones we hope to find outside the movie theatre. Only when given the freedom to take advantage of this asymmetry can film realize its ethical potential. Key features:. Detailed analyses of the work of some of the best-known contemporary art film directors A stimulating contribution to current debates about the ethics and politics of cinematic spectatorship The conceptualization of a cinematic genre that will allow us to reconsider debates about the social potential of film Case studies include:. Lars von Trier: Dogville (Denmark) Brian de Palma: Redacted (US) Gus Van Sant: Elephant (US) Lucille Hadzihalilovic: Innocence (France) Stan Brakhage: Kindering (US) Ruben Ã₆stlund: Play (Sweden) Bruno Dumont: Twentynine Palms (France) Harmony Korine: Trash Humpers (US) |
| Beschreibung: | 1 online resource (viii, 190 pages) : color illustrations |
| Bibliographie: | Includes bibliographical references (pages 176-182), filmography (pages 183-185) , and index. |
| ISBN: | 9780748697984 0748697985 9781474412209 1474412203 9780748698004 0748698000 |
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| 100 | 1 | |a Lübecker, Nikolaj d'Origny. | |
| 245 | 1 | 4 | |a The feel-bad film / |c Nikolaj Lübecker. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c 2015. | |
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| 504 | |a Includes bibliographical references (pages 176-182), filmography (pages 183-185) , and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g Machine generated contents note: |g ch. 1 |t Assault -- |g 1.1. |t Inner Bastard: von Trier's Dogville -- |g 1.2. |t Ethics Via the Body: Funny Games, Daisy Diamond and Jacques Ranciere -- |g 1.3. |t Going Too Far? De Palma's Redacted -- |g ch. 2 |t Unease -- |g 2.1. |t Buying a Bunch of Radishes? Van Sant's Elephant -- |g 2.2. |t Ethics of Suspension: I Can't Sleep, Hidden and Judith Butler -- |g 2.3. |t Embracing Childhood: Hadzihalilovic's Innocence and Brakhage's Kindering -- |t Coda: Ostlund's Play -- Between Assault and Unease -- |g ch. 3 |t Transgression, Transgression -- |t Introduction: Third Generation Avant-Garde? -- |g 3.1. |t Avant-Garde as Tragedy: Dumont's Twentynine Palms -- |g 3.2. |t Desperation Films: Code Blue, In My Skin and Les Salauds -- |g 3.3. |t Avant-Garde as Farce? Korine's Trash Humpers -- |t Conclusion. |
| 520 | |a An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. These films systematically manipulate the spectator: sometimes by withholding information from her, sometimes by shocking her, and sometimes by seducing her in order to further disturb her. As a result, they have been criticized for being amoral, nihilistic, politically irresponsible and anti-humanistic. The Feel-Bad Film raises three questions to this body of work: How is the feel-bad experience created? What do the directors believe they can achieve in this manner? And how should the films be situated in intellectual history? Through close analysis of films by Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, the book argues that feel-bad directors invite the spectator to think of art as an experimental activity with ethical norms that are different from the ones we hope to find outside the movie theatre. Only when given the freedom to take advantage of this asymmetry can film realize its ethical potential. Key features:. Detailed analyses of the work of some of the best-known contemporary art film directors A stimulating contribution to current debates about the ethics and politics of cinematic spectatorship The conceptualization of a cinematic genre that will allow us to reconsider debates about the social potential of film Case studies include:. Lars von Trier: Dogville (Denmark) Brian de Palma: Redacted (US) Gus Van Sant: Elephant (US) Lucille Hadzihalilovic: Innocence (France) Stan Brakhage: Kindering (US) Ruben Ã₆stlund: Play (Sweden) Bruno Dumont: Twentynine Palms (France) Harmony Korine: Trash Humpers (US) | ||
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Datensatz im Suchindex
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| adam_text | |
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| author | Lübecker, Nikolaj d'Origny |
| author_facet | Lübecker, Nikolaj d'Origny |
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| author_sort | Lübecker, Nikolaj d'Origny |
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| collection | ZDB-4-EBA |
| contents | Assault -- Inner Bastard: von Trier's Dogville -- Ethics Via the Body: Funny Games, Daisy Diamond and Jacques Ranciere -- Going Too Far? De Palma's Redacted -- Unease -- Buying a Bunch of Radishes? Van Sant's Elephant -- Ethics of Suspension: I Can't Sleep, Hidden and Judith Butler -- Embracing Childhood: Hadzihalilovic's Innocence and Brakhage's Kindering -- Coda: Ostlund's Play -- Between Assault and Unease -- Transgression, Transgression -- Introduction: Third Generation Avant-Garde? -- Avant-Garde as Tragedy: Dumont's Twentynine Palms -- Desperation Films: Code Blue, In My Skin and Les Salauds -- Avant-Garde as Farce? Korine's Trash Humpers -- Conclusion. |
| ctrlnum | (OCoLC)919316043 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4/36 |
| dewey-search | 791.4/36 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn919316043 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:46Z |
| institution | BVB |
| isbn | 9780748697984 0748697985 9781474412209 1474412203 9780748698004 0748698000 |
| language | English |
| oclc_num | 919316043 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 190 pages) : color illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Edinburgh studies in film and intermediality. |
| series2 | Edinburgh studies in film and intermediality |
| spelling | Lübecker, Nikolaj d'Origny. The feel-bad film / Nikolaj Lübecker. Edinburgh : Edinburgh University Press, 2015. 1 online resource (viii, 190 pages) : color illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Filmography Edinburgh studies in film and intermediality Includes bibliographical references (pages 176-182), filmography (pages 183-185) , and index. Print version record. Machine generated contents note: ch. 1 Assault -- 1.1. Inner Bastard: von Trier's Dogville -- 1.2. Ethics Via the Body: Funny Games, Daisy Diamond and Jacques Ranciere -- 1.3. Going Too Far? De Palma's Redacted -- ch. 2 Unease -- 2.1. Buying a Bunch of Radishes? Van Sant's Elephant -- 2.2. Ethics of Suspension: I Can't Sleep, Hidden and Judith Butler -- 2.3. Embracing Childhood: Hadzihalilovic's Innocence and Brakhage's Kindering -- Coda: Ostlund's Play -- Between Assault and Unease -- ch. 3 Transgression, Transgression -- Introduction: Third Generation Avant-Garde? -- 3.1. Avant-Garde as Tragedy: Dumont's Twentynine Palms -- 3.2. Desperation Films: Code Blue, In My Skin and Les Salauds -- 3.3. Avant-Garde as Farce? Korine's Trash Humpers -- Conclusion. An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort. In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. These films systematically manipulate the spectator: sometimes by withholding information from her, sometimes by shocking her, and sometimes by seducing her in order to further disturb her. As a result, they have been criticized for being amoral, nihilistic, politically irresponsible and anti-humanistic. The Feel-Bad Film raises three questions to this body of work: How is the feel-bad experience created? What do the directors believe they can achieve in this manner? And how should the films be situated in intellectual history? Through close analysis of films by Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, the book argues that feel-bad directors invite the spectator to think of art as an experimental activity with ethical norms that are different from the ones we hope to find outside the movie theatre. Only when given the freedom to take advantage of this asymmetry can film realize its ethical potential. Key features:. Detailed analyses of the work of some of the best-known contemporary art film directors A stimulating contribution to current debates about the ethics and politics of cinematic spectatorship The conceptualization of a cinematic genre that will allow us to reconsider debates about the social potential of film Case studies include:. Lars von Trier: Dogville (Denmark) Brian de Palma: Redacted (US) Gus Van Sant: Elephant (US) Lucille Hadzihalilovic: Innocence (France) Stan Brakhage: Kindering (US) Ruben Ã₆stlund: Play (Sweden) Bruno Dumont: Twentynine Palms (France) Harmony Korine: Trash Humpers (US) Kino gnd http://d-nb.info/gnd/1085768007 Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture audiences Psychology. Cinéma Publics Psychologie. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion picture audiences Psychology fast Zuschauer gnd Gefühl gnd http://d-nb.info/gnd/4019702-5 Psychologie gnd Publik. sfit Psykologi och film. sfit has work: The feel-bad film (Text) https://id.oclc.org/worldcat/entity/E39PCGwmJQYYDRqv9Gd7hp6wJC https://id.oclc.org/worldcat/ontology/hasWork Print version: Lübecker, Nikolaj d'Origny. Feel-bad film 0748697993 (OCoLC)898052075 Edinburgh studies in film and intermediality. http://id.loc.gov/authorities/names/no2015082032 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140037 Volltext |
| spellingShingle | Lübecker, Nikolaj d'Origny The feel-bad film / Edinburgh studies in film and intermediality. Assault -- Inner Bastard: von Trier's Dogville -- Ethics Via the Body: Funny Games, Daisy Diamond and Jacques Ranciere -- Going Too Far? De Palma's Redacted -- Unease -- Buying a Bunch of Radishes? Van Sant's Elephant -- Ethics of Suspension: I Can't Sleep, Hidden and Judith Butler -- Embracing Childhood: Hadzihalilovic's Innocence and Brakhage's Kindering -- Coda: Ostlund's Play -- Between Assault and Unease -- Transgression, Transgression -- Introduction: Third Generation Avant-Garde? -- Avant-Garde as Tragedy: Dumont's Twentynine Palms -- Desperation Films: Code Blue, In My Skin and Les Salauds -- Avant-Garde as Farce? Korine's Trash Humpers -- Conclusion. Kino gnd http://d-nb.info/gnd/1085768007 Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture audiences Psychology. Cinéma Publics Psychologie. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion picture audiences Psychology fast Zuschauer gnd Gefühl gnd http://d-nb.info/gnd/4019702-5 Psychologie gnd Publik. sfit Psykologi och film. sfit |
| subject_GND | http://d-nb.info/gnd/1085768007 http://d-nb.info/gnd/4075950-7 http://d-nb.info/gnd/4019702-5 |
| title | The feel-bad film / |
| title_alt | Assault -- Inner Bastard: von Trier's Dogville -- Ethics Via the Body: Funny Games, Daisy Diamond and Jacques Ranciere -- Going Too Far? De Palma's Redacted -- Unease -- Buying a Bunch of Radishes? Van Sant's Elephant -- Ethics of Suspension: I Can't Sleep, Hidden and Judith Butler -- Embracing Childhood: Hadzihalilovic's Innocence and Brakhage's Kindering -- Coda: Ostlund's Play -- Between Assault and Unease -- Transgression, Transgression -- Introduction: Third Generation Avant-Garde? -- Avant-Garde as Tragedy: Dumont's Twentynine Palms -- Desperation Films: Code Blue, In My Skin and Les Salauds -- Avant-Garde as Farce? Korine's Trash Humpers -- Conclusion. |
| title_auth | The feel-bad film / |
| title_exact_search | The feel-bad film / |
| title_full | The feel-bad film / Nikolaj Lübecker. |
| title_fullStr | The feel-bad film / Nikolaj Lübecker. |
| title_full_unstemmed | The feel-bad film / Nikolaj Lübecker. |
| title_short | The feel-bad film / |
| title_sort | feel bad film |
| topic | Kino gnd http://d-nb.info/gnd/1085768007 Bibel Philemonbrief gnd http://d-nb.info/gnd/4075950-7 Motion picture audiences Psychology. Cinéma Publics Psychologie. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion picture audiences Psychology fast Zuschauer gnd Gefühl gnd http://d-nb.info/gnd/4019702-5 Psychologie gnd Publik. sfit Psykologi och film. sfit |
| topic_facet | Kino Bibel Philemonbrief Motion picture audiences Psychology. Cinéma Publics Psychologie. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Reference. Motion picture audiences Psychology Zuschauer Gefühl Psychologie Publik. Psykologi och film. |
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| work_keys_str_mv | AT lubeckernikolajdorigny thefeelbadfilm AT lubeckernikolajdorigny feelbadfilm |