Post-1990 documentary :: reconfiguring independence /
Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and styles In a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and styles In a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780748694143 0748694145 1474403875 9781474403870 9781474412193 147441219X |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocn919188140 | ||
| 003 | OCoLC | ||
| 005 | 20240705115654.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 150825t20152015stka ob 001 0 eng d | ||
| 040 | |a YDXCP |b eng |e pn |c YDXCP |d OCLCO |d JSTOR |d OCLCO |d OCLCF |d OCLCO |d IDEBK |d N$T |d OCLCO |d OCLCQ |d OCLCO |d EBLCP |d OCLCO |d OCLCQ |d OCLCO |d IDB |d CNCGM |d OCLCQ |d MERUC |d OCLCQ |d IOG |d ERL |d U3W |d OCLCQ |d TXC |d INT |d UKMGB |d OCLCQ |d LVT |d YOU |d OCLCQ |d G3B |d IGB |d STF |d UKAHL |d OCLCQ |d UX1 |d K6U |d OCLCO |d SFB |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 015 | |a GBB8K8085 |2 bnb | ||
| 016 | 7 | |a 017733939 |2 Uk | |
| 016 | 7 | |a 017734909 |2 Uk | |
| 016 | 7 | |a 019112605 |2 Uk | |
| 019 | |a 935255248 |a 1014034177 |a 1175637398 |a 1298407655 |a 1370508465 |a 1433228848 | ||
| 020 | |a 9780748694143 |q (electronic bk.) | ||
| 020 | |a 0748694145 |q (electronic bk.) | ||
| 020 | |a 1474403875 | ||
| 020 | |a 9781474403870 | ||
| 020 | |a 9781474412193 |q (electronic bk.) | ||
| 020 | |a 147441219X |q (electronic bk.) | ||
| 020 | |z 9780748694136 | ||
| 020 | |z 0748694137 | ||
| 020 | |z 9781474403870 |q (epub) | ||
| 035 | |a (OCoLC)919188140 |z (OCoLC)935255248 |z (OCoLC)1014034177 |z (OCoLC)1175637398 |z (OCoLC)1298407655 |z (OCoLC)1370508465 |z (OCoLC)1433228848 | ||
| 037 | |a 22573/ctt16r0rdg |b JSTOR | ||
| 050 | 4 | |a PN1995.9.D6 |b P678 2015eb | |
| 072 | 7 | |a PER004040 |2 bisacsh | |
| 072 | 7 | |a PER004010 |2 bisacsh | |
| 072 | 7 | |a PER004030 |2 bisacsh | |
| 072 | 7 | |a LAN |x 008000 |2 bisacsh | |
| 082 | 7 | |a 070.1/8 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Post-1990 documentary : |b reconfiguring independence / |c edited by Camille Deprez and Judith Pernin. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; PART I History and Spaces of Resistance ; Chapter 1 Post-unification (East) German Documentary and the Contradictions of Identity; Chapter 2 No Going Back: Continuity and Change in Australian Documentary ; Chapter 3 A Space in Between: The Legacy of the Activist Documentary Film in India ; Chapter 4 Languages, Speech and Voice: The Heritage of Jean Rouch and Pier Paolo Pasolini in Convention: Black Wall/White Holes; Chapter 5 Chris Marker: Interactive Screen and Memory ; PART II The Personal Experience. | |
| 505 | 8 | |a Chapter 6 The Survivor-Perpetrator Encounter and the Truth Archive in Rithy Panh's Documentaries Chapter 7 Contesting Consensual Memory: The Work of Remembering in Chilean Autobiographical Documentaries; Chapter 8 'We All Invented Our Own Algeria':1 Habiba Djahnine's Letter to My Sister as Memory-Narrative; Chapter 9 From the Ashes: The Fall of Apartheid and the Rise of the Lone Documentary Filmmaker in South Africa; Chapter 10 A Personal Vision of the Hong Kong Cityscape in Anson Mak's Essayistic Documentary Films One Way Street on a Turntable and On the Edge of a Floating City, We Sing. | |
| 505 | 8 | |a PART III Displacement, Participation and Spectatorship Chapter 11 Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace ; Chapter 12 Material Traces of Lebanon: A Documentary Aesthetics of Feeling in the Art Gallery ; Chapter 13 Autonomous Navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso's Documentary Film Giallo a Milano and Web Documentary Made in Chinatown; Chapter 14 Fukushima and the Shifting Conventions of Documentary: From Broadcast to Social Media Netizenship. | |
| 505 | 8 | |a Chapter 15 Independent Documentaries and Online Uses in China: From Cinephilia to Activism Conclusion; Notes on the Contributors ; Index. | |
| 520 | |a Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and styles In a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking. | ||
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 6 | |a Documentaires |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Journalism. |2 bisacsh | |
| 650 | 7 | |a Documentary films |2 fast | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Deprez, Camille, |d 1977- |e editor. |0 http://id.loc.gov/authorities/names/no2015100010 | |
| 700 | 1 | |a Pernin, Judith, |e editor. | |
| 758 | |i has work: |a Post-1990 documentary (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGcr8X6TkmGRxMCfrXVYKd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |z 9780748694136 |z 0748694137 |w (OCoLC)900446171 |
| 856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140009 |3 Volltext | |
| 856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140009 |3 Volltext | |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH29852915 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL4306131 | ||
| 938 | |a EBSCOhost |b EBSC |n 1140009 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis33435172 | ||
| 938 | |a YBP Library Services |b YANK |n 12820006 | ||
| 938 | |a YBP Library Services |b YANK |n 12585067 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn919188140 |
|---|---|
| _version_ | 1813903694253522944 |
| adam_text | |
| any_adam_object | |
| author2 | Deprez, Camille, 1977- Pernin, Judith |
| author2_role | edt edt |
| author2_variant | c d cd j p jp |
| author_GND | http://id.loc.gov/authorities/names/no2015100010 |
| author_facet | Deprez, Camille, 1977- Pernin, Judith |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.D6 P678 2015eb |
| callnumber-search | PN1995.9.D6 P678 2015eb |
| callnumber-sort | PN 41995.9 D6 P678 42015EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; PART I History and Spaces of Resistance ; Chapter 1 Post-unification (East) German Documentary and the Contradictions of Identity; Chapter 2 No Going Back: Continuity and Change in Australian Documentary ; Chapter 3 A Space in Between: The Legacy of the Activist Documentary Film in India ; Chapter 4 Languages, Speech and Voice: The Heritage of Jean Rouch and Pier Paolo Pasolini in Convention: Black Wall/White Holes; Chapter 5 Chris Marker: Interactive Screen and Memory ; PART II The Personal Experience. Chapter 6 The Survivor-Perpetrator Encounter and the Truth Archive in Rithy Panh's Documentaries Chapter 7 Contesting Consensual Memory: The Work of Remembering in Chilean Autobiographical Documentaries; Chapter 8 'We All Invented Our Own Algeria':1 Habiba Djahnine's Letter to My Sister as Memory-Narrative; Chapter 9 From the Ashes: The Fall of Apartheid and the Rise of the Lone Documentary Filmmaker in South Africa; Chapter 10 A Personal Vision of the Hong Kong Cityscape in Anson Mak's Essayistic Documentary Films One Way Street on a Turntable and On the Edge of a Floating City, We Sing. PART III Displacement, Participation and Spectatorship Chapter 11 Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace ; Chapter 12 Material Traces of Lebanon: A Documentary Aesthetics of Feeling in the Art Gallery ; Chapter 13 Autonomous Navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso's Documentary Film Giallo a Milano and Web Documentary Made in Chinatown; Chapter 14 Fukushima and the Shifting Conventions of Documentary: From Broadcast to Social Media Netizenship. Chapter 15 Independent Documentaries and Online Uses in China: From Cinephilia to Activism Conclusion; Notes on the Contributors ; Index. |
| ctrlnum | (OCoLC)919188140 |
| dewey-full | 070.1/8 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070.1/8 |
| dewey-search | 070.1/8 |
| dewey-sort | 270.1 18 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06731cam a2200781 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn919188140</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |n|||||||||</controlfield><controlfield tag="008">150825t20152015stka ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">YDXCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">YDXCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCO</subfield><subfield code="d">IDEBK</subfield><subfield code="d">N$T</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">IDB</subfield><subfield code="d">CNCGM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">ERL</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TXC</subfield><subfield code="d">INT</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LVT</subfield><subfield code="d">YOU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">G3B</subfield><subfield code="d">IGB</subfield><subfield code="d">STF</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UX1</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB8K8085</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">017733939</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">017734909</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019112605</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">935255248</subfield><subfield code="a">1014034177</subfield><subfield code="a">1175637398</subfield><subfield code="a">1298407655</subfield><subfield code="a">1370508465</subfield><subfield code="a">1433228848</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748694143</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0748694145</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474403875</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474403870</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474412193</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">147441219X</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780748694136</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0748694137</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781474403870</subfield><subfield code="q">(epub)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)919188140</subfield><subfield code="z">(OCoLC)935255248</subfield><subfield code="z">(OCoLC)1014034177</subfield><subfield code="z">(OCoLC)1175637398</subfield><subfield code="z">(OCoLC)1298407655</subfield><subfield code="z">(OCoLC)1370508465</subfield><subfield code="z">(OCoLC)1433228848</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt16r0rdg</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.D6</subfield><subfield code="b">P678 2015eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004040</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">008000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">070.1/8</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Post-1990 documentary :</subfield><subfield code="b">reconfiguring independence /</subfield><subfield code="c">edited by Camille Deprez and Judith Pernin.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh :</subfield><subfield code="b">Edinburgh University Press,</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; PART I History and Spaces of Resistance ; Chapter 1 Post-unification (East) German Documentary and the Contradictions of Identity; Chapter 2 No Going Back: Continuity and Change in Australian Documentary ; Chapter 3 A Space in Between: The Legacy of the Activist Documentary Film in India ; Chapter 4 Languages, Speech and Voice: The Heritage of Jean Rouch and Pier Paolo Pasolini in Convention: Black Wall/White Holes; Chapter 5 Chris Marker: Interactive Screen and Memory ; PART II The Personal Experience.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 6 The Survivor-Perpetrator Encounter and the Truth Archive in Rithy Panh's Documentaries Chapter 7 Contesting Consensual Memory: The Work of Remembering in Chilean Autobiographical Documentaries; Chapter 8 'We All Invented Our Own Algeria':1 Habiba Djahnine's Letter to My Sister as Memory-Narrative; Chapter 9 From the Ashes: The Fall of Apartheid and the Rise of the Lone Documentary Filmmaker in South Africa; Chapter 10 A Personal Vision of the Hong Kong Cityscape in Anson Mak's Essayistic Documentary Films One Way Street on a Turntable and On the Edge of a Floating City, We Sing.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">PART III Displacement, Participation and Spectatorship Chapter 11 Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace ; Chapter 12 Material Traces of Lebanon: A Documentary Aesthetics of Feeling in the Art Gallery ; Chapter 13 Autonomous Navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso's Documentary Film Giallo a Milano and Web Documentary Made in Chinatown; Chapter 14 Fukushima and the Shifting Conventions of Documentary: From Broadcast to Social Media Netizenship.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter 15 Independent Documentaries and Online Uses in China: From Cinephilia to Activism Conclusion; Notes on the Contributors ; Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and styles In a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Documentary films</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Documentaires</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">LANGUAGE ARTS & DISCIPLINES</subfield><subfield code="x">Journalism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Documentary films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Performing Arts.</subfield><subfield code="2">ukslc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Deprez, Camille,</subfield><subfield code="d">1977-</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2015100010</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pernin, Judith,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Post-1990 documentary (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGcr8X6TkmGRxMCfrXVYKd</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="z">9780748694136</subfield><subfield code="z">0748694137</subfield><subfield code="w">(OCoLC)900446171</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140009</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140009</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH29852915</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4306131</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1140009</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis33435172</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12820006</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12585067</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn919188140 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T16:22:45Z |
| institution | BVB |
| isbn | 9780748694143 0748694145 1474403875 9781474403870 9781474412193 147441219X |
| language | English |
| oclc_num | 919188140 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| spelling | Post-1990 documentary : reconfiguring independence / edited by Camille Deprez and Judith Pernin. Edinburgh : Edinburgh University Press, [2015] ©2015 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; PART I History and Spaces of Resistance ; Chapter 1 Post-unification (East) German Documentary and the Contradictions of Identity; Chapter 2 No Going Back: Continuity and Change in Australian Documentary ; Chapter 3 A Space in Between: The Legacy of the Activist Documentary Film in India ; Chapter 4 Languages, Speech and Voice: The Heritage of Jean Rouch and Pier Paolo Pasolini in Convention: Black Wall/White Holes; Chapter 5 Chris Marker: Interactive Screen and Memory ; PART II The Personal Experience. Chapter 6 The Survivor-Perpetrator Encounter and the Truth Archive in Rithy Panh's Documentaries Chapter 7 Contesting Consensual Memory: The Work of Remembering in Chilean Autobiographical Documentaries; Chapter 8 'We All Invented Our Own Algeria':1 Habiba Djahnine's Letter to My Sister as Memory-Narrative; Chapter 9 From the Ashes: The Fall of Apartheid and the Rise of the Lone Documentary Filmmaker in South Africa; Chapter 10 A Personal Vision of the Hong Kong Cityscape in Anson Mak's Essayistic Documentary Films One Way Street on a Turntable and On the Edge of a Floating City, We Sing. PART III Displacement, Participation and Spectatorship Chapter 11 Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace ; Chapter 12 Material Traces of Lebanon: A Documentary Aesthetics of Feeling in the Art Gallery ; Chapter 13 Autonomous Navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso's Documentary Film Giallo a Milano and Web Documentary Made in Chinatown; Chapter 14 Fukushima and the Shifting Conventions of Documentary: From Broadcast to Social Media Netizenship. Chapter 15 Independent Documentaries and Online Uses in China: From Cinephilia to Activism Conclusion; Notes on the Contributors ; Index. Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and styles In a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking. Documentary films History and criticism. Documentaires Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast Performing Arts. ukslc Criticism, interpretation, etc. fast Deprez, Camille, 1977- editor. http://id.loc.gov/authorities/names/no2015100010 Pernin, Judith, editor. has work: Post-1990 documentary (Text) https://id.oclc.org/worldcat/entity/E39PCGcr8X6TkmGRxMCfrXVYKd https://id.oclc.org/worldcat/ontology/hasWork Print version: 9780748694136 0748694137 (OCoLC)900446171 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140009 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140009 Volltext |
| spellingShingle | Post-1990 documentary : reconfiguring independence / Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; PART I History and Spaces of Resistance ; Chapter 1 Post-unification (East) German Documentary and the Contradictions of Identity; Chapter 2 No Going Back: Continuity and Change in Australian Documentary ; Chapter 3 A Space in Between: The Legacy of the Activist Documentary Film in India ; Chapter 4 Languages, Speech and Voice: The Heritage of Jean Rouch and Pier Paolo Pasolini in Convention: Black Wall/White Holes; Chapter 5 Chris Marker: Interactive Screen and Memory ; PART II The Personal Experience. Chapter 6 The Survivor-Perpetrator Encounter and the Truth Archive in Rithy Panh's Documentaries Chapter 7 Contesting Consensual Memory: The Work of Remembering in Chilean Autobiographical Documentaries; Chapter 8 'We All Invented Our Own Algeria':1 Habiba Djahnine's Letter to My Sister as Memory-Narrative; Chapter 9 From the Ashes: The Fall of Apartheid and the Rise of the Lone Documentary Filmmaker in South Africa; Chapter 10 A Personal Vision of the Hong Kong Cityscape in Anson Mak's Essayistic Documentary Films One Way Street on a Turntable and On the Edge of a Floating City, We Sing. PART III Displacement, Participation and Spectatorship Chapter 11 Documentary Filmmakers on the Circuit: A Festival Career from Czech Dream to Czech Peace ; Chapter 12 Material Traces of Lebanon: A Documentary Aesthetics of Feeling in the Art Gallery ; Chapter 13 Autonomous Navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso's Documentary Film Giallo a Milano and Web Documentary Made in Chinatown; Chapter 14 Fukushima and the Shifting Conventions of Documentary: From Broadcast to Social Media Netizenship. Chapter 15 Independent Documentaries and Online Uses in China: From Cinephilia to Activism Conclusion; Notes on the Contributors ; Index. Documentary films History and criticism. Documentaires Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast Performing Arts. ukslc |
| title | Post-1990 documentary : reconfiguring independence / |
| title_auth | Post-1990 documentary : reconfiguring independence / |
| title_exact_search | Post-1990 documentary : reconfiguring independence / |
| title_full | Post-1990 documentary : reconfiguring independence / edited by Camille Deprez and Judith Pernin. |
| title_fullStr | Post-1990 documentary : reconfiguring independence / edited by Camille Deprez and Judith Pernin. |
| title_full_unstemmed | Post-1990 documentary : reconfiguring independence / edited by Camille Deprez and Judith Pernin. |
| title_short | Post-1990 documentary : |
| title_sort | post 1990 documentary reconfiguring independence |
| title_sub | reconfiguring independence / |
| topic | Documentary films History and criticism. Documentaires Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh LANGUAGE ARTS & DISCIPLINES Journalism. bisacsh Documentary films fast Performing Arts. ukslc |
| topic_facet | Documentary films History and criticism. Documentaires Histoire et critique. PERFORMING ARTS Film & Video Reference. LANGUAGE ARTS & DISCIPLINES Journalism. Documentary films Performing Arts. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1140009 |
| work_keys_str_mv | AT deprezcamille post1990documentaryreconfiguringindependence AT perninjudith post1990documentaryreconfiguringindependence |