Contemporary Japanese cinema since Hana-bi /:
Updates the story of Japanese cinema for the 21st century Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country's cinematic tradition. Studying these genres through a close a...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2015]
|
Schriftenreihe: | Traditions in world cinema.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Updates the story of Japanese cinema for the 21st century Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country's cinematic tradition. Studying these genres through a close analysis of their most representative films, this innovative study examines the way individual films have either adapted to or drawn away from their own genre conventions, or, in the case of 'magic realist' films, have introduced significant new developments which have little real precedence in Japanese filmmaking. With close textual analysis, this study looks at the prevalence of repetition and variation in these contemporary Japanese genres, offering for the first time in English an academic appreciation and overview of popular Japanese cinema. Looking at the work of directors as varied as Kitano 'Beat' Takeshi and Kurosawa Kiyoshi, and films as iconic as Hana-Bi and The Bird People in China, this book provides an invaluable resource for film students and scholars alike. Key Features Considers and analyses numerous films and filmmakers that have yet to feature predominantly in western discourse on Japanese cinema first study of the significant developments in Japanese genre filmmaking since the turn of the new millennium Analyses in detail the dialogue that can be seen between new Japanese cinema and the significant trends and practices of past generations Includes for the first time in western discourse a discussion of the modern state of the Japanese documentary feature, based on interviews with some of its leading practitioners Includes a review of Japanese-language criticism and a consideration of how the country's cinema has been perceived within Japan |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references (pages 203-213), filmography, and index. |
ISBN: | 9780748683741 0748683747 0748683763 9780748683765 1474412165 9781474412162 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn919188065 | ||
003 | OCoLC | ||
005 | 20241004212047.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 150825t20152015stka obq 001 0 eng d | ||
040 | |a YDXCP |b eng |e pn |c YDXCP |d OCLCO |d JSTOR |d OCLCQ |d OCLCF |d WAU |d IDEBK |d N$T |d EBLCP |d OCLCQ |d IDB |d OCLCQ |d MERUC |d OCLCQ |d IOG |d CNCGM |d U3W |d TJC |d OCLCQ |d TXC |d INT |d UKMGB |d OCLCQ |d LVT |d YOU |d AGLDB |d OCLCQ |d G3B |d IGB |d STF |d OCLCQ |d UKSSU |d VLY |d UX1 |d SFB |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
015 | |a GBB8K7880 |2 bnb | ||
016 | 7 | |a 017733776 |2 Uk | |
016 | 7 | |a 017733786 |2 Uk | |
016 | 7 | |a 019112387 |2 Uk | |
019 | |a 1162299336 |a 1175642735 |a 1241896225 |a 1298407292 |a 1370505572 |a 1433233352 | ||
020 | |a 9780748683741 |q (electronic bk.) | ||
020 | |a 0748683747 |q (electronic bk.) | ||
020 | |a 0748683763 | ||
020 | |a 9780748683765 | ||
020 | |a 1474412165 | ||
020 | |a 9781474412162 | ||
020 | |z 9780748683734 | ||
020 | |z 0748683739 | ||
020 | |z 9780748683765 | ||
035 | |a (OCoLC)919188065 |z (OCoLC)1162299336 |z (OCoLC)1175642735 |z (OCoLC)1241896225 |z (OCoLC)1298407292 |z (OCoLC)1370505572 |z (OCoLC)1433233352 | ||
037 | |a 22573/ctt16r0pmm |b JSTOR | ||
043 | |a a-ja--- | ||
050 | 4 | |a PN1993.5.J3 |b B55 2015eb | |
072 | 7 | |a PER004040 |2 bisacsh | |
072 | 7 | |a PER004030 |2 bisacsh | |
072 | 7 | |a PER004000 |2 bisacsh | |
072 | 7 | |a PER |x 009000 |2 bisacsh | |
082 | 7 | |a 791.4/3/0952 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Bingham, Adam, |e author. |0 http://id.loc.gov/authorities/names/no2012002700 | |
245 | 1 | 0 | |a Contemporary Japanese cinema since Hana-bi / |c Adam Bingham. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2015] | |
264 | 4 | |c ©2015 | |
300 | |a 1 online resource | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a data file | ||
380 | |a Filmography | ||
490 | 1 | |a Traditions in world cinema | |
504 | |a Includes bibliographical references (pages 203-213), filmography, and index. | ||
505 | 0 | |a Introduction: Why 1997 and Hana-Bi? -- 1. Jidai-geki and Chambara: the samurai onscreen -- 2. Yakuza cinema -- 3. Japanese horror cinema -- 4. The changing Japanese family on film -- 5. Postmodernism and magic realism in contemporary Japanese cinema -- 6. Japanese documentary cinema: reality and its discontents -- 7. Modern Japanese female directors. | |
588 | 0 | |a Print version record. | |
520 | |a Updates the story of Japanese cinema for the 21st century Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country's cinematic tradition. Studying these genres through a close analysis of their most representative films, this innovative study examines the way individual films have either adapted to or drawn away from their own genre conventions, or, in the case of 'magic realist' films, have introduced significant new developments which have little real precedence in Japanese filmmaking. With close textual analysis, this study looks at the prevalence of repetition and variation in these contemporary Japanese genres, offering for the first time in English an academic appreciation and overview of popular Japanese cinema. Looking at the work of directors as varied as Kitano 'Beat' Takeshi and Kurosawa Kiyoshi, and films as iconic as Hana-Bi and The Bird People in China, this book provides an invaluable resource for film students and scholars alike. Key Features Considers and analyses numerous films and filmmakers that have yet to feature predominantly in western discourse on Japanese cinema first study of the significant developments in Japanese genre filmmaking since the turn of the new millennium Analyses in detail the dialogue that can be seen between new Japanese cinema and the significant trends and practices of past generations Includes for the first time in western discourse a discussion of the modern state of the Japanese documentary feature, based on interviews with some of its leading practitioners Includes a review of Japanese-language criticism and a consideration of how the country's cinema has been perceived within Japan | ||
546 | |a English. | ||
650 | 0 | |a Motion pictures |z Japan |x History. | |
650 | 6 | |a Cinéma |z Japon |x Histoire. | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a Motion pictures |2 fast | |
651 | 7 | |a Japan |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq | |
655 | 7 | |a History |2 fast | |
758 | |i has work: |a Contemporary Japanese cinema since Hana-bi (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFw7YhkwkKPcM7TpvVDyVC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Bingham, Adam. |t Contemporary Japanese cinema since Hana-bi. |d Edinburgh ; Edinburgh University Press, [2015] |z 9780748683734 |w (OCoLC)898531120 |
830 | 0 | |a Traditions in world cinema. |0 http://id.loc.gov/authorities/names/no2005058764 | |
856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1139988 |3 Volltext |
938 | |a EBL - Ebook Library |b EBLB |n EBL4306107 | ||
938 | |a EBSCOhost |b EBSC |n 1139988 | ||
938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis33435090 | ||
938 | |a YBP Library Services |b YANK |n 12686368 | ||
938 | |a YBP Library Services |b YANK |n 12585053 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA | ||
049 | |a DE-863 |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn919188065 |
---|---|
_version_ | 1816882321672896512 |
adam_text | |
any_adam_object | |
author | Bingham, Adam |
author_GND | http://id.loc.gov/authorities/names/no2012002700 |
author_facet | Bingham, Adam |
author_role | aut |
author_sort | Bingham, Adam |
author_variant | a b ab |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.J3 B55 2015eb |
callnumber-search | PN1993.5.J3 B55 2015eb |
callnumber-sort | PN 41993.5 J3 B55 42015EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Introduction: Why 1997 and Hana-Bi? -- 1. Jidai-geki and Chambara: the samurai onscreen -- 2. Yakuza cinema -- 3. Japanese horror cinema -- 4. The changing Japanese family on film -- 5. Postmodernism and magic realism in contemporary Japanese cinema -- 6. Japanese documentary cinema: reality and its discontents -- 7. Modern Japanese female directors. |
ctrlnum | (OCoLC)919188065 |
dewey-full | 791.4/3/0952 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4/3/0952 |
dewey-search | 791.4/3/0952 |
dewey-sort | 3791.4 13 3952 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05491cam a2200793 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn919188065</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |n|||||||||</controlfield><controlfield tag="008">150825t20152015stka obq 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">YDXCP</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">YDXCP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">WAU</subfield><subfield code="d">IDEBK</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MERUC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">IOG</subfield><subfield code="d">CNCGM</subfield><subfield code="d">U3W</subfield><subfield code="d">TJC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TXC</subfield><subfield code="d">INT</subfield><subfield code="d">UKMGB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LVT</subfield><subfield code="d">YOU</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">G3B</subfield><subfield code="d">IGB</subfield><subfield code="d">STF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UKSSU</subfield><subfield code="d">VLY</subfield><subfield code="d">UX1</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB8K7880</subfield><subfield code="2">bnb</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">017733776</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">017733786</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">019112387</subfield><subfield code="2">Uk</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1162299336</subfield><subfield code="a">1175642735</subfield><subfield code="a">1241896225</subfield><subfield code="a">1298407292</subfield><subfield code="a">1370505572</subfield><subfield code="a">1433233352</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748683741</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0748683747</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0748683763</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748683765</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1474412165</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474412162</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780748683734</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0748683739</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780748683765</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)919188065</subfield><subfield code="z">(OCoLC)1162299336</subfield><subfield code="z">(OCoLC)1175642735</subfield><subfield code="z">(OCoLC)1241896225</subfield><subfield code="z">(OCoLC)1298407292</subfield><subfield code="z">(OCoLC)1370505572</subfield><subfield code="z">(OCoLC)1433233352</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt16r0pmm</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">a-ja---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1993.5.J3</subfield><subfield code="b">B55 2015eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004040</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.4/3/0952</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bingham, Adam,</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2012002700</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Contemporary Japanese cinema since Hana-bi /</subfield><subfield code="c">Adam Bingham.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh :</subfield><subfield code="b">Edinburgh University Press,</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="380" ind1=" " ind2=" "><subfield code="a">Filmography</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Traditions in world cinema</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 203-213), filmography, and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: Why 1997 and Hana-Bi? -- 1. Jidai-geki and Chambara: the samurai onscreen -- 2. Yakuza cinema -- 3. Japanese horror cinema -- 4. The changing Japanese family on film -- 5. Postmodernism and magic realism in contemporary Japanese cinema -- 6. Japanese documentary cinema: reality and its discontents -- 7. Modern Japanese female directors.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Updates the story of Japanese cinema for the 21st century Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country's cinematic tradition. Studying these genres through a close analysis of their most representative films, this innovative study examines the way individual films have either adapted to or drawn away from their own genre conventions, or, in the case of 'magic realist' films, have introduced significant new developments which have little real precedence in Japanese filmmaking. With close textual analysis, this study looks at the prevalence of repetition and variation in these contemporary Japanese genres, offering for the first time in English an academic appreciation and overview of popular Japanese cinema. Looking at the work of directors as varied as Kitano 'Beat' Takeshi and Kurosawa Kiyoshi, and films as iconic as Hana-Bi and The Bird People in China, this book provides an invaluable resource for film students and scholars alike. Key Features Considers and analyses numerous films and filmmakers that have yet to feature predominantly in western discourse on Japanese cinema first study of the significant developments in Japanese genre filmmaking since the turn of the new millennium Analyses in detail the dialogue that can be seen between new Japanese cinema and the significant trends and practices of past generations Includes for the first time in western discourse a discussion of the modern state of the Japanese documentary feature, based on interviews with some of its leading practitioners Includes a review of Japanese-language criticism and a consideration of how the country's cinema has been perceived within Japan</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Japan</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">Japon</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Japan</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Contemporary Japanese cinema since Hana-bi (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFw7YhkwkKPcM7TpvVDyVC</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Bingham, Adam.</subfield><subfield code="t">Contemporary Japanese cinema since Hana-bi.</subfield><subfield code="d">Edinburgh ; Edinburgh University Press, [2015]</subfield><subfield code="z">9780748683734</subfield><subfield code="w">(OCoLC)898531120</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Traditions in world cinema.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2005058764</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1139988</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBL - Ebook Library</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4306107</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1139988</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis33435090</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12686368</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">12585053</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | History fast |
genre_facet | History |
geographic | Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq |
geographic_facet | Japan |
id | ZDB-4-EBA-ocn919188065 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:26:46Z |
institution | BVB |
isbn | 9780748683741 0748683747 0748683763 9780748683765 1474412165 9781474412162 |
language | English |
oclc_num | 919188065 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Edinburgh University Press, |
record_format | marc |
series | Traditions in world cinema. |
series2 | Traditions in world cinema |
spelling | Bingham, Adam, author. http://id.loc.gov/authorities/names/no2012002700 Contemporary Japanese cinema since Hana-bi / Adam Bingham. Edinburgh : Edinburgh University Press, [2015] ©2015 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Filmography Traditions in world cinema Includes bibliographical references (pages 203-213), filmography, and index. Introduction: Why 1997 and Hana-Bi? -- 1. Jidai-geki and Chambara: the samurai onscreen -- 2. Yakuza cinema -- 3. Japanese horror cinema -- 4. The changing Japanese family on film -- 5. Postmodernism and magic realism in contemporary Japanese cinema -- 6. Japanese documentary cinema: reality and its discontents -- 7. Modern Japanese female directors. Print version record. Updates the story of Japanese cinema for the 21st century Yakuza, samurai and horror films have been some of the most popular genres in Japanese cinema over the last two decades, with a clearly defined generic lineage in the country's cinematic tradition. Studying these genres through a close analysis of their most representative films, this innovative study examines the way individual films have either adapted to or drawn away from their own genre conventions, or, in the case of 'magic realist' films, have introduced significant new developments which have little real precedence in Japanese filmmaking. With close textual analysis, this study looks at the prevalence of repetition and variation in these contemporary Japanese genres, offering for the first time in English an academic appreciation and overview of popular Japanese cinema. Looking at the work of directors as varied as Kitano 'Beat' Takeshi and Kurosawa Kiyoshi, and films as iconic as Hana-Bi and The Bird People in China, this book provides an invaluable resource for film students and scholars alike. Key Features Considers and analyses numerous films and filmmakers that have yet to feature predominantly in western discourse on Japanese cinema first study of the significant developments in Japanese genre filmmaking since the turn of the new millennium Analyses in detail the dialogue that can be seen between new Japanese cinema and the significant trends and practices of past generations Includes for the first time in western discourse a discussion of the modern state of the Japanese documentary feature, based on interviews with some of its leading practitioners Includes a review of Japanese-language criticism and a consideration of how the country's cinema has been perceived within Japan English. Motion pictures Japan History. Cinéma Japon Histoire. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Japan fast https://id.oclc.org/worldcat/entity/E39PBJkT7GyCmyjxytDfqk6Yfq History fast has work: Contemporary Japanese cinema since Hana-bi (Text) https://id.oclc.org/worldcat/entity/E39PCFw7YhkwkKPcM7TpvVDyVC https://id.oclc.org/worldcat/ontology/hasWork Print version: Bingham, Adam. Contemporary Japanese cinema since Hana-bi. Edinburgh ; Edinburgh University Press, [2015] 9780748683734 (OCoLC)898531120 Traditions in world cinema. http://id.loc.gov/authorities/names/no2005058764 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1139988 Volltext |
spellingShingle | Bingham, Adam Contemporary Japanese cinema since Hana-bi / Traditions in world cinema. Introduction: Why 1997 and Hana-Bi? -- 1. Jidai-geki and Chambara: the samurai onscreen -- 2. Yakuza cinema -- 3. Japanese horror cinema -- 4. The changing Japanese family on film -- 5. Postmodernism and magic realism in contemporary Japanese cinema -- 6. Japanese documentary cinema: reality and its discontents -- 7. Modern Japanese female directors. Motion pictures Japan History. Cinéma Japon Histoire. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast |
title | Contemporary Japanese cinema since Hana-bi / |
title_auth | Contemporary Japanese cinema since Hana-bi / |
title_exact_search | Contemporary Japanese cinema since Hana-bi / |
title_full | Contemporary Japanese cinema since Hana-bi / Adam Bingham. |
title_fullStr | Contemporary Japanese cinema since Hana-bi / Adam Bingham. |
title_full_unstemmed | Contemporary Japanese cinema since Hana-bi / Adam Bingham. |
title_short | Contemporary Japanese cinema since Hana-bi / |
title_sort | contemporary japanese cinema since hana bi |
topic | Motion pictures Japan History. Cinéma Japon Histoire. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast |
topic_facet | Motion pictures Japan History. Cinéma Japon Histoire. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Reference. Motion pictures Japan History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1139988 |
work_keys_str_mv | AT binghamadam contemporaryjapanesecinemasincehanabi |