The vogue for Russia :: modernism and the unseen in Britain, 1900-1930 /
In what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the ex...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh, Scotland :
Edinburgh University Press,
[2015]
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the existing British fashion for theosophy, vitalism and occultism? In answering these questions, this study is the first to explore the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain. The main Russian characters that emerge are Fedor Dostoevsky, Boris Anrep, Vasily Kandinsky, Petr Ouspensky and Sergei Eisenstein. The British modernists include Roger Fry, Virginia Woolf, Mary Butts, John Middleton Murry, Michael Sadleir and Katherine Mansfield. Key Features:. Draws on unpublished archive material as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual arts Addresses the omission in modernist studies of the importance of Russian aesthetics and Russian discourses of the occult to British modernism Challenges the dominant Western European and transatlantic focus in modernist studies and provides an original contribution to our understanding of new global modernisms Combines literary studies with aesthetics, modernist history, the history of modern esotericism, film history, periodical studies and science studies |
Beschreibung: | 1 online resource (viii, 205 pages) : illustrations |
Bibliographie: | Includes bibliographical references (pages 172-196) and index. |
ISBN: | 9780748647309 0748647309 9781474403504 1474403506 |
Internformat
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245 | 1 | 4 | |a The vogue for Russia : |b modernism and the unseen in Britain, 1900-1930 / |c Caroline Maclean. |
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520 | |a In what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the existing British fashion for theosophy, vitalism and occultism? In answering these questions, this study is the first to explore the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain. The main Russian characters that emerge are Fedor Dostoevsky, Boris Anrep, Vasily Kandinsky, Petr Ouspensky and Sergei Eisenstein. The British modernists include Roger Fry, Virginia Woolf, Mary Butts, John Middleton Murry, Michael Sadleir and Katherine Mansfield. Key Features:. Draws on unpublished archive material as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual arts Addresses the omission in modernist studies of the importance of Russian aesthetics and Russian discourses of the occult to British modernism Challenges the dominant Western European and transatlantic focus in modernist studies and provides an original contribution to our understanding of new global modernisms Combines literary studies with aesthetics, modernist history, the history of modern esotericism, film history, periodical studies and science studies | ||
505 | 0 | |a Intro -- Half-title Page -- Dedication -- Title Page -- Copyright -- Contents -- Note on Transliteration -- Acknowledgements -- Introduction -- 1 'Splinters and Mosaics': Bloomsbury Aesthetics Reconsidered -- 2 Russian Aesthetics and British Periodicals: Kandinsky, Sadleir and Rhythm -- 3 Voices of Stones: Mary Butts and Petr Ouspensky's Fourth Dimension -- 4 'That Magic Force that is Montage': Eisenstein's Filmic Fourth Dimension, Borderline and H.D. -- Epilogue -- Bibliography -- Index | |
650 | 0 | |a Modernism (Aesthetics) |z Great Britain |x History |y 20th century. | |
650 | 0 | |a Aesthetics, Russian |y 20th century. |0 http://id.loc.gov/authorities/subjects/sh88007771 | |
651 | 0 | |a Great Britain |x Civilization |x Foreign influences. | |
651 | 0 | |a Russia |x Civilization |y 20th century. | |
650 | 6 | |a Modernisme (Esthétique) |z Grande-Bretagne |x Histoire |y 20e siècle. | |
650 | 6 | |a Esthétique russe |y 20e siècle. | |
651 | 6 | |a Grande-Bretagne |x Civilisation |x Influence étrangère. | |
650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
650 | 7 | |a Aesthetics, Russian |2 fast | |
650 | 7 | |a Civilization |2 fast | |
650 | 7 | |a Civilization |x Foreign influences |2 fast | |
650 | 7 | |a Modernism (Aesthetics) |2 fast | |
651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
651 | 7 | |a Russia |2 fast | |
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776 | 0 | 8 | |i Print version: |a Maclean, Caroline. |t Vogue for Russia |z 9780748647293 |w (DLC) 2014495538 |w (OCoLC)900911002 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn919002851 |
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adam_text | |
any_adam_object | |
author | Maclean, Caroline |
author_facet | Maclean, Caroline |
author_role | aut |
author_sort | Maclean, Caroline |
author_variant | c m cm |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | D - World History |
callnumber-label | DA566 |
callnumber-raw | DA566.4 .M29 2015eb |
callnumber-search | DA566.4 .M29 2015eb |
callnumber-sort | DA 3566.4 M29 42015EB |
callnumber-subject | DA - Great Britain |
collection | ZDB-4-EBA |
contents | Intro -- Half-title Page -- Dedication -- Title Page -- Copyright -- Contents -- Note on Transliteration -- Acknowledgements -- Introduction -- 1 'Splinters and Mosaics': Bloomsbury Aesthetics Reconsidered -- 2 Russian Aesthetics and British Periodicals: Kandinsky, Sadleir and Rhythm -- 3 Voices of Stones: Mary Butts and Petr Ouspensky's Fourth Dimension -- 4 'That Magic Force that is Montage': Eisenstein's Filmic Fourth Dimension, Borderline and H.D. -- Epilogue -- Bibliography -- Index |
ctrlnum | (OCoLC)919002851 |
dewey-full | 306.0941/0904 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 306 - Culture and institutions |
dewey-raw | 306.0941/0904 |
dewey-search | 306.0941/0904 |
dewey-sort | 3306.0941 3904 |
dewey-tens | 300 - Social sciences |
discipline | Soziologie |
era | 1900-1999 fast |
era_facet | 1900-1999 |
format | Electronic eBook |
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genre | History fast |
genre_facet | History |
geographic | Great Britain Civilization Foreign influences. Russia Civilization 20th century. Grande-Bretagne Civilisation Influence étrangère. Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Russia fast |
geographic_facet | Great Britain Civilization Foreign influences. Russia Civilization 20th century. Grande-Bretagne Civilisation Influence étrangère. Great Britain Russia |
id | ZDB-4-EBA-ocn919002851 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:26:45Z |
institution | BVB |
isbn | 9780748647309 0748647309 9781474403504 1474403506 |
language | English |
oclc_num | 919002851 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (viii, 205 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Edinburgh University Press, |
record_format | marc |
spelling | Maclean, Caroline, author. The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / Caroline Maclean. Edinburgh, Scotland : Edinburgh University Press, [2015] ©2015 1 online resource (viii, 205 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 172-196) and index. Print version record. In what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the existing British fashion for theosophy, vitalism and occultism? In answering these questions, this study is the first to explore the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain. The main Russian characters that emerge are Fedor Dostoevsky, Boris Anrep, Vasily Kandinsky, Petr Ouspensky and Sergei Eisenstein. The British modernists include Roger Fry, Virginia Woolf, Mary Butts, John Middleton Murry, Michael Sadleir and Katherine Mansfield. Key Features:. Draws on unpublished archive material as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual arts Addresses the omission in modernist studies of the importance of Russian aesthetics and Russian discourses of the occult to British modernism Challenges the dominant Western European and transatlantic focus in modernist studies and provides an original contribution to our understanding of new global modernisms Combines literary studies with aesthetics, modernist history, the history of modern esotericism, film history, periodical studies and science studies Intro -- Half-title Page -- Dedication -- Title Page -- Copyright -- Contents -- Note on Transliteration -- Acknowledgements -- Introduction -- 1 'Splinters and Mosaics': Bloomsbury Aesthetics Reconsidered -- 2 Russian Aesthetics and British Periodicals: Kandinsky, Sadleir and Rhythm -- 3 Voices of Stones: Mary Butts and Petr Ouspensky's Fourth Dimension -- 4 'That Magic Force that is Montage': Eisenstein's Filmic Fourth Dimension, Borderline and H.D. -- Epilogue -- Bibliography -- Index Modernism (Aesthetics) Great Britain History 20th century. Aesthetics, Russian 20th century. http://id.loc.gov/authorities/subjects/sh88007771 Great Britain Civilization Foreign influences. Russia Civilization 20th century. Modernisme (Esthétique) Grande-Bretagne Histoire 20e siècle. Esthétique russe 20e siècle. Grande-Bretagne Civilisation Influence étrangère. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Aesthetics, Russian fast Civilization fast Civilization Foreign influences fast Modernism (Aesthetics) fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Russia fast 1900-1999 fast History fast has work: The vogue for Russia (Text) https://id.oclc.org/worldcat/entity/E39PCFYJcFY3CKjRg34P6pDwRX https://id.oclc.org/worldcat/ontology/hasWork Print version: Maclean, Caroline. Vogue for Russia 9780748647293 (DLC) 2014495538 (OCoLC)900911002 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1424213 Volltext |
spellingShingle | Maclean, Caroline The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / Intro -- Half-title Page -- Dedication -- Title Page -- Copyright -- Contents -- Note on Transliteration -- Acknowledgements -- Introduction -- 1 'Splinters and Mosaics': Bloomsbury Aesthetics Reconsidered -- 2 Russian Aesthetics and British Periodicals: Kandinsky, Sadleir and Rhythm -- 3 Voices of Stones: Mary Butts and Petr Ouspensky's Fourth Dimension -- 4 'That Magic Force that is Montage': Eisenstein's Filmic Fourth Dimension, Borderline and H.D. -- Epilogue -- Bibliography -- Index Modernism (Aesthetics) Great Britain History 20th century. Aesthetics, Russian 20th century. http://id.loc.gov/authorities/subjects/sh88007771 Modernisme (Esthétique) Grande-Bretagne Histoire 20e siècle. Esthétique russe 20e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Aesthetics, Russian fast Civilization fast Civilization Foreign influences fast Modernism (Aesthetics) fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh88007771 |
title | The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / |
title_auth | The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / |
title_exact_search | The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / |
title_full | The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / Caroline Maclean. |
title_fullStr | The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / Caroline Maclean. |
title_full_unstemmed | The vogue for Russia : modernism and the unseen in Britain, 1900-1930 / Caroline Maclean. |
title_short | The vogue for Russia : |
title_sort | vogue for russia modernism and the unseen in britain 1900 1930 |
title_sub | modernism and the unseen in Britain, 1900-1930 / |
topic | Modernism (Aesthetics) Great Britain History 20th century. Aesthetics, Russian 20th century. http://id.loc.gov/authorities/subjects/sh88007771 Modernisme (Esthétique) Grande-Bretagne Histoire 20e siècle. Esthétique russe 20e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh Aesthetics, Russian fast Civilization fast Civilization Foreign influences fast Modernism (Aesthetics) fast |
topic_facet | Modernism (Aesthetics) Great Britain History 20th century. Aesthetics, Russian 20th century. Great Britain Civilization Foreign influences. Russia Civilization 20th century. Modernisme (Esthétique) Grande-Bretagne Histoire 20e siècle. Esthétique russe 20e siècle. Grande-Bretagne Civilisation Influence étrangère. LITERARY CRITICISM European English, Irish, Scottish, Welsh. Aesthetics, Russian Civilization Civilization Foreign influences Modernism (Aesthetics) Great Britain Russia History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1424213 |
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