US independent film after 1989 :: possible films /
A study of US independent films marginalized in and by the rise of 'indie' culture. In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keyno...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A study of US independent films marginalized in and by the rise of 'indie' culture. In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose 'maverick' personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview-figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno. US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors-who are almost wholly excluded from the dominant indie canon-these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. Key Features: Provides 20 textual studies of under-evaluated US indie film Develops an expanded understanding of US indie film culture Identifies the contribution of a community of US indie filmmakers and actors, with a particular emphasis on women practitioners |
| Beschreibung: | 1 online resource (vi, 230 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780748692453 0748692452 |
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| 245 | 0 | 0 | |a US independent film after 1989 : |b possible films / |c edited by Claire Perkins and Constantine Verevis. |
| 246 | 3 | 0 | |a U.S. independent film after 1989 |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (vi, 230 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Introduction: |t Possible films / |r Claire Perkins and Constantine Verevis -- |t All the real girls (2003) : indie love / |r Claire Perkins -- |t Bubble (2005) : the network society / |r Radha O'Meara -- |t Buffalo '66 (1998) : the radical conventionality of an indie happy ending / |r James MacDowell -- |t The exploding girl (2009) : the everyday and the occluded gaze / |r Laura Rascaroli -- |t Frozen river (2008): mobility and uncertain boundaries / |r Mark Berrettini -- |t Jesus' son (1999) : 'I knew every raindrop by its name' / |r Constantine Verevis -- |t Keane (2004) : cold comfort camera / |r Jaime Christley -- |t Kicking and screaming (1995) : the significance of slightness / |r Chad R. Newsom -- |t Laurel Canyon (2002) : lacuscular cinema / |r Jodi Brooks -- |t Living in oblivion (1995) : how mistaking Chad for Brad could not overcome the commercial limitations of the self-reflexive cycle / |r John Berra -- |t Lovely & amazing (2001) : naked chick flick / |r Linda Badley -- |t Old joy (2006) : resisting masculinity / |r E. Dawn Hall -- |t Pariah (2011) : coming out in the middle / |r Patricia White -- |t Primer (2004) : a primer in first-time indie filmmaking / |r Geoff King -- |t Rachel getting married (2008) : personal cinema and the smart-chick film / |r Hilary Radner -- |t Secretary (2002) : purple rose, indie masochism, bruised romance / |r Elena Gorfinkel -- |t Waitress (2007) : tragedy and authorship in an indie 'meta-movie' / |r Steven Rawle -- |t The weight of water (2000) : a spectacular, if transformative failure / |r R. Barton Palmer -- |t Winter's bone (2010) : modest deals and film adaptation / |r Noel King -- |t You can count on me (2000) : living in dependence / |r Jesse Fox Mayshark. |
| 588 | 0 | |a Print version record. | |
| 520 | |a A study of US independent films marginalized in and by the rise of 'indie' culture. In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose 'maverick' personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview-figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno. US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors-who are almost wholly excluded from the dominant indie canon-these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. Key Features: Provides 20 textual studies of under-evaluated US indie film Develops an expanded understanding of US indie film culture Identifies the contribution of a community of US indie filmmakers and actors, with a particular emphasis on women practitioners | ||
| 546 | |a English. | ||
| 650 | 0 | |a Independent films |z United States |x History and criticism. | |
| 650 | 0 | |a Independent filmmakers |z United States. | |
| 650 | 0 | |a Motion picture industry |z United States |x History |y 20th century. | |
| 650 | 6 | |a Films indépendants |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Cinéastes indépendants |z États-Unis. | |
| 650 | 6 | |a Cinéma |x Industrie |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Independent filmmakers |2 fast | |
| 650 | 7 | |a Independent films |2 fast | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Perkins, Claire |q (Claire Elizabeth), |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjy8G6DbR4VtdTc36pPjkC |0 http://id.loc.gov/authorities/names/no2012006669 | |
| 700 | 1 | |a Verevis, Constantine, |e editor. | |
| 758 | |i has work: |a US independent film after 1989 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGtpH47YTRxtCdDyfJ447b |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t US independent film after 1989 |z 9780748692446 |w (OCoLC)891125122 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1203133 |3 Volltext |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6995427 | ||
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn919002824 |
|---|---|
| _version_ | 1816882321420189696 |
| adam_text | |
| any_adam_object | |
| author2 | Perkins, Claire (Claire Elizabeth) Verevis, Constantine |
| author2_role | edt edt |
| author2_variant | c p cp c v cv |
| author_GND | http://id.loc.gov/authorities/names/no2012006669 |
| author_additional | Claire Perkins and Constantine Verevis -- Claire Perkins -- Radha O'Meara -- James MacDowell -- Laura Rascaroli -- Mark Berrettini -- Constantine Verevis -- Jaime Christley -- Chad R. Newsom -- Jodi Brooks -- John Berra -- Linda Badley -- E. Dawn Hall -- Patricia White -- Geoff King -- Hilary Radner -- Elena Gorfinkel -- Steven Rawle -- R. Barton Palmer -- Noel King -- Jesse Fox Mayshark. |
| author_facet | Perkins, Claire (Claire Elizabeth) Verevis, Constantine |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.U6 U8 2015eb |
| callnumber-search | PN1993.5.U6 U8 2015eb |
| callnumber-sort | PN 41993.5 U6 U8 42015EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Possible films / All the real girls (2003) : indie love / Bubble (2005) : the network society / Buffalo '66 (1998) : the radical conventionality of an indie happy ending / The exploding girl (2009) : the everyday and the occluded gaze / Frozen river (2008): mobility and uncertain boundaries / Jesus' son (1999) : 'I knew every raindrop by its name' / Keane (2004) : cold comfort camera / Kicking and screaming (1995) : the significance of slightness / Laurel Canyon (2002) : lacuscular cinema / Living in oblivion (1995) : how mistaking Chad for Brad could not overcome the commercial limitations of the self-reflexive cycle / Lovely & amazing (2001) : naked chick flick / Old joy (2006) : resisting masculinity / Pariah (2011) : coming out in the middle / Primer (2004) : a primer in first-time indie filmmaking / Rachel getting married (2008) : personal cinema and the smart-chick film / Secretary (2002) : purple rose, indie masochism, bruised romance / Waitress (2007) : tragedy and authorship in an indie 'meta-movie' / The weight of water (2000) : a spectacular, if transformative failure / Winter's bone (2010) : modest deals and film adaptation / You can count on me (2000) : living in dependence / |
| ctrlnum | (OCoLC)919002824 |
| dewey-full | 791.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4 |
| dewey-search | 791.4 |
| dewey-sort | 3791.4 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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Dawn Hall --</subfield><subfield code="t">Pariah (2011) : coming out in the middle /</subfield><subfield code="r">Patricia White --</subfield><subfield code="t">Primer (2004) : a primer in first-time indie filmmaking /</subfield><subfield code="r">Geoff King --</subfield><subfield code="t">Rachel getting married (2008) : personal cinema and the smart-chick film /</subfield><subfield code="r">Hilary Radner --</subfield><subfield code="t">Secretary (2002) : purple rose, indie masochism, bruised romance /</subfield><subfield code="r">Elena Gorfinkel --</subfield><subfield code="t">Waitress (2007) : tragedy and authorship in an indie 'meta-movie' /</subfield><subfield code="r">Steven Rawle --</subfield><subfield code="t">The weight of water (2000) : a spectacular, if transformative failure /</subfield><subfield code="r">R. Barton Palmer --</subfield><subfield code="t">Winter's bone (2010) : modest deals and film adaptation /</subfield><subfield code="r">Noel King --</subfield><subfield code="t">You can count on me (2000) : living in dependence /</subfield><subfield code="r">Jesse Fox Mayshark.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">A study of US independent films marginalized in and by the rise of 'indie' culture. In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose 'maverick' personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview-figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno. US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors-who are almost wholly excluded from the dominant indie canon-these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. 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| genre | Electronic books. Criticism, interpretation, etc. fast History fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn919002824 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:45Z |
| institution | BVB |
| isbn | 9780748692453 0748692452 |
| language | English |
| oclc_num | 919002824 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vi, 230 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| spelling | US independent film after 1989 : possible films / edited by Claire Perkins and Constantine Verevis. U.S. independent film after 1989 Edinburgh : Edinburgh University Press, [2015] ©2015 1 online resource (vi, 230 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Introduction: Possible films / Claire Perkins and Constantine Verevis -- All the real girls (2003) : indie love / Claire Perkins -- Bubble (2005) : the network society / Radha O'Meara -- Buffalo '66 (1998) : the radical conventionality of an indie happy ending / James MacDowell -- The exploding girl (2009) : the everyday and the occluded gaze / Laura Rascaroli -- Frozen river (2008): mobility and uncertain boundaries / Mark Berrettini -- Jesus' son (1999) : 'I knew every raindrop by its name' / Constantine Verevis -- Keane (2004) : cold comfort camera / Jaime Christley -- Kicking and screaming (1995) : the significance of slightness / Chad R. Newsom -- Laurel Canyon (2002) : lacuscular cinema / Jodi Brooks -- Living in oblivion (1995) : how mistaking Chad for Brad could not overcome the commercial limitations of the self-reflexive cycle / John Berra -- Lovely & amazing (2001) : naked chick flick / Linda Badley -- Old joy (2006) : resisting masculinity / E. Dawn Hall -- Pariah (2011) : coming out in the middle / Patricia White -- Primer (2004) : a primer in first-time indie filmmaking / Geoff King -- Rachel getting married (2008) : personal cinema and the smart-chick film / Hilary Radner -- Secretary (2002) : purple rose, indie masochism, bruised romance / Elena Gorfinkel -- Waitress (2007) : tragedy and authorship in an indie 'meta-movie' / Steven Rawle -- The weight of water (2000) : a spectacular, if transformative failure / R. Barton Palmer -- Winter's bone (2010) : modest deals and film adaptation / Noel King -- You can count on me (2000) : living in dependence / Jesse Fox Mayshark. Print version record. A study of US independent films marginalized in and by the rise of 'indie' culture. In contemporary film and popular culture the terms 'independent' and 'indie' hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose 'maverick' personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview-figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno. US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors-who are almost wholly excluded from the dominant indie canon-these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. Key Features: Provides 20 textual studies of under-evaluated US indie film Develops an expanded understanding of US indie film culture Identifies the contribution of a community of US indie filmmakers and actors, with a particular emphasis on women practitioners English. Independent films United States History and criticism. Independent filmmakers United States. Motion picture industry United States History 20th century. Films indépendants États-Unis Histoire et critique. Cinéastes indépendants États-Unis. Cinéma Industrie États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Independent filmmakers fast Independent films fast Motion picture industry fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Electronic books. Criticism, interpretation, etc. fast History fast Perkins, Claire (Claire Elizabeth), editor. https://id.oclc.org/worldcat/entity/E39PCjy8G6DbR4VtdTc36pPjkC http://id.loc.gov/authorities/names/no2012006669 Verevis, Constantine, editor. has work: US independent film after 1989 (Text) https://id.oclc.org/worldcat/entity/E39PCGtpH47YTRxtCdDyfJ447b https://id.oclc.org/worldcat/ontology/hasWork Print version: US independent film after 1989 9780748692446 (OCoLC)891125122 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1203133 Volltext |
| spellingShingle | US independent film after 1989 : possible films / Possible films / All the real girls (2003) : indie love / Bubble (2005) : the network society / Buffalo '66 (1998) : the radical conventionality of an indie happy ending / The exploding girl (2009) : the everyday and the occluded gaze / Frozen river (2008): mobility and uncertain boundaries / Jesus' son (1999) : 'I knew every raindrop by its name' / Keane (2004) : cold comfort camera / Kicking and screaming (1995) : the significance of slightness / Laurel Canyon (2002) : lacuscular cinema / Living in oblivion (1995) : how mistaking Chad for Brad could not overcome the commercial limitations of the self-reflexive cycle / Lovely & amazing (2001) : naked chick flick / Old joy (2006) : resisting masculinity / Pariah (2011) : coming out in the middle / Primer (2004) : a primer in first-time indie filmmaking / Rachel getting married (2008) : personal cinema and the smart-chick film / Secretary (2002) : purple rose, indie masochism, bruised romance / Waitress (2007) : tragedy and authorship in an indie 'meta-movie' / The weight of water (2000) : a spectacular, if transformative failure / Winter's bone (2010) : modest deals and film adaptation / You can count on me (2000) : living in dependence / Independent films United States History and criticism. Independent filmmakers United States. Motion picture industry United States History 20th century. Films indépendants États-Unis Histoire et critique. Cinéastes indépendants États-Unis. Cinéma Industrie États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Independent filmmakers fast Independent films fast Motion picture industry fast |
| title | US independent film after 1989 : possible films / |
| title_alt | U.S. independent film after 1989 Possible films / All the real girls (2003) : indie love / Bubble (2005) : the network society / Buffalo '66 (1998) : the radical conventionality of an indie happy ending / The exploding girl (2009) : the everyday and the occluded gaze / Frozen river (2008): mobility and uncertain boundaries / Jesus' son (1999) : 'I knew every raindrop by its name' / Keane (2004) : cold comfort camera / Kicking and screaming (1995) : the significance of slightness / Laurel Canyon (2002) : lacuscular cinema / Living in oblivion (1995) : how mistaking Chad for Brad could not overcome the commercial limitations of the self-reflexive cycle / Lovely & amazing (2001) : naked chick flick / Old joy (2006) : resisting masculinity / Pariah (2011) : coming out in the middle / Primer (2004) : a primer in first-time indie filmmaking / Rachel getting married (2008) : personal cinema and the smart-chick film / Secretary (2002) : purple rose, indie masochism, bruised romance / Waitress (2007) : tragedy and authorship in an indie 'meta-movie' / The weight of water (2000) : a spectacular, if transformative failure / Winter's bone (2010) : modest deals and film adaptation / You can count on me (2000) : living in dependence / |
| title_auth | US independent film after 1989 : possible films / |
| title_exact_search | US independent film after 1989 : possible films / |
| title_full | US independent film after 1989 : possible films / edited by Claire Perkins and Constantine Verevis. |
| title_fullStr | US independent film after 1989 : possible films / edited by Claire Perkins and Constantine Verevis. |
| title_full_unstemmed | US independent film after 1989 : possible films / edited by Claire Perkins and Constantine Verevis. |
| title_short | US independent film after 1989 : |
| title_sort | us independent film after 1989 possible films |
| title_sub | possible films / |
| topic | Independent films United States History and criticism. Independent filmmakers United States. Motion picture industry United States History 20th century. Films indépendants États-Unis Histoire et critique. Cinéastes indépendants États-Unis. Cinéma Industrie États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Independent filmmakers fast Independent films fast Motion picture industry fast |
| topic_facet | Independent films United States History and criticism. Independent filmmakers United States. Motion picture industry United States History 20th century. Films indépendants États-Unis Histoire et critique. Cinéastes indépendants États-Unis. Cinéma Industrie États-Unis Histoire 20e siècle. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Reference. Independent filmmakers Independent films Motion picture industry United States Electronic books. Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1203133 |
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