Making and unmaking intellectual property :: creative production in legal and cultural perspective /
Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in &...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London :
The University of Chicago Press,
[2011]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in "intellectual property" has also expanded beyond the conventional categories of patent, copyright, and trademark to encompass a diverse array of topics ranging from traditional knowledge to international trade. Though recognition of the central role played by "knowledge economies" has increased, the. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and indexes. |
| ISBN: | 9780226172491 022617249X 9780226907093 0226907090 |
Internformat
MARC
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| 245 | 0 | 0 | |a Making and unmaking intellectual property : |b creative production in legal and cultural perspective / |c edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee. |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c [2011] | |
| 264 | 4 | |c ©2011 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 7, 2015). | |
| 520 | |a Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in "intellectual property" has also expanded beyond the conventional categories of patent, copyright, and trademark to encompass a diverse array of topics ranging from traditional knowledge to international trade. Though recognition of the central role played by "knowledge economies" has increased, the. | ||
| 505 | 0 | 0 | |g I. |t High and Low: IP Practices and Materialities -- |g 1. |t Patent Specification and Political Representation: How Patents Became Rights / |r Mario Biagioli -- |g 2. |t Authoring an Invention: Patent Production in the Nineteenth-Century United States / |r Kara W. Swanson -- |g 3. |t "Person Skilled in the Art" Is Really Quite Conventional: U.S. Patent Drawings and the Persona of the Inventor, 1870 -- 2005 / |r William J. Rankin -- |g II. |t Before and After the Commons and Traditional Knowledge -- |g 4. |t Cultural Agencies: The Legal Construction of Community Subjects and Their Properties / |r Rosemary J. Coombe -- |g 5. |t Social Invention / |r Marilyn Strathern -- |g 6. |t From "Folklore" to "Knowledge" in Global Governance: On the Metamorphoses of the Unauthored / |r Marc Perlman -- |g 7. |t Inventing Copyleft / |r Christopher Kelty -- |g 8. |t Designing Cooperative Systems for Knowledge Production: An Initial Synthesis from Experimental Economics / |r Yochai Benkler -- |g III. |t IP Crimes and Other Fictions -- |g 9. |t Beyond Representation: The Figure of the Pirate / |r Lawrence Liang -- |g 10. |t Publishers, Privateers, Pirates: Eighteenth-Century German Book Piracy Revisited / |r Martha Woodmansee -- |g 11. |t Property Police / |r Adrian Johns -- |g 12. |t Characterizing Copyright in the Classroom: The Cultural Work of Antipiracy Campaigns / |r Tarleton Gillespie -- |g 13. |t Economic View of Legal Restrictions on Musical Borrowing and Appropriation / |r Peter Dicoia -- |g IV. |t Old Things Into New IP Objects -- |g 14. |t New Blood, New Fruits: Protections for Breeders and Originators, 1789 -- 1930 / |r Daniel J. Kevles -- |g 15. |t Kinds, Clones, and Manufactures / |r Brad Sherman -- |g 16. |t No Patent, No Generic: Pharmaceutical Access and the Politics of the Copy / |r Cori Hayden -- |g 17. |t Inventing Race as a Genetic Commodity in Biotechnology Patents / |r Jonathan Kahn -- |g 18. |t Strange Odyssey of Software Interfaces as Intellectual Property / |r Pamela Samuelson -- |g V. |t Doing and Undoing Collaborative IP -- |g 19. |t Invention, Origin, and Dedication: Republishing Women's Prints in Early Modern Italy / |r Evelyn Lincoln -- |g 20. |t Technological Platforms and the Layers of Patent Data / |r Eric Giannella -- |g 21. |t Intellectual Property Norms in Stand-Up Comedy / |r Christopher Sprigman -- |g 22. |t Patenting Life: How the Oncomouse Patent Changed the Lives of Mice and Men / |r Fiona Murray -- |g 23. |t Is There Such a Thing as Postmodern Copyright? / |r Peter Jaszi. |
| 650 | 0 | |a Intellectual property |z United States. | |
| 650 | 6 | |a Propriété intellectuelle |z États-Unis. | |
| 650 | 7 | |a LAW |x Administrative Law & Regulatory Practice. |2 bisacsh | |
| 650 | 7 | |a Intellectual property |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
| 700 | 1 | |a Biagioli, Mario, |d 1955- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJpJgrmq9WVDJJyWpkkJjC |0 http://id.loc.gov/authorities/names/n2010081175 | |
| 700 | 1 | |a Jaszi, Peter, |e editor. |0 http://id.loc.gov/authorities/names/n93085040 | |
| 700 | 1 | |a Woodmansee, Martha, |e editor. |0 http://id.loc.gov/authorities/names/n84095628 | |
| 758 | |i has work: |a Making and unmaking intellectual property (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGJymphpJjQyqBHr49FHqP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Biagioli, Mario. |t Making and Unmaking Intellectual Property : Creative Production in Legal and Cultural Perspective. |d Chicago : University of Chicago Press, ©1753 |z 9780226907086 |
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| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn915561100 |
|---|---|
| _version_ | 1816882319833694208 |
| adam_text | |
| any_adam_object | |
| author2 | Biagioli, Mario, 1955- Jaszi, Peter Woodmansee, Martha |
| author2_role | edt edt edt |
| author2_variant | m b mb p j pj m w mw |
| author_GND | http://id.loc.gov/authorities/names/n2010081175 http://id.loc.gov/authorities/names/n93085040 http://id.loc.gov/authorities/names/n84095628 |
| author_additional | Mario Biagioli -- Kara W. Swanson -- William J. Rankin -- Rosemary J. Coombe -- Marilyn Strathern -- Marc Perlman -- Christopher Kelty -- Yochai Benkler -- Lawrence Liang -- Martha Woodmansee -- Adrian Johns -- Tarleton Gillespie -- Peter Dicoia -- Daniel J. Kevles -- Brad Sherman -- Cori Hayden -- Jonathan Kahn -- Pamela Samuelson -- Evelyn Lincoln -- Eric Giannella -- Christopher Sprigman -- Fiona Murray -- Peter Jaszi. |
| author_facet | Biagioli, Mario, 1955- Jaszi, Peter Woodmansee, Martha |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | K - Law |
| callnumber-label | KF2979 |
| callnumber-raw | KF2979 |
| callnumber-search | KF2979 |
| callnumber-sort | KF 42979 |
| callnumber-subject | KF - United States |
| collection | ZDB-4-EBA |
| contents | High and Low: IP Practices and Materialities -- Patent Specification and Political Representation: How Patents Became Rights / Authoring an Invention: Patent Production in the Nineteenth-Century United States / "Person Skilled in the Art" Is Really Quite Conventional: U.S. Patent Drawings and the Persona of the Inventor, 1870 -- 2005 / Before and After the Commons and Traditional Knowledge -- Cultural Agencies: The Legal Construction of Community Subjects and Their Properties / Social Invention / From "Folklore" to "Knowledge" in Global Governance: On the Metamorphoses of the Unauthored / Inventing Copyleft / Designing Cooperative Systems for Knowledge Production: An Initial Synthesis from Experimental Economics / IP Crimes and Other Fictions -- Beyond Representation: The Figure of the Pirate / Publishers, Privateers, Pirates: Eighteenth-Century German Book Piracy Revisited / Property Police / Characterizing Copyright in the Classroom: The Cultural Work of Antipiracy Campaigns / Economic View of Legal Restrictions on Musical Borrowing and Appropriation / Old Things Into New IP Objects -- New Blood, New Fruits: Protections for Breeders and Originators, 1789 -- 1930 / Kinds, Clones, and Manufactures / No Patent, No Generic: Pharmaceutical Access and the Politics of the Copy / Inventing Race as a Genetic Commodity in Biotechnology Patents / Strange Odyssey of Software Interfaces as Intellectual Property / Doing and Undoing Collaborative IP -- Invention, Origin, and Dedication: Republishing Women's Prints in Early Modern Italy / Technological Platforms and the Layers of Patent Data / Intellectual Property Norms in Stand-Up Comedy / Patenting Life: How the Oncomouse Patent Changed the Lives of Mice and Men / Is There Such a Thing as Postmodern Copyright? / |
| ctrlnum | (OCoLC)915561100 |
| dewey-full | 346.7304/8 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 346 - Private law |
| dewey-raw | 346.7304/8 |
| dewey-search | 346.7304/8 |
| dewey-sort | 3346.7304 18 |
| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| format | Electronic eBook |
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| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn915561100 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:44Z |
| institution | BVB |
| isbn | 9780226172491 022617249X 9780226907093 0226907090 |
| language | English |
| oclc_num | 915561100 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | The University of Chicago Press, |
| record_format | marc |
| spelling | Making and unmaking intellectual property : creative production in legal and cultural perspective / edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee. Chicago ; London : The University of Chicago Press, [2011] ©2011 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and indexes. Online resource; title from PDF title page (EBSCO, viewed August 7, 2015). Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics. This burgeoning interdisciplinary interest in "intellectual property" has also expanded beyond the conventional categories of patent, copyright, and trademark to encompass a diverse array of topics ranging from traditional knowledge to international trade. Though recognition of the central role played by "knowledge economies" has increased, the. I. High and Low: IP Practices and Materialities -- 1. Patent Specification and Political Representation: How Patents Became Rights / Mario Biagioli -- 2. Authoring an Invention: Patent Production in the Nineteenth-Century United States / Kara W. Swanson -- 3. "Person Skilled in the Art" Is Really Quite Conventional: U.S. Patent Drawings and the Persona of the Inventor, 1870 -- 2005 / William J. Rankin -- II. Before and After the Commons and Traditional Knowledge -- 4. Cultural Agencies: The Legal Construction of Community Subjects and Their Properties / Rosemary J. Coombe -- 5. Social Invention / Marilyn Strathern -- 6. From "Folklore" to "Knowledge" in Global Governance: On the Metamorphoses of the Unauthored / Marc Perlman -- 7. Inventing Copyleft / Christopher Kelty -- 8. Designing Cooperative Systems for Knowledge Production: An Initial Synthesis from Experimental Economics / Yochai Benkler -- III. IP Crimes and Other Fictions -- 9. Beyond Representation: The Figure of the Pirate / Lawrence Liang -- 10. Publishers, Privateers, Pirates: Eighteenth-Century German Book Piracy Revisited / Martha Woodmansee -- 11. Property Police / Adrian Johns -- 12. Characterizing Copyright in the Classroom: The Cultural Work of Antipiracy Campaigns / Tarleton Gillespie -- 13. Economic View of Legal Restrictions on Musical Borrowing and Appropriation / Peter Dicoia -- IV. Old Things Into New IP Objects -- 14. New Blood, New Fruits: Protections for Breeders and Originators, 1789 -- 1930 / Daniel J. Kevles -- 15. Kinds, Clones, and Manufactures / Brad Sherman -- 16. No Patent, No Generic: Pharmaceutical Access and the Politics of the Copy / Cori Hayden -- 17. Inventing Race as a Genetic Commodity in Biotechnology Patents / Jonathan Kahn -- 18. Strange Odyssey of Software Interfaces as Intellectual Property / Pamela Samuelson -- V. Doing and Undoing Collaborative IP -- 19. Invention, Origin, and Dedication: Republishing Women's Prints in Early Modern Italy / Evelyn Lincoln -- 20. Technological Platforms and the Layers of Patent Data / Eric Giannella -- 21. Intellectual Property Norms in Stand-Up Comedy / Christopher Sprigman -- 22. Patenting Life: How the Oncomouse Patent Changed the Lives of Mice and Men / Fiona Murray -- 23. Is There Such a Thing as Postmodern Copyright? / Peter Jaszi. Intellectual property United States. Propriété intellectuelle États-Unis. LAW Administrative Law & Regulatory Practice. bisacsh Intellectual property fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Biagioli, Mario, 1955- editor. https://id.oclc.org/worldcat/entity/E39PBJpJgrmq9WVDJJyWpkkJjC http://id.loc.gov/authorities/names/n2010081175 Jaszi, Peter, editor. http://id.loc.gov/authorities/names/n93085040 Woodmansee, Martha, editor. http://id.loc.gov/authorities/names/n84095628 has work: Making and unmaking intellectual property (Text) https://id.oclc.org/worldcat/entity/E39PCGJymphpJjQyqBHr49FHqP https://id.oclc.org/worldcat/ontology/hasWork Print version: Biagioli, Mario. Making and Unmaking Intellectual Property : Creative Production in Legal and Cultural Perspective. Chicago : University of Chicago Press, ©1753 9780226907086 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1046931 Volltext |
| spellingShingle | Making and unmaking intellectual property : creative production in legal and cultural perspective / High and Low: IP Practices and Materialities -- Patent Specification and Political Representation: How Patents Became Rights / Authoring an Invention: Patent Production in the Nineteenth-Century United States / "Person Skilled in the Art" Is Really Quite Conventional: U.S. Patent Drawings and the Persona of the Inventor, 1870 -- 2005 / Before and After the Commons and Traditional Knowledge -- Cultural Agencies: The Legal Construction of Community Subjects and Their Properties / Social Invention / From "Folklore" to "Knowledge" in Global Governance: On the Metamorphoses of the Unauthored / Inventing Copyleft / Designing Cooperative Systems for Knowledge Production: An Initial Synthesis from Experimental Economics / IP Crimes and Other Fictions -- Beyond Representation: The Figure of the Pirate / Publishers, Privateers, Pirates: Eighteenth-Century German Book Piracy Revisited / Property Police / Characterizing Copyright in the Classroom: The Cultural Work of Antipiracy Campaigns / Economic View of Legal Restrictions on Musical Borrowing and Appropriation / Old Things Into New IP Objects -- New Blood, New Fruits: Protections for Breeders and Originators, 1789 -- 1930 / Kinds, Clones, and Manufactures / No Patent, No Generic: Pharmaceutical Access and the Politics of the Copy / Inventing Race as a Genetic Commodity in Biotechnology Patents / Strange Odyssey of Software Interfaces as Intellectual Property / Doing and Undoing Collaborative IP -- Invention, Origin, and Dedication: Republishing Women's Prints in Early Modern Italy / Technological Platforms and the Layers of Patent Data / Intellectual Property Norms in Stand-Up Comedy / Patenting Life: How the Oncomouse Patent Changed the Lives of Mice and Men / Is There Such a Thing as Postmodern Copyright? / Intellectual property United States. Propriété intellectuelle États-Unis. LAW Administrative Law & Regulatory Practice. bisacsh Intellectual property fast |
| title | Making and unmaking intellectual property : creative production in legal and cultural perspective / |
| title_alt | High and Low: IP Practices and Materialities -- Patent Specification and Political Representation: How Patents Became Rights / Authoring an Invention: Patent Production in the Nineteenth-Century United States / "Person Skilled in the Art" Is Really Quite Conventional: U.S. Patent Drawings and the Persona of the Inventor, 1870 -- 2005 / Before and After the Commons and Traditional Knowledge -- Cultural Agencies: The Legal Construction of Community Subjects and Their Properties / Social Invention / From "Folklore" to "Knowledge" in Global Governance: On the Metamorphoses of the Unauthored / Inventing Copyleft / Designing Cooperative Systems for Knowledge Production: An Initial Synthesis from Experimental Economics / IP Crimes and Other Fictions -- Beyond Representation: The Figure of the Pirate / Publishers, Privateers, Pirates: Eighteenth-Century German Book Piracy Revisited / Property Police / Characterizing Copyright in the Classroom: The Cultural Work of Antipiracy Campaigns / Economic View of Legal Restrictions on Musical Borrowing and Appropriation / Old Things Into New IP Objects -- New Blood, New Fruits: Protections for Breeders and Originators, 1789 -- 1930 / Kinds, Clones, and Manufactures / No Patent, No Generic: Pharmaceutical Access and the Politics of the Copy / Inventing Race as a Genetic Commodity in Biotechnology Patents / Strange Odyssey of Software Interfaces as Intellectual Property / Doing and Undoing Collaborative IP -- Invention, Origin, and Dedication: Republishing Women's Prints in Early Modern Italy / Technological Platforms and the Layers of Patent Data / Intellectual Property Norms in Stand-Up Comedy / Patenting Life: How the Oncomouse Patent Changed the Lives of Mice and Men / Is There Such a Thing as Postmodern Copyright? / |
| title_auth | Making and unmaking intellectual property : creative production in legal and cultural perspective / |
| title_exact_search | Making and unmaking intellectual property : creative production in legal and cultural perspective / |
| title_full | Making and unmaking intellectual property : creative production in legal and cultural perspective / edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee. |
| title_fullStr | Making and unmaking intellectual property : creative production in legal and cultural perspective / edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee. |
| title_full_unstemmed | Making and unmaking intellectual property : creative production in legal and cultural perspective / edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee. |
| title_short | Making and unmaking intellectual property : |
| title_sort | making and unmaking intellectual property creative production in legal and cultural perspective |
| title_sub | creative production in legal and cultural perspective / |
| topic | Intellectual property United States. Propriété intellectuelle États-Unis. LAW Administrative Law & Regulatory Practice. bisacsh Intellectual property fast |
| topic_facet | Intellectual property United States. Propriété intellectuelle États-Unis. LAW Administrative Law & Regulatory Practice. Intellectual property United States |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1046931 |
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