The public in the picture = Das Publikum im Bild :: involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen /
"The invention of the public in the picture--the depiction of nameless bystanders, beholders, and onlookers--marks an important change in the ways artists addressed the beholder of the artworks since the thirteenth century. This shift toward the representation of these figures speaks to a signi...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Zurich :
Diaphanes,
[2015]
|
| Ausgabe: | First edition. |
| Schriftenreihe: | BilderDiskurs.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The invention of the public in the picture--the depiction of nameless bystanders, beholders, and onlookers--marks an important change in the ways artists addressed the beholder of the artworks since the thirteenth century. This shift toward the representation of these figures speaks to a significant transformation of the relationship between images and their audiences. The public in the picture acts as mediator between times, persons, and contents. The contributions in this volume describe this moment from a diachronic and transcultural perspective. Each of them focuses on a specific group of works revealing a new moment in this history. They explore the cultural contexts of the political and religious public, and relate the rise of the public in the picture to the rise of perspectival representation (Panofsky's space-box and Kemp's Chronotopos)"--Back cover |
| Beschreibung: | 7 English, 5 German contributions. |
| Beschreibung: | 1 online resource (304 pages) : illustrations |
| ISBN: | 9783037344798 3037344792 3037344784 9783037344781 |
Internformat
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| 245 | 0 | 4 | |a The public in the picture = Das Publikum im Bild : |b involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / |c edited by Beate Fricke, Urte Krass. |
| 246 | 3 | 1 | |a Publikum im Bild : |b Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen |
| 250 | |a First edition. | ||
| 264 | 1 | |a Zurich : |b Diaphanes, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (304 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a BilderDiskurs | |
| 546 | |a Text in English and German. | ||
| 500 | |a 7 English, 5 German contributions. | ||
| 520 | |a "The invention of the public in the picture--the depiction of nameless bystanders, beholders, and onlookers--marks an important change in the ways artists addressed the beholder of the artworks since the thirteenth century. This shift toward the representation of these figures speaks to a significant transformation of the relationship between images and their audiences. The public in the picture acts as mediator between times, persons, and contents. The contributions in this volume describe this moment from a diachronic and transcultural perspective. Each of them focuses on a specific group of works revealing a new moment in this history. They explore the cultural contexts of the political and religious public, and relate the rise of the public in the picture to the rise of perspectival representation (Panofsky's space-box and Kemp's Chronotopos)"--Back cover | ||
| 505 | 0 | |a The public in the picture: an introduction / Beate Fricke and Urte Krass -- Das auge und der blick zum auftreten von zuschauern in der griechischen bilderwelt / Annette Haug -- Öffentlicher raum und publikum in der illustrationen der Maqamat al-Hariris im 13. jahrhundert / Andrea Lermer -- Audiences on the walls of St Clement / Andrew Griebeler -- Complicity in spectatorship: bystanders and beholders in the Massacre of Innocents of Giotto and Giovanni Pisano / Beate Fricke -- From place to space: Raumkästen and the moving spectator in medieval Italian art / Christopher Lakey -- Anteilnahme trauernde begleiter an burgundischen und anderen grabmälern / Henrike Haug -- Gegenwart und zukunft die endzeit und ihre zuschauer in den fünfzehn zeichen vor dem jüngsten gericht / Daniela Wagner -- Public relations: eyewitnesses in 14th-century French royal manuscripts / Anja Rathmann-Lutz -- The invented audience: allegorical power of persuasian as visual strategy / Cornelia Logemann -- See and be amazed!: spectator figures in Persian manuscript painting / Alberto Saviello -- Strukturwandel der öffentlichkeit Piero della Francescas Fleagellazione als schaustück für die unerbittlichkeit der perspektive / Urte Krass -- Training the eye: the advent of the beholder into Sandro Botticelli's Adorazioni / Christiane Hille. | |
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| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Fricke, Beate, |e editor. | |
| 700 | 1 | |a Krass, Urte, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Public in the picture. |b 1st edition. |d Zürich : diaphanes, [2015] |z 9783037344781 |w (DLC) 2015400972 |w (OCoLC)907225885 |
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| author2 | Fricke, Beate Krass, Urte |
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| contents | The public in the picture: an introduction / Beate Fricke and Urte Krass -- Das auge und der blick zum auftreten von zuschauern in der griechischen bilderwelt / Annette Haug -- Öffentlicher raum und publikum in der illustrationen der Maqamat al-Hariris im 13. jahrhundert / Andrea Lermer -- Audiences on the walls of St Clement / Andrew Griebeler -- Complicity in spectatorship: bystanders and beholders in the Massacre of Innocents of Giotto and Giovanni Pisano / Beate Fricke -- From place to space: Raumkästen and the moving spectator in medieval Italian art / Christopher Lakey -- Anteilnahme trauernde begleiter an burgundischen und anderen grabmälern / Henrike Haug -- Gegenwart und zukunft die endzeit und ihre zuschauer in den fünfzehn zeichen vor dem jüngsten gericht / Daniela Wagner -- Public relations: eyewitnesses in 14th-century French royal manuscripts / Anja Rathmann-Lutz -- The invented audience: allegorical power of persuasian as visual strategy / Cornelia Logemann -- See and be amazed!: spectator figures in Persian manuscript painting / Alberto Saviello -- Strukturwandel der öffentlichkeit Piero della Francescas Fleagellazione als schaustück für die unerbittlichkeit der perspektive / Urte Krass -- Training the eye: the advent of the beholder into Sandro Botticelli's Adorazioni / Christiane Hille. |
| ctrlnum | (OCoLC)915560654 |
| dewey-full | 759 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759 |
| dewey-search | 759 |
| dewey-sort | 3759 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| edition | First edition. |
| format | Electronic eBook |
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| genre | History fast |
| genre_facet | History |
| id | ZDB-4-EBA-ocn915560654 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:44Z |
| institution | BVB |
| isbn | 9783037344798 3037344792 3037344784 9783037344781 |
| language | English |
| oclc_num | 915560654 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (304 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Diaphanes, |
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| series | BilderDiskurs. |
| series2 | BilderDiskurs |
| spelling | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / edited by Beate Fricke, Urte Krass. Publikum im Bild : Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen First edition. Zurich : Diaphanes, [2015] ©2015 1 online resource (304 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier BilderDiskurs Text in English and German. 7 English, 5 German contributions. "The invention of the public in the picture--the depiction of nameless bystanders, beholders, and onlookers--marks an important change in the ways artists addressed the beholder of the artworks since the thirteenth century. This shift toward the representation of these figures speaks to a significant transformation of the relationship between images and their audiences. The public in the picture acts as mediator between times, persons, and contents. The contributions in this volume describe this moment from a diachronic and transcultural perspective. Each of them focuses on a specific group of works revealing a new moment in this history. They explore the cultural contexts of the political and religious public, and relate the rise of the public in the picture to the rise of perspectival representation (Panofsky's space-box and Kemp's Chronotopos)"--Back cover The public in the picture: an introduction / Beate Fricke and Urte Krass -- Das auge und der blick zum auftreten von zuschauern in der griechischen bilderwelt / Annette Haug -- Öffentlicher raum und publikum in der illustrationen der Maqamat al-Hariris im 13. jahrhundert / Andrea Lermer -- Audiences on the walls of St Clement / Andrew Griebeler -- Complicity in spectatorship: bystanders and beholders in the Massacre of Innocents of Giotto and Giovanni Pisano / Beate Fricke -- From place to space: Raumkästen and the moving spectator in medieval Italian art / Christopher Lakey -- Anteilnahme trauernde begleiter an burgundischen und anderen grabmälern / Henrike Haug -- Gegenwart und zukunft die endzeit und ihre zuschauer in den fünfzehn zeichen vor dem jüngsten gericht / Daniela Wagner -- Public relations: eyewitnesses in 14th-century French royal manuscripts / Anja Rathmann-Lutz -- The invented audience: allegorical power of persuasian as visual strategy / Cornelia Logemann -- See and be amazed!: spectator figures in Persian manuscript painting / Alberto Saviello -- Strukturwandel der öffentlichkeit Piero della Francescas Fleagellazione als schaustück für die unerbittlichkeit der perspektive / Urte Krass -- Training the eye: the advent of the beholder into Sandro Botticelli's Adorazioni / Christiane Hille. Print version record. Painting Themes, motives History. Peinture Thèmes, motifs Histoire. ART History General. bisacsh Painting Themes, motives fast History fast Fricke, Beate, editor. Krass, Urte, editor. Print version: Public in the picture. 1st edition. Zürich : diaphanes, [2015] 9783037344781 (DLC) 2015400972 (OCoLC)907225885 BilderDiskurs. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1048248 Volltext |
| spellingShingle | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / BilderDiskurs. The public in the picture: an introduction / Beate Fricke and Urte Krass -- Das auge und der blick zum auftreten von zuschauern in der griechischen bilderwelt / Annette Haug -- Öffentlicher raum und publikum in der illustrationen der Maqamat al-Hariris im 13. jahrhundert / Andrea Lermer -- Audiences on the walls of St Clement / Andrew Griebeler -- Complicity in spectatorship: bystanders and beholders in the Massacre of Innocents of Giotto and Giovanni Pisano / Beate Fricke -- From place to space: Raumkästen and the moving spectator in medieval Italian art / Christopher Lakey -- Anteilnahme trauernde begleiter an burgundischen und anderen grabmälern / Henrike Haug -- Gegenwart und zukunft die endzeit und ihre zuschauer in den fünfzehn zeichen vor dem jüngsten gericht / Daniela Wagner -- Public relations: eyewitnesses in 14th-century French royal manuscripts / Anja Rathmann-Lutz -- The invented audience: allegorical power of persuasian as visual strategy / Cornelia Logemann -- See and be amazed!: spectator figures in Persian manuscript painting / Alberto Saviello -- Strukturwandel der öffentlichkeit Piero della Francescas Fleagellazione als schaustück für die unerbittlichkeit der perspektive / Urte Krass -- Training the eye: the advent of the beholder into Sandro Botticelli's Adorazioni / Christiane Hille. Painting Themes, motives History. Peinture Thèmes, motifs Histoire. ART History General. bisacsh Painting Themes, motives fast |
| title | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / |
| title_alt | Publikum im Bild : Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen |
| title_auth | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / |
| title_exact_search | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / |
| title_full | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / edited by Beate Fricke, Urte Krass. |
| title_fullStr | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / edited by Beate Fricke, Urte Krass. |
| title_full_unstemmed | The public in the picture = Das Publikum im Bild : involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / edited by Beate Fricke, Urte Krass. |
| title_short | The public in the picture = Das Publikum im Bild : |
| title_sort | public in the picture das publikum im bild involving the beholder in antique islamic byzantine and western medieval and renaissance art beitrage aus der kunst der antike des islam aus byzanz und dem westen |
| title_sub | involving the beholder in Antique, Islamic, Byzantine and Western Medieval and Renaissance art = Beiträge aus der Kunst der Antike, des Islam, aus Byzanz und dem Westen / |
| topic | Painting Themes, motives History. Peinture Thèmes, motifs Histoire. ART History General. bisacsh Painting Themes, motives fast |
| topic_facet | Painting Themes, motives History. Peinture Thèmes, motifs Histoire. ART History General. Painting Themes, motives History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1048248 |
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