Deceptive fictions :: narrating trauma and violence in contemporary writing /
Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a selection of novels by prolific contemporary Brit...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2015.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a selection of novels by prolific contemporary British and Irish writers. Interrogating the strategic functions of trauma and violence, the book argues that these texts can be read as counter-narratives to, or a backlash against, still-prevalent critical paradigms informed by poststructuralist and postmodern thought. Trauma and violence are invoked as narrative tools to communicate the centrality of the body and of biological and material constraints on human actions. This emphasis on reality and the experiential ties in with the novels' consistent focus on the individual as an ethical agent and originator of meaning. In so doing, they signal a move in contemporary fiction towards a textual practice that can most fruitfully be approached along the lines of an individualistic, evolutionary, corporeal and experiential narratology, which self-consciously reflects on the manipulative potentials of narrative. |
| Beschreibung: | 1 online resource (166 pages) |
| Bibliographie: | Includes bibliographical references (pages 155-166) and index. |
| ISBN: | 9781443878753 1443878758 |
Internformat
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| 504 | |a Includes bibliographical references (pages 155-166) and index. | ||
| 505 | 0 | |a Trauma and violence in contemporary fiction : theorising narrative deception and narrative complicity -- Collective trauma as narrative red herring : Ian McEwan's Saturday -- The fiction and purpose of turning points : Ali Smith's The Accidental -- Violence and misleading narratives : Pat Barker's Border Crossing -- Storytelling and/or biology : Jon McGregor's So many ways to begin -- Materiality and narrative manipulation : Anne Enright's The Gathering. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a selection of novels by prolific contemporary British and Irish writers. Interrogating the strategic functions of trauma and violence, the book argues that these texts can be read as counter-narratives to, or a backlash against, still-prevalent critical paradigms informed by poststructuralist and postmodern thought. Trauma and violence are invoked as narrative tools to communicate the centrality of the body and of biological and material constraints on human actions. This emphasis on reality and the experiential ties in with the novels' consistent focus on the individual as an ethical agent and originator of meaning. In so doing, they signal a move in contemporary fiction towards a textual practice that can most fruitfully be approached along the lines of an individualistic, evolutionary, corporeal and experiential narratology, which self-consciously reflects on the manipulative potentials of narrative. | ||
| 650 | 0 | |a English literature |y 21st century |x History and criticism. | |
| 650 | 0 | |a Violence in literature. |0 http://id.loc.gov/authorities/subjects/sh85143523 | |
| 650 | 6 | |a Violence dans la littérature. | |
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| contents | Trauma and violence in contemporary fiction : theorising narrative deception and narrative complicity -- Collective trauma as narrative red herring : Ian McEwan's Saturday -- The fiction and purpose of turning points : Ali Smith's The Accidental -- Violence and misleading narratives : Pat Barker's Border Crossing -- Storytelling and/or biology : Jon McGregor's So many ways to begin -- Materiality and narrative manipulation : Anne Enright's The Gathering. |
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| discipline | Anglistik / Amerikanistik |
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| format | Electronic eBook |
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| indexdate | 2024-11-27T13:26:41Z |
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| spelling | Tancke, Ulrike, author. Deceptive fictions : narrating trauma and violence in contemporary writing / by Ulrike Tancke. Newcastle upon Tyne : Cambridge Scholars Publishing, 2015. ©2015 1 online resource (166 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 155-166) and index. Trauma and violence in contemporary fiction : theorising narrative deception and narrative complicity -- Collective trauma as narrative red herring : Ian McEwan's Saturday -- The fiction and purpose of turning points : Ali Smith's The Accidental -- Violence and misleading narratives : Pat Barker's Border Crossing -- Storytelling and/or biology : Jon McGregor's So many ways to begin -- Materiality and narrative manipulation : Anne Enright's The Gathering. Print version record. Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a selection of novels by prolific contemporary British and Irish writers. Interrogating the strategic functions of trauma and violence, the book argues that these texts can be read as counter-narratives to, or a backlash against, still-prevalent critical paradigms informed by poststructuralist and postmodern thought. Trauma and violence are invoked as narrative tools to communicate the centrality of the body and of biological and material constraints on human actions. This emphasis on reality and the experiential ties in with the novels' consistent focus on the individual as an ethical agent and originator of meaning. In so doing, they signal a move in contemporary fiction towards a textual practice that can most fruitfully be approached along the lines of an individualistic, evolutionary, corporeal and experiential narratology, which self-consciously reflects on the manipulative potentials of narrative. English literature 21st century History and criticism. Violence in literature. http://id.loc.gov/authorities/subjects/sh85143523 Violence dans la littérature. Literature & literary studies. bicssc C 1900 -. bicssc Literary studies: fiction, novelists & prose writers. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature fast Violence in literature fast 2000-2099 fast Criticism, interpretation, etc. fast has work: Deceptive fictions (Text) https://id.oclc.org/worldcat/entity/E39PCFCP4W6JjHk94YW7QCCrmb https://id.oclc.org/worldcat/ontology/hasWork Print version: Tancke, Ulrike. Deceptive fictions. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2015 1443872709 (OCoLC)900828061 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1014710 Volltext |
| spellingShingle | Tancke, Ulrike Deceptive fictions : narrating trauma and violence in contemporary writing / Trauma and violence in contemporary fiction : theorising narrative deception and narrative complicity -- Collective trauma as narrative red herring : Ian McEwan's Saturday -- The fiction and purpose of turning points : Ali Smith's The Accidental -- Violence and misleading narratives : Pat Barker's Border Crossing -- Storytelling and/or biology : Jon McGregor's So many ways to begin -- Materiality and narrative manipulation : Anne Enright's The Gathering. English literature 21st century History and criticism. Violence in literature. http://id.loc.gov/authorities/subjects/sh85143523 Violence dans la littérature. Literature & literary studies. bicssc C 1900 -. bicssc Literary studies: fiction, novelists & prose writers. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature fast Violence in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85143523 |
| title | Deceptive fictions : narrating trauma and violence in contemporary writing / |
| title_auth | Deceptive fictions : narrating trauma and violence in contemporary writing / |
| title_exact_search | Deceptive fictions : narrating trauma and violence in contemporary writing / |
| title_full | Deceptive fictions : narrating trauma and violence in contemporary writing / by Ulrike Tancke. |
| title_fullStr | Deceptive fictions : narrating trauma and violence in contemporary writing / by Ulrike Tancke. |
| title_full_unstemmed | Deceptive fictions : narrating trauma and violence in contemporary writing / by Ulrike Tancke. |
| title_short | Deceptive fictions : |
| title_sort | deceptive fictions narrating trauma and violence in contemporary writing |
| title_sub | narrating trauma and violence in contemporary writing / |
| topic | English literature 21st century History and criticism. Violence in literature. http://id.loc.gov/authorities/subjects/sh85143523 Violence dans la littérature. Literature & literary studies. bicssc C 1900 -. bicssc Literary studies: fiction, novelists & prose writers. bicssc LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature fast Violence in literature fast |
| topic_facet | English literature 21st century History and criticism. Violence in literature. Violence dans la littérature. Literature & literary studies. C 1900 -. Literary studies: fiction, novelists & prose writers. LITERARY CRITICISM European English, Irish, Scottish, Welsh. English literature Violence in literature Criticism, interpretation, etc. |
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