Memory, subjectivity and independent Chinese cinema /:
A historically informed examination of independent moving image works made between 1990 and 2010 in China. Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving pe...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2014]
|
| Schriftenreihe: | Edinburgh studies in East Asian film.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A historically informed examination of independent moving image works made between 1990 and 2010 in China. Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covers the following directors. Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film. |
| Beschreibung: | 1 online resource (xii, 252 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 226-235) and index. Includes filmography: pages 223-226. |
| ISBN: | 9780748692347 0748692347 9781474406390 1474406394 |
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| 245 | 1 | 0 | |a Memory, subjectivity and independent Chinese cinema / |c Qi Wang. |
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| 505 | 0 | |a Part 1. From the past: subjectivity, memory and narrative -- Toward the figuration of a postsocialist subject -- For a narration of one's own -- Part 2. In the present: camera, documentary and performance -- Surface and edge: the cinema of Jia Zhangke and Lou Ye -- Personal documentary -- Performing bodies in experimental and digital media -- Conclusion: China's luckless but hopeful angels of history. | |
| 520 | |a A historically informed examination of independent moving image works made between 1990 and 2010 in China. Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covers the following directors. Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film. | ||
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| 650 | 0 | |a Subjectivity in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2001005702 | |
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| author | Wang, Qi, 1973- |
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| contents | Part 1. From the past: subjectivity, memory and narrative -- Toward the figuration of a postsocialist subject -- For a narration of one's own -- Part 2. In the present: camera, documentary and performance -- Surface and edge: the cinema of Jia Zhangke and Lou Ye -- Personal documentary -- Performing bodies in experimental and digital media -- Conclusion: China's luckless but hopeful angels of history. |
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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| geographic | China fast https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd |
| geographic_facet | China |
| id | ZDB-4-EBA-ocn913048932 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:41Z |
| institution | BVB |
| isbn | 9780748692347 0748692347 9781474406390 1474406394 |
| language | English |
| oclc_num | 913048932 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 252 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Edinburgh studies in East Asian film. |
| series2 | Edinburgh studies in East Asian film |
| spelling | Wang, Qi, 1973- author. https://id.oclc.org/worldcat/entity/E39PBJdrGJ3mjQgFMHB6XjMHG3 http://id.loc.gov/authorities/names/no2014145283 Memory, subjectivity and independent Chinese cinema / Qi Wang. Edinburgh : Edinburgh University Press, [2014] ©2014 1 online resource (xii, 252 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Edinburgh studies in East Asian film Includes bibliographical references (pages 226-235) and index. Includes filmography: pages 223-226. Part 1. From the past: subjectivity, memory and narrative -- Toward the figuration of a postsocialist subject -- For a narration of one's own -- Part 2. In the present: camera, documentary and performance -- Surface and edge: the cinema of Jia Zhangke and Lou Ye -- Personal documentary -- Performing bodies in experimental and digital media -- Conclusion: China's luckless but hopeful angels of history. A historically informed examination of independent moving image works made between 1990 and 2010 in China. Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covers the following directors. Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film. English. Motion pictures China History 20th century. Motion pictures China History 21st century. Motion pictures Political aspects China. Motion pictures Social aspects China. Motion pictures China History. Memory in motion pictures. http://id.loc.gov/authorities/subjects/sh89002207 Subjectivity in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005702 Cinéma Chine Histoire 20e siècle. Cinéma Chine Histoire 21e siècle. Cinéma Aspect social Chine. Cinéma Chine Histoire. Mémoire au cinéma. Subjectivité au cinéma. Cinéma Aspect politique Chine. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Memory in motion pictures fast Motion pictures fast Motion pictures Political aspects fast Motion pictures Social aspects fast Subjectivity in motion pictures fast China fast https://id.oclc.org/worldcat/entity/E39PBJdCqh8h6hJY7PT6MQW4bd 1900-2099 fast Electronic books. History fast has work: Memory, subjectivity and independent Chinese cinema (Text) https://id.oclc.org/worldcat/entity/E39PCH8xxGmXJXKJ933P3Jgrmd https://id.oclc.org/worldcat/ontology/hasWork Print version: Wang, Qi, 1973- Memory, subjectivity and independent Chinese cinema. Edinburgh : Edinburgh University Press, [2014] 9780748692330 (DLC) 2013497942 (OCoLC)876006081 Edinburgh studies in East Asian film. http://id.loc.gov/authorities/names/no2014145303 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1203128 Volltext |
| spellingShingle | Wang, Qi, 1973- Memory, subjectivity and independent Chinese cinema / Edinburgh studies in East Asian film. Part 1. From the past: subjectivity, memory and narrative -- Toward the figuration of a postsocialist subject -- For a narration of one's own -- Part 2. In the present: camera, documentary and performance -- Surface and edge: the cinema of Jia Zhangke and Lou Ye -- Personal documentary -- Performing bodies in experimental and digital media -- Conclusion: China's luckless but hopeful angels of history. Motion pictures China History 20th century. Motion pictures China History 21st century. Motion pictures Political aspects China. Motion pictures Social aspects China. Motion pictures China History. Memory in motion pictures. http://id.loc.gov/authorities/subjects/sh89002207 Subjectivity in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005702 Cinéma Chine Histoire 20e siècle. Cinéma Chine Histoire 21e siècle. Cinéma Aspect social Chine. Cinéma Chine Histoire. Mémoire au cinéma. Subjectivité au cinéma. Cinéma Aspect politique Chine. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Memory in motion pictures fast Motion pictures fast Motion pictures Political aspects fast Motion pictures Social aspects fast Subjectivity in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh89002207 http://id.loc.gov/authorities/subjects/sh2001005702 |
| title | Memory, subjectivity and independent Chinese cinema / |
| title_auth | Memory, subjectivity and independent Chinese cinema / |
| title_exact_search | Memory, subjectivity and independent Chinese cinema / |
| title_full | Memory, subjectivity and independent Chinese cinema / Qi Wang. |
| title_fullStr | Memory, subjectivity and independent Chinese cinema / Qi Wang. |
| title_full_unstemmed | Memory, subjectivity and independent Chinese cinema / Qi Wang. |
| title_short | Memory, subjectivity and independent Chinese cinema / |
| title_sort | memory subjectivity and independent chinese cinema |
| topic | Motion pictures China History 20th century. Motion pictures China History 21st century. Motion pictures Political aspects China. Motion pictures Social aspects China. Motion pictures China History. Memory in motion pictures. http://id.loc.gov/authorities/subjects/sh89002207 Subjectivity in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005702 Cinéma Chine Histoire 20e siècle. Cinéma Chine Histoire 21e siècle. Cinéma Aspect social Chine. Cinéma Chine Histoire. Mémoire au cinéma. Subjectivité au cinéma. Cinéma Aspect politique Chine. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Memory in motion pictures fast Motion pictures fast Motion pictures Political aspects fast Motion pictures Social aspects fast Subjectivity in motion pictures fast |
| topic_facet | Motion pictures China History 20th century. Motion pictures China History 21st century. Motion pictures Political aspects China. Motion pictures Social aspects China. Motion pictures China History. Memory in motion pictures. Subjectivity in motion pictures. Cinéma Chine Histoire 20e siècle. Cinéma Chine Histoire 21e siècle. Cinéma Aspect social Chine. Cinéma Chine Histoire. Mémoire au cinéma. Subjectivité au cinéma. Cinéma Aspect politique Chine. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Reference. Memory in motion pictures Motion pictures Motion pictures Political aspects Motion pictures Social aspects Subjectivity in motion pictures China Electronic books. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1203128 |
| work_keys_str_mv | AT wangqi memorysubjectivityandindependentchinesecinema |