The artist as monster :: the cinema of David Cronenberg /
David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the globe. This is the first book-length scholarly work in English on Cronenberg's films.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London :
University of Toronto Press,
[2006]
|
| Ausgabe: | Revised and and expanded. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the globe. This is the first book-length scholarly work in English on Cronenberg's films. |
| Beschreibung: | 1 online resource (xii, 568 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781442656703 1442656700 9781442633391 1442633395 |
Internformat
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| 100 | 1 | |a Beard, William, |d 1946- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjrqywgcdMtWy3Yv6rXjYd |0 http://id.loc.gov/authorities/names/no2001009383 | |
| 245 | 1 | 4 | |a The artist as monster : |b the cinema of David Cronenberg / |c William Beard. |
| 250 | |a Revised and and expanded. | ||
| 264 | 1 | |a Toronto ; |a Buffalo ; |a London : |b University of Toronto Press, |c [2006] | |
| 264 | 4 | |c ©2006 | |
| 300 | |a 1 online resource (xii, 568 pages) | ||
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| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Stereo (1969) -- Crimes of the future (1970) -- Shivers (1975) -- Rabid (1976) -- The brood (1979) -- Scanners (1980) -- Videodrome (1982) -- The dead zone (1983) -- The fly (1986) -- Dead ringers (1988) -- Naked lunch (1991) -- M. Butterfly (1993) -- Crash (1996) -- eXistenZ (1999) -- Spider (2002). | |
| 520 | |a David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the globe. This is the first book-length scholarly work in English on Cronenberg's films. | ||
| 588 | 0 | |a Print version record. | |
| 600 | 1 | 0 | |a Cronenberg, David, |d 1943- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Cronenberg, David, |d 1943- |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJgxt9ph8yR9FRWJVgyDbd |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
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| author | Beard, William, 1946- |
| author_GND | http://id.loc.gov/authorities/names/no2001009383 |
| author_facet | Beard, William, 1946- |
| author_role | aut |
| author_sort | Beard, William, 1946- |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.C79 B42 2006eb |
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| contents | Stereo (1969) -- Crimes of the future (1970) -- Shivers (1975) -- Rabid (1976) -- The brood (1979) -- Scanners (1980) -- Videodrome (1982) -- The dead zone (1983) -- The fly (1986) -- Dead ringers (1988) -- Naked lunch (1991) -- M. Butterfly (1993) -- Crash (1996) -- eXistenZ (1999) -- Spider (2002). |
| ctrlnum | (OCoLC)911855976 |
| dewey-full | 791.43/0233/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/0233/092 |
| dewey-search | 791.43/0233/092 |
| dewey-sort | 3791.43 3233 292 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | Revised and and expanded. |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocn911855976 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:40Z |
| institution | BVB |
| isbn | 9781442656703 1442656700 9781442633391 1442633395 |
| language | English |
| oclc_num | 911855976 |
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| physical | 1 online resource (xii, 568 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2006 |
| publishDateSearch | 2006 |
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| publisher | University of Toronto Press, |
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| spelling | Beard, William, 1946- author. https://id.oclc.org/worldcat/entity/E39PCjrqywgcdMtWy3Yv6rXjYd http://id.loc.gov/authorities/names/no2001009383 The artist as monster : the cinema of David Cronenberg / William Beard. Revised and and expanded. Toronto ; Buffalo ; London : University of Toronto Press, [2006] ©2006 1 online resource (xii, 568 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Stereo (1969) -- Crimes of the future (1970) -- Shivers (1975) -- Rabid (1976) -- The brood (1979) -- Scanners (1980) -- Videodrome (1982) -- The dead zone (1983) -- The fly (1986) -- Dead ringers (1988) -- Naked lunch (1991) -- M. Butterfly (1993) -- Crash (1996) -- eXistenZ (1999) -- Spider (2002). David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the globe. This is the first book-length scholarly work in English on Cronenberg's films. Print version record. Cronenberg, David, 1943- Criticism and interpretation. Cronenberg, David, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJgxt9ph8yR9FRWJVgyDbd PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh Criticism, interpretation, etc. fast has work: The artist as monster (Text) https://id.oclc.org/worldcat/entity/E39PCGGTXty37T6Y4jxkQV6TxP https://id.oclc.org/worldcat/ontology/hasWork Print version: Beard, William, 1946- Artist as monster. Rev. and expanded. Toronto ; Buffalo : University of Toronto Press, ©2006 0802035698 (DLC) 2006274601 (OCoLC)61864918 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1002228 Volltext |
| spellingShingle | Beard, William, 1946- The artist as monster : the cinema of David Cronenberg / Stereo (1969) -- Crimes of the future (1970) -- Shivers (1975) -- Rabid (1976) -- The brood (1979) -- Scanners (1980) -- Videodrome (1982) -- The dead zone (1983) -- The fly (1986) -- Dead ringers (1988) -- Naked lunch (1991) -- M. Butterfly (1993) -- Crash (1996) -- eXistenZ (1999) -- Spider (2002). Cronenberg, David, 1943- Criticism and interpretation. Cronenberg, David, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJgxt9ph8yR9FRWJVgyDbd PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh |
| title | The artist as monster : the cinema of David Cronenberg / |
| title_auth | The artist as monster : the cinema of David Cronenberg / |
| title_exact_search | The artist as monster : the cinema of David Cronenberg / |
| title_full | The artist as monster : the cinema of David Cronenberg / William Beard. |
| title_fullStr | The artist as monster : the cinema of David Cronenberg / William Beard. |
| title_full_unstemmed | The artist as monster : the cinema of David Cronenberg / William Beard. |
| title_short | The artist as monster : |
| title_sort | artist as monster the cinema of david cronenberg |
| title_sub | the cinema of David Cronenberg / |
| topic | Cronenberg, David, 1943- Criticism and interpretation. Cronenberg, David, 1943- fast https://id.oclc.org/worldcat/entity/E39PBJgxt9ph8yR9FRWJVgyDbd PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video Direction & Production. bisacsh |
| topic_facet | Cronenberg, David, 1943- Criticism and interpretation. Cronenberg, David, 1943- PERFORMING ARTS Reference. PERFORMING ARTS Film & Video Direction & Production. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1002228 |
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