The poetry of John Milton /:
"John Milton is regarded as the greatest English poet after Shakespeare. Yet for sublimity and philosophical grandeur, Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe: poets who achieve a total ethical and spiritual vision of the world....
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge, Massachusetts :
Harvard University Press,
2015.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "John Milton is regarded as the greatest English poet after Shakespeare. Yet for sublimity and philosophical grandeur, Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe: poets who achieve a total ethical and spiritual vision of the world. In this panoramic interpretation, the distinguished Milton scholar Gordon Teskey shows how the poet's changing commitments are subordinated to an aesthetic that joins beauty to truth and value to ethics. The art of poetry is rediscovered by Milton as a way of thinking in the world as it is, and for the world as it can be. Milton's early poems include the heroic Nativity Ode; the seductive paired poems "L'Allegro" and "Il Penseroso"; the mythological pageant Comus, with its comically diabolical enchanter and its serious debate on the human use of nature; and "Lycidas," perhaps the greatest short poem in English and a prophecy of vast human displacements in the modern world. Teskey follows Milton's creative development in three phases, from the idealistic transcendence of the poems written in his twenties to the political engagement of the gritty, hard-hitting poems of his middle years. The third phase is that of "transcendental engagement," in the heaven-storming epic Paradise Lost, and the great works that followed it: the intense intellectual debate Paradise Regained, and the tragedy Samson Agonistes."--Publisher's description |
Beschreibung: | 1 online resource (xvii, 619 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780674286740 067428674X |
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245 | 1 | 4 | |a The poetry of John Milton / |c Gordon Teskey. |
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520 | |a "John Milton is regarded as the greatest English poet after Shakespeare. Yet for sublimity and philosophical grandeur, Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe: poets who achieve a total ethical and spiritual vision of the world. In this panoramic interpretation, the distinguished Milton scholar Gordon Teskey shows how the poet's changing commitments are subordinated to an aesthetic that joins beauty to truth and value to ethics. The art of poetry is rediscovered by Milton as a way of thinking in the world as it is, and for the world as it can be. Milton's early poems include the heroic Nativity Ode; the seductive paired poems "L'Allegro" and "Il Penseroso"; the mythological pageant Comus, with its comically diabolical enchanter and its serious debate on the human use of nature; and "Lycidas," perhaps the greatest short poem in English and a prophecy of vast human displacements in the modern world. Teskey follows Milton's creative development in three phases, from the idealistic transcendence of the poems written in his twenties to the political engagement of the gritty, hard-hitting poems of his middle years. The third phase is that of "transcendental engagement," in the heaven-storming epic Paradise Lost, and the great works that followed it: the intense intellectual debate Paradise Regained, and the tragedy Samson Agonistes."--Publisher's description | ||
505 | 0 | |a Part I: Transcendence. On the early poems ; On "L'Allegro" and "Il Penseroso" ; On the work not called Comus ; On engagement in A Masque ; On "Lycidas" as primitive art -- Part II: Engagement. On the interstitial Latin poems and an English fragment ; On the sonnets and shorter poems of the political period ; On the romantics and the principles of Milton -- Part III: Transcendental engagement. On history in Paradise Lost ; On the origin in Paradise Lost ; On the verse of Paradise Lost ; On the sublime in Paradise Lost ; On temptation in Paradise Lost ; On the end in Paradise Lost ; On late style in Paradise Regained and Samson Agonistes -- Appendix I: References and texts -- Appendix II: Chronology of the poems. | |
545 | 0 | |a Gordon Teskey, Professor of English at Harvard University, is a preeminent scholar of Spenser and Milton. | |
588 | 0 | |a Print version record. | |
600 | 1 | 0 | |a Milton, John, |d 1608-1674 |x Criticism and interpretation. |
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650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn911266564 |
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adam_text | |
any_adam_object | |
author | Teskey, Gordon, 1953- |
author_GND | http://id.loc.gov/authorities/names/n88014069 |
author_facet | Teskey, Gordon, 1953- |
author_role | aut |
author_sort | Teskey, Gordon, 1953- |
author_variant | g t gt |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PR3553 |
callnumber-raw | PR3553 .T45 2015eb |
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callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Part I: Transcendence. On the early poems ; On "L'Allegro" and "Il Penseroso" ; On the work not called Comus ; On engagement in A Masque ; On "Lycidas" as primitive art -- Part II: Engagement. On the interstitial Latin poems and an English fragment ; On the sonnets and shorter poems of the political period ; On the romantics and the principles of Milton -- Part III: Transcendental engagement. On history in Paradise Lost ; On the origin in Paradise Lost ; On the verse of Paradise Lost ; On the sublime in Paradise Lost ; On temptation in Paradise Lost ; On the end in Paradise Lost ; On late style in Paradise Regained and Samson Agonistes -- Appendix I: References and texts -- Appendix II: Chronology of the poems. |
ctrlnum | (OCoLC)911266564 |
dewey-full | 821/.4 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 821 - English poetry |
dewey-raw | 821/.4 |
dewey-search | 821/.4 |
dewey-sort | 3821 14 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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genre | Literary criticism fast Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf |
genre_facet | Literary criticism Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
id | ZDB-4-EBA-ocn911266564 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:26:40Z |
institution | BVB |
isbn | 9780674286740 067428674X |
language | English |
oclc_num | 911266564 |
open_access_boolean | |
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owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xvii, 619 pages) |
psigel | ZDB-4-EBA |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Harvard University Press, |
record_format | marc |
spelling | Teskey, Gordon, 1953- author. https://id.oclc.org/worldcat/entity/E39PCjwpwrCGyWTDFVBHMmpRjy http://id.loc.gov/authorities/names/n88014069 The poetry of John Milton / Gordon Teskey. Cambridge, Massachusetts : Harvard University Press, 2015. ©2015 1 online resource (xvii, 619 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file rdaft nat Americans lcdgt Includes bibliographical references and index. "John Milton is regarded as the greatest English poet after Shakespeare. Yet for sublimity and philosophical grandeur, Milton stands almost alone in world literature. His peers are Homer, Virgil, Dante, Wordsworth, and Goethe: poets who achieve a total ethical and spiritual vision of the world. In this panoramic interpretation, the distinguished Milton scholar Gordon Teskey shows how the poet's changing commitments are subordinated to an aesthetic that joins beauty to truth and value to ethics. The art of poetry is rediscovered by Milton as a way of thinking in the world as it is, and for the world as it can be. Milton's early poems include the heroic Nativity Ode; the seductive paired poems "L'Allegro" and "Il Penseroso"; the mythological pageant Comus, with its comically diabolical enchanter and its serious debate on the human use of nature; and "Lycidas," perhaps the greatest short poem in English and a prophecy of vast human displacements in the modern world. Teskey follows Milton's creative development in three phases, from the idealistic transcendence of the poems written in his twenties to the political engagement of the gritty, hard-hitting poems of his middle years. The third phase is that of "transcendental engagement," in the heaven-storming epic Paradise Lost, and the great works that followed it: the intense intellectual debate Paradise Regained, and the tragedy Samson Agonistes."--Publisher's description Part I: Transcendence. On the early poems ; On "L'Allegro" and "Il Penseroso" ; On the work not called Comus ; On engagement in A Masque ; On "Lycidas" as primitive art -- Part II: Engagement. On the interstitial Latin poems and an English fragment ; On the sonnets and shorter poems of the political period ; On the romantics and the principles of Milton -- Part III: Transcendental engagement. On history in Paradise Lost ; On the origin in Paradise Lost ; On the verse of Paradise Lost ; On the sublime in Paradise Lost ; On temptation in Paradise Lost ; On the end in Paradise Lost ; On late style in Paradise Regained and Samson Agonistes -- Appendix I: References and texts -- Appendix II: Chronology of the poems. Gordon Teskey, Professor of English at Harvard University, is a preeminent scholar of Spenser and Milton. Print version record. Milton, John, 1608-1674 Criticism and interpretation. Milton, John, 1608-1674 fast https://id.oclc.org/worldcat/entity/E39PBJfCxg7wC9qpDcMrCdtFrq Milton, John 1608-1674 gnd http://d-nb.info/gnd/118582607 Milton, John, (1608-1674) Critique et interprétation. ram POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Poetry. bisacsh Poésie anglaise 17e siècle. ram Literary criticism fast Criticism, interpretation, etc. fast Literary criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2017026126 Critiques littéraires. rvmgf has work: The Poetry of John Milton (Text) https://id.oclc.org/worldcat/entity/E39PCG7d3PjfrYqjj7wQfHKY4C https://id.oclc.org/worldcat/ontology/hasWork Print version: Teskey, Gordon, 1953- Poetry of John Milton. ©2015 9780674416642 (DLC) 2014040655 (OCoLC)893709321 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1014793 Volltext |
spellingShingle | Teskey, Gordon, 1953- The poetry of John Milton / Part I: Transcendence. On the early poems ; On "L'Allegro" and "Il Penseroso" ; On the work not called Comus ; On engagement in A Masque ; On "Lycidas" as primitive art -- Part II: Engagement. On the interstitial Latin poems and an English fragment ; On the sonnets and shorter poems of the political period ; On the romantics and the principles of Milton -- Part III: Transcendental engagement. On history in Paradise Lost ; On the origin in Paradise Lost ; On the verse of Paradise Lost ; On the sublime in Paradise Lost ; On temptation in Paradise Lost ; On the end in Paradise Lost ; On late style in Paradise Regained and Samson Agonistes -- Appendix I: References and texts -- Appendix II: Chronology of the poems. Milton, John, 1608-1674 Criticism and interpretation. Milton, John, 1608-1674 fast https://id.oclc.org/worldcat/entity/E39PBJfCxg7wC9qpDcMrCdtFrq Milton, John 1608-1674 gnd http://d-nb.info/gnd/118582607 Milton, John, (1608-1674) Critique et interprétation. ram POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Poetry. bisacsh Poésie anglaise 17e siècle. ram |
subject_GND | http://d-nb.info/gnd/118582607 http://id.loc.gov/authorities/genreForms/gf2017026126 |
title | The poetry of John Milton / |
title_auth | The poetry of John Milton / |
title_exact_search | The poetry of John Milton / |
title_full | The poetry of John Milton / Gordon Teskey. |
title_fullStr | The poetry of John Milton / Gordon Teskey. |
title_full_unstemmed | The poetry of John Milton / Gordon Teskey. |
title_short | The poetry of John Milton / |
title_sort | poetry of john milton |
topic | Milton, John, 1608-1674 Criticism and interpretation. Milton, John, 1608-1674 fast https://id.oclc.org/worldcat/entity/E39PBJfCxg7wC9qpDcMrCdtFrq Milton, John 1608-1674 gnd http://d-nb.info/gnd/118582607 Milton, John, (1608-1674) Critique et interprétation. ram POETRY English, Irish, Scottish, Welsh. bisacsh LITERARY CRITICISM Poetry. bisacsh Poésie anglaise 17e siècle. ram |
topic_facet | Milton, John, 1608-1674 Criticism and interpretation. Milton, John, 1608-1674 Milton, John 1608-1674 Milton, John, (1608-1674) Critique et interprétation. POETRY English, Irish, Scottish, Welsh. LITERARY CRITICISM Poetry. Poésie anglaise 17e siècle. Literary criticism Criticism, interpretation, etc. Literary criticism. Critiques littéraires. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1014793 |
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