Music and the Crises of the Modern Subject.:
Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subj...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Indiana University Press,
2015.
©2015 |
| Schriftenreihe: | Musical meaning and interpretation.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by "the subject" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 025301722X 9780253017222 9780253017208 0253017203 |
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| 245 | 1 | 0 | |a Music and the Crises of the Modern Subject. |
| 260 | |b Indiana University Press, |c 2015. | ||
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| 505 | 0 | |a Music and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C♯ minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular. | |
| 520 | |a Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by "the subject" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Lacan, Jacques, |d 1901-1981 |x Philosophy. |
| 600 | 1 | 7 | |a Lacan, Jacques, |d 1901-1981 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC |
| 650 | 0 | |a Music |x Psychological aspects. |0 http://id.loc.gov/authorities/subjects/sh85088812 | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. |0 http://id.loc.gov/authorities/subjects/sh85088808 | |
| 650 | 0 | |a Musical analysis. |0 http://id.loc.gov/authorities/subjects/sh85088952 | |
| 650 | 6 | |a Musique |x Aspect psychologique. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Analyse musicale. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Music |x Psychological aspects |2 fast | |
| 650 | 7 | |a Musical analysis |2 fast | |
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| 758 | |i has work: |a Music and the crises of the modern subject (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGxhgWwQGQphJdDryVyRgC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Erscheint auch als: |n Druck-Ausgabe |t Klein, Michael L. Music and the Crises of the Modern Subject |
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| author | Klein, Michael L. |
| author_GND | http://id.loc.gov/authorities/names/n82027105 |
| author_facet | Klein, Michael L. |
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| contents | Music and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C♯ minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular. |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn911046023 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:26:39Z |
| institution | BVB |
| isbn | 025301722X 9780253017222 9780253017208 0253017203 |
| language | English |
| lccn | 2014047870 |
| oclc_num | 911046023 |
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| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Musical meaning and interpretation. |
| series2 | Musical Meaning and Interpretation |
| spelling | Klein, Michael L. https://id.oclc.org/worldcat/entity/E39PBJmHMQBkwckBqP7GCHJFKd http://id.loc.gov/authorities/names/n82027105 Music and the Crises of the Modern Subject. Indiana University Press, 2015. ©2015 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Musical Meaning and Interpretation Print version record. Music and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C♯ minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular. Departing from the traditional German school of music theorists, Michael Klein injects a unique French critical theory perspective into the framework of music and meaning. Using primarily Lacanian notions of the symptom, that unnamable jouissance located in the unconscious, and the registers of subjectivity (the Imaginary, the Symbolic Order, and the Real), Klein explores how we understand music as both an artistic form created by "the subject" and an artistic expression of a culture that imposes its history on this modern subject. By creatively navigating from critical theory to music, film, fiction, and back to music, Klein distills the kinds of meaning that we have been missing when we perform, listen to, think about, and write about music without the insights of Lacan and others into formulations of modern subjectivity. Includes bibliographical references and index. English. Lacan, Jacques, 1901-1981 Philosophy. Lacan, Jacques, 1901-1981 fast https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC Music Psychological aspects. http://id.loc.gov/authorities/subjects/sh85088812 Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Musique Aspect psychologique. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. bisacsh Music Philosophy and aesthetics fast Music Psychological aspects fast Musical analysis fast Philosophy fast has work: Music and the crises of the modern subject (Text) https://id.oclc.org/worldcat/entity/E39PCGxhgWwQGQphJdDryVyRgC https://id.oclc.org/worldcat/ontology/hasWork Erscheint auch als: Druck-Ausgabe Klein, Michael L. Music and the Crises of the Modern Subject Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1004639 Volltext |
| spellingShingle | Klein, Michael L. Music and the Crises of the Modern Subject. Musical meaning and interpretation. Music and the symptom -- The acoustic mirror as formative of auditory pleasure and fantasy : Chopin's Berceuse, Brahms's Romanze, and Saariaho's "Parfum de l'instant" -- Debussy and the three machines of the Proustian narrative -- Chopin dreams : the Mazurka in C♯ minor as sinthome -- Intermezzo : on agency -- Postmodern quotation, the signifying chain, and the erasure of history -- Lutoslawski, molar and molecular. Lacan, Jacques, 1901-1981 Philosophy. Lacan, Jacques, 1901-1981 fast https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC Music Psychological aspects. http://id.loc.gov/authorities/subjects/sh85088812 Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Musique Aspect psychologique. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. bisacsh Music Philosophy and aesthetics fast Music Psychological aspects fast Musical analysis fast Philosophy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088812 http://id.loc.gov/authorities/subjects/sh85088808 http://id.loc.gov/authorities/subjects/sh85088952 |
| title | Music and the Crises of the Modern Subject. |
| title_auth | Music and the Crises of the Modern Subject. |
| title_exact_search | Music and the Crises of the Modern Subject. |
| title_full | Music and the Crises of the Modern Subject. |
| title_fullStr | Music and the Crises of the Modern Subject. |
| title_full_unstemmed | Music and the Crises of the Modern Subject. |
| title_short | Music and the Crises of the Modern Subject. |
| title_sort | music and the crises of the modern subject |
| topic | Lacan, Jacques, 1901-1981 Philosophy. Lacan, Jacques, 1901-1981 fast https://id.oclc.org/worldcat/entity/E39PBJr3v684f4qtydVVBBBkjC Music Psychological aspects. http://id.loc.gov/authorities/subjects/sh85088812 Music Philosophy and aesthetics. http://id.loc.gov/authorities/subjects/sh85088808 Musical analysis. http://id.loc.gov/authorities/subjects/sh85088952 Musique Aspect psychologique. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. bisacsh Music Philosophy and aesthetics fast Music Psychological aspects fast Musical analysis fast Philosophy fast |
| topic_facet | Lacan, Jacques, 1901-1981 Philosophy. Lacan, Jacques, 1901-1981 Music Psychological aspects. Music Philosophy and aesthetics. Musical analysis. Musique Aspect psychologique. Musique Philosophie et esthétique. Analyse musicale. MUSIC Instruction & Study Theory. Music Philosophy and aesthetics Music Psychological aspects Musical analysis Philosophy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1004639 |
| work_keys_str_mv | AT kleinmichaell musicandthecrisesofthemodernsubject |